Documentarian Stanley Nelson re-introduces us to the late and great jazz trumpeter extraordinaire Miles Davis on the album Music From and Inspired by “Miles Davis: Birth of the Cool,”a Film by Stanley Nelson. Davis’ extensive music career spanned over forty years, culminating in eight Grammy Awards, over thirty Grammy nominations, over fifty albums, plus collaborations with major jazz luminaries such as Billy Eckstine, Charlie Parker, Dizzy Gillespie, Art Blakey, John Coltrane, and Wayne Shorter, among many others. Using spoken and musical selections from the Grammy-nominated soundtrack from his documentary, Miles Davis: Birth of the Cool, Nelson provides a concise musical account of Davis’ evolution. Listeners have an opportunity to reflect on his seminal recordings, beginning in the late 1940s all the way to his mid-1980s comeback with Tutu (1986), while soundbites interspersed between tracks by music icons such as Herbie Hancock, Jimmy Heath, Gil Evans, Carlos Santana, and Marcus Miller further illuminate Davis’ career.
Title: In the Key of Joy Artist: Sérgio Mendes Label: Concord Formats: CD, LP, Digital Release date: February 21, 2020
Several names come to mind when discussing the early
progenitors of bossa nova and Latin-pop music, but one individual stands out
for his musical contributions. That individual is none other than composer,
arranger, vocalist, and pianist extraordinaire Sérgio Mendes. Known for his
“infectious spirit of joy” and his style that blends together “classic
Brazilian, jazz, and pop sounds,” Mendes’ albums and collaborations have always
been at the cutting-edge of Latin music.
Tim Brooks, author of the award winning tome Lost
Sounds: Blacks and the Birth of the Recording Industry, 1890-1919
(2004), draws upon his decades of experience as a media researcher and recorded
sound historian for his latest book, The Blackface Minstrel Show in Mass
Media. Tracing the shift from staged minstrel performances in the 19th
century to the silver screen, airwaves and turntables of the 20th
century, Brooks explores the second fifty-plus years of this “strange American
Welcome to the February 2020 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. In honor of Black History Month, we’re featuring projects that explore the Black experience, from Emancipation to the Civil Rights Movement to the present.
Additional classical recordings include London-based Chineke! Orchestra’s Spark Catchers featuring works by six of the UK’s leading Black and minority ethnic composers, and British cello sensation Sheku Kanneh-Mason’s new release, Elgar. Additional jazz recordings include Jazz at Lincoln Center Orchestra with Wynton Marsalis’s tribute to The Music of Wayne Shorter, and John Bailey’s Can You Imagine?, commemorating Dizzy Gillespie’s 1964 campaign for president.
Paul Moravec’s 2017
oratorio, Sanctuary Road, is a
modern take on the classical oratorio form, portraying stories from the
Underground Railroad rather than Biblical content. The libretto by Mark
Campbell interprets slave narratives collected and published in 1872 in The Underground Railroadby William Still (1821–1902) of Philadelphia, a “conductor” who aided many
fugitive slaves including his older brother. Some of the song texts are
literal, as when Still interviews an escapee he has sheltered, but at other
times more poetic, consisting of single words or phrases joined together to
portray the collective experience of the enslaved who escaped to
freedom. The oratorio’s title, however, was inspired
by the modern concept of “Sanctuary City,” bringing contemporary resonance to
the composition. The sixteen movement work for five soloists, chorus and
orchestra was commissioned by Jody Spellun, a member
of the Oratorio Society
of New York, and this live recording captures the
world premiere performance at Carnegie Hall by the OSNY Chorus and Orchestra
under the baton of Kent Tritle.
Christian McBride’s The Movement Revisited: A Musical Portrait of Four Icons is a tribute to four renowned African Americans: Rosa Parks, Malcolm X, Muhammad Ali, and Rev. Dr. Martin Luther King. Jr. According to McBride, this album is meant as “a clear-eyed yet optimistic look at where our society has come from and where it is hopefully headed.” The four narrators who portray these icons include poet and author Sonia Sanchez as Rosa Parks, actor Wendell Pierce as Rev. Dr. Martin Luther King Jr., actor Vondie Curtis-Hall as Malcolm X, and actor Dion Graham as Muhammad Ali. They are supported by a phenomenal cast of vocalists and instrumentalists such as Alicia Olatuja (vocals), Steve Wilson (saxophone), Freddie Hendricks (trumpet), Terreon Gully (drums), among many others. These artists coalesce into a spectacular fusion of jazz, gospel, funk, and Afro-Cuban rhythms.
The songs and spoken excerpts that comprise Bound for the Promised Land: Songs and Words of Equality and Freedom were performed live during the Atlanta Music Festival in 2016 at Ebenezer Baptist Church and Glenn Memorial Auditorium at Emory University. The Atlanta Music Festival was first created in 1910 after the Atlanta Race Riots and revived in 2001 by Pastor Dwight Andrews. The purpose of the festival at its inception was to introduce the world to renowned African American concert musicians. The music featured on Bound for the Promised Land does not disappoint and holds true to the original mission of the festival, with works by Dorothy Rudd Moore, T. J. Anderson, Duke Ellington, John Carter and Adolphus Hailstork. Guest artists include the late soprano Jessye Norman, who performs on four songs, tenor Timothy B. Miller, and narrators Taylor Branch and Rev. Robert M. Franklin, Jr.
Acclaimed Grammy-winning bassist, composer and bandleader Ben Williams’ newest album, I AM A MAN, is a sociopolitically charged project that strives to “show the world the complexity of our humanity as Black American men.” With help from producer and sound designer Brian Bender, the album boasts a humid and hazy sound that recalls neo-soul albums released by The Roots, Erykah Badu, Bilal, and D’Angelo. Williams sings lead on the majority of songs, in addition to playing the electric and acoustic bass. Joining him is an amazing lineup comprised of keyboardist Kris Bowers, guitarist David Rosenthal, tenor saxophonist and bass clarinetist Marcus Strickland, percussionist Bendji Allonce, trumpeter Kenyon Harrold, flutist Anne Drummond, and drummers Jamire Williams and Justin Brown.
Saxophonist, composer and band leader Will Boyd pays tribute to spirituals, hymns, and
freedom songs on his album, Freedom,
Soul, Jazz. The project was released to coincide with Juneteenth celebrations,
which are holidays observed among Black communities as a de facto independence day
commemorating the abolition of slavery and a first step toward inclusion in the
greater American dream. Regarding his motivation for the project, Boyd
explained, “I wanted to do my part to move the movement forward,”
referring to the advancement of Black people in a post slavery society.