Rev. Juan D. Shipp was the force behind many Black gospel recordings emanating from Memphis, Tennessee in the 1970s. A pastor at the Greater Abyssinia Missionary Baptist Church, Shipp also had a gospel radio show on K-WAM, where he spun gospel quartet records as “Juan D.” Believing that “local artists deserve a better sound,” he formed a relationship with Clyde Leoppard, a former Sun Studio drummer who owned Tempo Recording Studio in downtown Memphis. Shipp began recording and releasing professional quality singles for many local and regional gospel groups on his own small boutique label, D-Vine Spirituals. Soon business was booming, and he spun off a secondary label, JCR, for up-and-coming artists who wanted to press a record but didn’t make the D-Vine cut. Seventeen of these tracks are featured in The Last Shall Be First: the JCR Records Story, Volume 1, which was produced by Rev. Shipp.
Those who have read Tim Brooks’ new book, The Blackface Minstrel Show in Mass Media: 20th Century Performances on Radio, Records, Film and Television, will no doubt be interested in this new release from Archeophone Records. The two disc set, At the Minstrel Show, features 51 selections recorded in the studio from 1894-1926 and represents the first compilation to deal authoritatively with the minstrel genre as a whole. While Brooks discussed most of these recordings at length in his book, he also penned an extensive essay and track-by-track liner notes in the 56-page illustrated booklet accompanying At the Minstrel Show. Before delving further into the content, it should be noted that some of the performances on this set contain racially derogatory language. From a scholarly perspective, however, these recordings provide the earliest aural documentation for those studying the genre.
Vocalists have played a notable role in the history of jazz, including women such as Bessie Smith, Billie Holiday, and Sarah Vaughn, who collectively defined vocal artistry in the ongoing jazz tradition. Ella 100: Live at the Apollo! showcases the continuing role of today’s artists, vibrantly celebrating the 100th birthday of another legendary jazz vocalist, Ella Fitzgerald. This recording of the Ella Fitzgerald tribute concert on October 22, 2016, transports you to the stage of the Apollo Theater in New York City, the site of Ella’s performing debut in an amateur contest when she was only seventeen years old. The selections are drawn from Ella’s recording legacy, which extends from her first recording with Chick Webb’s Orchestra on June 12, 1936 for Decca Records to her final complete album recorded for Pablo Records on March 20 & 22, 1980. This represents a span of 44 years, which is truly remarkable for any artist.
The songs and spoken excerpts that comprise Bound for the Promised Land: Songs and Words of Equality and Freedom were performed live during the Atlanta Music Festival in 2016 at Ebenezer Baptist Church and Glenn Memorial Auditorium at Emory University. The Atlanta Music Festival was first created in 1910 after the Atlanta Race Riots and revived in 2001 by Pastor Dwight Andrews. The purpose of the festival at its inception was to introduce the world to renowned African American concert musicians. The music featured on Bound for the Promised Land does not disappoint and holds true to the original mission of the festival, with works by Dorothy Rudd Moore, T. J. Anderson, Duke Ellington, John Carter and Adolphus Hailstork. Guest artists include the late soprano Jessye Norman, who performs on four songs, tenor Timothy B. Miller, and narrators Taylor Branch and Rev. Robert M. Franklin, Jr.
Title: Jubilee Showcase Artist: Various Label: Time-Life Music Formats: Digital Release date: January 17, 2020
Chicago was the birthplace of two of the earliest gospel music television series. The half hour syndicated show TV Gospel Time aired on NBC Sunday mornings from 1962-1965, and a 2-DVD set of selected programs was released in 2010 under the title Soul of the Church. Now, ten years later, Time-Life Music is releasing “36 raw, live performances” from the more famous Emmy® Award winning series, Jubilee Showcase. Created and hosted by Sid Ordower, a Jewish civil rights and labor activist, Jubilee Showcase aired on ABC’s Chicago affiliate, WLS Channel 7, from 1963 to 1984. These programs introduced gospel music and Black culture in general to a much broader audience during the peak years of the Civil Rights Movement.
Not feeling the love this Valentine’s Day? Are you experiencing a relationship that has gone sour? Let the sisters set you free! You’re Not Gonna Hurt Me was compiled “to empower women to kiss off those men that don’t treat them with the utmost respect they deserve.” Featuring 15 classic soul tracks “performed by powerful women with powerful voices delivering a powerful message,” this album “serves as a scathing anti-Valentine’s Day card.” Included are songs such as ‘You’re the Dog (I Do the Barking Myself)” by Irma Thomas, “Lot More of Me Leaving (Less of Me Coming Home)” by Ruth Brown, and “Divorce Decree” by Doris Duke, plus gems by lesser known artists like “I’m Moving On” by Chyvonne Scott and “Casanova (Your Playing Days Are Over)” by Ruby Andrews. All tracks have been newly re-mastered for this release.
