Semantics of Mr. Porter – Denzil Porter

Semantics of Mr. Porter

Title: Semantics of Mr. Porter

Artist: Denzil Porter

Label: That’s Hip Hop

Format: CD, MP3

Release date: September 22, 2017



A lyricist is the ultimate giver in rap, handing out his words in the form of sweets to be collected and savored one at a time for the treats they are. Semantics of Mr. Porter proves that poetics are still in play well after the golden era thanks to the stylings of Denzil Porter. Porter, a native of North Bronx, offers his personal take on his method, which he describes as occurring “when I get a feeling, or in a mood, or something that happened at that moment… a song is something that stamps that moment for me, and also stamps the moment for the listener who relates.”

Semantics of Mr. Porter definitely owns up to its thought-provoking name. The first track, “Et Tu Brute,” is a direct reference to Caesar’s last words, “And you, Bruce?” In listening to the song, one can’t help but make the connection between the two worlds—ancient and modern—in which the way of life might have altered but the way life is hasn’t changed much at all. Porter wraps his meaning into a plethora of rhymes purposely structured around the determination one feels while chasing a dream tied to the frustration one faces in obtaining that reality. “Time Soon Come” operates semantically in much the same way, but opens the bag up further by providing a stringed instrumental background that sugars the message. As the album moves forward, Porter’s drops offer more diversity of sound in tracks such as “Right Now,” which utilizes a funk bass line as its foundation under the layered poetics of Chris Rivers, and “”What It Takes,” in which a less heavy ear-catching piano riff compliments Oswin Benjamin’s “Do you know what it takes?” call-and-response lines.

But the most riveting instances on the album happen in the form of narrative vignettes Porter mixes into his bowl of conscious thoughts. These six cut-ins provide a first-person story of a robbery, from the planning stage to the end result, and demonstrate Porter’s commitment to describing real-life choices that mark a person in ways one can’t fully comprehend until it’s too late. From his tongue-twisting rhymes and his mind-twisting thoughts, Denzil Porter is definitely a force to be reckoned with.  He may not be your typical rapper, but in his own style Porter aims to inspire his listeners; to uplift them and others around them.

When you open the door to Semantics of Mr. Porter, you might get more than you bargained for, but your bag of conscious candy will provide you with unexpected surprises long after the last echoes of Porter’s voice fades into the darkness.

Reviewed by Amy Aiyegbusi

From Mambo to Hip Hop

Title: From Mambo to Hip Hop: A South Bronx Tale

Director: Henry Chalfant; Produced by Elena Martinez, Steve Zeitlin

Label: City Lore/MVD Visual

Catalog No.: MVDV4785

Format: DVD-Video, NTSC, all regions

Release Date: March 2009

From the first scene to the last, From Mambo to Hip Hop is fused with classic music from both genres, while also offering a detailed and comprehensive historical overview of the Bronx, the origin of its inhabitants, and the mutual oppression that they faced.  Beginning in the 1920s, the documentary follows the influx of Latino immigrants who came to the United States from the Caribbean and settled in the Bronx, as well as the simultaneous migration of African “Americans” who had been emancipated from chattle slavery just over 50 years before. The two were wedded together in the Bronx.

Musically, it all began with the Afro Cuban mambo players. Their exemplary musicianship would eventually place the budding new genre on the world stage. By the mid 1960s mambo was the hippest thing, and both the Black and Latino communities in the Bronx were embracing this new marriage of cultures, dance, music, and freedom of expression (for the most part). Salsa was not only about the music and the dance; it could also be used as a voice for social and political messages. Then, almost as if predestined, the community was once again under attack by their oppressors.

