Consider hacking into a deeper examination of the senses—visuality, audiology, tactility. Consider hacking into an observation of the world around us—geographically, temporally, contextually. Consider hacking into a scrutinization of socio-political issues—technology, leakology, trackology.
With his most current album, Saul Williams encourages us to do just that. Self-produced Encrypted and Vulnerable is the second in a three-part series, preceded by 2016’s MartyrLoserKing, but more importantly, Williams’ work is one more piece in a much larger metaphysical puzzle. The MartyrLoserKing project —a 3-part multi-media compilation of albums, a musical film and an upcoming graphic novel —focuses on governmental surveilling and silencing of global activists through the medium of Afrofuturistic performance. Of his current self-titled spoken word release, Williams describes it as “simultaneously a personal and intimately optimistic takedown on struggle, defiance, awareness, aloneness, and a takedown of heteronormative capitalistic patriarchal authoritarian politics in topics ranging from love, technology, religion, war, to migration.” Continue reading