Title: The Blues Roots of the Rolling Stones
Artists: Various Artists
Label: Snapper Music
Catalog No.: SBLUECD047
Release date: March 10, 2008
“We got heavily into the blues – Chicago blues particularly because every major, modern blues artist was coming out of Chicago. . . we weren’t writing our own songs then. We were just playing mostly blues & rock ‘n roll-Chuck Berry, Jimmy Reed, Bo Diddley, Muddy Waters stuff.” – Keith Richards
“We used to watch Chuck Berry films over and over and over to see how he would play certain licks. Keith [Richards] and I would go to the cinema like 6 or 9 times just to see the Chuck Berry section. . . to see how he put his hands on the guitar, and how he played this part and this solo.” – Mick Jagger
The Blues Roots of the Rolling Stones is Michael Hendon’s valiant effort to bring together the most formative blues and rock influences on the members of this seminal rock band onto a single disk for Snapper Music’s Complete Blues series. Included among them are, of course, Muddy Waters, Howlin’ Wolf, Elmore James, John Lee Hooker, Chuck Berry, Jimmy Reed, and Bo Diddley, but also Buddy Holly, Slim Harpo, B.B. King, Blind Boy Fuller, Robert Johnson, Leroy Carr & Scrapper Blackwell, and Robert Wilkins.
Far from a smattering of well-known singles from these (mostly) heavily-compiled artists, Hendon’s liner notes make clear that the songs selected for this compilation were chosen carefully. Throughout, Hendon expends great effort to explicitly connect each song to the Stones and thus support the reason for its inclusion – usually either because the Stones frequently performed and/or recorded the song or because it is emblematic of the sound of a particular artist that was an important influence on the band.
Appropriately enough, the disk opens with Muddy Waters’ “Rolling Stone” and closes with another of his classics – “I Want to be Loved” (a version of which appeared as the B side of the Stones’ first single). The songs of Chuck Berry and Bo Diddley formed over half of the Stones’ early set lists, and Chuck Berry’s “You Can’t Catch Me” was also featured on their third album (The Rolling Stones, Now!, 1965). Slim Harpo’s “I’m a King Bee” was featured on the Stones’ first album (England’s Newest Hit Makers, 1964) as was Jimmy Reed’s “Honest I Do.” In addition to this more urban-centered blues/rock spread, I especially like the attention paid on this compilation to the Delta/country blues influence on the Stones’ sound. One of the highlights in that regard is Robert Wilkins’ crackling 1928 recording “Rolling Stone – Part 1.”
Though Stones enthusiasts will undoubtedly notice omissions on The Blues Roots of the Rolling Stones, I think it is a perfect starting point for those who wish to trace the British blues explosion of the early 1960s back to the sounds that inspired it.
Posted by Anthony Guest-Scott