Founded by Tommy Couch and Mitchell Malouf in 1968, the Malaco Music Group of Jackson, Mississippi has been “making black music for black people” for 50 years. World renown for their many iconic Southern soul and rhythm and blues releases and one of the last truly independent labels, Malaco has been called “The Last Soul Company.” However, Malaco has also amassed the largest black gospel catalog in the world. The company began releasing gospel records in the 1970s, but their purchase of the Savoy, Apollo, and Atlanta International labels extended the catalog back to the 1940s. This places Malaco in the perfect position for their ambitious 50th anniversary project, The Gospel According to Malaco: Celebrating 75 Years of Gospel Music. The eight disc anthology covers the history of gospel from the post-WWII-era to the present, through 100 recordings by gospel music’s greatest artists, quartets and choirs.Continue reading →
Mississippi’s Grady Champion may have started his career as a rapper, but after learning to play the harmonica he became an advocate for the blues. He now endeavors to keep the Delta traditions alive while racking up numerous awards along the way. Though Champion experimented with the fusion of hip hop and the blues in his early years, his 10th album is more conventional, but in no way stale. On One of a Kind, he delivers 12 original tracks that play to his eclectic fan base: those who love traditional blues, and those like their blues with a dash of Southern soul. Recorded at the historic Malaco Records’ studio in Jackson, Mississippi (now part of the Mississippi Blues Trail), the album features local backing musicians including Eddie Cotton Jr. on guitar, Carroll McLaughlin on keyboards, Sam Scott on drums, Myron Bennett and Ken Smith on bass, and the Jackson Horns (Kimble Funchess, trumpet; Jesse Primer III, tenor sax; Sydney Ford II, bari sax; and Robert Lampkin, trombone).
Opening with the slow and sexy “Bump and Grind,” Champion’s deep, raspy vocals and suggestive harmonica solos mimic the action on the dance floor. The lively “House Party” is a rollicking 12-bar blues featuring a trio of background vocalists accompanied by the lush chords of a Hammond B3 and the punchy Jackson Horns. Continuing with the party theme, “Move Something” and “Heels and Hips” are grooving dance numbers with a more contemporary vibe.
Shifting back to a slow grind, “What a Woman” is another traditional blues track featuring the legendary Elvin Bishop, who punctuates the song with his edgy slide guitar. Representing the R&B side of the spectrum, “One of a Kind” and “When I’m Gone” are notable for their funky instrumentals and soulful backing vocals harkening back to the glory days of Malaco. The album closes with the instrumental “GC Boogie,” a showcase for Champion and Eddie Cotton who trade harmonica and guitar solos, converging at the end for a satisfying finale.
Champion’s One of a Kind is a great follow-up to his 2014 release, Bootleg Whiskey, offering plenty of diversity while showcasing the best of the contemporary Southern blues scene.
