Title: They’re Calling Me Home Artist: Rhiannon Giddens with Francesco Turrisi Label: Nonesuch Formats: CD, LP, Digital Release date: April 9, 2021
Acclaimed African American folk musician Rhiannon Giddens and Italian multi-instrumentalist Francesco Turrisi offer their second collaboration, They’re Calling Me Home. Sheltering in Ireland during the pandemic, the two artists decided to draw from traditional folk music of three countries for this project. The album’s title not only speaks to those who are sheltering in place during the pandemic, but also to the metaphorical “call home” or “homegoing” of death, in tribute to those who have lost their lives due to COVID-19.
Title: Simple Syrup Artist: Sunny War Label: Org Music Format: LP, Digital Release Date: March 26, 2021
Following a captivating NPR Tiny Desk performance and
an acclaimed album in 2019, Sunny
became an artist to watch for fans of acoustic roots music. Since then, the
L.A.-based singer and guitarist has certainly kept busy, founding a Los Angeles
chapter of the nonprofit Food Not Bombs, marching for BLM protests, and
recording her newest album, Simple Syrup.
Title: Right Now Artist: Willie Jones Label: The Penthouse/Empire Format: Digital Release Date: January 22, 2021
A native of Shreveport, Louisiana, a 26-year-old Willie Jones
has crafted a genre-bending sound that captures his Southern roots and
incorporates the other diverse musical influences that he loves. On his debut
album, Right Now, he secures his place as a next generation country
artist, joining the small but growing roster of Black artists who are
revolutionizing the genre by deftly adding contemporary elements of hip hop and
Title: I’ve Got You Covered Artist: Wendy Moten Label: Radio Eye Music Format: Digital Release date: February 12, 2020
Memphis native Wendy Moten grew up singing in her father’s church
and listening to her idols Aretha, Stevie, Marvin, and Dionne. After a successful
solo career as an R&B artist in the 1990s, scoring a
major hit with the power ballad “Come On In Out of the Rain,” Moten moved
to Nashville where she became a highly regarded session and backing vocalist
across all genres. Naturally, she was also immersed in country music. Over the
past two decades, she has toured with Faith Hill & Tim McGraw (2005-2018),
Martina McBride (2014-2016), and most recently Vince Gill, while also making her
own debut at the Grand Ole Opry in 2019. After considering a country project
for several years, Moten has finally released I’ve Got You Covered, a
welcome addition to the very limited number of albums by Black female artists
in country music.
Title: The Iron Pot Cooker Artist: Camille Yarbrough Label: Vanguard/Craft Recordings Formats: LP (first vinyl reissue; 180-gram Record Store Day ed.)* Release date: September 26, 2020
Twenty-nine seconds into track one, “But It Comes Out Mad,” Camille Yarbrough takes a breath. This is not a simple breath, but a deep breath, an exasperated breath. In that one breath, she sets up listeners for the premise of the entire album. The Black community is under pressure, being cooked, and we are tired.
Title: Spider Tales Artist: Jake Blount Label: Free Dirt Formats: CD, LP, Digital Release date: May 29, 2020
Jake Blount has teamed up with a group of talented, young, and mostly queer folk musicians to assemble a thoroughly moving and often harrowing collection of songs by Black and indigenous folk musicians. Blount is a rising star in the folk scene, becoming the first Black person to make the finals at the prestigious Appalachian String Band Music Festival (better known as Clifftop), and the first to win in the traditional band category. Three years later, he placed first in the banjo contest, playing three tunes from Black banjoists including Dink Robert’s “Roustabout,” which appears on Spider Tales, Blount’s first full solo album.
Title: L.E.S. Douze Volume 2 Artist: Le String Noise Label: Nouveau Electric Formats: CD, Digital Release date: April 17, 2020
The Stone is a Lower East Side experimental music venue that has no bar and allows no speaking – the music is the sole focus. It was in this environment that artist-in-residence Louis Michot and the three other members of Le String Noise recorded their latest release, L.E.S. Douze Volume 2. The ensemble is a collaboration between fiddler and vocalist Louis Michot of Lost Bayou Ramblers, violinists Pauline Kim and Conrad Harris of String Noise, and cellist and vocalist Leyla McCalla, alumna of the Carolina Chocolate Drops and Our Native Daughters.
Title: Blue Sky Artist: Reverend Shawn Amos & The Brotherhood Label: Put Together Music Formats: CD, LP, MP3 Release date: April 17, 2020
Self-proclaimed blues preacher Shawn Amos returns to his Americana, singer-songwriter roots on his latest album, Blue Sky. Since his 2018 release, The Reverend Shawn Amos Breaks It Down, Amos shifted his home base to Texas and has been touring nonstop with a faithful band of compatriots. Designated The Brotherhood, this group includes drummer Brady Blade (Dave Matthews, Indigo Girls), bassist Christopher “CT” Thomas (Norah Jones, Macy Gray), and Amos’s longtime guitarist Chris “Doctor” Roberts. Collaborating with additional friends and family, Rev and The Brotherhood traverse spiritual and emotional territory littered with heartbreak, displacement and redemption.
Multi-instrumentalist and music historian Don Flemons, otherwise known as “The American Songster” and co-founder of the Carolina Chocolate Drops, has become one of the foremost experts and practitioners of African American folk music traditions. Flemons garnered a Grammy nomination and multiple awards for his last solo project, Black Cowboys(2018). Now Flemons is offering his first compilation, Prospect Hill: The American Songster Omnibus, which includes his Prospect Hill solo album from 2014, the EP What Got Overoriginally released on vinyl as a 2015 Record Store Day premium, and a new collection of twelve previously unissued instrumental tracks he’s pulled together under the title The Drum Major Instinct. If you didn’t score copies of these records when they first dropped, you should definitely pick up this nicely packaged two-disc set with extensive liner notes by Flemons and Vania Kinard and evocative tintype photographs by Timothy Duffy.
