Following are additional albums released during May 2020 across multiple genres—some will be reviewed in future issues of Black Grooves.Continue reading
Following are additional albums released during January 2020 across multiple genres—some will be reviewed in future issues of Black Grooves.Continue reading
Following are additional albums released during December 2019 across multiple genres—some will be reviewed in future issues of Black Grooves. Continue reading
Following are additional albums released during November 2019 across multiple genres—some will be reviewed in future issues of Black Grooves. Continue reading
Following are additional albums released during October 2019 across multiple genres—some will be reviewed in future issues of Black Grooves. Continue reading
Following are additional albums released during September 2019 across multiple genres—some will be reviewed in future issues of Black Grooves. Continue reading
Welcome to the September 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.
Our featured projects this month are Black Swans, a compilation featuring some of the rarest recordings of African American concert artists from the early 20th century, and My Mind Set Me Free: The House Guests Meet the Complete Strangers featuring early 1970s recordings by Bootsy and Phelps “Catfish” Collins along with other members of the rhythm section that famously backed James Brown (The J.B.’s), George Clinton (Funkadelic), and Bootsy Collins (Bootsy’s Rubber Band).
Featured jazz releases include Jazzmeia Horn’s sophomore album Love and Liberation, Wynton Marsalis’s Swing Symphony performed by Jazz at Lincoln Center Orchestra with the St. Louis Symphony Orchestra, the James Carter Organ Trio’s Live From Newport Jazz, pianist Jon Batiste’s Anatomy of Angels: Live at the Village Vanguard, and the new Louis Armstrong compilation Live in Europe.
Other new releases include slam poet/rapper Saul Williams’ Encrypted and Vulnerable, Raphael Saadiq’s poignant Jimmy Lee, and Battle of the Blues: Chicago vs Oakland, Twist Turner’s tribute to underappreciated blues men and women from both cities. Wrapping up this issue is our list of August Black Music Releases of Note.
Following are additional albums released during August 2019—some will be reviewed in future issues of Black Grooves. Continue reading
Welcome to the August 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.
Our featured projects this month include The Americus Brass Band’s Tribute to James Reese Europe’s Harlem Hell Fighters’ Band on the 100th Anniversary of the Pathé Recordings in which they recreate the music performed during the 1919 recording sessions, and Florence Beatrice Price’s Symphonies No. 1 and No. 4 performed by the Fort Smith Symphony under the direction of John Jeter.
Jazz releases include bassist Avery Sharpe’s 400: An African American Musical Portrait, bassist Charnett Moffett’s Bright New Day, the New Orleans-based Soul Brass Band’s Levels, and Damon Locks Black Monument Ensemble’s Where Future Unfolds. Other cross-genre projects include Chicago poet-musician Avery R. Young’s Tubman and Ranky Tanky’s exploration of Gullah heritage on their sophomore album Good Time. Blues releases include Zac Harmon’s Mississippi BarBQ and Mary Lane’s Travelin’ Woman.
Following are additional albums released during July 2019—some will be reviewed in future issues of Black Grooves. Continue reading
Welcome to the July 2019 Summer Rocks issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.
This month we’re featuring albums that represent the many permutations of rock, from the Black rock power trio Hundred Watt Heart (ft. “Captain” Kirk Douglas of The Roots) on Turbulent Times, to the three volume 20th Anniversary Mixtapes: Groiddest Schizznits from Burnt Sugar The Arkestra Chamber, to the roots of rock and roll on the Bear Family compilation Little Junior Parker Rocks, to the desert rock of Malian artist Oumar Konate on I Love You Inna, to the rocking zydeco of Dwayne Dopsie on Bon Ton. Also included in this line-up are a slew of debut albums from up and coming bands: Made In Pieces from the UK’s six piece collective Pieces of a Man; self-titled releases from Austin’s Black Pumas and New York rock and soul group John The Martyr; the solo side project Nothing to Say from Alan Evans (Soulive); Believe from self-proclaimed punk empress Cole Williams; Samsara from the Austin band Los Coast; and Cousin From Another Planet from Aaron Whitby featuring Martha Redbone, Lisa Fischer and Tamar Kali.
