Various Artists – 23 Classic Blues Songs from the 1920’s, Vol. 16

 

Title: 23 Classic Blues Songs from the 1920’s, Vol. 16
Artist: Various
Label: Blues Images
Format: CD + Calendar
Release date: September 25, 2018

 

The 16th annual Blues Images calendar and CD reproduces classic, rare, and recently rediscovered artwork and recordings of pre and post-war blues songs from blues masters such as Charley Patton, Memphis Minnie, Leola B. Wilson, William Harris, Papa George Lightfoot, and others. While a copy of Papa George Lightfoot’s debut disc on Sultan Records (“Winding Ball Mama” / “Snake Hipping Daddy”) has been rumored to exist for decades, it recently surfaced and came to the attention of John Tefteller and his Blues Images team. The disc has been remastered and is included on this compilation along with other rare tracks such as William Harris’ “I’m a Roamin’ Gambler” / “I Was Born in the Country—Raised In The Town.” Continue reading

Various – 24 Classic Blues Songs from the 1920’s, Vol. 15

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Title: 24 Classic Blues Songs from the 1920’s, Vol. 15

Artist: Various

Label: Blues Images

Format: CD + Calendar

Release date: September 25, 2017

 

Has 2017 given you the “bougie” blues? Add these twenty-four classic blues songs from the ‘20s to your collection to help ease the pain.

The 15th annual calendar and CD release from Blues Images brings another well-selected set of remastered pre-war blues music to new generations through a combination of vintage and modern playback technologies. The songs are paired with the artwork circulated to promote the original commodities, reproduced as a 2018 wall calendar.

This year’s CD includes two recently discovered songs by Jab Jones and The Memphis Jug Band: “My Love Is Cold” and ”Poor Jab Blues.” There are also fresh remastered versions of Tommy Johnson’s recording, “Slidin’ Delta”/”I Wonder To Myself” (Paramount 12975) as well as Johnnie (Geechie) Temple’s “Evil Devil Blues”/”Jacksonville Blues” (Vocalion 02987) taken from newly discovered, cleaner copies of the original 78-rpm discs.

War, wage work, food scarcity—a century ago blues artists were writing and singing about the problems we still face in the world today. Someday perhaps we’ll liberate ourselves from the economic system that connects us to these voices from nearly a century ago. As we keep pushing, we have their words and music to remind us that liberation is fraught with peril, and there’s no better way to communicate this struggle than through the blues.

Reviewed by William Vanden Dries

Brownout – Over the Covers

Brownout Over the Covers
Title: Over the Covers

Artist: Brownout

Label: Fat Beats

Formats: CD, MP3

Release date: June 2, 2017

 

 

Over five years have passed since Brownout’s last official release of original music, Oozy (2012). Those familiar with the band likely remember the widespread acclaim during this period for the Brown Sabbath project, featuring Brownout’s own Latin funk twist on Black Sabbath covers. Collaborations with fellow Austin, TX musical comrades such as Black Angels vocalist Alex Maas and Ghostland Observatory vocalist Aaron Behrens resulted in two Brown Sabbath albums and multiple tours over the last four years.

While touring behind the Brown Sabbath project and moonlighting as alter ego Grammy Award-winning Latin funk orchestra Grupo Fantasma, Brownout recorded their new four-song EP Over the Covers everywhere from the Bay Area to central Texas. The songs on Over the Covers—inspired by African funk (“You Don’t Have to Fall”), ‘60s and ‘70s rock, and New Jack Swing (“Things You Say”)—are at once psychedelic and funky, embracing the experience of Brown Sabbath but melding it with the band’s hallmark sounds.

Brownout’s body of work preceding Brown Sabbath contained some of the best funk and rock to come out of Austin over the last decade, so it’s great to see them back in writing mode and focused on their own material. Over the Covers represents a shift in the band’s approach, pairing their instrumental arrangement acumen with a new lyrical direction.

Alex Marrero joins the band as lead singer and lyricist for this release.  Says Marrero, “For me it was all about the process of collaboration and starting to fit into Brownout as an actual new member vs. being the front man for Brown Sabbath. Part of that was tackling the songwriting. If there is an underlying theme in all of these songs it would be symptoms of the human condition, which anyone can relate to.”

Reviewed by William Vanden Dries

Hard Proof – Public Hi-Fi Sessions 03

Hard Proof

Title: Public Hi-Fi Sessions 03

Artist: Hard Proof

Label: Public Hi-fi

Formats: LP, Digital

Release date: June 24, 2016

 

Live music tourists to Austin, TX will add Afrobeat to their show calendars in greater numbers if Hard Proof continues releasing solid albums like this summer’s Public Hi-Fi Sessions 03. Since 2008, members of Hard Proof have purveyed African funk, world music, and jazz inspired by sub-Saharan Africa, while also paying their dues in other notable Austin acts such as Black Joe Lewis, The Calm Blue Sea, Ocote Soul Sounds, Spanish Gold, Cougar, and The Echocentrics. Hard Proof adds Public Hi-Fi Sessions to nearly a decade of high-energy live performances and recorded output of albums and singles.

Recorded live to tape by Jim Eno between December 2015 and February 2016, each song on Public Hi-Fi Sessions packs its own punch while holistically showcasing the Fela Kuti-inspired group at a new level. Horn arrangements and solos captivate and weave freely in and out of the guitar, bass and drums that push the recordings forward and display the group’s ability to build hypnotizing, danceable rhythms.

Hard Proof has earned a well-deserved reputation as one of Texas’s best Afrobeat, funk, and jazz groups. Inspired by everything from a busted lip to painted flowers to questioning established religious institutions, this tracks on this album should impress those both familiar and new to Hard Proof’s live performances and recordings.

Reviewed by William Vanden Dries