The Heart of a Woman is the first full-length biography on Florence B. Price, the renowned African American composer. Based on Dr. Rae Linda Brown’s 1987 Ph.D. dissertation on Price, the author sadly did not live to see her expanded book published before succumbing to cancer in 2017.
Dolce, featuring cellist Kristen Yeon-Ji Yun
and pianist Phoenix Park-Kim, has assembled a satisfying collection of pieces
by composers of African descent on their recent release, Summerland.
This album is a follow up to Deep River:
Music for Violin and Piano by Composers of African Descent, released by
Park-Kim and violinist Merwin Siu in 2016. Most of the pieces chosen for Summerland
reflect the lyrical side of classical music, with winding, twisting harmonies
and long, sustained melodies.
Whether intentional or not, Naxos
picked an opportune time to release this recording featuring works by two very
prominent 20th century African American composers—William Levi
Dawson (1899-1990) and his somewhat younger contemporary, Ulysses Simpson Kay
(1917-1995). As a result of the Black Lives Matter movement, at least a portion
of white America is finally addressing gaps in their knowledge of Black history,
having come of age at a time when the historical narrative and education system
was (and is) unquestionably white-washed. At the same time, many university
music departments and libraries have begun the process of re-examining the Western
classical music canon in an attempt to decolonize syllabi and collections. This
new release on Naxos American Classics series is certainly a very
welcome addition to those efforts. Though most of these works have been released
commercially in the past, the most recent of these recordings was issued nearly
20 years ago.
Title: EarthSeed Artist: Nicole Mitchell & Lisa E. Harris Label: FPE Format: CD, LP, Digital Release Date: June 26, 2020
They say that great minds think alike, and that seems
to be the case with the new collaborative album between renowned composers Nicole Mitchell
and Lisa E. Harris.
The pair met at the New Quorum Composers’ Residency in New Orleans and were
drawn together by a shared interest in celebrated author Octavia E. Butler, one
of the best known African American writers in science fiction. Together, the
two musicians took inspiration from Butler’s legacy of Afrofuturistic novels to
Title: Some of These Days Artist: Lara Downes & Friends Label: Flipside Music Formats: CD, Digital Release date: April 3, 2020
If there were ever an album that captured in music the interconnected nature of the fight for justice across generations, it is pianist and activist Lara Downes’ Some of These Days. Blurring genres, varying instrumentation, and collaborating with other musicians, Downes brings us an album that, track after track, delivers deeply moving and heartfelt performances of spirituals and freedom songs. First conceived in antebellum times as multilayered expressions of sorrow, longing, and joy—psychological coping mechanisms to deal with the trauma of slavery—these songs took on still new meanings when sung one hundred years later by Civil Rights activists, including her Harlem-born African American father and Jewish mother. And evident through Downes, these songs are still speaking to us today.
Urban Counterpoint: The Piano Music of Ed Bland is the second release of the music of the late Chicago composer Ed Bland by Cambria Master Recordings. Bland’s instrumental compositions were the focus of an earlier album, Urban Classical: The Music of Ed Bland (1994). However, the focus of Urban Counterpoint is on Bland’s piano works. Performed and interpreted by pianist Judith Olson, the album explores his genre-blending compositions which incorporate “a broad range of textures and diverse rhythms” from the early 20th-century Western European music canon as well as jazz, gospel, and West African rhythms.
Paul Moravec’s 2017
oratorio, Sanctuary Road, is a
modern take on the classical oratorio form, portraying stories from the
Underground Railroad rather than Biblical content. The libretto by Mark
Campbell interprets slave narratives collected and published in 1872 in The Underground Railroadby William Still (1821–1902) of Philadelphia, a “conductor” who aided many
fugitive slaves including his older brother. Some of the song texts are
literal, as when Still interviews an escapee he has sheltered, but at other
times more poetic, consisting of single words or phrases joined together to
portray the collective experience of the enslaved who escaped to
freedom. The oratorio’s title, however, was inspired
by the modern concept of “Sanctuary City,” bringing contemporary resonance to
the composition. The sixteen movement work for five soloists, chorus and
orchestra was commissioned by Jody Spellun, a member
of the Oratorio Society
of New York, and this live recording captures the
world premiere performance at Carnegie Hall by the OSNY Chorus and Orchestra
under the baton of Kent Tritle.
The songs and spoken excerpts that comprise Bound for the Promised Land: Songs and Words of Equality and Freedom were performed live during the Atlanta Music Festival in 2016 at Ebenezer Baptist Church and Glenn Memorial Auditorium at Emory University. The Atlanta Music Festival was first created in 1910 after the Atlanta Race Riots and revived in 2001 by Pastor Dwight Andrews. The purpose of the festival at its inception was to introduce the world to renowned African American concert musicians. The music featured on Bound for the Promised Land does not disappoint and holds true to the original mission of the festival, with works by Dorothy Rudd Moore, T. J. Anderson, Duke Ellington, John Carter and Adolphus Hailstork. Guest artists include the late soprano Jessye Norman, who performs on four songs, tenor Timothy B. Miller, and narrators Taylor Branch and Rev. Robert M. Franklin, Jr.
Title: Spark Catchers Artist: Chineke! Orchestra & Chorus Label: NMC Formats: CD, Digital Release date: January 17, 2020
Royal Academy of Music professor and double
bassist Chi-chi Nwanoku
has a laudable mission: championing change and celebrating diversity in
classical music. Through her Chineke!
