Paul Moravec’s Sanctuary Road: An Oratorio Based on the Writings of William Still

 

Title: Sanctuary Road
Artist: Oratorio Society of New York; Kent Tritle, cond.
Label: Naxos American Classics series (8.559884)
Formats: CD, Digital
Release date: January 10, 2020

 

Paul Moravec’s 2017 oratorio, Sanctuary Road, is a modern take on the classical oratorio form, portraying stories from the Underground Railroad rather than Biblical content. The libretto by Mark Campbell interprets slave narratives collected and published in 1872 in The Underground Railroad by William Still (1821–1902) of Philadelphia, a “conductor” who aided many fugitive slaves including his older brother. Some of the song texts are literal, as when Still interviews an escapee he has sheltered, but at other times more poetic, consisting of single words or phrases joined together to portray the collective experience of the enslaved who escaped to freedom. The oratorio’s title, however, was inspired by the modern concept of “Sanctuary City,” bringing contemporary resonance to the composition. The sixteen movement work for five soloists, chorus and orchestra was commissioned by Jody Spellun, a member of the Oratorio Society of New York, and this live recording captures the world premiere performance at Carnegie Hall by the OSNY Chorus and Orchestra under the baton of Kent Tritle.

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Fort Smith Symphony – Florence Beatrice Price Symphonies Nos. 1 and 4

 

Title: Florence Beatrice Price Symphonies Nos. 1 and 4
Artist: Fort Smith Symphony
Label: Naxos American Classics
Formats: CD, Digital
Release date: January 11, 2019

 

Born in segregated Little Rock, Arkansas in 1887, Florence Price attended the New England Conservatory when local schools refused to admit her, studying composition with George Whitefield Chadwick. Although she returned to Arkansas for a time, she and her daughters moved to Chicago in 1927 due to increased racial violence in Little Rock. There, she met prominent members of the Chicago’s African American arts scene such as Estelle Bonds, whose daughter, Margaret Bonds, became one of Price’s students. Though primarily known today as a composer of songs, notably “My Soul’s Been Anchored in the Lord” and “Songs to the Dark Virgin” popularized by Marian Anderson, Price was also the first African American woman to have a symphony performed by a major orchestra (the Chicago Symphony Orchestra performed her Symphony No. 1 at the World’s Fair in 1933). Unfortunately, many of her works were largely forgotten after her death, with major conductors like Serge Koussevitzky declining to program her symphonies. In fact, several of her works, including the Fourth Symphony recorded here, were thought to be lost until the manuscripts were rediscovered in a house in St. Anne, Illinois. This symphony was never performed during Price’s lifetime, and is instead receiving its premiere on this CD. Continue reading