Title: Memphis Rock and Soul
Artist: Melissa Etheridge
Formats: CD, LP, MP3
Release date: October 7, 2016
I love Stax Records. When I see that distinctive logo, you know, the one with the finger snapping, I never hide my love. To quote the great singer Rufus Thomas, “Motown was cute, but Stax was souuul.” So when I heard that Melissa Etheridge was releasing a tribute album on the legendary label, two thoughts ran through my mind: (1) Shock and (2) No way (now if it was Bonnie Raitt, those two thoughts would have never entered my mind). Etheridge did what any true artist should do when you want recreate the magic and aura of Stax—she recorded at Royal Studios in Memphis, where some of the original songs on Memphis Rock and Soul were recorded. Al Green, Ann Peebles, and believe it or not Bruno Mars have all recorded there over the years.
On “Respect Yourself” Etheridge tries not to outdo Mavis Staples, which is smart. The opening guitar on this remake is similar to the Staple Singers’ version. On the Johnny Taylor cover “Who’s Making Love,” Etheridge slows the pace way down and changes the words to “Who’s Making Love To Your Sweet Lady.” If you know the original, it is much faster and has the kicking guitar along with Taylor’s soulful delivery on “Who’s Making Love To Your Ol Lady.”
Of course if you are going to cover Stax, you have to include Sam & Dave. Etheridge plays both Sam & Dave on the vocals to “Hold On, I’m Coming” and yes, I personally wanted to hear the horns just like original, and my wish was granted.
Stax’ biggest act, no question, was Otis Redding, who is covered on two tracks. The first, “I’ve Been Loving You,” is very underrated. Etheridge stays true to the original—no words changing here—and her vocal delivery is perfect. The second, “I’ve Got Dreams,” is again nothing fancy, with Etheridge showing respect for the original.
No doubt, it must have been a dream for Melissa Etheridge to record this album and pay respect to perhaps the greatest American record label ever.