Two time Grammy award winner and hip hop artist Speech Thomas and his band Arrested Development have spent the past few decades touring the world, seeking out opportunities to address social and racial justice issues. Since the release of their triple platinum debut album, 3 Years, 5 Month & 2 Days in the Life of (1993), they have created many different projects and facilitated opportunities for various communities. The documentary 16 Bars, currently screening on the film festival circuit, is the fruition of one of the most ground breaking projects they have released yet. The film follows the journey of Thomas and his band members as they work with inmates at the Richmond City Jail to produce written and recorded narratives about the complex issues of the criminal justice system, including the social and economic effects it has on the families these men were taken away from. In the words of Speech Thomas, “these men are behind bars… but their voices have to be heard.”Continue reading →
The hill country around Como, Mississippi produced several significant country blues artists. Less than an hour south of Memphis, the relatively isolated region also gave birth to a unique blues style that was distinct from the more popular Delta blues tradition. This new compilation from Wolf Records includes both well-known and lesser-known artists from Como, including Fred McDowell, Jessie Mae Hemphill, Eli Green, Ranie Burnette and Othar Turner—all born between 1901-1923. R.L. Boyce, the last living bluesman in Como and Othar Turner’s nephew, represents the younger generation.Continue reading →
That special time of year has come around again, filling everyone with holiday cheer. But nothing has the ability to spread Christmas spirit quite like music does. Following are brief reviews of what we believe to be the best holiday albums so far this year, featuring releases from Keb’ Mo’, Jazz at Lincoln Center Orchestra, The McCrary Sisters, Elijah Blake, Jonathan Butler, and Mariah Carey. We hope these selections provide the perfect soundtrack for everyone’s holiday season.Continue reading →
From the first glance at the photograph on the 2020 calendar and booklet of the accompanying CD, our staff at the AAAMC was taken in by Blues Images’ 17th volume of classic blues songs and art. In the photograph, a youthful B.B. King stands at a WDIA station microphone in front of a wall advertisement for 51 Beer. With extensive black radio materials in the AAAMC’s special collections, we couldn’t help but get excited about this connection to our collections and our online exhibit about the Golden Age of Black Radio (including some great content focusing on WDIA).Continue reading →
Produced by Earwig Music Company’s Michael Robert Frank, Cadillac Baby’s Bea & Baby Records: The Definitive Collection is hands down one of the best box sets of the year. The beautifully produced hard cover book includes four CDs inserted into the front and back covers, while the lavishly illustrated inner pages tell the story of the Chicago based independent record company owned by Narvel Eatmon, a colorful character better known on the South Side as “Cadillac Baby.” Frank began this labor of love in 2006 when he purchased the entire catalog and archive of the Bea & Baby label, with the goal of sharing Cadillac Baby’s musical legacy with the rest of the world. The result is this comprehensive anthology which includes all released and unreleased tracks (with a couple of exceptions), ranging from urban and country blues, gospel, doo-wop, soul, and comedy, to rap. Along the way, Cadillac narrates his own story through six spoken word tracks interspersed throughout the collection. Other “expert witnesses” from Chicago include Jim O’Neal (Living Blues magazine), Bill Dahl, and Robert M. Marovich (Journal of Gospel Music), who all contributed to the informative liner notes.Continue reading →
Reggae fans will appreciate the new limited edition box set, Down in Jamaica: 40 Years of VP Records, which “tells the story of a continually owned and operated family business at the heart of the global growth of reggae, dancehall, and Caribbean music.” Founded by Vincent and Patricia Chin, VP Records was started as Randy’s Record Mart, a record store in Kingston, Jamaica, and over the years grew into the world’s largest reggae music company. This 94-track anthology focuses on singles released by the esteemed label and its more obscure sublabels, offering many rare gems that have long been out of print. In addition to well-known musicians on the VP roster who are still active such as Barrington Levy, Yellowman, Shaggy, and Beenie Man, there are many tracks from earlier artists such as “Gi Mi Di Weed” by Jigsy King, “Lots of Signs” by Tenor Saw, and “Roots Natty Congo” by Johnny Clarke. This bountiful package includes a 24-page booklet that tells the history of the label, as well as four 7-inch singles, four 12-inch singles, and four CDs. If you want an overview of reggae and dancehall music from the 1980s to present, this is an excellent place to begin, but act fast because only 2000 copies have been published.Continue reading →
