Artist: Cole Williams
Label: Louisiana Red Hot
Formats: CD, Digital
Release date: May 31, 2019
After making a name for herself as a vocalist and percussionist with the Brooklyn-based quintet Pimps of Joytime and contributing background vocals for numerous artists, Cole Williams decided she was ready for a reboot. The Jamaican-American singer-songwriter and self-described “punk empress” relocated to New Orleans in 2015 and formed the Cole Williams Band, then set out to invoke an “African Rock Revolution.” Her new solo album, Believe, offers eleven original tracks all written, produced, and performed by the talented Williams. From the distorted soul of “Opposites ATTRACT” to the electro/hip hop vibe of “Turn Up,” the album gets off to a righteous start. Other highlights include the densely packed soundscape of the manifesto “Single Black FEmelle,” the good vibes of “Get High,” and the cautionary tale of “Sin City.” The album closes on a high note with the mid-tempo title track, “BeLieVe,” featuring jazzy, multilayered vocals over a punchy horn section on this affirmative song about love and relationships. Though Believe is more experimental, free flowing, and synth heavy than Williams’ previous efforts, the album should still strike a chord for fans of her unique blend of rock and soul music.Continue reading →
Dubbed the “Jimi Hendrix of the accordion” by Rolling Stone magazine, Dwayne “Dopsie” Rubin is a master of the “blood pumping zydeco” that seeps from the heart of Louisiana’s bayous on a hot summer night. Known for playing his accordion like a guitar, Dopsie’s fiery style incorporates elements of rock, funk, and R&B as well as the more traditional zydeco learned at the knee of his father, the late Alton Rubin Sr. (a.k.a. Rockin’ Dopsie). On his latest release, Bon Ton, Dopsie definitely ushers in summer with some good times and great music. His backing band, The Zydeco Hellraisers, features Paul Lafleur on washboard, Brandon David on guitar, Tim McFatter on sax, Dion Pierre on bass, and Dondrell Fleming on drums. Together they perform a synthesis of the blues, rhythm and blues, and traditional Cajun music that comprise the zydeco tradition.Continue reading →
Sean Ardoin may come from a long line of accordion-playing Creole musicians (including Amédé Ardoin and Alphonse “Bois Sec” Ardoin), but he certainly isn’t one to be put in a box when it comes to his music. Ardoin’s newest album, Kreole Rock and Soul, is named after the genre that he created in an attempt to revamp the music of his ancestors. While the album pays tribute to Ardoin’s Creole roots, it also incorporates the styles of contemporary pop and classic rock.Continue reading →
Award-winning jazz rock singer Lilli Lewis has released her debut solo album, The Henderson Sessions. Currently residing in New Orleans, Lewis is a singer-songwriter who has been playing the piano since the age of three, and is currently the lead vocalist for Kirk Joseph’s Backyard Groove (Joseph is a founding member of the renown Dirty Dozen Brass Band). Lewis’s new project includes nine acoustic songs featuring her soulful vocals against the backdrop of a stripped piano accompaniment, allowing her natural talent to shine.
In addition to highlighting Lewis’s powerful voice, the tracks on The Henderson Sessions also make statements on social justice issues and human rights. The album’s single, “Our Short Walk Through This Life,” reminds listeners to be kind and gracious to one another. On “Turn It Around,” Lewis speaks to personal responsibility, self-exploration, and seeking internal peace in the midst of today’s chaotic world. Other songs relevant to today’s political and social climate include the earnest “Why We Build the Wall” and “Save the Country.”
After a successful career performing as a soloist in New Orleans and with her acoustic soul orchestra, The Lilli Lewis Project, Lewis’s solo debut is filled with emotionally-charged tracks. The Henderson Sessions is a wonderful introduction to her raw vocal talent while simultaneously making hard-hitting social and political statements.