Christian McBride – New Jawn

 

Title: Christian McBride’s New Jawn
Artist: Christian McBride
Label: Mack Avenue
Formats: CD, MP3, LP
Release date: October 26, 2018

 

Just one year after his Grammy Award winning album Bringin’ It, Christian McBride returns with his newest project, Christian McBride’s New Jawn. The album features his chordless quartet—formed during McBride’s annual two-week residency at the Village Vanguard in December 2015—which includes trumpeter Josh Evans, saxophonist Marcus Strickland, drummer Nasheet Waits, and McBride on bass. Continue reading

Wynton Marsalis Septet – United We Swing: Best of the Jazz at Lincoln Center Galas

swing

Title: United We Swing: Best of the Jazz at Lincoln Center Galas

Artist: Wynton Marsalis Septet

Label: Blue Engine Records

Formats: CD, Vinyl, Digital

Release date: March 23, 2018

 

 

As the title suggests, United We Swing: Best of the Jazz at Lincoln Center Galas is a compilation album of collaborations between Wynton Marsalis and major artists such as Ray Charles, Blind Boys of Alabama, Willie Nelson, John Legend, Lenny Kravitz, Natalie Merchant, Carrie Smith, and many others. Recorded between 2003 and 2007, these performances brought together artists from various genres with the sole purpose of presenting and promoting unity through music (swing). According to Marsalis, “On this record and in these recordings, we came together to affirm common roots, to celebrate diversity of our creativity, and to pass the reality of our best achievements on to our kids.” Renditions of songs such as “The Last Time,” “I’m Gonna Move to the Outskirts of Town,” “I Wish I Knew How It Would Feel To Be Free,” among others, display not only the diverse musical genres, but also the diverse backgrounds of each performer.

United We Swing: Best of the Jazz at Lincoln Center Galas encapsulates the message of solidarity while presenting a positive image for future generations. I strongly recommend this album to anyone interested in promoting music as a unifying symbol in society.

Reviewed by Jamaal Baptiste

Jazz at Lincoln Center Orchestra with Wynton Marsalis – Handful of Keys

Handful of Keys
Title: Handful of Keys

Artist: Jazz at Lincoln Center Orchestra with Wynton Marsalis

Label: Blue Engine

Formats: CD, MP3

Release date: September 15, 2017

 

The latest release from the Jazz at Lincoln Center Orchestra with Wynton Marsalis, Handful of Keys, features pianists Joey Alexander, Dick Hyman, Myra Melford, Dan Nimmer, Helen Sung, and Isaiah J. Thompson. According to the liner notes by Myra Melford, “this concert was an ‘encapsulated history’ exploring the many rich traditions and styles that define jazz piano today.” By showcasing a multi-generational group (ranging from ages 13 to 89), this album does an outstanding job at presenting 100 years of jazz piano.

The words phenomenal and exhilarating come to mind when describing this project, with each featured pianist offering a different layer of excitement. Beginning with Dick Hyman’s arrangement of “Jingles” by James P. Johnson, the listener is shown a glimpse into the past while given a taste of Hyman’s personality. His flawless execution of intricate passages during this performance demonstrates his dexterity on the piano, and his brilliance in jazz. “Four By Five” captures the spirit of McCoy Tyner, while demonstrating Helen Sung’s creativity as a pianist and arranger. Fragments of Tyner’s vocabulary (pentatonic and quartal harmony) are heard in Sung’s solo, but what’s even more interesting is the way Tyner’s vocabulary is incorporated in the melodic phrases of the horn section.

YouTube Preview Image

 

Joey Alexander’s heartfelt performance on Bill Evans’ “Very Early” provides excitement through his use of melodic and rhythmic motivic development (in the style of Evans), while Myra Melford’s use of Afro-Cuban montuno patterns and rhythm blended with free improvisational concepts on “The Strawberry” inspires us to dance. Isaiah J. Thompson’s magnificent tribute to pianist Oscar Peterson, “Hymn To Freedom,” takes us on a musical journey displaying virtuosic melodic lines and block chords reminiscent of Peterson. Lastly, but certainly not least, pianist Dan Nimmer of the Jazz at Lincoln Center Orchestra performs a fabulous rendition of Wynton Kelly’s “Temperance,” displaying his technical abilities and finesse for jazz piano while capturing the light and expressive style of Kelly.

While this album features jazz pianists, we cannot neglect the role of the Jazz at Lincoln Center Orchestra. The ensemble does not miss a beat moving from one style to another. The precision of notes, the time-feel, and the overall sound of the collective ensemble displays a high level of musicianship and professionalism, while providing support for the featured pianists.

Handful of Keys is an album that honors the jazz tradition and legacy of past pianists, while contributing new interpretations and arrangements to ensure the continuing longevity of the genre.

Reviewed by Jamaal Baptiste

Jazz at Lincoln Center Orchestra with Wynton Marsalis – Live in Cuba

lincoln center jazz orchestra live in cuba._AA160_

Title: Live in Cuba

Artist: Jazz at Lincoln Center Orchestra with Wynton Marsalis

Label: Blue Engine Records

Formats: CD, MP3

Release date: August 21, 2015

 

It is perhaps Dizzy Gillespie who is most often credited with introducing Cuban influences into the mainstream jazz repertoire, in large part through his signature Afro-Cuban tunes such as “A Night in Tunisia,” “Manteca,” and “Things to Come.”  An energetic version of the last of these is included on Jazz at Lincoln Center Orchestra’s latest release Live in Cuba, and perhaps best exemplifies the aim of this particular release from the house band at Lincoln Center, an institution that benefited greatly from Gillespie’s involvement at its inception, even naming their signature nightclub “Dizzy’s Club Coca-Cola.”  The first release by Blue Engine records, Lincoln Center’s in-house label, the 2-disc set Live in Cuba calls attention to the relationships between jazz and Cuban music and documents an historic set of concerts made possible by President Obama’s easing of travel restrictions between the US and Cuba.

This set contains both new compositions as well as recordings of tunes by household names in jazz, including Gillespie and Duke Ellington.  Several numbers beg listeners’ close attention, including “2/3’s Adventure,” composed and arranged by the orchestra’s bassist Carlos Henriquez and which alternates between Afro-Cuban rhythms and medium-up swing, showcasing the skills of pianist Dan Nimmer, trumpeter Marcus Printup, and Henriquez as they blow at various moments throughout the course of the complex arrangement, which features several shout choruses and abrupt changes in the song’s rhythmic propulsion.  Drummer Ali Jackson’s beautiful arrangement of the Latin standard “Como Fue” is also included, with legendary Cuban pianist and singer Bobby Carcasses leading the band on vocals.  Another highlight of this 2-disc set is “Limbo Jazz,” a medium-tempo number by Duke Ellington, featuring trumpeter Ryan Kisor providing muted trumpet punctuation and a laid-back solo on the Latin-tinged number, and a bebop-inflected solo by baritone saxophonist Joe Temperley.

YouTube Preview Image

Live in Cuba is a compelling document of the loosening of trade restrictions between Cuba and the US, as well as a compelling case study of the continuing vitality of Afro-Cuban jazz.  The wealth and quality of the arrangements on these discs are certainly up to the high standards of the Jazz at Lincoln Center Orchestra, and this album is a thoroughly enjoyable set by one of the top big bands in the world.

Listen on Spotify here.

Reviewed by Matthew Alley