July 2nd, 2012

Welcome to the July 2012 issue of Black Grooves, sponsored by the Archives of African American Music and Culture.

This month we’re featuring albums to spice up your Fourth of July celebrations, from Satchmo at the National Press Club: Red Beans and Rice-ly Yours (complete with recipes) to BeBe Winans’ patriotic offering America America to the party igniting Twenty Dozen by NOLA’s Dirty Dozen Brass Band.

Among the reissues covered this month are Paul Simon’s Graceland 25th Anniversary box set, Time Will Reveal: The Complete Motown Albums of Debarge, and two Lee ‘Scratch’ Perry produced albums—Super Eight by George Faith and Lee ‘Scratch’ Perry presents Candy McKenzie.

Other jazz and world music offerings include David Murray Cuban Ensemble Plays Nat King Cole En Español, the compilation The Bariba Sound 1970-1976 by Benin’s Orchestre Super Borgou de Parakou, and the self-titled debut album Konkoma from the London-based Afro-funk band.

Hip hop releases range from the environmentally conscious rap of Tem Blessed & The Blest Energy Band on Re-Energized to Del The Funky Homosapien & Parallel Thought’s old-school Attractive Sin to the witty and humorous Beaus$Eros by the hyper-literate L.A. rapper known as Busdriver.

Wrapping up this issue is the electro-pop album Coastal Grooves by Blood Orange (the artist formerly known as Lightspeed Champion), Ruben Studdard’s relationship testimony Letters From Birmingham, Anita Wilson’s soul-gospel fusion Worship Soul, Betty Wright’s partnership with The Roots on Betty Wright: The Movie, emerging Brooklyn soul/reggae/rock artist Cole Williams’ double EP Out of the Basement, Out of the Box, and the DVD Musical Threads: Expressions of a People featuring Indiana University’s Tyron Cooper and Marietta Simpson.

 

Review Genre(s): African American Culture & History,African American Media, Publications


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