Tower of Power – Step Up


Title: Step Up  
Artist: Tower of Power  
Label: Artistry/Mack Avenue   
Formats: CD, LP, Digital  
Release date: March 20, 2020


After 50 strong years of music making, Tower of Power is back with their 30th album, Step Up. Known for their wall of sound horn-driven funk, the multi-instrumentalist ensemble has been performing and creating music since the late 1960s under the direction of bandleader and tenor saxophonist Emilio Castillo. A Detroit native, Castillo moved to Oakland, CA where he met baritone sax player Stephen “Doc” Kupka, and they formed a band that would soon become known as Tower of Power. After famous concert promoter Bill Graham heard the group perform at the Fillmore in 1970, he signed them to his label and their debut album, East Bay Grease, was released that same year.  

Continue reading

Great American Soul Book

Title: Great American Soulbook

Artist: Tower of Power

Label: TOP Records

Format:  CD

Catalog No.: TWWZ 300205

Release date: April 7, 2009

Whenever a band is defined as having a powerfully distinctive sound there’s a lot more going on than just great individual playing.  Often such a scenario involves a combination of exceptional musicians and singers; masterful arranging and studio engineering techniques; time allotted for musicians and singers to jell and become a unified voice; and someone who provides directive oversight to steer and fine tune these elements into a cohesive unit of sound and energy.  For 40 years, Tower of Power (TOP) has managed to bring these elements together to create their own brand of soul music, unquestionably establishing the band at the top of their game.

In 1968, TOP founders Emilio Castillo (tenor saxophonist) and Stephen “Doc” Kupka (baritone saxophonist), the steering duo behind the band’s success, took their cues from Sly & the Family Stone, Bobby “Blue” Bland, Booker T. & the MG’s and other 1960s masters of soul, funk, and pop musicians to establish their own sound.  They added their original songs, a powerful line up of musicians in the rhythm and horn sections, equally robust lead and supporting singers, and especially rock-solid horn arrangements that gave TOP its signature sound.  Regardless of the inevitable changes over the decades in the band’s membership, Castillo says “We have a definite style to the way we approach section work, we clip our notes, we get very tight. We’ve got to have this “ESP” going between the guys as far as how to interpret certain horn licks.”

For 25 years Greg Adams has defined TOP’s tight horn arrangements, inflecting a mixture of percussive and soulful linear accents above the infectious grooves of the rhythm section.  The arrangements have been esteemed by a significant number of leading pop, rock, blues and soul musicians–including Bonnie Raitt, Aerosmith, and Little Feat– who have hired the horn section and used the band’s arrangers to boost their own sound.

The group’s latest release, The Great American Soulbook, stays the course. The tracks are infused with TOP’s trademark powerhouse arrangements and rhythm section grooves, while also venturing into new territory with soul and funk covers originally performed by Otis Redding, Aretha Franklin, Stevie Wonder, James Brown, and Marvin Gaye, among others.

Castillo produced nine songs on the CD, while four more were under the direction of L.A. funk master George Duke.  The majority of the horn arrangements are under the control of Greg Adams’ protégé, Dave Eskridge.  TOP’s current lead vocalist, Larry Braggs, delivers tremendously stirring solo performances on most of the songs. The group is also joined by four equally stellar vocal guest talents: Tom Jones sings Sam & Dave’s “I thank You;”  Joss Stone joins Braggs for duos on “It takes Two” and “Your Precious Love;” Sam Moore delivers a laid back rendition of “Mr. Pitiful;” and Huey Lewis croons Wilson Pickett’s “634-5789.”  Overall, The Great American Soulbook is a great album and the perfect start to summer.

Posted by Karen Faye Taborn