Welcome to the April 2021 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.
In honor of Jazz Appreciation Month, we’re highlighting new releases from a wide variety of artists. Included in our selection is the late pianist Hasaan Ibn Ali’s previously unreleased 1965 session Metaphysics: The Lost Atlantic Album; Chicago trumpet player Marques Carroll’s The Ancestors’ Call; New Orleans-born pianist Jon Batiste’s multi-genre, multi-generational We Are; Kansas City-born saxophonist Logan Richardson’s AfroFuturism; jazz-soul organist Dr. Lonnie Smith’s Breathe; Chicago visionary Damon Locks & Black Monument Ensemble’s NOW; and guitarist Dan Wilson’s Vessels of Wood and Earth.
Other selections include African American folk musician Rhiannon Giddens’ They’re Calling Me Home; vocal legend Merry Clayton’s return to her gospel roots on Beautiful Scars; classical avant-punk duo String Noise’s Alien Stories featuring newly commissioned works from five young Black composers; New Orleans’ group Cha Wa’s tribute to Mardi Gras Indians on My People; and Democratic Republic of Congo group Jupiter & Okwess’s Na Kozonga featuring the Preservation Hall Jazz Band horn section.
Wrapping up this issue is our list of March 2021 Black Music Releases of Note.