Artist: Rissi Palmer
Formats: CD, Digital
Release date: October 22, 2019
Raised in a musical family that loved both country and R&B music, singer-songwriter Rissi Palmer first achieved success in 2007 with her crossover single, “Country Girl,” off her self-titled debut album. Palmer’s new release, Revival, touches upon the uplifting themes of regeneration, renewal, and being saved, while also addressing intensely personal issues related to social justice, relationships, loss, and identity. Featuring eight original songs, Palmer collaborated with Nashville songwriters Deanna Walker and Rick Beresford, as well as songwriter and producer Brian Owens, who featured Palmer on his recent project Soul of Cash. Continue reading →
Title: Homeless Oakland Heart
Artist: Homeless Oakland Heart Collective
Label: Electric Cowbell
Release date: October 11, 2019
Every day brings more stories to light about the burgeoning number of homeless people throughout the U.S. Due to rapid gentrification and “hyper-capitalism” in Oakland, CA, the situation is especially dire. Homeless Oakland Heart, released to coincide with World Homeless Day, offers a collection of songs and stories recorded live on the streets of Oakland. This project from Grammy-winning producer and author, Ian Brennan, attempts to capture the “street” cred and raw-ness of the individual performers, with tracks “ranging from old school beat-boxing to free jazz guitar to ballads and electronica.” Despite their brevity, songs such as “Food Not Drugs,” “Money Honey” and “Sidewalk Cemetery” hit hard. The tenderness and vulnerability will certainly pull heart strings, but more importantly, Brennan seeks to humanize the homeless and alleviate suffering. Any and all profits will be donated to Coalition on Homelessness. A vinyl release is planned for Record Store Day on April 18, 2020.Continue reading →
Those who watched Ken Burns Country Music documentary on PBS and want to dig a little deeper into the roots of the genre should find this new box set quite fascinating. Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music 1892-2017, as the title suggests, “documents old country songs with origins in minstrelsy, vaudeville, Tin Pan Alley, ballads, ancient hymnals, deep-south blues, and other venerable popular music genres.” The anthology was meticulously produced by three highly regarded sound recording historians—the vernacular music specialists and radio producers Dick Spottswood and Henry Sapoznik, who also wrote the liner notes, and David Giovannoni, who contributed many rare cylinders and discs from his own collection. Additionally, Grammy Award winning musician Dom Flemons, aka “The American Songster” and former member of the Carolina Chocolate Drops, also contributed to the notes. Continue reading →
Title: Good Time
Artist: Ranky Tanky
Label: Resilience Music
Formats: CD, Digital
Release date: July 12, 2019
Ranky Tanky‘s Good Time is a beautiful project that honors the Gullah culture while also celebrating African and African American culture and music. Their music represents the African concept of music, life and religion as a unified entity. Because of this “oneness,” many of Ranky Tanky’s songs such as “Freedom” and “Stand By Me” are intertwined with social and political messages, conveying issues in contemporary Black life while also using religious overtones. These sacred overtones are heard throughout the song “Good Time,” which “takes you straight to church” as they say in the vernacular. Ranky Tanky also revisit the storytelling folk tradition of their Gullah heritage to convey the messages found in each song.Continue reading →
Title: there is no Other
Artist: Rhiannon Giddens
Label: Nonesuch Records
Formats: CD, Digital
Release Date: May 3, 2019
there is no Other is the third solo studio album from former Carolina Chocolate Drops member, Rhiannon Giddens, followingTomorrow is My Turn(2015) and Freedom Highway (2017). This new release is also her first formal collaboration with Italian multi-instrumentalist Francesco Turrisi. Both Giddens and Turrisi share similar musical passions rooted in a desire to unearth hidden or underexplored roots of certain styles of music. For Rhiannon, her interests lie with African American influences on folk or Americana music, while Turrisi focuses on the Mediterranean (Middle Eastern and North African) influences on the music of Southern Europe.Continue reading →
“It is only in his music…that the Negro in America has been able to tell his story. It is a story which otherwise has yet to be told and which no American is prepared to hear.” James Baldwin wrote these words in his 1955 collection of essays, Notes of a Native Son. These are the words that inspired the title for the collaborative project between four African American female folk musicians. Coming together under the name Our Native Daughters, Rhiannon Giddens, Amythyst Kiah, Leyla McCalla, and Allison Russell have combined their unique talents, distinct voices, and shared mission to shed light on the oft unknown influence of African Americans on Americana music to produce the much anticipated album, Songs of Our Native Daughters.Continue reading →
Artist: Kane Brown
Label: Sony Music Nashville
Formats: CD, Digital
Release date: November 9, 2018
Question! Have you ever had a conversation with someone on music and they reply, “I like/listen to all types of music except country.” I know I have. Depending on your age, back in the day country music was Loretta Lynne, Conway Twitty, and Hee Haw. The ‘90s saw a dramatic explosion: Garth Brooks, Clint Black and Miley Cyrus’s dad Billy Ray. Country music crossed over and the twangy, pickup truck, good ol boy notion that some had was all but erased. Well now, what was perhaps the biggest story in music this fall? I bet you missed it (hint: Kanye West is not the answer).Continue reading →
Voices of Mississippi: Artists and Musicians Documented by William Ferris is an important addition to the documentation of Southern folklife, culture, and history. The box set includes a CD of blues field recordings, another CD of gospel field recordings, a disc of interviews and oral histories, a DVD with seven short documentary films (1972-1980), and a 120-page hardcover book edited by Ferris that includes transcriptions and annotations for all of the film and album recordings. A recently released companion DVD, The Early Films of William Ferris, 1968-1975, features rare footage of B.B. King and James “Son” Thomas. Both were produced by Dust-to-Digital in collaboration with the University of North Carolina, which holds the William R. Ferris Collection. Continue reading →
Sean Ardoin may come from a long line of accordion-playing Creole musicians (including Amédé Ardoin and Alphonse “Bois Sec” Ardoin), but he certainly isn’t one to be put in a box when it comes to his music. Ardoin’s newest album, Kreole Rock and Soul, is named after the genre that he created in an attempt to revamp the music of his ancestors. While the album pays tribute to Ardoin’s Creole roots, it also incorporates the styles of contemporary pop and classic rock.Continue reading →
Illinois-based Archeophone Records, a company specializing in acoustic-era reissues, has a long history of uncovering and releasing fascinating recordings from bygone eras.[i] In 2007 they received a Grammy Award for Best Historical Album for the 2-CD set, Lost Sounds: Blacks and the Birth of the Recording Industry, 1891-1922, a companion to the groundbreaking book of the same title by noted discographer and recording industry historian Tim Brooks. One of the musicians listed in the book was Charles A. Asbury (born ca. 1956, d.1903). Though referred to variously in the 1890s as “the popular colored banjoist” and performer of songs in the “negro style,” at least one reviewer mentioned Asbury as the only white member of an African American troupe. This conflicting evidence led Brooks to assume Asbury had been “misidentified as Black.” New research, however, reveals a more complex and fascinating story—while the discovery of extant copies of Ashbury’s earliest recordings likewise expands our knowledge of early banjo traditions.
