May 2nd, 2017

Trombone Shorty
Title: Parking Lot Symphony

Artist: Trombone Shorty

Label: Blue Note

Formats: CD, LP, Digital

Release Date: April 28, 2017

 

The final Friday of April saw a new and compelling release by the acclaimed New Orleans trombonist, singer, and bandleader Troy Andrews (aka Trombone Shorty). This is the band’s fourth album, and their first on the heralded Blue Note label.

Trombone Shorty and his band blend elements from pop, R&B, funk, and jazz, and the group leans heavily on its roots in the New Orleans versions of these styles on Parking Lot Symphony. Stylistic diversity is the name of the game on this album, among both the songs that gesture more towards pop styles and those incorporating hardcore jazz and funk grooves.   “Parking Lot Symphony” and “Dirty Water” both hearken to 90s R&B, and are driven by drum machines and infectious hooks. The band included two quite faithful covers of songs by New Orleans legends in this set: The Meters’ “Ain’t No Use” and the Allen Toussaint-penned “Here Come the Girls.” Many originals follow the sterling legacy of New Orleans music as well—“Tripped Out Slim” is a funk barn-burner, and the album is bookended by a set of brass band dirges, titled “Leveau Dirge No. 1” and “Leveau Dirge Finale.”

As might be expected from an album that ambitiously incorporates pop sensibilities and funk-jazz roots, this record has a few swings and misses like “Familiar,” a club jam about barely recognizing someone (even this song, though, has a killer Rhodes and brass solo section). However, this rare misstep is tempered by the band’s overwhelming sense of earnestness on the rest of the album. For instance, “No Good Time,” has its heart firmly planted on its sleeve. Shorty croons the folksy wisdom that “nobody never learned nothing from no good time” on the melancholy brass-driven ballad. While the set may not be entirely cohesive, it is chock full of great grooves played by a killer band. Parking Lot Symphony is a well-executed effort from a group of steadily grooving musicians.

Reviewed by Matthew Alley

Review Genre(s): Jazz


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