Following are additional albums released during March 2019—some will be reviewed in future issues of Black Grooves. Continue reading
Title: Crooked Stick: Songs in a Strange Land
Artist: Marietta Simpson
Label: Art Salad Productions/Dist. CD Baby
Formats: CD, Digital
Release: February 12, 2019
Indiana University professors Tyron Cooper and mezzo-soprano Marietta Simpson have produced a fresh take on the Negro spiritual, the earliest form of Black religious music created by enslaved Black folk during the 18th and 19th centuries in the United States. Crooked Stick: Songs in a Strange, an11-track concept CD produced by Cooper, marks Simpson’s first solo project. The title “Crooked Stick” is derived from the expression to “hit a straight lick with a crooked stick,” which is the act of accomplishing a major feat using meager resources. This adage parallels the plight of African people who were, as Simpson states in her liner notes, “ripped from their native land, sold, beaten, plucked from families, and often treated worse than animals.” Despite such dire circumstances, these captives created new sacred songs, which also housed “clever strategies and hidden messages for survival… The Negro spiritual is therefore a tangible representation of what it means to ‘hit a straight lick with a crooked stick.’ That is, slaves transformed the misery of their daily plantation life (i.e. crooked stick) into something beautiful and creative that would sustain the songs and souls of Black folk for generations to come (i.e. straight lick).” Continue reading
Title: The Gathering
Artist: Casey J
Label: Tyscot/Integrity Music
Formats: CD, Digital
Release date: January 25, 2019
Casey J’s music goes beyond the four walls of the church into the mainstream for all to hear and experience the power of Christ through music. Her new album, The Gathering, recorded live in Nashville, is a mixture of gospel, contemporary Christian, country and pop music with broad appeal, which led to a debut at number 11 on the Billboard Top Christian & Gospel Albums Sales chart. The album’s first single, “If God,” is based on Romans 8:31—“What shall we then say to these things? If God be for us, who can be against us?” —then segues into her rendition of the hymn, “Nothing But the Blood of Jesus.” Continue reading
Following are additional albums released during February 2019—some will be reviewed in future issues of Black Grooves. Continue reading
Title: The Gospel According to Malaco: Celebrating 75 Years of Gospel Music
Label: Malaco Music Group
Formats: 8 CD box set, Digital
Release date: February 28, 2019
Founded by Tommy Couch and Mitchell Malouf in 1968, the Malaco Music Group of Jackson, Mississippi has been “making black music for black people” for 50 years. World renown for their many iconic Southern soul and rhythm and blues releases and one of the last truly independent labels, Malaco has been called “The Last Soul Company.” However, Malaco has also amassed the largest black gospel catalog in the world. The company began releasing gospel records in the 1970s, but their purchase of the Savoy, Apollo, and Atlanta International labels extended the catalog back to the 1940s. This places Malaco in the perfect position for their ambitious 50th anniversary project, The Gospel According to Malaco: Celebrating 75 Years of Gospel Music. The eight disc anthology covers the history of gospel from the post-WWII-era to the present, through 100 recordings by gospel music’s greatest artists, quartets and choirs. Continue reading
One of the most amazing things about gospel music is how uniquely it is communicated, depending on the generation. Joshua’s Troop, fortunately, has the opportunity to speak to this generation of gospel listeners through their high energy and high praise music. Infusing contemporary hip-hop and spoken word elements with familiar gospel sensibilities, Another Chance brings Joshua’s Troop’s message of redemption to today’s youth. Produced and co-written by legendary gospel talent Percy Gray, Jr. (New Direction, Chicago Mass Choir), “Another Chance is electrifyingly eclectic—featuring songs of encouragement, evangelism, repentance, testimony, worship, and even a rousing a cappella piece.” Continue reading
Del Lawrence, aka “Mr. Del,” has come a long way in the hip hop world since his early days with Three 6 Mafia. His religious conversion in 2000 after his first album marked his turn towards Christian/gospel rap, and since that point Mr. Del has devoted his resources primarily to assisting others in need. He is the pastor of Memphis-based City of Refuge Church through which he has created a global podcast and lecture circuit outreach program in order to spread the word of God. Dedicated Music Group (DMG) is his self-founded label company, allowing Del to develop new talent and produce multiple hard-hitting albums each year. Continue reading
Following are additional albums released during January 2019—some will be reviewed in future issues of Black Grooves. Continue reading
Born in 1928, singer-songwriter Roscoe Robinson recently cut two new tracks in celebration of his 90th birthday. The longtime resident of Birmingham, Alabama, has performed with several significant gospel groups, including the Highway QC’s back when Sam Cooke was a member, as well as the Blind Boys of Alabama and the Blind Boys of Mississippi. Like Cooke, Robinson also crossed over into secular music, gaining recognition as a soul singer in the 1960s with several charting hits, and later releasing recordings on the Atlantic, Fame, Paula, and Sound Stage 7 labels. Continue reading
Christmas just isn’t Christmas without good music to really get you in the spirit! We’re featuring brief reviews of our favorite new holiday releases from PJ Morton, John Legend, Cece Winans, Aloe Blacc, Motown Gospel, and After 7. Our specially curated Black Grooves Christmas Spotify playlist features our favorite songs from these artists and more, providing the perfect soundtrack as you get together with friends and family to celebrate the holidays. Continue reading
Title: For What It’s Worth: Complete Epic Recordings 1964-1968
Artist: Staple Singers
Label: Cherry Red
Formats: 3-CD box set
Release date: October 19, 2018
Given the immense popularity and historical importance of the Staple Singers, it’s hard to believe that some of their albums have not been reissued on CD. This new box set from the UK label Cherry Red offers the first-ever retrospective of the Staple Singers’ recordings for Epic. The six albums released by Epic between 1964-1968, featured in their entirety on this set, include Amen (1965), Freedom Highway (1965), and Why (1966), plus the CD debuts of Pray On (1967), For What It’s Worth (1967), and the always timely What The World Needs Now Is Love (1968). Continue reading
Welcome to the November 2018 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.