In a diligent search through archival records that would impress any genealogist, Archeophone’s Richard Martin slowly unraveled the story of Charles A. Asbury with assistance from Asbury’s heirs. Born in Florida and raised in Augusta, Georgia during the Reconstruction era by his adoptive “mulatto” parents, Asbury joined a prominent traveling theater troupe, performing the role of Sambo in one of the many minstrel adaptations of Uncle Tom’s Cabin (apparently the George L. Aiken version). From there he can be traced to an all-black ensemble featuring his first wife, Annie Asbury, plugged as “the great shout singer.” In the liner notes, authors Richard Martin and Ted Olsen surmise that Asbury may have learned the banjo, or at least studied the technique of Horace Weston, “the internationally famous African American banjo virtuoso,” who was one of the biggest stars in Annie’s troupe. Whatever the case may be, Asbury toured with various Black jubilee ensembles throughout the South, further honing both his banjo and singing skills, and growing his reputation as an artist.
Now, for the recorded evidence. From 1891-1897, Asbury’s songs with banjo accompaniment were captured on wax by the New Jersey Phonograph Company in Newark—likely the oldest extant recordings of this genre by an African American artist. These wax cylinders are extremely rare, and thus far the only Asbury recordings known to survive are those featured on 4 Banjo Songs (he recorded many more). “Haul the Woodpile Down” was first made available via University of California Santa Barbara’s Cylinder Audio Archive website. The other three cylinder tracks are publicly available for the very first time on this set. Most of these songs—the popular “Haul the Woodpile Down,” “Never Done Anything Since” and “A New Coon in Town”—bear the hallmarks of the minstrel banjo tradition and early “coon songs,” while the fourth and earliest, “Keep in de Middle ob de Road” (1891), is a seldom recorded semi-religious jubilee hymn. What sets these apart from other minstrel tunes is Asbury’s “remarkably fluid, rhythmically complex” five-string banjo technique. With the assistance of experts in online banjo discussion groups, Martin was able to learn more about Asbury’s unique “stroke style” of playing, which is detailed at length in the liner notes. Because the stroke style was seldom used or recorded after 1900, these four Asbury cylinders are historically significant, documenting a 19th century performance practice that sheds further light on the African American banjo tradition.
The cylinder transfers were carried out by John Levin, developer of the CPS1 Cylinder Playback Machine. Now used by a number of institutions, the machine yields astonishing results, rendering Asbury’s performances in the best possible sonic resolution, with additional restoration from Martin. The accompanying 16 page illustrated booklet provides further insight on Asbury’s life and music, with notes on each track plus endnotes and technical notes. Lyrics are printed on the sleeve of the 7-inch 45-rpm disc. 4 Banjo Songs is a first-rate package, well-worth the $16.99 list price for this significant piece of musical history. Please note: the limited run of 1000 copies will likely disappear quickly.
Canadian singer-songwriter AHI (pronounced “eye”) offers a refreshingly earnest commentary on life, love, and the concept of home on his sophomore album, In Our Time. His first album, We Made It Through The Wreckage, was independently released in 2017, and despite a lack of promotion, the album resonated with listeners and began receiving recognition across Canada due to AHI’s gritty, soulful vocals and commitment to honest, simplistic music.
The opening track on his newest album, “Breakin’ Ground,” is an uplifting introduction, telling of AHI’s journey to becoming an artist and musician. Lyrics like “I’ve been told I’m worthless so much that it gave me purpose” are honest and real, and are complemented by AHI’s raspy and raw-sounding vocals over an upbeat melody. “Made It Home,” the following track, presents the second chapter of AHI’s personal story. In the song, the father of three explores the concepts of family and home in a way that simultaneously expresses vulnerability and strength.
The other songs on the album, from the energetic “Five Butterflies” to the more emotional and softer “Just Pray,” highlight AHI’s ability to blend folk, soul, rock influences with his personal experiences and feelings in a way that makes his music poignant and engaging for anyone and everyone.
On In Our Time, AHI manages to use his mesmerizing vocals and catchy melodies to create a personalized yet relatable collection of folk rock tracks based on his own experiences of life, love, and family.
One of the most sought-after songwriters in the business, Priscilla Renea now offers her own solo project, Coloured. Growing up in Vero Beach, Florida, music has always been a mainstay in Renea’s life. As explained in an interview with Rolling Stone, her mother and grandmother loved to sing and her father played the trumpet. After writing her first song at the age of eight, Renea’s mother gave her a note book to write in and eventually she received a guitar from her father and taught herself to play. By the age of 16, Renea became a YouTube sensation, setting her on a path to become one of today’s greatest writers with songs you know and love such as “Timber,” by Kesha and Pit Bull, Charlie Puth’s “River”, and “California King Bed” performed by Rhianna. With Renea’s own album Coloured, we get to truly hear her voice as she tells her own story.