Jazz releases include the Wayne Wallace Latin Rhythm Jazz Quintet’s The Rhythm of Invention and tenor-saxophonist Jordon Dixon’s On! Our classical pick of the month is pianist-composer Stewart Goodyear’s Gershwin & Goodyear and our gospel pick is Kirk Franklin’s Long Live Love.
Following are additional albums released during June 2019—some will be reviewed in future issues of Black Grooves. Continue reading
Welcome to the June 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. This month we’re celebrating the 40th anniversary of African American Music Appreciation Month, originally designated Black Music Month by President Jimmy Carter in 1979. In our efforts to preserve and promote the legacy of Black music, we’re featuring new releases across multiple genres by artists both new and iconic.
Jazz releases include the New Orleans Jazz & Heritage Festival’s 50th anniversary 5-CD set, Jazz Fest, Wynton Marsalis’s Bolden: Music from the Original Soundtrack, the latest Wes Montgomery compilation Back on Indiana Avenue: The Carroll DeCamp Recordings from Resonance Records, trumpeter Theo Croker’s Star People Nation, jazz harpist Brandee Younger’s Soul Awakening, the Marcus Shelby Orchestra’s Transitions featuring the new suite “Black Ball: The Negro Leagues and the Blues,” saxophonist Elan Trotman’s Marvin Gaye tribute Dear Marvin, and Sam Newsome’s Chaos Theory: Song Cycles for Prepared Sax.
New releases from iconic artists include Mavis Staples’ We Get By, The Last Poets’ Transcending Toxic Times, and Dionne Warwick’s She’s Back. Other R&B/soul releases include Jamila Woods’ Legacy! Legacy! highlighting legendary Black artists, Rahsaan Patterson’s Heroes & Gods, and the 50th anniversary reissue of Stax Records’ Soul Explosion.
Also celebrating a 50th anniversary is the Gospel Music Workshop of America Detroit Chapter’s Bringing It Back Home. Other featured releases include Winged Creatures and Other Works for Flute, Clarinet and Orchestra performed by the talented brothers Anthony McGill and Demarre McGill, young blues prodigy Christone “Kingfish” Ingram’s debut Kingfish, Keb Mo’s Americana blues album Oklahoma, and L.A. rapper Choosey’s collab with producer Exile on Black Beans. Wrapping up this issue is our list of May 2019 Black Music Releases of Note.
Welcome to the May 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. Our featured title this month is Rhiannon Giddens’ third solo album, there is no Other, which speaks to the practice of “othering people” for economic and political gain.
New R&B/soul music releases include albums from both veterans and rising stars: the O’Jays’ first studio album in 15 years, The Last Word; Durand Jones & The Indications sophomore album American Love Call; Memphis band Southern Avenue’s sophomore album Keep On; British singer/songwriter/cellist Ayanna Witter-Johnson’s classical-infused Road Runner; and Canadian soul star Tanika Charles’ The Gumption.
Rolling Stones’ back-up singer Bernard Fowler presents Inside Out, featuring covers of classic and lesser known Stone’s songs in a spoken word style, and the New Orleans Jazz Orchestra offers the tribute album Songs: The Music of Allen Toussaint.
Gospel music releases include Earl Bynum’s This Song’s For You, The Tommies Reunion (aka Thompson Community Singers) self-titled album, and Live on the East Coast from Florida sacred steel group The Lee Boys.
Wrapping up this issue is our list of April 2019 Black Music Releases of Note.
Welcome to the November 2018 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.
This month we’re featuring three new jazz releases including trumpeter Ambrose Akinmusire’s Origami Harvest, drummer Makaya McCraven’s Universal Beings, and the eponymous debut album from Christian McBride’s New Jawn.
In honor of Bill Withers’ 80th birthday, two artists have released tributes to the legendary singer-songwriter: José James’ Lean On Me and Anthony David’s Hello Like Before: The Songs of Bill Withers. The late soul singer Charles Bradley is remembered on the posthumous release Black Velvet, while the late Ohio funk musician Roger Troutman is honored on Zapp VII Roger & Friends.
Broadway star Capathia Jenkins and composer Louis Rosen offer their new project Phenomenal Woman: The Maya Angelou Songs, while baritone Thomas Hampson’s Songs From Chicago features works by composers Florence Price, Margaret Bonds, and John Alden Carpenter—all based on poems by Langston Hughes. Gospel music releases include Brent Jones’ Open Your Mouth and Say Something and the Soweto Gospel Choir’s Freedom.