This month we’re featuring three new jazz releases including trumpeter Ambrose Akinmusire’s Origami Harvest, drummer Makaya McCraven’s Universal Beings, and the eponymous debut album from Christian McBride’s New Jawn.
In honor of Bill Withers’ 80th birthday, two artists have released tributes to the legendary singer-songwriter: José James’ Lean On Me and Anthony David’s Hello Like Before: The Songs of Bill Withers. The late soul singer Charles Bradley is remembered on the posthumous release Black Velvet, while the late Ohio funk musician Roger Troutman is honored on Zapp VII Roger & Friends.
Broadway star Capathia Jenkins and composer Louis Rosen offer their new project Phenomenal Woman: The Maya Angelou Songs, while baritone Thomas Hampson’s Songs From Chicago features works by composers Florence Price, Margaret Bonds, and John Alden Carpenter—all based on poems by Langston Hughes. Gospel music releases include Brent Jones’ Open Your Mouth and Say Something and the Soweto Gospel Choir’s Freedom.
Alternative rock and blues projects include Blood Orange’s Negro Swan, Black Joe Lewis’ The Difference Between Me and You, and Cedric Burnside’s Benton County Relic. Rap albums include Masta Ace & Marco Polo’s A Breukelen Story, and the self-titled release from Ill Doots that blends funk, jazz and hip hop. Wrapping up this issue is the Burkina Faso group Baba Commandant & the Mandingo Band’s Siri Ba Kele and our list of October Black Music Releases of Note.
Title: Open Your Mouth and Say Something
Artist: Brent Jones
Formats: CD, Digital
Release date: September 14, 2018
Brent Jones has created yet another amazing album with Open Your Mouth and Say Something, his second release on JDI Records and a great follow-up to Joy Comin’ (2014). This live project was produced by Professor James Roberson (president of JDI), Brent Jones, and the incredible maestro Eddie Brown (music director, keyboards). Musicians include Michel Bereal (organ), A.J. Brown (bass), Ryan Adams (drums), Kamil Rustam (electric guitar), Erick Walls (acoustic guitar), George Dum (percussion, mixing and mastering, editing) and Donald Hayes (arranger, live horns and strings). Jones, who is known for performing with his vocal group T.P. Mobb on albums such as Ultimate Weekend (2007,Tyscot) and Beautiful (2002, EMI), recorded his new project at the Victorious Life Church in Waco, Texas with the Waco Community Choir. The use of a full choir distinguishes Jones’ JDI releases from his earlier albums, as does the live production element, which allows people to feel like they are participants within the performance, instead of just listeners. Continue reading
Jazz releases include mezzo soprano Alicia Hall Moran’s genre blending classical/jazz project Here Today, Judith Lorick’s Second Time Around with the Eric Reed Trio, drummer Tosin Aribisala’s Áfríkà Rising, and two Grant Green compilations from Resonance Records—Slick! Live at Oil Can Harry’s and Funk in France: From Paris to Antibes 1969-1970.
For this month’s gospel music selections were looking in our own backyard with releases from two Indianapolis-based artists—Judah Band’s sophomore album Gone Fishin’ and Tyscot Records’ own Bishop Leonard Scott’s praise and worship album Jesus Love Legacy. R&B/soul releases include Unstoppable by Candi Staton and Free Me from Burundian soul singer J.P. Bimeni & The Black Belts.