Renea describes her new album as, “a big gumbo of everything that’s happening in my life,” and explains it was created when she spent a few months in Nashville in 2016 with her friend and colleague Brett James. While in Nashville, she attended a performance of the Grand Ole Opry, discovering there were only two photos of black artists on display backstage—Chuck Berry and Darius Rucker. Taking this as a challenge, Renea was inspired to create Coloured, a very unique album with a style all its own she calls “country soul,” seamlessly combining a classic Nashville sound with R&B and hip hop in a manner she describes as “unapologetically black.”
Coloured begins with the song, “Family Tree.” Opening up with a guitar progression that is just so stereotypically country it sounds like you could be listening to a Dolly Parton album, Renea enters and quickly shows her versatility as vocalist. Though she maintains a country “twang” throughout, it doesn’t take long for her to knock you back with her robustly gritty voice, showcasing vocal prowess and control reminiscent of powerhouses like Etta James.
Throughout the remainder of the album you can hear other spectacular tracks like, “Gentle Hands,” a fun upbeat song with a driving trap beat, followed by the gorgeous track, “Heavenly,” where Renea plays more to her R&B sensibility. She actually brings these songs together in one storytelling music video:
With songs like “You Shaped Box,” “If I Ever Loved You,” and “Different Color,” Renea incorporates a reggae feel, blurring the line between genres as she tells stories of love, not only love of family or a significant other, but love of oneself.
Having made such a name for herself as a songwriter, Priscilla Renea is clearly just gearing up to shock the world with her own vocal talents, and Coloured is only the beginning.
Americana duo Birds of Chicago is a marriage, literally, of singer-songwriters JT Nero and Allison Russell. Formed in 2012, the group has developed a loyal following through their relentless touring schedule. Since their last full-length project, Real Midnight (2016), the Birds have flown from Chicago to Nashville, where they now reside. Their new album, Love in Wartime, co-produced by Luther Dickenson, reflects the sounds of both hometowns as the duo artfully intertwines elements of country, folk, blues and rock.
While Russell’s voice has been prominent on previous albums, Love in Wartime is perhaps more evenly divided between the duo, contrasting Russell’s silky, soulful soprano against Nero’s grittier baritone. Opening with the intro “Now/Sunlight,” Russell hums a whimsical, folksy tune over plucked banjo chords, then segues into the uptempo roots rock song, “Never Go Back,” with Nero on lead vocals. On the title track, twangy guitars come to the fore as Nero recounts the realities of longterm relationships and parenthood, “we sat there and tried to remember our dreams, no such luck, no such luck.” Life on the road is the subject of the poignant “Travelers,” as Russell sings “there’s no home in this world, got no home in this world.” One of the most effective duets on the album is “Try,” with Russell and Nero trading verses before coming together on the chorus, “Try a little harder, give a little more.”
Other highlights include the uplifting bluesy song “Roll Away” which encourages folks to “roll away the heavy stones, roll away the heavy hours, roll on in the summer moon,” and the banjo accompanied ballad “Superlover.”
Love in Wartime is jam-packed with carefully crafted songs and inspirational lyrics that celebrate life and love despite troubled times and the daily grind.
This month’s top picks include a new recording of Florence Price’s Violin Concertos Nos. 1 and 2 performed by Er-Gene Kahng, and “American Songster” Dom Flemons’ collaboration with Smithsonian Folkways on an exploration of the music of Black Cowboys.
April is Jazz Appreciation Month (JAM), with April 30th designated as International Jazz Appreciation Day. Jazz and social justice is the contextual lens for JAM this year, showcasing the progressive ways jazz continues to play a transformative role with respect to the civil rights of individuals from multiple facets of society. The jazz collaborations of both Wynton Marsalis Septet’s United We Sing and Keith Jarrett, Gary Peacock & Jack DeJohnette‘s After The Fall demonstrate the excellence that prevails when groups work collectively towards a common goal. Don’t Play with Love released by the John L. Nelson Project showcases the formidable talents of Prince’s father, John L. Nelson, both of whom fostered positive inspiration in others through their artistic legacies. Perseverance plays a central role in Sy Smith’s Sometimes a Rose Will Grow in Concrete and saxophonist Lekecia Benjamin’s Rise Up, as both albums urge continuance despite the cost. Young Street by bassist Reggie Young rounds out this category with a blend of jazz and funk.
Black cowboys may not be the first thing that comes to mind when the Wild West is mentioned, but they were prevalent and left an undeniable impact on the development of the American West. Following the end of the Civil War in the late 1860s, thousands of newly-freed African Americans moved westward to start new lives. Some chose the grueling and often dangerous path of becoming a cowboy, an occupation in which work ethic mattered more than skin color. These pioneers worked long, hard days alongside Mexican vaqueros, Native Americans, and white cowboys and often turned to song for comfort on the trails.
The newly released Black Cowboys featuring co-founder of the Carolina Chocolate Drops, Dom Flemons (aka “The American Songster”), places these often forgotten pioneers of the Old West in the spotlight. Produced by Flemons and Dan Sheehy for Smithsonian Folkways as part of its African American Legacy series, the album pays tribute to the music, poetry, and complex history of these cowboys. The accompanying 40 page booklet includes essays by Flemons (on the cowboy’s music) and Jim Griffith (on the history of Black cowboys), as well as detailed notes on each track complemented by many archival photographs.
