September 2019 Black Music Releases of Note

Following are additional albums released during September 2019 across multiple genres—some will be reviewed in future issues of Black Grooves.  Continue reading

The House Guests – My Mind Set Me Free

 

Title: My Mind Set Me Free
Artist: The House Guests
Label: Shake It
Formats: LP, Digital
Release date: August 23, 2019

 

The new compilation from Cincinnati’s Shake It Records, My Mind Set Me Free: The House Guests Meet the Complete Strangers & Bootsy, Phelps & Gary, features nine tracks from a collective of rhythm section instrumentalists and artists who briefly performed together as the House Guests in 1971, but are best known by other names. Initially formed as the Cincinnati-based R&B band, the Pacemakers, when performing with James Brown they became the Original JB’s. After they left Brown, the group toured as the House Guests until they were persuaded by George Clinton to form the new rhythm section for Funkadelic in 1972. Under Clinton, they helped lay the foundation for P-funk, fusing the music with “dimensions from cosmic jazz, fusion [and] acid rock.” Another side project included the group Complete Strangers, and a few years later, Bootsy’s Rubber Band. Collectively, the House Guests/Complete Strangers are considered some of pioneers and progenitors of the airtight polyrhythmic sound that is funk. Continue reading

Alan Evans – Nothing To Say

 

Title: Nothing To Say
Artist: Alan Evans
Label: Vintage League Music
Formats: CD, LP, Digital
Release date: May 24, 2019

 

Don’t let the title fool you—Alan Evans has plenty to say on his solo debut album. Steeped in psychedelic rock and funk, Nothing To Say finds Evans stepping out from behind his drum kit and away from his acclaimed funk/jazz trio Soulive. The album’s ten original tracks were written, recorded, and produced over the past four years by Evans and released on his Vintage League Music label. In addition to laying down the drum tracks, the singer and multi-instrumentalist performs all vocals as well as guitar, bass, keys and percussion. Joining Evans on this outing are guitarists Danny Mayer and Ryan Hommel, who doubles on pedal steel, with Darby Wolf, Kris Yunker, Beau Sasser, and brother Neal Evans (Soulive) filling in on Moog, organ, piano and Mellotron. This keyboard centric mix is heavy on the organ, creating a soulful yet funky feel throughout, but includes enough stellar guitar solos to rock hard. Continue reading

The Last Poets – Transcending Toxic Times

 

Title: Transcending Toxic Times
Artist: The Last Poets
Label: Ropeadope
Formats: CD, MP3
Release date: May 10, 2019

 

The Last Poets are at it again with their latest album, Transcending Toxic Times. Released just a year after their 50th anniversary album, Understand What Black Is (2018), and a few months after Understanding What Dub Is (2019), this funk oriented album is fused with elements of jazz, R&B, rock and percussive rhythmic grooves. As with previous efforts, there are also socio-cultural messages that comment on the conditions of African American lived experiences. The album brings together the original members—Baba Donn Babatunde, Abiodun Oyewole and Umar Bin Hassanall—along with producer and bass guitarist Jamaaladeen Tacuma, for what is likely the “definitive Last Poets album.” Continue reading

Will Sessions & Amp Fiddler ft. Dames Brown – The One

 

Title: The One
Artist: Will Sessions & Amp Fiddler, featuring Dames Brown
Label: Session Sound
Formats: CD, MP3
Release date: October 26, 2018

 

Detroit-based group Will Sessions has made a name for themselves in the motor city. From their early beginnings, the octet released several albums influenced by R&B, hip-hop, funk, and jazz. In 2017, the group began collaborating with legendary funk singer and keyboardist Amp Fiddler, first on their Deluxe album track “In The Ride,” and later that year on their live recording Kindred. Like their previous releases The One includes Fiddler on lead vocals, along with the soulful and dynamic voices of vocal trio Dames Brown. Continue reading

New Holiday Albums: The Best of 2018

Christmas just isn’t Christmas without good music to really get you in the spirit! We’re featuring brief reviews of our favorite new holiday releases from PJ Morton, John Legend, Cece Winans, Aloe Blacc, Motown Gospel, and After 7. Our specially curated Black Grooves Christmas Spotify playlist features our favorite songs from these artists and more, providing the perfect soundtrack as you get together with friends and family to celebrate the holidays. Continue reading

Various Artists – Eccentric Soul: The Saru Label

 

Title: Eccentric Soul: The Saru Label
Artist: Various
Label: Numero Group
Formats: CD, 2-LP, Digital
Release date: March 23, 2018

 