Alternative rock and blues projects include Blood Orange’s Negro Swan, Black Joe Lewis’ The Difference Between Me and You, and Cedric Burnside’s Benton County Relic. Rap albums include Masta Ace & Marco Polo’s A Breukelen Story, and the self-titled release from Ill Doots that blends funk, jazz and hip hop. Wrapping up this issue is the Burkina Faso group Baba Commandant & the Mandingo Band’s Siri Ba Kele and our list of October Black Music Releases of Note.
Jazz releases include mezzo soprano Alicia Hall Moran’s genre blending classical/jazz project Here Today, Judith Lorick’s Second Time Around with the Eric Reed Trio, drummer Tosin Aribisala’s Áfríkà Rising, and two Grant Green compilations from Resonance Records—Slick! Live at Oil Can Harry’s and Funk in France: From Paris to Antibes 1969-1970.
For this month’s gospel music selections were looking in our own backyard with releases from two Indianapolis-based artists—Judah Band’s sophomore album Gone Fishin’ and Tyscot Records’ own Bishop Leonard Scott’s praise and worship album Jesus Love Legacy. R&B/soul releases include Unstoppable by Candi Staton and Free Me from Burundian soul singer J.P. Bimeni & The Black Belts.
Albums with a Caribbean tie include legendary reggae group Black Uhuru’s new release As the World Turns, the collaboration of reggae musician Winston McAnuff and French accordionist Fixi on Big Brothers, French-Guadeloupian trio Delgres’ debut album Mo Jodi, Snarky Puppy spin-off group Bokanté with the Metropole Orkest on What Heat (featuring Guadeloupian vocalist Malika Tirolien), plus Bokanté member and lap/pedal steel guitarist Roosevelt Collier’s ‘dirty funk’ solo debut Exit 16.
Wrapping up this issue is the Screamin’ Jay Hawkins compilation, Are YOU one of Jay’s Kids? – The Complete Bizzare Sessions 1990-1994, and our list of September 2018 Black Music Releases of Note.
This month we’re featuring Product of Our Souls: The Sound and Sway of James Reese Europe’s Society Orchestra—the earliest mainstream recordings of an African American dance band—in an authoritative package from Archeophone Records. In honor of Gospel Music Heritage Month, there are two new compilations from the Gospel Friend label: the two-CD Soul Don’t Worry! Black Gospel During the Civil Rights Era 1953-1967, and the tribute to Ohio gospel artist and composer Prof. Harold Boggs, Lord Give Me Strength.
New jazz releases include Cécile McLorin Salvant’s forthcoming album The Window, the Snarky Puppy affiliated group Ghost-Note’s Swagism, American steel pan player Jonathan Scales’ Pillar with his group Fourchestra, jazz flutist/composer Nicole Mitchell’s Maroon Cloud, the vocal group Take 6’s Iconic, Marcus Miller’s Laid Black (with a guest appearance by Take 6), and Diana Purim & Eyedentity’s exploration of Brazilian jazz/trip hop, Many Bodies, One Mind.
Rock-oriented releases include Corey Glover’s new supergroup Ultraphonix’s debut Original Human Music, punk legend Jean Beauvoir’s Rock Masterpieces Vol. 1, and Sean Ardoin’s Kreole Rock and Soul. Portland, Oregon’s Ural Thomas & The Pain confirm it is The Right Time for old-school R&B, “Queen of the Blues” Shemekia Copeland offers America’s Child, boogie woogie pianist Errol Dixon releases the 1973 live recording Midnight Train, and Delmark Records marks the label’s 65th anniversary with Tribute.
Wrapping up this issue is the late Australian indigenous musician Gurrumul’s final release and orchestral collaboration Djarimirri: Child of the Rainbow, Ugandan flutist Samite’s music of Resilience, and our list of August 2018 Black Music Releases of Note.
Following are additional albums released during July 2018—some will be reviewed in future issues of Black Grooves.
