Title: Pursuance: The Coltranes Artist: Lakecia Benjamin Label: Ropeadope Formats: CD, Digital Release Date: March 27, 2020
saxophonist Lakecia Benjamin offers a powerful homage to two
major jazz figures, Alice Coltrane and John Coltrane, on her newest release Pursuance: The Coltranes. Though her
first two albums as a bandleader, Retox(2012) and Rise Up (2018), draw heavily upon soul and
funk influences, Pursuance showcases Benjamin’s versatile performance of
seminal jazz works from the Coltranes’ repertoire. Covering multiple musical
periods across the album’s 13-tracks, Benjamin is supported by a phenomenal multi-generational
line-up of over forty artists, including Ron Carter, Gary Bartz, Regina Carter,
Jazzmeia Horn, and Brandee Younger, among others. Legendary jazz bassist Reggie
Workman, a member of the John Coltrane Quartet in the early 1960s, co-produced
the project and is also a featured guest.
Singer and pianist Kandace Springs, an up and coming jazz and soul inspired artist, was praised by her late mentor, Prince, who claimed she has a “voice that can melt snow.” That’s just what we need as winter recedes, and Springs doesn’t disappoint on her sophomore release, The Women Who Raised Me. Produced by Grammy Award winning producer Larry Klein, the album is a rich and complex tapestry that travels back and forth across a century of music, using modern production to bend a conglomerate of songs and musical ideas into a new genre while also honoring dozens of the greatest female vocalists of all time.
Title: Say Yes Artist: La Tanya Hall Label: Blue Canoe Formats: CD, Digital Release date: November 8, 2019
Versatile jazz vocalist La
Tanya Hall began her career touring with the great Harry Belafonte and has since
collaborated with other black music icons including Diana Ross, Quincy Jones,
Aretha Franklin, and Patti Labelle. Hall is perhaps best known, however, for
her work with Bobby McFerrin. In addition to guest appearances on McFerrin’s recent
albums, Hall has been a member of his 12-voice ensemble Voicestra since 2002
where she became adept at performing concerts where “everything is totally
improvised.” These skills are clearly displayed on Hall’s latest project, Say Yes, backed by Andy Milne (piano) &
Unison Trio (with bassist John Herbert and drummer Clarence Penn).
Documentarian Stanley Nelson re-introduces us to the late and great jazz trumpeter extraordinaire Miles Davis on the album Music From and Inspired by “Miles Davis: Birth of the Cool,”a Film by Stanley Nelson. Davis’ extensive music career spanned over forty years, culminating in eight Grammy Awards, over thirty Grammy nominations, over fifty albums, plus collaborations with major jazz luminaries such as Billy Eckstine, Charlie Parker, Dizzy Gillespie, Art Blakey, John Coltrane, and Wayne Shorter, among many others. Using spoken and musical selections from the Grammy-nominated soundtrack from his documentary, Miles Davis: Birth of the Cool, Nelson provides a concise musical account of Davis’ evolution. Listeners have an opportunity to reflect on his seminal recordings, beginning in the late 1940s all the way to his mid-1980s comeback with Tutu (1986), while soundbites interspersed between tracks by music icons such as Herbie Hancock, Jimmy Heath, Gil Evans, Carlos Santana, and Marcus Miller further illuminate Davis’ career.
Christian McBride’s The Movement Revisited: A Musical Portrait of Four Icons is a tribute to four renowned African Americans: Rosa Parks, Malcolm X, Muhammad Ali, and Rev. Dr. Martin Luther King. Jr. According to McBride, this album is meant as “a clear-eyed yet optimistic look at where our society has come from and where it is hopefully headed.” The four narrators who portray these icons include poet and author Sonia Sanchez as Rosa Parks, actor Wendell Pierce as Rev. Dr. Martin Luther King Jr., actor Vondie Curtis-Hall as Malcolm X, and actor Dion Graham as Muhammad Ali. They are supported by a phenomenal cast of vocalists and instrumentalists such as Alicia Olatuja (vocals), Steve Wilson (saxophone), Freddie Hendricks (trumpet), Terreon Gully (drums), among many others. These artists coalesce into a spectacular fusion of jazz, gospel, funk, and Afro-Cuban rhythms.
