Music From and Inspired by “Miles Davis: Birth of the Cool”


Title: Music From and Inspired by “Miles Davis: Birth of the Cool”
Artist: Miles Davis
Label: Columbia/Legacy
Formats: CD, Digital
Release date: February 21, 2020

 

Documentarian Stanley Nelson re-introduces us to the late and great jazz trumpeter extraordinaire Miles Davis on the album Music From and Inspired by “Miles Davis: Birth of the Cool,” a Film by Stanley Nelson. Davis’ extensive music career spanned over forty years, culminating in eight Grammy Awards, over thirty Grammy nominations, over fifty albums, plus collaborations with major jazz luminaries such as Billy Eckstine, Charlie Parker, Dizzy Gillespie, Art Blakey, John Coltrane, and Wayne Shorter, among many others. Using spoken and musical selections from the Grammy-nominated soundtrack from his documentary, Miles Davis: Birth of the Cool, Nelson provides a concise musical account of Davis’ evolution. Listeners have an opportunity to reflect on his seminal recordings, beginning in the late 1940s all the way to his mid-1980s comeback with Tutu (1986), while soundbites interspersed between tracks by music icons such as Herbie Hancock, Jimmy Heath, Gil Evans, Carlos Santana, and Marcus Miller further illuminate Davis’ career.

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Sérgio Mendes – In the Key of Joy

 

Title: In the Key of Joy
Artist: Sérgio Mendes
Label: Concord
Formats: CD, LP, Digital
Release date: February 21, 2020

 

Several names come to mind when discussing the early progenitors of bossa nova and Latin-pop music, but one individual stands out for his musical contributions. That individual is none other than composer, arranger, vocalist, and pianist extraordinaire Sérgio Mendes. Known for his “infectious spirit of joy” and his style that blends together “classic Brazilian, jazz, and pop sounds,” Mendes’ albums and collaborations have always been at the cutting-edge of Latin music.

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Tim Brooks – The Blackface Minstrel Show in Mass Media

Title: The Blackface Minstrel Show in Mass Media: 20th Century Performances on Radio, Records, Film and Television
Author: Tim Brooks
Publisher: McFarland
Formats: Book (softcover, 290 pages), Kindle Ed.
Release date: November 15, 2019

 

Tim Brooks, author of the award winning tome Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 (2004), draws upon his decades of experience as a media researcher and recorded sound historian for his latest book, The Blackface Minstrel Show in Mass Media. Tracing the shift from staged minstrel performances in the 19th century to the silver screen, airwaves and turntables of the 20th century, Brooks explores the second fifty-plus years of this “strange American phenomenon.”

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Welcome to the February 2020 Issue

Welcome to the February 2020 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. In honor of Black History Month, we’re featuring projects that explore the Black experience, from Emancipation to the Civil Rights Movement to the present.

Composer Paul Moravec’s Sanctuary Road is a powerful oratorio based on the writings of William Still (1821–1902), a “conductor” on the Underground Railroad. Jazz musician/composer Christian McBride’s The Movement Revisited: A Musical Portrait of Four Icons is a tribute to Rosa Parks, Malcolm X, Muhammad Ali, and Rev. Dr. Martin Luther King. Jr. Bound for the Promised Land: Songs and Words of Equality and Freedom captures a live performance from the Atlanta Music Festival. Will Boyd’s Freedom, Soul, Jazz commemorates Juneteenth emancipation celebrations. Ben Williams’ I AM A MAN was inspired by the 1968 Memphis sanitation worker’s strike. Jubilee Showcase features 36 performances from the ground breaking civil rights era gospel television series.

Additional classical recordings include London-based Chineke! Orchestra’s Spark Catchers featuring works by six of the UK’s leading Black and minority ethnic composers, and British cello sensation Sheku Kanneh-Mason’s new release, Elgar. Additional jazz recordings include Jazz at Lincoln Center Orchestra with Wynton Marsalis’s tribute to The Music of Wayne Shorter, and John Bailey’s Can You Imagine?, commemorating Dizzy Gillespie’s 1964 campaign for president.

With Mardi Gras approaching, we’re highlighting two New Orleans related releases: Delfeayo Marsalis & The Uptown Jazz Orchestra’s Jazz Party and the new compilation The Meters: Gettin Funkier All The Time: Complete Josie/Reprise/Warner Recordings 1968-1977.

With a nod to Valentine’s Day and themes of love, there’s jazz trumpeter Jeremy Pelt’s The Art of Intimacy Vol. 1, gospel artist Renee Spearman’s I Love Him, and the classic soul compilation You’re Not Gonna Hurt Me (A Valentine’s Day Kiss Off). Other featured albums include Fight the Fight from Jamaican reggae artist Mortimer and Amazones Power from the pan-African supergroup Les Amazones d’Afrique. Wrapping up this issue is our list of January 2020 Black Music Releases of Note.