In addition to Flemons, who performs on all tracks (vocals, 6-string guitar, resonator guitar, 4-string banjo, cow “rhythm” bones), backing musicians include Alvin “Youngblood” Hart (12-string guitar), Jimbo Mathus (mandolin, kazoo, harmonica), Stu Cole (upright bass), Brian Farrow (fiddle, upright bass, vocals), Dante Pope (cow “rhythm” bones, vocals, snare drum), and Dan Sheehy (guitarrón). Together, these musicians create a rich instrumental background for the lyrics.
Many of the songs on Black Cowboys are traditional tunes arranged and performed by Flemons, such as “John Henry y los vaqueros,” which highlights instruments with roots in African American minstrel shows like the fiddle and cow “rhythm” bones. Another track arranged by Flemons, “Black Woman,” is a field holler collected in the 1930s that has themes of ranching and leaving behind loved ones. Although it isn’t a traditional cowboy song, the song honors the thousands of African American women who helped develop the West.
From Southwestern cowboy poems like Gail Gardner’s 1917 “Tyin’ Knots in the Devil’s Tail” to Jack Thorp’s traditional cowboy tune “Little Joe the Wrangler,” the album also includes songs written by actual cowboys in the early 20th century, offering a rare look into the post-Civil War cowboy’s life.
Other tracks were newly composed by Flemons to pay homage to notable historical figures. For example, “Steel Pony Blues” is about Deadwood Dick, sometimes called “the greatest Black cowboy in the Old West,” who later became a Pullman porter, while “One Dollar Bill” is a tribute to legendary rodeo rider Bill Pickett who invented the sport of bulldogging. “He’s a Lone Ranger” recalls the life of Bass Reeves, the first African American U.S. Marshall.
In the words of professor and author Mike Searles (quoted in the liner notes), “many people see the West as the birthplace of America . . . if they understand that African Americans were cowboys, even Native Americans were cowboys, Mexicans were cowboys, it really opens the door for us to think about America as a multiethnic, multiracial place.” Black Cowboys creates a sonic portrait of a more diverse American West, expanding our knowledge through its varied collection of songs and poems by and about African American cowboys.
Following are additional albums released during February 2018—some will be reviewed in future issues of Black Grooves.
Blues, Folk, Country Memphis Minnie: Volume 1: The 1930’s [4CD] (Real Gone)
Bernard Allison: Let It Go (Ruf)
Hypnotic Wheels (w/Cedric Burnside): Muddy Gurdy Mississippi Project (Vizz Tone)
Johnny Tucker: Seven Day Blues (High John)
Leyla McCalla: The Capitalist Blues (Jazz Village)
Luther Lackey: Contender (Cds Records)
Reverend Shawn Amos: Breaks It Down (Put Together Music)
Sam Kelly’s Station House: No Barricades (Roxbro)
Sunny War: With The Sun (ORG Music/Pledge Music)
Funk, Rock, Pop, Electronic Buttshakers: Sweet Rewards (Underdog Records)
Beatchild & The Slakadeliqs: Heavy Rockin’ Steady (BBE)
Flyer Learning: Flyer Learning (digital)
Kay-Gees: Keep on Bumpin & Masterplan; Find a Friend; Kilowatt (Robinsongs)
Marenikae: Ajebutter (The Zuchia Nexus)
Mark Grusane: Real Sound of Mark Grusane (BBE)
Soulive: Cinematics Vol. 1 (digital) (Soulive Music)
Tony MacAlpine: Death of Roses (Sundog Records)
Gospel, Christian Rap, CCM Beverly Crawford: Essential Beverly Crawford – Vol. 2 (JDI)
Elevation Worship: Elevation Collective (digital) (Elevation Worship)
Enyo: Glorified (GospelNaija)
God’s Own Radicals: Under Construction (GospelNaija)
Jekalyn Carr: One Nation Under God (Lunjeal)
Restine Jackson: No Fear (Dream)
Jazz Caesar Frazier: Instinct (Doodlin)
Charles Mingus: Live At Montreux 1975 (Eagle Rock)
David K. Mathews: The Fantasy Vocal Sessions Vol. 1 (Effendi)
David Murray & Saul Williams: Blues for Memo (Motema)
Ella Fitzgerald & Louis Armstrong: Cheek To Cheek : The Complete Duet Recordings [4 CD] (Verve)
Lin Rountree: Stronger Still (Trippin n’ Rhythm)
Marion Meadows: Soul City (Shanachie)
Matthew Shipp: Sonic Fiction (ESP)
Oscar Peterson Trio: Oscar Plays (Box Set) (Verve)
Raphaël Imbert: Music is my Hope (Jazz Village)
Roscoe Mitchell: Ride the Wind (Nessa)
Sonny Rollins: Way Out West (60th Anniv. Deluxe Edition) (Craft)
Subtle Degrees: A Dance That Empties (NNA Tapes)
Various: We Out Here (Brownswood)
Victor Gould: Earthlings (Criss Cross)
Walter Smith III: Twio (CD Baby)
R&B, Soul Jonathan Butler: Sarah Sarah – The Anthology (Soul Music)
Bettye Lavette, Carol Fran: Bluesoul Belles: The Complete Calla, Port & Roulette Recordings (Music on CD)
DD’s brothers: From the Day Till the Dawn (Soul Brother)
George Jackson: Leavin’ Your Homework Undone: In the Studio 1968-71 (Kent)
Ink Spots: Best of the Singles 1936-1953 (Real Gone)
Otis Blackwell: The Songs & Recordings Of Otis Blackwell 1952-62 (Acrobat)
Spencer Wiggins: The Goldwax Years (Kent)
Starchild & The New Romantic: Language (Ghostly International)
Sy Smith: Sometimes a Rose Will Grow in Concrete (Psyko)
Tatiana Ladymay Mayfield: The Next Chapter (digital) (Ladymay Music)
The Agency: Philosophies (digital) (Philosophies)
