LAMP Records: It Glowed Like the Sun: The Story of Naptown’s Motown, 1969-1972

 

Title: LAMP Records: It Glowed Like the Sun: The Story of Naptown’s Motown, 1969-1972
Artist: Various
Label: Now-Again
Formats: CD, LP, Digital
Release date: August 2, 2019

 

For those of you who aren’t from the Midwest, “Naptown” is a nickname created by local jazz musicians back in the day to describe the sometimes sleepy city of Indianapolis. Bringing some old Naptown soul and funk to light, the new anthology LAMP Records: It Glowed Like the Sun: The Story of Naptown’s Motown offers an overview of the city’s fabled record label, little known outside of hardcore soul collectors. Now, current and former Indianapolis natives can reminisce while the rest of the world can finally hear the soulful sounds that sprung from Naptown during the years 1969-1972. The liner notes for this release, researched and written over a twenty year span by Eothen Alapatt, Jeff Kollath, Jason Yoder and Kyle Long, read like a book as these four experts uncover the history of the LAMP label and Naptown’s music scene. Continue reading

Prince – 1999 Super Deluxe Edition

Title: 1999 Super Deluxe Edition
Artist: Prince
Label: Warner Bros.
Formats: 5CD or 10LP + DVD box set
Release date: November 29, 2019

 

This new box set is the latest release from the Prince Estate and Warner Brothers. On the plus side, there’s the first remastered edition of Prince’s 1982 breakthrough album, 1999, in addition to a CD of remastered promo mixes and B-sides, plus a CD/DVD of a previously unreleased live concert performance in Detroit on November 30, 1982 (which allegedly will not be released separately). Somewhat more controversial are the two additional CDs of tracks culled from the vast vault at Paisley Park. While some hardcore fans will welcome this glimpse into the inner workings of Prince’s compositional process, others may consider it a travesty that the estate is releasing material that the artist would have keep private.

James Brown – Live at Home with His Bad Self

 

Title: Live at Home with His Bad Self
Artist: James Brown
Label: Polydor/Republic
Formats: CD, LP, Digital
Release date: October 25, 2019

 

This year celebrates the 50th anniversary of James Brown’s homecoming concert in Augusta, Georgia’s Bell Auditorium on October 1, 1969. Live at Home with His Bad Self captures this historic performance by the legendary Soul Brother No. 1 and the James Brown Orchestra with occasional dialogue by Brown and emcee Maceo Parker. Intended to “attract notoriety” to his hometown, Brown “decided to record this local concert and commemorate it with a live album” for release during the Christmas season of 1969. Unfortunately, the two-disc album was shelved for various reasons. While some selections were issued on previous compilations, Live at Home with His Bad Self finally includes the concert in its entirety from start to finish, just in time for the 2019 holiday season. Continue reading

London Afrobeat Collective – Humans

 

Title: Humans
Artist: London Afrobeat Collective
Format: CD, LP, Digital
Label: London Afrobeat Productions
Release Date: October 25, 2019

 

Following their popular 2015 release Food Chain that earned them glowing reviews and widespread radio support, London Afrobeat Collective has released their newest album, Humans. The collective is formed of nine members who hail from England, Congo, Italy, France, Argentina, and New Zealand, and their music reflects the varied cultural backgrounds of their members. LAC is known for their eclectic sound that draws on funk, jazz, rock, and dub paired with socially conscious lyricism and their latest project is no departure from this. Continue reading

November 2019 Black Music Releases of Note

Following are additional albums released during November 2019 across multiple genres—some will be reviewed in future issues of Black Grooves. Continue reading

The Hornē Electric Band’s Self-Titled Debut

 

Title: Hornē Electric Band
Artist: Hornē Electric Band
Label: Ropeadope
Formats: CD, Digital
Release Date: September 27th, 2019

 

Hailing from New York City, The Hornē Electric Band is a modern funk group that combines funk, jazz, and soul with modern music technology. According to their website bio, they “integrate current electronics soundscapes with horn-section-centric arrangements.” Their self-titled debut album is full of witty band humor and, like with all great funk albums, a groove that lives around “the one.” The rhythm section features bassist/producer Massimo Biolcati, drummer Corey Rawls, and vibraphonist/malletkat Tyler Blanton, who also provides midi electronics. Heading up the horn section is Wayne Tucker on trumpet and Yacine Boulares on tenor sax, as well as the Snarky Puppy team of Mike Maher (trumpet) and Chris Bullock (tenor sax). Continue reading

October 2019 Black Music Releases of Note

Following are additional albums released during October 2019 across multiple genres—some will be reviewed in future issues of Black Grooves. Continue reading

Welcome to the October 2019 Issue

Welcome to the October 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

Our featured project this month is the new three disc compilation, Protobilly: Minstrel & Tin Pan Alley DNA of Country Music 1892-2017, produced and/or annotated by Dom Flemons, Dick Spottswood, Henry Sapoznik, and David Giovannoni.

Also highlighted are two classical recordings: Richard Thompson’s The Mask in the Mirror – A Chamber Opera and Jamaican-born composer Eleanor Alberga’s String Quartets Nos. 1-3, performed by Ensemble Arcadiana.

This month’s jazz selections include Ramsey Lewis & the Urban Knights seventh album VII, the Chick Corea Trio’s Trilogy 2, and the Louisiana-based Lilli Lewis Project’s multi-genre album We Belong. Gospel releases include John P. Kee’s I Made It Out and a new compilation, Jewell Gospel Trio: Many Little Angels in the Band, featuring a 1950s gospel girl group that included a teenage Candi Staton.