Blues, Folk, Country
Arthur Big Boy Crudup: If I Get Lucky (4 CD set) (JSP)
Benny Turner: Journey (Nola Blue)
Elvin Bishop’s Big Fun Trio: Something Smells Funky ‘Round Here (Alligator)
Errol Dixon: Midnight Train (Wolf)
Eugene Hideaway Bridges: Live In Tallahassee (Armadillo)
Madisen Ward & the Mama Bear: The Radio Winners (Glassnote)
Trudy Lynn: Blues Keep Knockin’ (Connor Ray Music)
SUMMER: The Donna Summer Musical – Original Cast (Republic)
Funk, Rock, Pop, Electronic
Con Brio: Explorer (Transistor Sound/Fat Beats)
Ill Doots: S/T (Ropedope)
Jean Beauvoir: Rock Masterpieces Vol. 1 (Aor Heaven)
Lotic: Power (Tri Angle)
No Kind of Rider: Savage Coast
Bishop Noel Jones & City of Refuge Sanctuary Choir: Run to the Altar (Tyscot)
Dr. Carmela Nanton: A Touch (Carmel Ministries)
Koryn Hawthorne: Unstoppable (RCA Inspiration)
Minister Marion Hall: His Grace (VPAL Music)
Shana Wilson Williams: Everlasting (Intersound)
Vincent Tharpe & Kenosis: Super Excited (digital)
Will Mcmillan: My Story (eOne)
Bobby Sanabria Multiverse Big Band: West Side Story Reimagined (Jazz Heads)
David Garfield: Jammin’ Outside the Box
Dexter Gordon Quartet: Tokyo 1975 (Elemental Music)
Ernest Dawkins & New Horizons Ensemble: Chicago Now – Thirty Years of Great Black Music, Vol. 2 (Silkheart)
Erroll Garner: Nightconcert (Mack Ave.)
Jamar Jones: Fatherless Child (GPE)
Jim Stephens: Songs of Healing: Philasippiola Soul (1997-2017) (Ropedope)
Kaidi Tatham: It’s A World Before You (First Word)
Reginald Chapman: Prototype (Fresh Selects)
Rob Dixon Trio: Coast To Crossroads
Roy Campbell & Pyramid: Communion (digital)
Shaun Martin: Focus (Ropeadope)
Royal Krunk Jazz Orkestra: Get It How You Live (Ropeadope)
Various: Prince in Jazz: A Jazz Tribute to Prince (Wagram)
Woody Shaw: Tokyo 1981 (Elemental Music)
Appleby: Happiness (Haight Brand)
Cyril Neville: Endangered Species, Complete Recordings (World Order)
Jade Novah: All Blue (Empire)
Jaden Smith: SYRE (Digital) (Roc Nation/Republic)
James Brown: Mutha’s Nature (1st CD release) (LMLR)
Johnny Rain: Idol Blue (digital) (Odd Dream Republic)
Jr Jones: Nova (Black Musa)
Kiana Ledé: Selfless EP (Digital) (Republic)
Kizzy Crawford: Progression (Freestyle)
Meli’sa Morgan: Love Demands
The Internet: Hive Mind (Columbia)
Rap, Hip Hop
BrvndonP: Better Late Than Never (RPSMG)
B.o.B.: Naga (digital) (No Genre)
Blackgrits: Paradox 88 (digital)
Blackway: Good.Bad.Faded EP (digital) (Republic)
Buddy: Harlan & Alondra (digital) (RCA)
Busdriver: Electricity is on our Side (digital)
Cardi B: Her Life Her Story (DVD) (Intrinem Films)
Chief Keef: Mansion Musick (RBC)
Citro: No Cap (PlayMakaz Music Group)
Curren$y & Harry Fraud: Marina (Next)
Demrick: Came a Long Way (digital) (DEM)
Drake: Scorpion (Cash Money)
Drank Sanatra: Controlled Substance (digital) (Otherside Ent.)