Albums with a Caribbean tie include legendary reggae group Black Uhuru’s new release As the World Turns, the collaboration of reggae musician Winston McAnuff and French accordionist Fixi on Big Brothers, French-Guadeloupian trio Delgres’ debut album Mo Jodi, Snarky Puppy spin-off group Bokanté with the Metropole Orkest on What Heat (featuring Guadeloupian vocalist Malika Tirolien), plus Bokanté member and lap/pedal steel guitarist Roosevelt Collier’s ‘dirty funk’ solo debut Exit 16.
Wrapping up this issue is the Screamin’ Jay Hawkins compilation, Are YOU one of Jay’s Kids? – The Complete Bizzare Sessions 1990-1994, and our list of September 2018 Black Music Releases of Note.
Title: Jesus Love Legacy
Artist: Bishop Leonard Scott
Formats: CD, Digital
Release date: August 31, 2018
Recording artist and founder of Tyscot Records, Bishop Leonard Scott releases yet another powerful project that features a captivating worship experience through praise and worship songs and hymns. Collaborating closely with producer Phillip Feaster (Synergy Music Group) and singer/songwriter Tiff Joy, this trio wrote songs that allowed Jesus Love Legacy to soar to number eight on the Billboard top gospel album sales chart. Continue reading
Title: Gone Fishin’
Artist: Judah Band
Label: Light Records
Formats: CD, Digital
Release date: August 17, 2018
Judah Band, a collective of singers from Indianapolis, IN, has done it again with their new release, Gone Fishin’, which quickly rose to #2 on the Nielsen and #6 on the Billboard gospel album charts. This is the group’s second full-length, following their 2015 release The Return of Glory. The gospel community in Indianapolis is currently thriving, and Judah Band acts as one of the leaders of this movement, bringing the Indianapolis sound to the airways! Other notable local groups include Demetrius West & Authority and Maurice Yancey & One Accord. Continue reading
Artist: Prof. Harold Boggs (and Lula Reed)
Label: Gospel Friend
Release date: September 21, 2018
On this new compilation from Per Notini’s Gospel Friend label, gospel historian Opal Nations recounts the story of Prof. Harold Boggs. Born in Port Clinton, Ohio in 1928, Boggs displayed a rare musical talent as a young boy, both as a singer and pianist. Since he also suffered from an irreversible form of glaucoma, his mother insisted that part of his special tutoring include formal music training. Continue reading
Formats: CD, Digital
Release Date: June 22, 2018
Born and raised in Hollywood, Florida, Javen P. Campbell is the 12th child in a family of 13. His career in the music industry began in 1999 after he was signed with Crowne Records. Since then, Javen has made a name for himself in many facets of the Christian music and entertainment industry—as a vocalist, songwriter, and actor. He is also a well-known television personality, hosting Now Living on the Christian network TBN and The Gospel Music Experience alongside Tye Tribbet. Recently Javen released his 6th album, Grace, with contributions from current gospel icons like Tye Tribbet, Tim Bowman Jr., and Johnny Rez.
Featuring eight songs written by Javen over the years, as well as an arrangement of the classic hymn “Amazing Grace,” Grace is beautifully produced from start to finish. The album combines harmonic, instrumental, and rhythmic aspects of Christian pop and classic gospel as well as new production techniques and rhythms from music of the African diaspora such as dancehall and hip hop.
Javen opens the album explaining his understanding of the word grace, and how the term speaks to his faith. Stating he has come to understand grace as “God’s love, power, and strength,” he explains one must trust in these things to truly have access to God’s power and favor: “Grace is not something you do/but something you receive.” Immediately following this powerful introduction is the gorgeous title track duet, “Grace”, featuring Margaret Bell. This compelling song showcases a classic modern gospel sound accompanied by magnificent backing vocals as the absolutely awe-inspiring voice of Margaret Bell takes total command of the song. An acoustic version of this song in Spanish by artist Johnny Rez, closes the album, as well, providing an artful compliment to not only Bell but the entire collection of worship tunes.
Javen is a spectacular artist and vocalist with such a warm and smooth tone remnant of artists like Smokie Norful and Sam Cooke, but from time to time he is a slightly outshined, vocally, by the artists he features. This is especially apparent in his duets, such as “Grace” with Margaret Bell, and “You Lift Me Up” with Christina Bell. However, this takes nothing away from the album—if anything it shines a light on the brilliance of Javen as a songwriter. Another stand-out track is the song “Fresh Oil,” originally released on Javen’s 2013 album, Worship In the Now, and re-recorded as a duet with Na’sha Watkins for Grace. “Fresh Oil” is an absolutely stunning song just perfect for the smooth stylings and timbre of both Javen and Watkins as they offer their prayer lyrics: “Fresh Oil from Heaven cleanse my heart/Holy Spirit I call, from you I don’t want to part”. This song is extremely soothing while maintaining the capacity to bring you to tears.
