Tag Archives: Lurrie Bell

Lurrie Bell & The Bell Dynasty – Tribute to Carey Bell

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Lurrie
Title: Tribute To Carey Bell

Artist: Lurrie Bell & The Bell Dynasty

Label: Delmark

Formats: CD, Digital

Release Date: May 18, 2018

 

Released before Father’s Day—that special time in June set aside for men we call dad, father or pops—the Bell household’s man of honor is Carey Bell. The late blues harpist moved to Chicago the decade after Little Walter and Chess legend Muddy Waters, and went on to play with both as well as many other Chicago blues legends. What better way to pay homage to dad, especially a man the stature of Carey, then with a new album by Lurrie Bell & The Bell Dynasty titled Tribute To Carrey Bell. Paying the tribute is Carey’s son Lurrie (vocals, guitar) and the other siblings—Tyson (bass), Steve (harmonica), and James (drums, vocals). And wait, Charlie Musselwhite and Billy Branch get in on the fun too. Delmark Records picked up Carey for his 1969 debut, Carey Bell’s Blues Harp, so it’s fitting they releasing this special project.  

The blues is and always will be about storytelling. The first track, “Gone To Main Street,” is all about that “All Yeah” feeling. When you listen closely, you may hear references to The Doors’ “Road House Blues”—I kid you not. “I Got To Go” switches it up, and by that I mean the tempo. “So Hard To Leave You Alone” is a slow tune and again, a great story being told. “You’re my midnight dream, my all day stint,” Lurrie Bell spills his guts and you feel it. It’s the blues baby! Billy Branch takes over on “Carey Bell Was a Friend of Mine,” explaining his love for this man, both on and off the stage.

I never heard of Carey Bell before this, but Tribute To Carey Bell made me a fan. Though he left us well over ten years ago, his memory will live as long as the Bell family dynasty has something to say.

Reviewed by Eddie Bowman

Gettin’ Up

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gettinup.jpgTitle: Gettin’ Up: Live at Buddy Guy’s Legends, Rosa’s, and Lurrie’s Home
Artists: Carrie and Lurrie Bell
Format: DVD, NTSC Region Free Coding, PCM 24-bit/48 kHz Stereo
Label: Delmark
Catalog No.: DVD1791
Date: 2007

Gettin’ Up documents one of the last performances by blues harmonica legend Carey Bell (1936 – May, 2007). Bell was born in Macon, Mississippi, and began playing harp at the age of eight. He eventually made his way to Chicago where he fell under the influence of harp masters Little Walter and Big Walter Horton as he began to play the club circuit. Bell went on to found quite a musical family, and several of his 15 children became blues musicians themselves. Carey Bell has been recording since 1969, and his son Lurrie, a guitar player, first appeared on one of his studio albums in 1977. The live performances featured on this disk bring the two back together to demonstrate their unusual synergy.

The disk features three different dates – Rosa’s Lounge (July 27, 2006); Buddy Guy’s Legends (October 21, 2006); and a set of intimate duets with just the two Bells recorded at Lurrie’s home (July 28, 2006). At Rosa’s they are joined by Roosevelt Purifoy (piano), Bob Stroger (bass), and Brian “BJ” Jones (drum set). At Legends the two Bells are complemented by Scott Cable (guitar), Joe Thomas (bass), and Kenny Smith (drum set).

Gettin’ Up is a remarkable collection of musical gems – every tune on the disk carries the mark of Carey’s and Lurrie’s seemingly telepathic reading of each others’ musical thoughts, backed by two stellar groups of musicians. They open the date at Rosa’s with “What My Mama Told Me,” jumping right in with Carey’s characteristic vibrato-laden harp attack and heavy chordal riffing over Lurrie’s punctuated rhythm playing, effortlessly-phrased answering leads, and conversational solos. Carey’s voice is also at its expressive peak, and is flexible enough to belt out sandpaper renditions of classic blues tunes like Little Walter’s “Last Night” as well as original tunes like his “Gettin’ Up,” (which he wrote just before the Rosa’s Lounge gig after falling and breaking his hip). Lurrie chimes in on vocals a bit, too, however, with a driving version of the classic “Baby Please Don’t Go,” and a soulful solo rendition of the gospel favorite “Stand By Me” that closes the disk. The energy of the Rosa’s and Legends dates is infectious, but the two Bells at home in Lurrie’s living room feeding off of nothing but each other’s vibes is, to me, the highlight of the film.

In Gettin’ Up, Director Tom Koester has put together a disk that both visually highlights the synchronicity of the Bells (through effective use of multiple camera angles and occasional split-screen shots of the two) and captures the vibrant context through techniques like camera cuts to the audience dancing and singing along and the signed guitars hanging on the walls of Legends. Not only does the film look great, but it sounds beautiful, to boot – it was recorded at a high res 24 bit, 96 kHz, with audio options for standard stereo, Dolby Surround, and DTS Surround playback. The difference is notable, and the instruments all sound clear and well-balanced, with spacious panning. In addition to these audio options, the disk also comes with a well-crafted insert by Bill Dahl with complete track listing, chapter markers for navigating to each tune on the disk, and special features that include an interview with Carrie and Lurrie, a detailed discography, and a preview for the Delmark DVD Tail Dragger: My Head is Bald (which is as much about the Chicago Blues club scene – and Vern’s in particular – as it is about that legendary artist and notable guests).

Gettin’ Up is a worthy tribute to the legacy of two incredible bluesmen, and will likely convince you that the Bells deserve a place among the ranks of much better-known blues artists. The audio recording is also available on CD (Delmark DE 791).

For further information:

Chicago Blues: Portraits and Stories
There is no end to writing about the blues, and Chicago blues in particular, but this book by David Whiteis is one of the sources Bill Dahl used in his liner notes for Gettin’ Up.

The Big Book of Blues: A Biographical Encyclopedia
Written by Robert Santelli, Dahl also used this handy reference in compiling his liner notes for the disk.

Posted by Anthony Guest-Scott