Works by William Dawson & Ulysses Kay

Title: William Dawson Negro Folk Symphony/Ulysses Kay Fantasy Variations & Umbrian Scene
Artist: ORF Vienna Radio Symphony Orchestra; Arthur Fagan, cond.
Label: Naxos
Formats: CD, Digital
Release date: June 16, 2020

 

Whether intentional or not, Naxos picked an opportune time to release this recording featuring works by two very prominent 20th century African American composers—William Levi Dawson (1899-1990) and his somewhat younger contemporary, Ulysses Simpson Kay (1917-1995). As a result of the Black Lives Matter movement, at least a portion of white America is finally addressing gaps in their knowledge of Black history, having come of age at a time when the historical narrative and education system was (and is) unquestionably white-washed. At the same time, many university music departments and libraries have begun the process of re-examining the Western classical music canon in an attempt to decolonize syllabi and collections. This new release on Naxos American Classics series is certainly a very welcome addition to those efforts. Though most of these works have been released commercially in the past, the most recent of these recordings was issued nearly 20 years ago.

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Americus Brass Band’s Tribute to James Reese Europe

 

Title: Tribute to James Reese Europe’s Harlem Hell Fighters’ Band
Artist: Americus Brass Band
Label: Cambria Master Recordings/Naxos
Formats: CD, Digital
Release date: July 19, 2019

 

The full title of this fantastic project is self-explanatory: The Americus Brass Band Pays Tribute to James Reese Europe’s Harlem Hell Fighters’ Band on the 100th Anniversary of the Pathé Recordings. At the dawn of the 20th century, Jim Europe was making a name for himself on the musical stages of New York as a talented pianist, composer and conductor, later leading the famed Clef Club Symphony Orchestra as well as his own group, James Reese Europe’s Society Orchestra. In mid-1916, Europe’s life changed course when he was asked to lead an all-black regiment band on the eve of WWI. After sailing to France in January 1918, Europe’s group quickly became the most acclaimed band in the army. Renaming themselves the “Hell Fighters” (after the Black soldiers of the 369th Regiment), they toured France, thrilling both American and French audiences with their performances of the syncopated music newly designated as “jazz.” At the close of WWI in February1919, Europe’s Hell Fighter’s Band returned to a hero’s welcome in New York and one month later entered the recording studio. Continue reading