Acclaimed Grammy-winning bassist, composer and bandleader Ben Williams’ newest album, I AM A MAN, is a sociopolitically charged project that strives to “show the world the complexity of our humanity as Black American men.” With help from producer and sound designer Brian Bender, the album boasts a humid and hazy sound that recalls neo-soul albums released by The Roots, Erykah Badu, Bilal, and D’Angelo. Williams sings lead on the majority of songs, in addition to playing the electric and acoustic bass. Joining him is an amazing lineup comprised of keyboardist Kris Bowers, guitarist David Rosenthal, tenor saxophonist and bass clarinetist Marcus Strickland, percussionist Bendji Allonce, trumpeter Kenyon Harrold, flutist Anne Drummond, and drummers Jamire Williams and Justin Brown.
Saxophonist, composer and band leader Will Boyd pays tribute to spirituals, hymns, and
freedom songs on his album, Freedom,
Soul, Jazz. The project was released to coincide with Juneteenth celebrations,
which are holidays observed among Black communities as a de facto independence day
commemorating the abolition of slavery and a first step toward inclusion in the
greater American dream. Regarding his motivation for the project, Boyd
explained, “I wanted to do my part to move the movement forward,”
referring to the advancement of Black people in a post slavery society.
Title: The Music of Wayne Shorter Artists: Jazz at Lincoln Center Orchestra with Wynton Marsalis, Wayne Shorter Label: Blue Engine Formats: CD, Digital Release Date: January 31, 2020
Shorter, one of the most prominent saxophonists and musical figures of our
time, hardly needs an introduction. He is an 11-time Grammy Award winner,
Lifetime Achievement Award recipient, and holds an extensive discography which
includes over twenty albums as a bandleader.
For this special album, Shorter teams up with the Jazz at Lincoln Center
Orchestra led by Wynton Marsalis to present The Music of Wayne Shorter.
Title: Can You Imagine? Artist: John Bailey Label: Freedom Road Formats: CD, Digital Release date: January 20, 2020
You Imagine? is the second album from New York
Bailey, who conceptualized the project around
one of the fantastical “what ifs” of jazz: What if Dizzy Gillespie won his
unlikely and somewhat jesting bid for president in 1964? What if Dizzy had made
Miles Davis head of the CIA and Duke Ellington the Secretary of State? Would
we, as a nation, be more compassionate and empathetic to our fellow humans?
Though the campaign may have been in jest, Dizzy raised serious issues on the
campaign trail during one of the most volatile periods of the Civil Rights Movement.
The Art of Intimacy, Vol. 1 is the perfect album for Valentine’s Day season. Jazz trumpeter Jeremy Pelt takes us on a journey through songs expressing tenderness and endearment, while also performing less commonly known standards with his trio. Accompanied by pianist George Cables and bassist Peter Washington, Pelt “pours some old wine into new bottles” as he explores romantic classics like “Always on My Mind” and “I’ll Never Stop Loving You,” and sentiments of love on songs like “I’ve Just Seen Her,” “I’ll Never Stop Loving You,” and “While You Are Gone.” Also included is Pelt’s original composition “Love Is Simple,” and “Little Girl Blue,” a song mostly associated with Nina Simone’s 1958 debut album. Jazz journalist Michael J. West writes, “the snapshot on display here makes no bones about its terms of engagement…If Pelt and company are successful, this music might have you practicing the art of intimacy on your own.” The Art of Intimacy, Vol. 1 is a must have for all you lovers out there!
Title: Jazz Party Artist: Delfeayo Marsalis & Uptown Jazz Orchestra Label: Troubadour Jass Formats: CD, Digital Release date: February 7, 2020
Prominent jazz trombonist Delfeayo Marsalis returns with his seventh studio album, Jazz Party, featuring his electrifying Uptown Jazz Orchestra (UJO). Arriving three years after Marsalis’ Kalamazoo (2017) and UJO’s Make America Great Again! (2016), Jazz Party weaves together “modernized twists on New Orleans songbook gems and musical traditions, and swinging, groove-infused homages to the contributions of modern jazz masters.” The album includes original compositions and arrangements by Marsalis and others, while portraying the high-spirited character of UJO’s live performances at the Snug Harbor in New Orleans. Also featured are guest artists such as vocalist Tonya Boyd-Cannon (semi-finalist on The Voice), drummer Joe Dyson Jr., pianist Kyle Roussel, and saxophonist Roger Lewis (original member of UJO and co-founder of the Dirty Dozen Brass).