Foundation, Nwanoku nurtures new
generations of talent by commissioning works and supporting music education
programs including a youth orchestra. Her flagship group, the Chineke! Orchestra, was founded in 2015 and is comprised of Black and Minority Ethnic
(BME) classical musicians working in the UK and Europe. The orchestra recently
won the inaugural Royal Philharmonic Society
for filling the stage with BME artists, drawing a far more diverse audience to
concert halls, and “restoring BME composers past and present to their rightful
place amongst those we regularly revere.” These achievements are showcased on
the Chineke! Orchestra’s latest album, Spark Catchers. Featuring works by six of the UK’s
leading BME composers, the performances (except where otherwise noted) are led
by African American conductor Anthony Parnther, music director of the
Southeast Symphony in Los Angeles and the San Bernardino Symphony Orchestra.
Title: Elgar Artist: Sheku Kanneh-Mason, London Symphony Orchestra Label: Decca Classics Formats: CD, LP, Digital Release date: January 10, 2020
London-born cellist Sheku Kanneh-Mason rose to prominence in the UK after winning the BBC Young Musician Award in 2016 and received international attention for his performance at the royal wedding of Prince Harry and Meghan Markle in 2018. A member of the remarkably talented Kanneh-Mason family, 20-year-old Sheku has often performed with his six brothers and sisters, all classically trained musicians between the ages of 10-23. His debut album,Inspiration, was released in 2016 on the prestigious Decca Classics label (his sister, pianist Isata Kanneh-Mason, is also signed to Decca). On his sophomore album, Elgar, Sheku performs Elgar’s Cello Concerto in E Minor, Op. 85 with the London Symphony Orchestra conducted by Sir Simon Rattle, plus several short chamber pieces by Elgar and other composers. As a testament to the number of people inspired by the young musician, Elgar is already a best seller, making Kanneh-Mason the first classical musician to break into the Top 10 of the UK album charts in over 30 years, a position currently shared with grime star Stormzy.
American soprano Katherine Jolly has graced many opera stages over the course of her budding career. After winning the Metropolitan Opera National Council Grand Finale in 2006, she went on to perform with the New York City Opera, Houston Grand Opera, and Florida Grand Opera, among others. In concert repertoire, Jolly has taken the route of many lyric sopranos, specializing in the repertoire of Bach, Handel and Mozart. On her debut recording Preach Sister Preach, however, she selected three contemporary works by young American composers. The project was undertaken while Jolly was on the voice faculty at the IU Jacobs School of Music (JSOM), and was recorded on the stage of Auer Hall in 2018 and early 2019 by audio engineer D. James Tagg, who is also on the JSOM faculty.Continue reading →
Title: The String Queens
Artist: The String Queens
Release date: November 25, 2019
Renowned for their genre spanning repertoire, the Washington, D.C. based trio The String Queens have been changing the ways audiences engage with classical music. The three women—Kendall Isadore (violin), Dawn Johnson (viola), and Élise Cuffy (cello)—are “school teachers by day and concert performers by night” who have a strong commitment to artistic integrity and music education. Though they might not yet be a household name, you have likely heard TSQ backing artists such as Solange, Janelle Monae, and Jennifer Hudson, as well as Aloe Blacc on his recent video of “Lift Ev’ry Voice and Sing,” filmed on the grounds of Monticello. The trio has also been featured on concert stages around the world, including Carnegie Hall, The John F. Kennedy Center for the Performing Arts, Royal Festival Hall, and Shanghai Grand Theatre.Continue reading →
The Ballad of the Brown King & Selected Songs, featuring music of composer Margaret Bonds, is a much needed album that will play an important role in bringing Bonds the wider recognition she deserves. A number of renowned artists, stretching from the present day back to Bonds’ lifetime, have recorded Bonds’ shorter compositions including her art songs and spiritual settings, as well as her sole published piece for solo piano, “Troubled Water.” But this performance by The Dessoff Choirs and Orchestra—with soprano Laquita Mitchell, mezzo-soprano Lucia Bradford, tenor Noah Stewart, and conductor Malcolm J. Merriweather—iis the world-premiere recording of not only The Ballad of the Brown King, but of any large-scale composition by Bonds, as most remain unpublished, much less professionally recorded.
Coinciding with the 2019-20 season’s acclaimed opening production of the Gershwins’ Porgy and Bess and the exhibition Black Voices at the Met, the Metropolitan Opera offers a third blockbuster with Black Voices Rise: African American Artists at the Met. This compilation of performances by Black artists from 1955 to 1985 celebrates the talent and “overdue arrival” of these history-making singers. The album opens with a performance by Marian Anderson, who broke the Met’s color barrier with her debut in Verdi’s Un Ballo in Maschera in 1955. Other featured performers include celebrated stars Leontyne Price, Grace Bumbry, Kathleen Battle, George Shirley, and Jessye Norman, among others. Black Voices Rise also includes rare excerpts from the Met’s 1985 company-premiere of Porgy and Bess starring Simon Estes and Roberta Alexander. The extensive liner notes by Dr. Maurice Wheeler include a brief history of African American performers at the Metropolitan Opera and the struggle for racial equality, as well as biographies of the singers included in the compilation. All recordings were restored and remastered from the original analog tapes, allowing these voices to triumph yet again.Continue reading →