Format: Book with CD
Catalog No.: DTD-13
Release Date: May 26, 2009
Dust-to-Digital has done it again. The company that produced Goodbye Babylon, a wonderful historical CD set of early gospel recordings lovingly tucked into a wooden crate packed with genuine southern cotton, has followed up with another unique gospel offering. Take Me to the Water: Immersion Baptism in Vintage Music and Photography 1890-1950 is half picture book, half liner notes in the form of a hardcover book with an accompanying CD affixed inside the back cover.
The bulk of the 96-page book features beautifully reproduced sepia-toned photographs of “immersion baptism” from the collection of Jim Linderman; that is, out-of-doors full body immersion in lakes and rivers, often en masse. Included are some extremely rare, early images of African American baptisms such as the panorama stretching across the back and front covers labeled “Black Billy Sunday, Indianapolis, Aug. 3, 1919, Baptising at Fall Creek” (one of the few images with such a complete identification). A brief essay by Luc Sante provides the context necessary to understand the images, including a general history of baptism, an overview of the featured denominations, and a description of the settings and emotionally charged states of the participants.
Now, on to the music. The 25 “Songs and Sermons” on the accompanying CD are “derived from extremely rare records” from the collections of Steven Lance Ledbetter (Dust-to-Digital’s owner/producer) and legendary record collector Joe Bussard, among others, and ” have been remastered to produce the best possible sound.” Ledbetter also wrote the accompanying liner notes, included at the end of the book. The tracks, of course, all have a baptism/water theme, including various renditions of “Wade in the Water” (a few also appeared on Goodbye Babylon). Selections range from such African American heavyweights as the Rev. J. M. Gates (his singing sermon “Baptize Me” from 1926) to lesser known artists such as Moses Mason (“Go Wash in the Beautiful Stream’) and Rev. E. D. Campbell (“Take Me to the Water”). White southern gospel artists include the Carter Family (“On My Way to Canaan’s Land”), the Carolina Tar Heels (“I’ll Be Washed”), and Ernest Stoneman’s Dixie Mountaineers (“Down to Jordan and Be Saved”).
Together, the photographs and music make a stunning package. As Sante states in his essay, “Whether you have ever actually experienced a baptism or not, whether you are a believer or not, these pictures and the music that accompanies them transmit all the emotional information: the excitement and the serenity, the fellowship and the warmth, the wind and the water.”
Reviewed by Brenda Nelson-Strauss