Title: Poetry in Motion
Artist: The Soul Rebels
Label: Rebelution Music Group/Artistry Music/ Mack Avenue
Formats: CD, LP, Digital
Release date: October 25, 2019
New Orleans based ensemble The Soul Rebels was formed in the early ‘90s by drum majors from HBCUs such as Southern, Grambling, and Texas Southern University. Percussionists Derrick Moss and Lumar LeBlanc, who first met as members of Harold Dejan’s Young Olympia Brass Band, decided they wanted to play the rap music they were hearing on the radio while also respecting the long tradition of the New Orleans brass bands and marching bands they had played in growing up. Now an eight member brass/jazz/hip hop powerhouse, The Soul Rebels include LeBlanc (snare drum) and Moss (bass drum), in addition to Marcus Hubbard (trumpet), Erion Williams (saxophone), Paul Robertson (trombone), Julian Gosin (trumpet and MC), Manuel Perkins Jr. (sousaphone) and Corey Peyton (trombone and MC). For their latest album, Poetry in Motion, The Soul Rebels started with the premise “no genre is off limits for us,” and concluded with twelve tracks that sound contemporary and hip. Their New Orleans rhythms and Black college band attitude combined with rap lyrics and rhymes will make you move your feet and get out of your seat.Continue reading →
Title: Bird at 100
Artists: Vincent Herring, Bobby Watson, Gary Bartz
Label: Smoke Sessions
Formats: CD, Digital
Release Date: November 29, 2019
Saxophone legends Vincent Herring, Bobby Watson, and Gary Bartz present a tribute to Charlie Parker with their new release Bird at 100, which marks the 100 year anniversary of Charlie Parker’s birthday. Described as an “alto saxophone summit,” the album is a homage to the musical legacy left by Parker and contains a compilation of Parker’s tunes, popular standards, and new compositions. Recorded live over three days in late August and early September 2019 at the Smoke Jazz & Supper Club in New York City, the rhythm section features members of Herring’s regular quartet: David Kikoski (piano), Yasushi Nakamura (bass), and Carl Allen (drums).Continue reading →
Title: Frank Foster Songbook
Artist: Kenyatta Beasley Septet
Label: Art Vs Transit
Formats: CD, Digital
Release date: August 9, 2019
Trumpeter and composer Kenyatta Beasley’s tribute album, Frank Foster Songbook, celebrates his late mentor, the noted tenor and soprano saxophonist, composer and arranger Frank Benjamin Foster III. Recorded live over the course of two evenings at Brooklyn’s Jazz 966 club in 2013, this two-disc album captures the dynamic musical interactions between Beasley and his ensemble with guest appearances by Wynton Marsalis (trumpet), Mark Whitfield (guitar), Carla Cook (vocals), and Eric Wyatt (tenor saxophone). Beasley includes eleven songs covering a wide range of Foster’s original compositions.Continue reading →
That special time of year has come around again, filling everyone with holiday cheer. But nothing has the ability to spread Christmas spirit quite like music does. Following are brief reviews of what we believe to be the best holiday albums so far this year, featuring releases from Keb’ Mo’, Jazz at Lincoln Center Orchestra, The McCrary Sisters, Elijah Blake, Jonathan Butler, and Mariah Carey. We hope these selections provide the perfect soundtrack for everyone’s holiday season.Continue reading →
I could open this review with a clinical statement: This set presents virtually all of Nat Cole’s earliest recordings prior to his long association with Capitol Records, a relationship that provided the foundation to establish his wide recognition as one of the most important vocalists in the tradition of the Great American Songbook. Yet, I prefer a more emotionally connected view: Hittin’ the Ramp presents Nat King Cole’s earliest recordings, showing how he discovered, step by step, a pathway that permitted his remarkable talents to be heard and loved by a worldwide audience. Both views are correct, but only the second reflects the challenges a talented African American artist faced in building a reputation and, with it, the economic base necessary to support a sustainable full time career during the WWII era.Continue reading →