Various: The 24-Carat Black Ghetto: Misfortune’s Wealth (vinyl reissue) (Craft)
Rap, Hip Hop Negash Ali: The Ascension
ABBA Zulu: Problematic Vol. 1 (digital) (Utmost Musik)
Abz Tha Kid: Thoughtz…From a Park Bench (digital)
Alchemist: Paris L.a. Bruxelles Instrumentals (vinyl) (ALC)
Ash Kidd: Cruise (digital) (Caroline Int)
Audio Push: Cloud 909 (digital) (Good Vibe Tribe)
Black Milk: Fever (Mass Appeal)
Cozz: Effected (digital) (Interscope)
Demo Taped: Momentary EP (digital) (300 Entertainment)
DePaul: Damage Already Done (Twenty Two Music)
Digable Planets: Reachin’ (A New Refutation of Time and Space) (25th Anniv. Ed.) (Light in the Attic)
DJ Smoke: Dolla Bill: The Ty Dolla Sign Mixtape (JWS Records)
East Man: Red White & Zero (Planet Mu)
G Herbo: Humble Beast Deluxe Edition (Machine Ent. Group/Orchard)
Keezy off 38th: Trials & Tribulations (digital) (.38th Muzyk)
Khago: Walk a Mile (Streaminn Hub)
Kodak Black: Heart Break Kodak (digital) (Atlantic)
LARS: Last American Rock Stars (Majik Ninja)
Mark Battles: Vasi World (digital) (Fly America)
Nipsey Hussle: Victory Lap (Atlantic)
O.C.: A New Dawn (Ditc)
Onyx: Black Rock (X-Ray)
Ralo LaFlare: Diary of the Streets 3 (digital) (Famerica)
Rockstar JT: Streets Signed Me the Mixtape
Shirt: Pure Beauty (Third Man)
Skipper: Prezidential (digital) (Empire)
Skyzoo: In Celebration of Us (Empire)
Stalley: Tell The Truth Shame The Devil (Vol. 1) EP
Tenacity & D.R.U.G.S. Beats: Discussions (digital) (SoulSpazm)
Tony Colliseum: Legacy (digital) (BeatRocka Music)
Too Short: The Pimp Tape (Dangerous Music)
Various: Black Panther: The Album (Interscope)
Various: Death Row Chronicles OST (eOne)
Yukmouth: JJ Based on a Vill Story Three (Smoke-A-Lot Records)
Reggae, Dancehall Bobby Digital: X-tra Wicked – Reggae Anthology (VP)
Bobby Digital: Serious Times (VP)
Etana: Live in London (Freemind Music)
Freddie McGregor: Bobby Bobylon Deluxe Edition (Studio One)
Justin Hinds & the Dominoes: From Jamaica With Reggae (Treasure Isle)
Ras Michael & the Sons of Negus: None a Jah Jah Children (VP)
Various: Roots Reggae Party (Warner)
World, Latin Afrika Mamas: Iphupho – A Cappella from South Africa (Arc Music)
Boubacar Traore: Dounia Tabolo (Lusafrica)
Elida Almeida: Kebrada (Lusafrica)
Ernesto Chahoud presents Taitu: Soul-fuelled Stompers from 1960s – 1970s Ethiopia (BBE)
Femi Kuti: One People One World (Knitting Factory)
Lucibela: Laço Umbilical (Lusafrica)
Nene Brown: Raízes por Outras Óticas (Time Forte)
Tal National: Tantabara (FatCat)
Various: Levanta Poeira (Jazz & Milk)
Various: Putumayo Kids Presents Kid’s African Party (Putumayo)
Various: Putumayo Presents African Café (Putumayo)
Newer artists showcase their talents as well. No stranger to the field, the Ebony Hillbillies enter the scene once again with their latest release, 5 Miles From Town. Delta Deep’s East Coast Livespins a soulful blues/rock sound and Project Mama Earth’s self-titled debut Project Mama Earthpulls listeners expertly into the realm of world music activism. Jason Marsalis and the 21st Century Trad Band weigh in with their original compositions based on jazz standards and 80s popular music with Melody Reimagined: book 1, while saxophonist David Murray and poet Saul Williams’ collaboration on Blues for Memo offers a contemplative tribute to socially conscious issues and figures throughout modern history.
Valentine’s Day hits its mark in the form of Eric Valentine and the Velvet Groove’s smooth offering Velvet Groove, R&B artist Calvin Richardson is sure to put you in a loving mood with his newest release All Or Nothing, and Jamison Ross’s All For One focuses on family and neighborly affection.
After four successful albums and TV appearances on the BBC and ABC’s “Good Morning America,” The Ebony Hillbillies are back with their latest album, 5 Miles From Town. The group, which hails from the streets of New York City, is keeping African American string band traditions alive for new generations. Their fifth album features 12 tracks that seamlessly combine pop, folk, bluegrass, and jazz to create The Ebony Hillbillies’ trademark sound.
In addition to reviving string band music through tracks such as “Hog Eyed Man,” a classic 19th century American fiddle tune from the Upper South, the group also offers new songs with strong social commentary. The gritty “Another Man Done Gone (Hands Up Don’t Shoot)” explores the issue of police brutality, while the similarly-themed “I’m On My Way To Brooklyn” ends with the ominous sound of gunshots.
Other songs, like “Fork in the Road,” are more lighthearted and highlight the beauty of the fiddle and banjo, as performed by group leader Henrique Prince and Norris Bennett, respectively. Additional performers include Gloria Thomas Gassaway, Allanah Salter and Iris T. Olden (vocals, bones, shaker), William “Salty Bill” Salter (acoustic bass), Newman Taylor Baker (washboard percussion), and A.R. (aka Ali Rahman, cowboy percussion).
The album concludes with the title track, “Five Miles From Town,” a very lively rendition of the old-timey classic that’s punctuated with plenty of whoopin’ and hollerin’ before fading out on an extended percussive improv section with hints of jazz.