Dyme-A-Duzin: Crown Fried (digital)
Eric B. & Rakim: Complete Collection (Hip-O)
Future: Beastmode (mixtape)
J. Diggs: #90Dayhousearrestproject (Rompt Out)
Kanye West: Ye (Def Jam)
King Magnetic: Back in the Trap (King Mag Music)
KR: In Due Time (Empire)
Kyle: Light of Mine (Atlantic)
Lil KeKe: SlfMade II (digital) (SoSouth)
Logic: Passion (DVD) (Intrinem Films)
Marlowe: Marlowe (Mello Music Group)
Migos: Evolution (DVD) (Intrinem Films)
Nav: Reckless (XO/Republic)
Nick Grant: Dreamin’ Out Loud (digital) (Epic)
Obuxum: H.E.R. (Urbnet)
Pawz One & Robin Da Landlord: Sell Me a Dream (Below System)
Philthy Rich: N.E.R.N.L. 4 (Empire)
Planet Asia: Mansa Musa (X-Ray)
Playboi Carti: Die Lit (digital) (Interscope)
Pusha T: Daytona (digital) (Def Jam)
Rae Sremmurd: SR3MM (digital) (Interscope)
Randy-B: Me, Myself and $ (Smeat)
Royce 5’9″: Book of Ryan (eOne)
Saweetie: High Maintenance (Warner Bros.)
Stalley: Tell the Truth Shame the Devil, Vol 3 (Blue Collar Gang)
Styles P (The LOX): G-Host (The Phantom Ent.)
Suspect: Still Loading (digital) (Rinse)
Tee Grizzley: Activated (digital) (300 Ent.)
Tobe Nwigwe: The Originals (digital)
Trap Gang Zone: Follow The Gang (digital) (Revenge Music)
Trick Daddy: Dunk Ride Or Duck Down (X-Ray)
Typical Div: S/T (Middle of Made)
Various: Oscillations (Strange Neighbor)
Wiz Khalifa: Rolling Papers 2 (digital) (Atlantic)
Wood & Yungman: Carlito’s Way Screwed (GT Digital)
World’s Fair: New Lows (digital) (Fool’s Gold)
YFN Lucci: Ray Ray from Summerhill (Think It’s A Game)
Zaytoven: Trapholizay (digital) (UMG)
Kabaka Pyramid: Kontraband (Bebble Rock)
Kingly T: Got It All (digital)
Leon & The Peoples: Love Is A Beautiful Thing (Spectra Music Group)
Linval Thompson: Dub Landing Vols. 1 & 2 (Greensleeves)
Mad Professor: Electro Dubclubbing (Ariwa Sounds)
Santigold: I Don’t Want, Gold Fire Sessions (digital) (Downtown)
Tetrack: Let’s Get Started (Greensleeves)
U-Roy: Talking Roots (Ariwa Sounds)
Ziggy Marley: Rebellion Rises (Tuff Gong)
Bryant Myers: La Oscuridad (eOne)
Kamal Keila: Muslims & Christians (Habibi Funk)
Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul (Strut)
Okonkolo: Cantos (Big Crown)
Te’Amir: Abyssinia EP (Tru Thoughts)
Welcome to the July 2018 Summer Rocks issue of Black Grooves. This month we’re looking at the many permutations of Black rock, from the psychedelic riffs on Dug Pinnick’s Tribute To Jimi (Often Imitated But Never Duplicated); to the socially conscious songs of Fantastic Negrito on Please Don’t Be Dead and Bettye Lavette’s Bob Dylan tribute Things Have Changed; to the British blues rock collaboration on Buddy Guy’s The Blues Is Alive and Well; to the multi-faceted fusions of the Stanley Clarke Band’s The Message, Shuggie Otis’s Inter-Fusion, and Serpentwithfeet’s Soil; to the folk rock of AHI’s In Our Time and the countrified soul of Priscilla Renea’s Coloured; to the black metal of Zeal and Ardor’s Stranger Fruit; and last but not least, the foundational rock and roll on The Ballads of Fats Domino.
Seminal jazz releases this month include Kamasi Washington’s two-disc Heaven and Earth and Dr. Michael White’s Tricentennial Rag honoring New Orlean’s 300th birthday. Yet another tribute album is Lurrie Bell & the Bell Dynasty’s Tribute to Carey Bell, featuring the four accomplished sons of the legendary Chicago blues harpist.
Also featured is gospel singer Javen’s latest album, Grace; the collaboration connecting Sengalese kora master Diali Cissokho and North Carolina band Kaira Ba on Routes; Lamont Dozier’s Reimagination of tracks previously written for other artists; and the Little Freddie King compilation Fried Rice & Chicken featuring his best tracks from the Orlean’s label. Wrapping up this issue is our list of June 2018 Releases of Note in all genres.