Any Prince fan on your
holiday gift list would likely be thrilled to receive the new
edition of Sign O’ The Times, one of the Prince’s most memorable albums now offered as
a super deluxe box set. Featuring 92 tracks across eight CDs plus a DVD and a 120-page
illustrated hardcover book with essays by Dave Chappelle, Lenny Kravitz, and
various Prince scholars, this set can be considered a bargain. In addition to the
original 1987 double album remastered by Bernie Grundman, the other CDs include
63 previously unreleased tracks ranging from single remixes and B-sides to live
songs plus a complete concert performance recorded in Utrecht, Netherlands, on
June 20, 1987 during the Sign O’ The Times Tour.
Con Funk Shun was one of the premier funk and soul ensembles of the ’70s and ’80s. Led by the vocals of Felton Pilate and Michael Cooper, the group produced eight Top Ten R&B hits and the No. 1 chart topping single, “Ffun,” in addition to four consecutive Gold albums. Confunkshunizeya, the first double CD career anthology of the supergroup, includes 32 tracks from Con Funk Shun’s golden years and the full 12” version of “Ffun.”
Title: The Power Of The One Artist: Bootsy Collins Label: eOne/Sweetwater Format: CD, LP, Digital Release date: October 23, 2020
Rock & Roll Hall of Fame legend Bootsy Collins is back, hitting us with The Power Of The One, his 25th album release. Bootsy has been a huge influencer in the popular music community for generations. As a bass player, he was one of the first to use effect pedals, particularly the MU-Tron III, which provided the envelope filter necessary to create the squealing synth-like sound featured on many of the songs he recorded as a member of Funkadelic. He was also a progenitor of the slide technique which is used in many of today’s different genres of music. Rolling Stone’s current list of the “50 Best Bassists of All Time”places Bootsy at #4, stating that he “redefined soul and funk bass playing in the Seventies, and, by proxy, rap and pop in the Eighties and Nineties. . . You can hear his influence in practically every bass player to come since…”
The Cleveland, Ohio-based funk and soul collective Mourning [A] BLKstar is a “multi-generational, gender and genre non-conforming amalgam of Black Culture dedicated to servicing the stories and songs of the apocalyptic diaspora.” Boldly confronting themes of racism, oppression, and injustice, the group’s albums reflect the reality of living in a world that is all too frequently hostile to people of color. Their previous release, The Garner Poems(2018), was a eulogy to Eric Garner and the many other victims of police brutality past and present. M[A]B’s new double album, The Cycle, is yet another epic and thought-provoking addition to the group’s catalog. Set as an 18 movement song cycle featuring vocalists James Longs, Kyle Kidd and LaToya Kent, the group envisions the work as “a humble addition to the long legacy of James Baldwin’s adage of the artist as witness.”
Title: Satirifunk Artist: Junko Beat Label: Drumparade Format: CD, LP, Digital Release Date: June 5, 2020
Trance-inducing, cutting-edge, and improvisational: all are terms that have been used to describe the newest release from the New Orleans progressive funk outfit Junko Beat. On their sophomore album, Satirifunk, the group presents an innovative musical fusion of New Orleans funk and West African tribal jazz with electronic and Latin-Caribbean influences. The result is a powerful, rhythm-heavy sound that truly captivates the listener.
Title: It Is What It Is Artist: Thundercat Label: Brainfeeder Formats: CD, LP, Digital Release Date: April 3, 2020
Electric bassist and singer/songwriter Thundercat, aka Stephen Lee Bruner, has released his fourth studio album, It Is What It Is. Executively produced by Bruner and Flying Lotus, the project features collaborations from artists such as Childish Gambino, Lil B, Kamasi Washington, Ty Dolla $ign, BADBADNOTGOOD, Louis Cole, and comedian/rapper Zack Fox. The new album is the follow-up to Thundercat’s ambitious Drunk (2017), which cemented his genre-defying reputation and provided an evolutional framework for It Is What It Is, which continues the versatile artist’s experimentation with sound and compositional technique.
Released just in time for Mardi Gras, this new box set
celebrates the kings of New Orleans funk, otherwise known as The Meters. Featuring guitarist Leo Nocentelli, bassist
George Porter, Jr., keyboardist/vocalist Art Neville, and drummer Joseph
“Zigaboo” Modeliste, The Meters combined street rhythms with second line vibe
and fatback drums to create their own unique, laidback style. Compared to James
Brown’s hard driving, frenetic performances, The Meters just let the good times
roll through the Big Easy accompanied by a funky backbeat. Produced by SoulMusic’s
David Nathan, Gettin’ Funkier All The Time takes listeners on a journey
through The Meter’s eight studio albums recorded between 1968-1977, their non-album
singles and bonus tracks issued on previous
compilations, plus a few surprises thrown in like beads along the parade route.
In other words, this set has it all.
For those of you who aren’t from the Midwest, “Naptown” is a nickname created by local jazz musicians back in the day to describe the sometimes sleepy city of Indianapolis. Bringing some old Naptown soul and funk to light, the new anthology LAMP Records: It Glowed Like the Sun: The Story of Naptown’s Motown offers an overview of the city’s fabled record label, little known outside of hardcore soul collectors. Now, current and former Indianapolis natives can reminisce while the rest of the world can finally hear the soulful sounds that sprung from Naptown during the years 1969-1972. The liner notes for this release, researched and written over a twenty year span by Eothen Alapatt, Jeff Kollath, Jason Yoder and Kyle Long, read like a book as these four experts uncover the history of the LAMP label and Naptown’s music scene.Continue reading →
Title: 1999 Super Deluxe Edition
Label: Warner Bros.
Formats: 5CD or 10LP + DVD box set
Release date: November 29, 2019
This new box set is the latest release from the Prince Estate and Warner Brothers. On the plus side, there’s the first remastered edition of Prince’s 1982 breakthrough album, 1999, in addition to a CD of remastered promo mixes and B-sides, plus a CD/DVD of a previously unreleased live concert performance in Detroit on November 30, 1982 (which allegedly will not be released separately). Somewhat more controversial are the two additional CDs of tracks culled from the vast vault at Paisley Park. While some hardcore fans will welcome this glimpse into the inner workings of Prince’s compositional process, others may consider it a travesty that the estate is releasing material that the artist would have keep private.
This year celebrates the 50th anniversary of James Brown’s homecoming concert in Augusta, Georgia’s Bell Auditorium on October 1, 1969. Live at Home with His Bad Self captures this historic performance by the legendary Soul Brother No. 1 and the James Brown Orchestra with occasional dialogue by Brown and emcee Maceo Parker. Intended to “attract notoriety” to his hometown, Brown “decided to record this local concert and commemorate it with a live album” for release during the Christmas season of 1969. Unfortunately, the two-disc album was shelved for various reasons. While some selections were issued on previous compilations, Live at Home with His Bad Self finally includes the concert in its entirety from start to finish, just in time for the 2019 holiday season.Continue reading →