Almost 15 years after the release of their first album, The Ebony Hillbillies continue their mission to educate and inspire, fusing the sonic textures of the past with contemporary music elements and socially-relevant lyrics. 5 Miles From Town lives up to the legacy created by the Manhattan-based band and offers a fresh take on the sound that listeners love.
Following are additional albums released during January 2018—some will be reviewed in future issues of Black Grooves.
Blues, Folk, Country Robert Nighthawk: The Collection, 1937-52 (Acrobat)
Various Artists: Classic Delta and Deep South Blues from Smithsonian Folkways (Smithsonian Folkways Recordings)
Various Artists: Rough Guide to Holy Blues (World Music Network)
Funk, Rock, Pop, Electronic Tony Macalpine: Death of Roses (Sundog)
Jeffrey Gaines: Allright (Omnivore)
The Brit Funk Association: Full Circle (Jazzman)
Noah Airé: I Shine Brightest in the Dark Mixtape (Noah Airé)
Gospel, Christian Rap, CCM Todd Dulaney: Your Great Name (Urban Inspirational)
Various Artists: Wow Gospel 2018 (RCA Inspiration)
Jazz Dr. Lonnie Smith: All In My Mind (Blue Note)
Herbie Hancock: The Broadcast Collection 1973-1983 (Forced Exposure)
Clovis Nicolas with Kenny Washington: Freedom Suite Ensuite (Sunnyside)
Booker Irvin: The Good Book: The Early Years 1960-62 (Acrobat)
Marion Meadows: Soul City (Shanachie)
Sun Ra: Of Abstract Dreams (Strut)
Dan Block: Block Party (Miles High)
Wayne Escoffery: Vortex (Sunnyside)
Mariea Antoinette: Overture (Masaii/Infinity Records)
The Bad Plus: Never Stop II (Legbreaker)
R&B, Soul Shareef Keyes & the Groove: Cooking Something (Shareef Keyes & the Groove)
Dionne Warwick: Odds & Ends–Scepter Records Rarities (Real Gone)
Main Ingredient: Brotherly Love: RCA Anthology (Soul Music)
Carla Thomas: The Memphis Princess – Early Recordings 1960-1962 (Jasmine)
Diana Ross: Diamond Diana: The Legacy Collection (Motown)
LaVice & Co.: Two Sisters From Bagdad (Reissue) (Jazzman)
Various Artists: Stax Singles, V4: Rarities & Best Of The Rest (Craft)
Justine Skye: Ultaviolet (Republic)
Sugar Pie DeSanto: In the Basement: The Chess Recordings (Geffen/Universal)
David Craig: The Time Is Now (RCA)
Mark Grusane: The Real Sound (BBE)
Omar: Love in Beats Deluxe Edition (Freestyle)
Birthday Boy & Trish: Joseph EP (Bastard Jazz)
Rap, Hip Hop One Week Notice: One Week Notice (Beatstars)
CupcakKe: Ephorize (CupcakKe)
Maxo Kream: Punken (TSO/Kream Clicc)
Future: HNDRXX (Epic)
Lil Uzi Vert: Luv is Rage 2 (Atlantic)
Lil’ Keke: Don’t Mess wit Texas (Jam Down Records)
Big K.R.I.T.: 4eva Is A Mighty Long Time (Multi Alumni/BMG Rights)
DePaul: Damage Already Done (Twenty Two Music)
Rapsody: Laila’s Wisdom (Jamla/Roc Nation)
Planet Asia: The Golden Buddha (Brick)
Evidence: Weather or Not (Rhymesayers)
Young Thug: Beautiful Thugger Girls (300 Entertainment)
Migos: Culture II (Capitol)
Reggae, Dancehall The Beat: Live in London (Plastic Head)
Desmond Dekker: Israelites Live In London (Secret)
Damian Marley: Stony Hill (Republic)
Dennis Brown: Stick By Me (Abraham)
Various Artists: Merritone Rock Steady 3: Bang Bang Rock Steady 1966-1968 (Dub Store)
Ras Michael & The Sons Of Negus: None A Jah Jah Children (Reggaeville)
Sly & Robbie Meet Dubmatix: Overdubbed (Echo Beach)
World, Latin Quantic & Nidia Góngora: E Ye Ye (Tru Thoughts)
Various Artists: Soul Jazz Records Presents Brasil (Soul Jazz)
Laraaji: Vision Songs (Numero)
Brenda Navarrete: Mi Mundo (Alma)
Following are additional albums released during December 2017—some will be reviewed in future issues of Black Grooves.
Blues, Folk, Country Doctor Ross: Memphis Breakdown (ORG Music)
Robert Finley: Goin’ Platinum! (Easy Eye Sound)
Vance Kelly: How Can I Miss You If You Don’t Leave (Wolf)
Various: Memphis Blues Festival 1975 (Klondike)
Various: Chicago Blues All Stars 1970 (Klondike)
Comedy, Spoken Word Nephew Tommy: Won’t He Do It (TNT)
Funk, Rock, Pop, Electronic Bartees & The Strange Fruit: Magic Boy (Pineapple)
Danielia Cotton: The Mystery of Me (Cottontown)
Dk Aakmael: Take It Back (Scissor & Thread)
Hypnotic Brass Ensemble: Book of Sound (Honest Jon’s)
Gospel, Christian Rap, CCM Alma Brown and A One Gospel Singers: Thank You Jesus
Jazz Ella Fitzgerald: Ella at Zardi’s (Verve)
Incognito: Another Page of Incognito (P-Vine)
Irreversible Entanglements: S/T (International Anthem )
Khan Jamal Creative Arts Ensemble: Drum Dance to the Motherland (reissue) (Forced Exposure)
Melvin Sparks: I’m Funky Now (Westbound UK)
Tony Tixier: Life of Sensitive Creatures (Whirlwind)
R&B, Soul Bettye Swann: The Money Masters (Kent)
Bobbi Ruffin: Chapter Five (digital)
Dionne Warwick: Odds & Ends – Scepter Rarities (Real Gone Music)
K. Michelle: Kimberly – People I Used To Know (Atlantic)
Kashif: Essential Kashif – Arista Years (Legacy)
Lee Moore: A Gram of Boogie: Story of Moore, Score & L&M Records (Past Due)
Minnie Riperton: Perfect Angel (Deluxe Ed.) (Capitol)
Next: Too Close EP (Arista/Legacy)
Otis Redding: Definitive Studio Album Collection (7 LP box) (Atlantic)
Ruby Camille: R C 1 (Moore-Caldwell Plus)
Sugaray Rayford: The World That We Live In (Transistor Sound)
Tamar-kali: Mudbound OST (Milan)
Various: Soul on Fire: Detroit Soul Story 1957-1977 (Cherry Red)
Vedo: From Now On (New WAV)
Rap, Hip Hop A Cat Called Fritz: Vertical Iris (HHV.De)
Allan Kingdom: Lines (LP) (Omerta Inc.)
