Welcome to the March 2020 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. In honor of Women’s History Month, we’re highlighting new releases from female artists across multiple genres and countries.
Virtuosic saxophonist Lakecia Benjamin offers a powerful tribute to Alice and John Coltrane on her newest release Pursuance: The Coltranes; singer/pianist and Prince protégé Kandace Springs honors some of the greatest female vocalists of all time on The Women Who Raised Me; Syleena Johnson offers a timely, soulful ode to womanhood on Woman; jazz vocalist Lulu Fall reflects upon her African heritage on Between Two Worlds; pianist Judith Olson introduces the classical compositions of a noted jazz musician on Urban Counterpoint: The Piano Music of Ed Bland; jazz vocalist La Tanya Hall explores a wide range of musical gems on Say Yes; and Haitian songstress Moonlight Benjamin offers her latest fusion of rock and Afro-Caribbean music on Simido.
New gospel releases include Isaac Carree’s No Risk No Reward and Rev. John Lee Hooker Jr.’s gospel-blues album Testify, while new jazz releases include Music From and Inspired by “Miles Davis: Birth of the Cool” Film and Brazilian legend Sérgio Mendes’ In the Key of Joy.
Wrapping up this issue is a review of the new book by media historian Tim Brooks, The Blackface Minstrel Show in Mass Media: 20th Century Performances on Radio, Records, Film and Television and our list of February 2020 Black Music Releases of Note.