Other new releases include rising Chicago blues musician Toronzo Cannon’s The Preacher, The Politician or The Pimp, spoken word artist/poet Tenesha The Wordsmith’s Peacocks & Other Savage Beasts, the Brooklyn Funk Essentials’s Stay Good, and Vaneese Thomas’s Down Yonder. Wrapping up this issue is our list of September Black Music Releases of Note.

Brooklyn Funk Essentials – Stay Good

 

Title: Stay Good
Artist: Brooklyn Funk Essentials
Label: Dorado
Formats: CD, LP, Digital
Release date: September 20, 2019

 

Brooklyn Funk Essentials may not be based in Brooklyn anymore, but they sure haven’t given up on the funk. Founded over twenty years ago by Lars “Lati” Kronlund, BFE and its lineup have gone through many shifts over the years. Just before forming the band, Lati released the club anthem “Where Love Lives” with Alison Limerick. Now, for the band’s latest album, the creative relationship between Lati and Alison has been rekindled—with the addition of four other musicians—and BFE has given new life to the projects the duo was working on in the 90s. Continue reading

September 2019 Black Music Releases of Note

Following are additional albums released during September 2019 across multiple genres—some will be reviewed in future issues of Black Grooves.  Continue reading

The House Guests – My Mind Set Me Free

 

Title: My Mind Set Me Free
Artist: The House Guests
Label: Shake It
Formats: LP, Digital
Release date: August 23, 2019

 

The new compilation from Cincinnati’s Shake It Records, My Mind Set Me Free: The House Guests Meet the Complete Strangers & Bootsy, Phelps & Gary, features nine tracks from a collective of rhythm section instrumentalists and artists who briefly performed together as the House Guests in 1971, but are best known by other names. Initially formed as the Cincinnati-based R&B band, the Pacemakers, when performing with James Brown they became the Original JB’s. After they left Brown, the group toured as the House Guests until they were persuaded by George Clinton to form the new rhythm section for Funkadelic in 1972. Under Clinton, they helped lay the foundation for P-funk, fusing the music with “dimensions from cosmic jazz, fusion [and] acid rock.” Another side project included the group Complete Strangers, and a few years later, Bootsy’s Rubber Band. Collectively, the House Guests/Complete Strangers are considered some of pioneers and progenitors of the airtight polyrhythmic sound that is funk. Continue reading

Alan Evans – Nothing To Say

 

Title: Nothing To Say
Artist: Alan Evans
Label: Vintage League Music
Formats: CD, LP, Digital
Release date: May 24, 2019

 

Don’t let the title fool you—Alan Evans has plenty to say on his solo debut album. Steeped in psychedelic rock and funk, Nothing To Say finds Evans stepping out from behind his drum kit and away from his acclaimed funk/jazz trio Soulive. The album’s ten original tracks were written, recorded, and produced over the past four years by Evans and released on his Vintage League Music label. In addition to laying down the drum tracks, the singer and multi-instrumentalist performs all vocals as well as guitar, bass, keys and percussion. Joining Evans on this outing are guitarists Danny Mayer and Ryan Hommel, who doubles on pedal steel, with Darby Wolf, Kris Yunker, Beau Sasser, and brother Neal Evans (Soulive) filling in on Moog, organ, piano and Mellotron. This keyboard centric mix is heavy on the organ, creating a soulful yet funky feel throughout, but includes enough stellar guitar solos to rock hard. Continue reading

The Last Poets – Transcending Toxic Times

 

Title: Transcending Toxic Times
Artist: The Last Poets
Label: Ropeadope
Formats: CD, MP3
Release date: May 10, 2019

 

The Last Poets are at it again with their latest album, Transcending Toxic Times. Released just a year after their 50th anniversary album, Understand What Black Is (2018), and a few months after Understanding What Dub Is (2019), this funk oriented album is fused with elements of jazz, R&B, rock and percussive rhythmic grooves. As with previous efforts, there are also socio-cultural messages that comment on the conditions of African American lived experiences. The album brings together the original members—Baba Donn Babatunde, Abiodun Oyewole and Umar Bin Hassanall—along with producer and bass guitarist Jamaaladeen Tacuma, for what is likely the “definitive Last Poets album.” Continue reading

Will Sessions & Amp Fiddler ft. Dames Brown – The One

 

Title: The One
Artist: Will Sessions & Amp Fiddler, featuring Dames Brown
Label: Session Sound
Formats: CD, MP3
Release date: October 26, 2018

 

Detroit-based group Will Sessions has made a name for themselves in the motor city. From their early beginnings, the octet released several albums influenced by R&B, hip-hop, funk, and jazz. In 2017, the group began collaborating with legendary funk singer and keyboardist Amp Fiddler, first on their Deluxe album track “In The Ride,” and later that year on their live recording Kindred. Like their previous releases The One includes Fiddler on lead vocals, along with the soulful and dynamic voices of vocal trio Dames Brown. Continue reading

New Holiday Albums: The Best of 2018

Christmas just isn’t Christmas without good music to really get you in the spirit! We’re featuring brief reviews of our favorite new holiday releases from PJ Morton, John Legend, Cece Winans, Aloe Blacc, Motown Gospel, and After 7. Our specially curated Black Grooves Christmas Spotify playlist features our favorite songs from these artists and more, providing the perfect soundtrack as you get together with friends and family to celebrate the holidays. Continue reading