Big Sean/Metro Boomin: Double or Nothing (G.O.O.D Music)
Boosie Badazz: BooPac (Atlantic)
Boulevards: Hurt Town USA (Don’t Funk With Me)
Chief Keef: Dedication (digital) (RBC)
Cobra íl Vero: Ecdysis (NS3T Ent)
Euroz: Two Birds One Stone (digital)
Fes Taylor: Hood Famous (Chambermusik)
Futuristic: Blessings (We’re The Future )
G. Perico: 2 Tha Left (So Way Out)
G-Eazy: When It’s Dark Out (RCA)
Jeezy: Pressure (Def Jam)
Juicy J: Rubba Band Business (Columbia)
Kidz In The Hall: Free Nights & Weekends (digital)
Kipp Stone: Dirty Face Angel (L.I.F.E. Art & Content Co.)
KXNG Crooked: Good vs. Evil II: The Red Empire (Empire)
Marty Baller: Baller Nation (LP) (Omerta Inc.)
Miguel: War & Leisure (RCA)
Mike Lowery: Before It’s Too Late (Music Junkies)
N.E.R.D: No One Ever Really Dies (Columbia)
Nyron: Appreciation Day (digital)
Pell: Girasoul (Payday)
Quaz: In My Mind (Odic)
Red Storm Chicago: Redemption (digital)
Saba: Bucket List Project (LP) (Omerta Inc.)
Snug: 70812 Where It All Started (Money Gang)
Supa Bwe: Finally Dead (Empire)
TheKidGeeQ: TheKidFrOmElmStreet (FlyOverEverything)
Too $hort: The Pimp Tape (Dangerous Music)
Trizz: Ashes N Dust (Below System)
Visioneers: Dirty Old Hip Hop (reissue) (Tru Thoughts)
Whispers: Whismonoxide (That’s Hip Hop)
WizKid: Sounds From the Other Side (Sony Music Canada)
Z-Ro: Codeine (1 Deep Ent.)
Reggae, Dancehall Ethiopian & His All Stars: Return of Jack Sparrow (Omnivore)
Randy Valentine: New Narrative (Royal Order Music)
Various: Rise of Jamaican Dancehall Culture (SoulJazz)
World, Latin Fela Kuti: Box Set #4: Curated by Erykah Badu (Knitting Factory)
Hamad Kalkaba: Hamad Kalkaba & Golden Sounds 1974-75 (Analog Africa)
The Secret: The New Africa – TNA (Secret Records Music Group)
Various: Beating Heart – South Africa (Beating Heart Music)
Though the state of Florida doesn’t immediately come to mind as a hotbed of soul music, journalist John Capouya attempts to correct this oversight with his new book Florida Soul: From Ray Charles to KC and the Sunshine Band. Using his “antennae for passionate vocals and funky sounds with Florida origins,” he delves into the period from 1945-1980, when Florida produced “some of the most electric, emotive soul music this country has ever heard.” Capouya attributes this flourishing scene in part to the fact that Florida, along with Texas, was the “densest and richest segment of the chitlin’ circuit,” bringing all of the major African American artists through the state.
Each of the 20 chapters is dedicated to a particular artist or producer, some famous and others lesser known, but all contributing an interesting story: Ray Charles (“the catalyst of the entire soul explosion came from Greenville, FL”); Sam Moore (“from Miami’s Overtown neighborhood”); sax players Ernie Calhoun and Noble “Thin Man” Watts; Lavell Kamma and the 100 Hour Counts (“one of Florida’s longest-running soul groups”), the singing duo James & Bobby Purify (one chapter each); vocalists Helen Smith, Frankie Gearing, Jackie Moore, and Timmy Thomas (his 1972 anthem “Why Can’t We Live Together” is sampled in Drake’s “Hotline Bling); Latimore (who first recorded for Henry Stone), Wayne Cochran (“the white James Brown”); white soul singer Linda Lyndell; producer Papa Don Schroeder, and of course KC and the Sunshine Band. Other chapters are dedicated to the state’s most famous label owners—Henry Stone and T.K. Productions (which rightly receives two chapters) and Willie Clarke and Deep City Records—plus a chapter explaining how “The Twist Came from Tampa.” Along the way many other artists are mentioned, along with other Florida labels such as Jayville, Tener, Marlin, Leo, Alston, D & B, Glades, and Bound Sound.
Florida Soul is an engaging and informative read, placing an emphasis on the stories behind the singers and the songs gleaned from historical research as well as interviews with surviving musicians, singers, producers, deejays, and other industry personnel. The book is an important resource on a music scene that’s never been fully documented within a single volume, adding greatly to our understanding of American music and, in particular, the soul, R&B, disco and funk grooves emanating from the Sunshine State in waves the spread across the nation.