September 4th, 2018

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This month we’re featuring Product of Our Souls: The Sound and Sway of James Reese Europe’s Society Orchestra—the earliest mainstream recordings of an African American dance band—in an authoritative package from Archeophone Records.  In honor of Gospel Music Heritage Month, there are two new compilations from the Gospel Friend label: the two-CD Soul Don’t Worry! Black Gospel During the Civil Rights Era 1953-1967, and the tribute to Ohio gospel artist and composer Prof. Harold Boggs, Lord Give Me Strength.

New jazz releases include Cécile McLorin Salvant’s forthcoming album The Window, the Snarky Puppy affiliated group Ghost-Note’s Swagism, American steel pan player Jonathan Scales’ Pillar with his group Fourchestra, jazz flutist/composer Nicole Mitchell’s Maroon Cloud, the vocal group Take 6’s Iconic, Marcus Miller’s Laid Black (with a guest appearance by Take 6), and Diana Purim & Eyedentity’s exploration of Brazilian jazz/trip hop, Many Bodies, One Mind.

Rock-oriented releases include Corey Glover’s new supergroup Ultraphonix’s debut Original Human Music, punk legend Jean Beauvoir’s Rock Masterpieces Vol. 1, and Sean Ardoin’s Kreole Rock and Soul. Portland, Oregon’s Ural Thomas & The Pain confirm it is The Right Time for old-school R&B, “Queen of the Blues” Shemekia Copeland offers America’s Child, boogie woogie pianist Errol Dixon releases the 1973 live recording Midnight Train, and Delmark Records marks the label’s 65th anniversary with Tribute.

Wrapping up this issue is the late Australian indigenous musician Gurrumul’s final release and orchestral collaboration Djarimirri: Child of the Rainbow, Ugandan flutist Samite’s music of Resilience, and our list of August 2018 Black Music Releases of Note.

Review Genre(s): African American Culture & History


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