After economic misfortune began to plague the area, the hardships that ensued created the perfect conditions for the birth of hip hop. Before that would happen, the Bronx and the people that lived there would have to go through hell, literally. The landlords of the various housing projects throughout the Bronx began setting fire to their own property in order to collect the insurance money. The landscape of the South Bronx was turned into a desolate wasteland, almost as if war torn. The people moved and, as fate would have it, the impoverishment followed. As the victims of injustices, the people of the Bronx underwent an infestation of crime and violence born out of the poverty that they were forced into. From the 1950s on into the 1970s, street gangs were commonplace on the main stage of the Bronx. Gang violence inevitably followed the youth of the community where ever they went. The film also highlights the importance of the gangs and the gangster hierarchy which can still be seen today in various aspects of hip hop.

After the birth of hip hop in the Bronx, the people of the community nurtured the fledgling lifestyle. Strongly encouraged and influenced by both the Black and Brown cultures of the area, hip hop quickly became a national sensation. It wasn’t long before the lifestyle and culture of hip hop went from one of the most impoverished communities in America to becoming a global phenomenon, sweeping across the planet and communicating with each and every culture.

From Mambo to Hip Hop will cause most to view the origins of the universal vibration known as hip hop through a new spectrum. Being Afro-Latino myself, I was immediately sucked into the content. With a multitude of characters from the classic mambo and hip hop eras, stories are woven together and pictures are vividly painted. The old black and white footage of the Bronx is marvelous, along with the rare footage of mambo and hip hop performances from back in the day.

The hour long documentary is divided into three major parts with each leading into the other. Beginning with the origins of mambo and salsa, the film takes a look at the people and conditions that were the catalyst for the music. Next is an exploration of the street gang subculture that sprang up from the Black and Brown people of the Bronx. From Mambo to Hip Hop does a fantastic job detailing some of the gang activities of the past, with awesome vintage footage of actual gang meetings, and of gang members hanging out. Last but not least is the segment on hip hop, which rose from the ashes of the Bronx like a phoenix. At a time when almost all hope had been lost, hip hop came along to replenish the spirit of the people. In essence, it literally resurrected a people.

If you are a fan of Latino or hip hop music, or if you just want to learn more about American history, I highly recommend that you check out From Mambo to Hip Hop. If you are in a gang or are interested in a unique piece of American street gang history, then you too should see this film. Don’t miss out on the bonus features which include extra interviews with Mike Amadeo, Joe Conzo Sr., and Jo-Jo Torres, among others, plus outtakes of interviews with featured the artists, which includes Angel Rodriguez, Benny Bonilla, Bobby Sanabria, Carlos Mandes, Clemente Moreno, Curtis Brown, Emma Rodgriguez, Sandra Maria Esteves, David Gonzalez, Eddi Palmieri, “Popmaster Fabel” Pabon, Ray Barretto, Willie Colón, and the Rock Steady Crew.

Posted by Moorishio De la Cruz

Born in the Bronx

born.jpegTitle: Born in the Bronx
Editor: Johan Kugelberg
Publisher: Rizzoli (New York)
Format: Book (208 p.)
Date: 2007

In an unusual twist on the “coffee-table book”, Born In The Bronx: A Visual Record of the Early Days of Hip Hop tells the story of the origins of hip hop through page after page of vivid, expressive images displayed as oversized two-page spreads. Editor Johan Kugelberg brings the scene of the 1970s Bronx to life with a combination of photographs (by Joe Conzo), flyers and posters (by Buddy Esquire), and album art and other memorabilia-rarely-seen images depicting the raw energy of the music, community, culture, styles, and attitudes that gave birth to one of the biggest musical and cultural phenomena of the twentieth century. While light on text, the few written sections scattered through the book highlight the first-person voices and testimonials of hip hop pioneers and early participants, and a helpful four-page timeline situates the Bronx scene in historical context- starting with the completion of the Cross-Bronx Expressway in 1963 which ushered in hard times for the neighborhood, and ending with Run DMC taking their Raising Hell album platinum in 1986. But the photographs and posters are the true storytellers, and this collection is a must-have for the hip hop enthusiast on your gift list this year.

Posted by Sunni Fass