From Finnish label Svart Records comes Brutal Africa: The Heavy Metal Cowboys of Botswana. This compilation of six bands from across Botswana explores the thriving, yet often unrecognized heavy metal scene of the country. The name Brutal Africa is likely inspired by brutal metal, a sub-section of metal music that is played by some of the bands on this recording.Continue reading →
Title: The Warrior Women of Afro-Peruvian Music
Label: Just Play
Formats: CD, Digital
Release Date: July 19, 2019
Since its founding in 2014 by executive producer and bassist Matt Geraghty, Just Play has highlighted artists in New Orleans, Havana, and San Juan in an attempt to capture cross-cultural musical collaborations. The Warrior Women of Afro-Peruvian Music is the first release in the label’s exploration of the Peruvian music scene. For this venture, the producers brought a group of talented, yet often underappreciated, Afro-Peruvian singers and percussionists into the studio to perform together for the first time.Continue reading →
Title: Black Swans
Release date: August 23, 2019
As many readers are no doubt aware, Black Swan was the first major record label in the country to be owned and run by African Americans for the exclusive promotion of Black artists. Founded in 1921 during the Harlem Renaissance by publisher Harry Pace, the company also involved other luminaries: a young Fletcher Henderson served as recording director and de facto accompanist, William Grant Still was hired as composer/arranger, and W.E.B. DuBois was an early investor. At a time when white-owned labels were developing “race” series and limiting Black artists to recording blues, jazz, and gospel music, Black Swan expanded its catalog to include classical singers and instrumentalists, documenting the performance practices of a phenomenal group of concert artists. Now, almost 100 years later, Black Swan classical 78s are very rare and most have neverbeen reissued! This groundbreaking new compilation, Black Swans, includes the first recordings of black classical artists from the label’s short-lived 7100 operatic series, in addition to other rarities.Continue reading →
Drummer, songwriter, and producer Twist Turner has worked for nearly six years on his latest project, Battle of the Blues: Chicago vs Oakland. Not only did this certified blues man write 11 original tracks and play the drums for the album, but he also mixed and produced it for his own label, Delta Roots Records. According to Turner, the project was originally inspired by his desire to “produce a recording of the unknown and underappreciated blues men and women of the Bay Area.” Oakland, an often-overlooked focal point of the West Coast blues and jazz scenes, was Turner’s home for six years. After relocating to Chicago, however, Turner expanded the project to also highlight seasoned blues artists from both of his home cities.Continue reading →
Putumayo World Music, the record label known for its joyful compilations of international music, has released its newest project, World Peace. Inspired by John F. Kennedy’s historic “peace speech” of 1963 that eased Cold War tensions, World Peace draws upon the speech’s themes of ending excessive militarism and “making the world safe for diversity.”Continue reading →
The New Orleans Jazz & Heritage Festival’s new box set, Jazz Fest, is a grand 50th anniversary celebration. Curated by Jazz Fest and Smithsonian Folkways, this compilation includes 50 tracks culled from live performances—one song for each year of the festival’s existence—as well as announcements intermixed throughout the collection. The set features prominent New Orleans artists like Allen Toussaint, Kermit Ruffins, Irma Thomas, Professor Longhair, Trombone Shorty, Dr. John, Stanley Joseph Dural Jr. (a.k.a Buckwheat Zydeco), The Zion Harmonizers, Big Freedia, and The Neville Brothers, and many others, all while exploring the Fair Grounds as a space where music genres such as traditional New Orleans jazz, blues, zydeco, Cajun, and bounce music converge to create a unique and rich experience.Continue reading →
Recorded live in Nashville in 2015, On the Corner Live!: The Music of Miles Davis features five top artists reimagining the music of Davis, sans trumpet. Rather than duplicating the tracks on Davis’s 1972 jazz fusion album On the Corner, the musicians have selected various tunes from the Miles Davis catalog. The mastermind behind this project is saxophonist Jeff Coffin, who brought in Dave Leibman, soprano and tenor saxophonist on the original album and a member of Davis’s band from 1970–1974. Joining Coffin and Leibman is Nashville session musician James DaSilva on guitar, the amazing Victor Wooten on electric bass, Chris Walters on keyboards, and Chester Thompson (Weather Report, Genesis) on drums. As one might expect, this band displays some crazy synergy.Continue reading →