Artist: Living Colour
Formats: CD, LP, MP3
Release date: September 8, 2017
After almost thirty years in the industry, Living Colour has proven time and again they are a force to be reckoned with in rock music. Since the band’s inception they’ve been an amalgamation of varied influences—funk, blues, hard rock, soul, jazz and metal—in the best possible way. Shade furthers demonstrates their musical prowess. It’s been eight years since the well-received The Chair in the Doorway album and Living Colour wastes no time reestablishing themselves.
“Freedom of Expression” sets the album off lovely with the band flexing their well- honed chemistry and skills. Vernon Reid’s main guitar riff is catchy and menacing. Doug Wimbish and Will Calhoun handle the rhythm duties, with a thumping bassline and funking drumming respectively. Lastly, Corey Glover’s vocals sound as powerful and impassioned as ever.
Issues of social justice have long been a touch point in songs by Living Colour and “Freedom of Expression” is no different. Glover sings, “The news you use has been falsified / til you use my fear against me every side / won’t let you choose for me pick a side / no left, no right, no middle, no divide.” Furthermore, on “Blak Out” the band plays with the concept of double consciousness that is salient to the lives of most Black people in America. When Corey Glover sings “Sometimes they misunderstand / Don’t know who I really am” you might call it signifying as many Black listeners know the struggle not to “blackout” all too well.
On “Preachin Blues” the band’s blues influence is on full display as they rip through Robert Johnson’s classic, adding a decidedly electrified funk flavor to the mix. Reid showcases why his name should come up in any serious discussion about rock guitarists with scorching solos on this track as well as on “Program,” which speaks on the ills of a reality TV centric existence.
Hard to say enough about how well the band channels all of their influences from song to song on the album. On “Come On” you can hear the drum and bass influence on Will Calhoun’s drumming patterns, on “Pattern In Time” the feel is very Funkadelic (George Clinton himself drops by to add background vocals to “Two Sides” later on the album), and they do a full-on rock infused cover of the Notorious B.I.G.’s “I Shot Ya” while never feeling like they are stepping outside of their wheelhouse. On the latter they use the track to shine a spotlight on events like Michael Brown’s death, giving a decidedly more political spin to Biggie Smalls’ lyrics.
Unfortunately (for this reviewer) the album is missing the band’s great cover of The Jacksons’ “This Place Hotel” (aka Heartbreak Hotel) that was included on the Who Shot Ya mixtape released by the band earlier this year. However, we do get a great cover of Marvin Gaye’s “Inner City Blues” with spoken word poetry by Umar Bin Hassan sprinkled throughout.
Living Colour has seen a resurgence in mainstream popularity over the past few years as popular WWE wrestler CM Punk has used their signature song “Cult of Personality” as his theme music. On Shade, Living Colour has crafted songs that are just as catchy and powerful as “Cult” without sacrificing any of their artistic integrity by seeking a hit single. Shade is simultaneously accessible and uncompromising, which can be said about the lion’s share of the band’s work.
At times it’s hard to know how much you’ve missed something until you’ve had the chance to feel it again. Shade serves as a frank reminder that Living Colour is still one of the best bands doing it.
Reviewed by Levon Williams