Artist: The Gospelaires of Dayton, Ohio
Release date: November 17, 2017
Most of us think of Dayton, Ohio as the epicenter of funk, but the city also gave birth to several national gospel recording artists including Dottie Peoples, the Daytonians, and the Gospelaires—a quartet that enjoyed the worldwide spotlight in the decade between 1956-1965 and beyond. Yet despite their considerable success, the Gospelaires have not been well represented on reissue projects. Enter Swedish gospel aficionado Per Notini, who set out to correct this omission by producing the compilation, Moving Up – The Early Years 1956-1965, on his Gospel Friend label. Included are several singles that have never been released on CD.
The opening tracks recorded in 1956, two years after the Gospelaires’ formation, are from their debut single for the Houston, Texas-based Avant label. Despite the message of solidarity in “We Are Marching Together” and catchy doo-wop style of “Some People Never Stop to Pray,” the initial reception was only lukewarm. However, the single did attract the attention of Don Robey at Peacock Records, who signed the six member quartet and continued the affiliation for the next 16 years. The second and third tracks are from the quartet’s first Peacock single, with baritone Robert Washington taking the lead on the soul stirring “Just Faith” and up-tempo “Sit Down Children,” while bass Robert Lattimore provides guitar accompaniment. These sides portend the future direction of the group, while also displaying the powerful vocals and impassioned delivery of Washington. Though two other members sang lead for the Gospelaires—tenor Melvyn Boyd and baritone Paul Arnold—Washington is featured on the majority of the tracks on this set.
Arranged in chronological order, the remaining 25 songs provide a welcome overview of the Gospelaires. “It’s a Pity” (1958) showcases another lead singer, baritone Paul Arnold, who can also be heard trading the lead with Washington on “I’ll Be So Glad” and “You Can’t Make Me Doubt Him.” It’s unfortunate that Boyd is only featured on two tracks, “When I Rise” and “I Didn’t Know.” Though he doesn’t have the gritty power of Washington, his supple high tenor and emotive shouts are electrifying. In another change of pace, Washington can be heard sermonizing on “Trouble No More” and “Rest for the Weary,” the latter included in this archival footage:
Teen sensation Charles “Sky High” McClean is introduced on “C’mon” (1962), a song somewhat reminiscent of “Shout” by the Isley Brothers, who got their start just down the road in Cincinnati. McClean takes the lead on “Motherless Child” (1963), his soulful high tenor making it clear how he came by his nickname. The CD closes with an impassioned arrangement of Thomas Dorsey’s “Search Me Lord.”
The Gospelaires continued to record for Peacock for another decade, before switching over to Savoy, where they released many more albums. Their entire story is included in the authoritative liner notes by Bob Marovich, who also drew from articles by Ray Funk and Opal Nations. I’m pleased to say that all three of these dedicated gospel historians have generously donated collections to the Indiana University Archives of African American Music, where they are preserved for future generations.
Moving Up is a wonderful compilation showcasing the early years of the Gospelaires, one of the most successful gospel quartets of that era, and likely a strong influence on the funk groups that would emerge from Dayton, Ohio in the following decade.
Reviewed by Brenda Nelson-Strauss