Will Calhoun – Life in This World

will calhoun

Title: Life in This World

Artist: Will Calhoun

Label: Motéma Music

Formats: CD, MP3

Release date: May 14, 2013



Living Colour’s Will Calhoun was not weaned on rock ‘n’ roll. The talented drummer grew up listening to his father’s bebop records and later attended the Berklee School of Music to study jazz. Shortly thereafter he meant Vernon Reid, and the rest as they say is history. After musical explorations that have taken him from the hard rock landscape of Living Colour to the heavy grooves of Jungle Funk to the underground hip hop of Mos Def, interspersed with extensive studies in Africa, Calhoun has returned to the post-bop jazz of his previous solo efforts.

On his new album, Life in This World, Calhoun expresses the sonic world of his experiences: the jazz and world music that influences and inspires him. Blazing his way through a range of covers, he reinterprets Cole Porter’s “Love for Sale,” Tony Williams’s “Spectrum,” Wayne Shorter’s “Etcetera” (featuring veteran bassist Ron Carter), Thelonious Monk’s “Evidence” which he flips from 4/4 to 6/8, and Coltrane’s “Naima,” where he adds Brazilian beats on cajon and water drum. But there’s plenty of new material as well. Labelmate Charnett Moffett (whose new CD is also featured in this issue) penned the opening track and apparent Calhoun tribute “Brother Will.” “Afrique Kan’e,” arranged with guest Brehima “Benego” Diakate, is their interpretation of a traditional Mali tune featuring Diakate on the six-stringed kamele ngoni. And Calhoun contributes several of his own compositions, including “Abu Bakr II,” “Dorita,” and“Love’s Parody.”

According to the liner notes by Columbia University Professor C. Daniel Dawson, all of the tracks on the album were first takes and, as producer, Calhoun made sure the drums and bass (performed variously by Carter, Moffett, Doug Wimbish, Alioune Wade, and John Benitez) are center stage, not “locked in a closet.” Make no mistake, this is a drummers album, set to showcase “how magical a beautifully tuned set of drums can sound when impeccably recorded.” And magical it is! Kudos to Will Calhoun along with Ron Saint Germain (who mixed the album) and the rest of the band (Marc Cary and Cheick Tidiane Seck on keyboards, Donald Harrison on sax, and Wallace Roney on trumpet).

Reviewed by Brenda Nelson-Strauss