This exploration of Cleveland’s Saru label, released earlier this year, is another fine addition to Numero’s Eccentric Soul series featuring lost gems from the ‘60s and ‘70s. Due to its fascinating connections to Ohio funk, the Saru compilation is also one of our favorites. Label owner Chuck Brown set up a management team that included Bobby Massey, one of the original members of the O’Jays, and Calvin Simon, an original member of the Parliaments with George Clinton, and later the Parliament-Funkadelic collective. These two influential staff members assembled talent for the backing bands and also produced and performed on many of the sessions. Continue reading

Book – Soul R&B Funk Photographs, 1972-1982

 

Title: Soul R&B Funk Photographs, 1972-1982
Author: Bruce W. Talamon
Publisher: Taschen
Format: Hardcover, 375 pages
Release date: October 2018

 

The coffee table book of the year for soul and funk music fans is without a doubt this oversize, hardcover volume featuring the early photographs of Bruce W. Talamon. Those who are familiar with SOUL newspaper will recognize some of these images. Started in L.A. in 1968 by Ken Jones and Regina Jones, SOUL was the first black-owned paper dedicated to R&B, soul and funk musicians. Talamon was hired in 1972 by Regina, who gave the young photographer his first steady gig, and before long he was shooting for national publications. From 1972-1982, Talamon captured R&B royalty in stunning detail—working up a sweat in concert, dancing on the stage of Soul Train, striking a pose during formal photo shoots, and enjoying quieter moments backstage and on the road. Continue reading

Welcome to the November 2018 Issue

Welcome to the November 2018 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

This month we’re featuring three new jazz releases including trumpeter Ambrose Akinmusire’s Origami Harvest, drummer Makaya McCraven’s Universal Beings, and the eponymous debut album from Christian McBride’s New Jawn.

In honor of Bill Withers’ 80th birthday, two artists have released tributes to the legendary singer-songwriter: José James’ Lean On Me and Anthony David’s Hello Like Before: The Songs of Bill Withers. The late soul singer Charles Bradley is remembered on the posthumous release Black Velvet, while the late Ohio funk musician Roger Troutman is honored on Zapp VII Roger & Friends.

Broadway star Capathia Jenkins and composer Louis Rosen offer their new project Phenomenal Woman: The Maya Angelou Songs, while baritone Thomas Hampson’s Songs From Chicago features works by composers Florence Price, Margaret Bonds, and John Alden Carpenter—all based on poems by Langston Hughes. Gospel music releases include Brent Jones’ Open Your Mouth and Say Something and the Soweto Gospel Choir’s Freedom.

Alternative rock and blues projects include Blood Orange’s Negro Swan, Black Joe Lewis’ The Difference Between Me and You, and Cedric Burnside’s Benton County Relic. Rap albums include Masta Ace & Marco Polo’s A Breukelen Story, and the self-titled release from Ill Doots that blends funk, jazz and hip hop. Wrapping up this issue is the Burkina Faso group Baba Commandant & the Mandingo Band’s Siri Ba Kele and our list of October Black Music Releases of Note.

Zapp – Zapp VII Roger and Friends

 

Title: Zapp VII Roger and Friends
Artist: Zapp
Label: Leopard
Formats: CD, LP, Digital
Release date: October 26, 2018

 

Zapp & Roger, an important funk band that emerged from Dayton, Ohio in 1977, brought the world hits like “More Bounce to the Ounce,” “Computer Love,” “Do Wa Ditty,” “So Ruff So Tuff” and a couple decades more of electrifying funk. The Zapp sound was iconic for the use of moog bass and synthesizers that provided multiple timbres, textures, patterns and hits; deep bass drum and hard hitting claps with just enough reverb to shake a stadium and keep the party going; and the unforgettable and legendary use of the talk box. The late funkateer Roger Troutmen, lead vocalist of Zapp & Roger, used a custom-made talk box—the Electro Harmonix “Golden Throat,” as well as a Moog “Minimoog” and, later in his career, a Yamaha DX100 FM synthesizer. Roger said, “Every time I would use the voice box, people would be dancing, until I use it and people would look up, and it seemed to [be] hypnotizing them in a way.” This funk all-star group consisted of Lester Troutman, Sr. (drums), Terry “Zapp” Troutman (talkbox, keyboards, bass), Bart Thomas (talkbox, vocals, keyboards, bass), Dale DeGroat (musical direction, keyboards, vocals), Thomas Troutman (keyboards, vocals), Riccardo Bray (guitar) and Anthony Arrington (sax). Continue reading