Title: Josh At Midnight
Artist: Josh White
Label: Ramseur Records
Release date: August 19, 2016
Josh White (1914-1969) played a style of folk-blues with a jazz-like swing that stood in contrast to the Delta style of blues that came to dominate the genre. Although White enjoyed fame and popularity in his lifetime (and a period of being blackballed for his activism in favor of civil rights legislation), his music fell out of frequent broadcast or rotation on many blues fans’ turntables.
Josh At Midnight was recorded in 1955, in a small church in New York City, using a single Neumann U-47 mic. Original producer Jac Holzman, founder of Elektra Records, oversaw this vinyl-only reissue. The sound quality is superior to the early-era CD reissue I found in the local library system. It’s a mono recording, but the careful placement of White, bassist Al Hall and second vocalist Sam Gary produces a 3-dimensional sound quality, and creates nice separation between the sounds even as they weave together into a satisfying whole.
Musically, White covers songs in the traditional overlap between folk and blues music, such as “Timber (Jerry the Mule),” “One Meat Ball,” and “Joshua Fit the Battle of Jericho.” He also dives deeper into the blues vein with the saucy “Jelly, Jelly” and “Jesus Gonna Make Up My Dyin’ Bed” (a traditional blues song the lyrics of which were later appropriated by Led Zeppelin for “In My Time of Dying”). There is also the album’s opener, “St. James Infirmary,” a blues-jazz song made famous by Louis Armstrong.
White’s style will appeal to modern “roots music” fans. He was a superb guitar player—Holtzman describes him as “an acrobat with the instrument” in the LP’s new liner notes. His voice was refined and expressive, more a polished performer than a “down and dirty country bluesman.” The key appeal is that he had a ton of soul, and his big personality shines through in his playing and singing.
This vinyl reissue is clearly aimed at audiophiles as well as roots-music fans. If you don’t have a phono rig, seek out one of the previous CD reissues. Even though they don’t have the crystal clear sound and powerful dynamics of this version, the music will shine through.
Reviewed by Tom Fine