Paul Moravec’s Sanctuary Road: An Oratorio Based on the Writings of William Still

 

Title: Sanctuary Road
Artist: Oratorio Society of New York; Kent Tritle, cond.
Label: Naxos American Classics series (8.559884)
Formats: CD, Digital
Release date: January 10, 2020

 

Paul Moravec’s 2017 oratorio, Sanctuary Road, is a modern take on the classical oratorio form, portraying stories from the Underground Railroad rather than Biblical content. The libretto by Mark Campbell interprets slave narratives collected and published in 1872 in The Underground Railroad by William Still (1821–1902) of Philadelphia, a “conductor” who aided many fugitive slaves including his older brother. Some of the song texts are literal, as when Still interviews an escapee he has sheltered, but at other times more poetic, consisting of single words or phrases joined together to portray the collective experience of the enslaved who escaped to freedom. The oratorio’s title, however, was inspired by the modern concept of “Sanctuary City,” bringing contemporary resonance to the composition. The sixteen movement work for five soloists, chorus and orchestra was commissioned by Jody Spellun, a member of the Oratorio Society of New York, and this live recording captures the world premiere performance at Carnegie Hall by the OSNY Chorus and Orchestra under the baton of Kent Tritle.

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Christian McBride – The Movement Revisited: A Musical Portrait of Four Icons

 

Title: The Movement Revisited: A Musical Portrait of Four Icons
Artist: Christian McBride
Label: Mack Avenue
Formats: CD, MP3
Release date: February 7, 2020

 

Christian McBride’s The Movement Revisited: A Musical Portrait of Four Icons is a tribute to four renowned African Americans: Rosa Parks, Malcolm X, Muhammad Ali, and Rev. Dr. Martin Luther King. Jr. According to McBride, this album is meant as “a clear-eyed yet optimistic look at where our society has come from and where it is hopefully headed.” The four narrators who portray these icons include poet and author Sonia Sanchez as Rosa Parks, actor Wendell Pierce as Rev. Dr. Martin Luther King Jr., actor Vondie Curtis-Hall as Malcolm X, and actor Dion Graham as Muhammad Ali. They are supported by a phenomenal cast of vocalists and instrumentalists such as Alicia Olatuja (vocals), Steve Wilson (saxophone), Freddie Hendricks (trumpet), Terreon Gully (drums), among many others. These artists coalesce into a spectacular fusion of jazz, gospel, funk, and Afro-Cuban rhythms.

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Bound for the Promised Land: Songs and Words of Equality and Freedom

 

Title: Bound for the Promised Land: Songs and Words of Equality and Freedom   
Artist: Various
Label: Albany
Formats: CD, Digital
Release Date: January 10, 2020

 

The songs and spoken excerpts that comprise Bound for the Promised Land: Songs and Words of Equality and Freedom were performed live during the Atlanta Music Festival in 2016 at Ebenezer Baptist Church and Glenn Memorial Auditorium at Emory University. The Atlanta Music Festival was first created in 1910 after the Atlanta Race Riots and revived in 2001 by Pastor Dwight Andrews. The purpose of the festival at its inception was to introduce the world to renowned African American concert musicians. The music featured on Bound for the Promised Land does not disappoint and holds true to the original mission of the festival, with works by Dorothy Rudd Moore, T. J. Anderson, Duke Ellington, John Carter and Adolphus Hailstork. Guest artists include the late soprano Jessye Norman, who performs on four songs, tenor Timothy B. Miller, and narrators Taylor Branch and Rev. Robert M. Franklin, Jr.

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Ben Williams – I AM A MAN

 

Title: I AM A MAN
Artist: Ben Williams
Label: Rainbow Blonde
Formats: CD, LP, Digital
Release date: February 7, 2020

 

Acclaimed Grammy-winning bassist, composer and bandleader Ben Williams’ newest album, I AM A MAN, is a sociopolitically charged project that strives to “show the world the complexity of our humanity as Black American men.” With help from producer and sound designer Brian Bender, the album boasts a humid and hazy sound that recalls neo-soul albums released by The Roots, Erykah Badu, Bilal, and D’Angelo. Williams sings lead on the majority of songs, in addition to playing the electric and acoustic bass. Joining him is an amazing lineup comprised of keyboardist Kris Bowers, guitarist David Rosenthal, tenor saxophonist and bass clarinetist Marcus Strickland, percussionist Bendji Allonce, trumpeter Kenyon Harrold, flutist Anne Drummond, and drummers Jamire Williams and Justin Brown.

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Will Boyd – Freedom, Soul, Jazz

 

Title: Freedom, Soul, Jazz
Artist: Will Boyd
Label: Dist. CD Baby
Formats: CD, LP, Digital
Release date: July 12, 2019

 

Saxophonist, composer and band leader Will Boyd pays tribute to spirituals, hymns, and freedom songs on his album, Freedom, Soul, Jazz. The project was released to coincide with Juneteenth celebrations, which are holidays observed among Black communities as a de facto independence day commemorating the abolition of slavery and a first step toward inclusion in the greater American dream. Regarding his motivation for the project, Boyd explained, “I wanted to do my part to move the movement forward,” referring to the advancement of Black people in a post slavery society.

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