Title: Hey Stranger
Artist: Black Dylan
Label: Black Dylan Records
Formats: CD, LP, MP3
Release date: August 26, 2016
Black Dylan is an up-and-coming duo from Denmark that blends soul, R&B, hip-hop, and pop into a thoroughly satisfying album perfect for the dance floor. Wafande’s gravely, though sweetened vocals take the front stage beside Nuplex’s skillful DJ instrumentation. Together the duo draws from its French roots and American soul influences to create the Black Dylan aesthetic.
The first song and title track, “Hey Stranger,” pursues the fantasy story we wonder if will ever come true—to fly away and travel the world with a person you just met. An excellent start leading into an invigorating morning anthem, “Get up Child,” with choir voices, grooving guitar wah wah pedal, horns, and piano. Black Dylan keeps the tempo up with “Don’t Wanna Be Alone,” integrating gospel chorus breakdowns. It is as if they dare you not to dance when you listen to this track.
The album brings down the party vibe, but not the hopeful spirits with “You’re Getting Stronger,” a smooth R&B song with a memorable chorus. “The One” utilizes finger snaps and upright bass to give the listener a more intimate atmosphere to hear his promises of love and dedication. A guitar riff is played during instrumental breaks of this song, reminiscent of West African electric guitar styles. “She Said I Was a Failure” is a slow and dramatic tune, which pairs nicely with the heartbreak song, “Who Got My Back.” Reverberating organ chords, a steady beat, and a full bodied chorus of soulful voices sing in praise of love and companionship.
The final tracks of the album turn from lost love towards more edgy and personal themes. “Keep Your Eyes on the Road” uses semi-monotone vocals paired with repetitive horn and piano sections. Performing with LA singer Honey Larochelle, “Papa” deals with the pain of having to live with an addict father:
There’s no excuse, so much abuse, I can’t believe I used to want to be like you.
Papa, overdose after overdose, you’re killing me.
The final track, “Hummin’,” is a cool and quiet tune producing an emotional resolution that serves as an affirmation of his tough outer shell. Hey Stranger all in all is enjoyable – it will be interesting to keep an eye on Black Dylan’s sway of audiences in the United States.
Reviewed by Jennie Williams