This month we’re featuring Holy hip hop, also known as Christian rap or gospel rap, which blends the musical style and aesthetics of rap/hip hop with overtly Christian lyrics. To learn more about this subgenre of hip hop, be sure to check out the post “Holy Hip Hop 101,” as well as reviews of new CDs by Holy hip hop artists Sha Baraka, FLAME, Phanatak, and shai linne. The Sound of Philadelphia is explored in reviews of two new Legacy releases: Conquer the World: The Lost Soul of Philadelphia International Records, and a compilation of Gamble & Huff’s Greatest Hits. A big “thumbs up” is given to Palmystery, the new solo CD by bass player Victor Wooten, perhaps best known for his work with Béla Fleck and the Flecktones. Though we gave Miles Davis’s The Complete on the Corner Sessions a brief mention in our “Best of 2007” line-up, we’re running a complete review in this issue. Also featured is The Great Debaters Soundtrack, with contributions by the Carolina Chocolate Drops; The Manchester Free Trade Hall 1964 performance by Rev. Gary Davis; and John Work, III: Recording Black Culture, which sheds new light on the field recordings made by the Fisk University professor.
Tag Archives: shai linne
The Atonement
Title: The Atonement
Artist: shai linne
Label: Lamp Mode Recordings
Format: available for download
Date: 2008
Born and raised in Philadelphia, shai linne has a background in theater and the arts. Influenced by Run-DMC and Grand Master Flash, he was fully immersed in hip-hop culture from a young age. The Atonement is shai linne’s first solo album release and is produced by Lamp Mode Recordings, a small, independent Philadelphia record label which represents HHH artists linne, timothy brindle, Stephen the Levite, Evangel, deejay essence, and Hazakim.
The production of shai linne’s album is not as varied or “clean” as the other Holy Hip Hop albums reviewed in this issue. The Atonement is based more on the use of samples and incorporates the noise from record grooves. These facts, in combination with shai linne’s poetic (almost spoken word) rapping style, suggests an aesthetic choice to create more of an “underground” and less of a “pop” or “dance” vibe to the CD. Therefore, this does not appear to signal any regional differences since Cross Movement Records (CMR) is also based in Philadelphia, yet its releases are similar in style to those of Dallas based Reach Records (RR). Rather, these traits-the use of cleaner production, varied musical styles between tracks, and a general mirroring of mainstream hip-hop albums-suggest that the CMR and RR are well-established and financially sound record labels that are reaching large audiences.
In terms of musical style, shai linne’s vocals are more understated, laid back, and consistent when compared to FLAME and Sho Baraka, whose voices are more chameleon-like, varying from track to track and moving in and out of various styles. Each of these artists is deeply personal in his lyrical observations and reflections on personal stories, struggles, and identities while critiquing the problems of the world, non-Christian behaviors, and the church, itself. shai linne boasts about Christianity while simultaneously suggesting the meaninglessness of secular rap lyrics. In “Jesus is Alive” he raps, “Looking for the body of Jesus you won’t find it / we never lack spirit / letting you cats hear it / ‘cause his tomb is empty like most secular rap lyrics.” As with FLAME, shai linne’s perspective is similarly inspired by Calvinist theology as he references the concepts of total depravity (from “In Adam All Die”) and election (from “Jesus is Alive”).
Finally, it is worth noting the common practice of collaboration on tracks from the four Holy Hip Hop albums reviewed in this issue. In fact, shai linne appears as a guest artist on FLAME’s album while the popular Christian rap artists Trip Lee and Lecrae, among others, both appear on FLAME and Sho Baraka’s albums. Similarly, each album includes audio samples of male preachers delivering sermons. This integration further showcases each artist’s personal relationship to the ecclesial world.
Posted by Mike Lee