Grace is a wonderful and eclectic album with a perfect marriage of songs and artists. It is an offering that will touch and uplift your soul, leaving you feeling renewed and blessed.
Reviewed by Jared Griffin
Title: Keep Pushin’
Artist: Keith “Wonderboy” Johnson
Formats: CD, Digital
Release Date: April 27, 2018
Brooklyn native Keith “Wonderboy” Johnson is one of the leading voices in contemporary gospel quartet music today. The 3x Stellar Award winner and Billboard top 20 chart topper began singing at a young age with father, Phil Johnson, who was the founder of the group, The Spiritual Voices.
Johnson earned the nickname “Wonderboy” as a child due to his amazing melismatic approach to singing along with his distinctive vocal timbre. Johnson has also helped to transform the gospel quartet genre through the use of modern gospel music production sounds and techniques, while maintaining the integrity of traditional gospel quartet music, due to his incredible production crew.
On Johnson’s 13th album, Keep Pushin’, the artist goes well beyond his gospel roots to feature various styles of music. The title track and single, “Keep Pushin”, is a highly inspirational piece with an upbeat funk groove that encourages people to have faith in God and keep moving despite the obstacles that life often presents. Reminiscent of the famous Impressions’ message song “Keep On Pushing” that became a part of the fabric of the Civil Rights Movement, Johnson’s song reveals that people are still dealing with political, social, economical and, one might add, spiritual issues. As Johnson encourages in the music video, one can strive to transcend these issues by facing their problems and not giving up on themselves, others or God.
On the gospel ballad, “God’s Gonna Do It,” Johnson reassures listeners that with faith and patience “God will come through” and perform the unbelievable and impossible task set before them. Johnson projects this same message through his homage to R&B artist Morris Day and the Minneapolis sound, using Day’s popular song “The Bird” as the foundation of “God Is Able.” The background vocalists sing “Hallelujah” during the vamp, as featured on the original song during the chorus section (omitting the word “Squawk,” of course). Johnson went back in time to 1984, utilizing the same synthesizer keyboard sounds accompanied by a “4 on the floor” driving groove. This high energy dance song encourages people to give God praise while they are waiting for their miracle.
Each song on the album features a message of hope, faith and belief in the promises of God through the versatile approach of Johnson’s modern gospel quartet sound. One may hear the traditional gospel and quartet sound, R&B, funk or soul. Each song is governed by the idea that no matter what comes your way, you can make it, with faith, determination, and praise. Johnson end’s his album appropriately with the song “Do You Know How Blessed You Are,” reminding listeners that it is simply a blessing to be alive.
Reviewed by Bobby E. Davis Jr.
Title: The Higher Experience
Artist: Kelontae Gavin
Formats: CD, Digital
Release Date: April 27, 2018
In 2014 a video went viral of a young man singing the modern hymn, “I Won’t Complain,” in his high school cafeteria. That young man was Summerville, South Carolina native Kelontae Gavin. Within two years he was signed to Tyscot Records and his first original single, “Higher,” topped at #30 on the gospel charts. Now the 19-year-old Kelontae Gavin has released his debut album, The Higher Experience.
Recorded live at Fresh Start Church in Atlanta, The Higher Experience opens with the choir singing a gorgeous a capella rendition of the Donnie McClurkin song, “Holy, Holy, Holy,” just one of many beautiful and complex arrangements on this album written by Tyscot producer Marquis Boone. As the album proceeds we are graced with other gorgeous tracks such as “There’s No One Like You” and the title track, “No Ordinary Worship,” which just rose to #16 on the Billboard Gospel Charts.
Of particular note about the production of this song, as well as others on the album, is the precision and quality of the backing vocals. For a live recorded gospel album this actually makes them feel slightly over-produced. This is a very small critique but it stands out because of the passion and raw emotion behind Gavin’s delivery. With the background vocals so clean, Gavin’s passion feels somewhat unsupported.
There are many aspects of Gavin’s performance that stand out. Despite his age, he is extremely adept at his vocal style, song delivery and aptitude as well as his ability to minister. These talents are on display throughout the songs, as well as in breaks between songs such as “Ministry Moment,” where Gavin delivers messages about trusting in God with the execution and confidence of a pastor over twice his age.
Gavin has an electrifying old school sound, reminiscent of the smooth tenor of artists like Sam Cooke, but also with the gritty roar of Clarence Fountain that most would not expect from an artist this young. When hearing Gavin’s dynamic vocal ability and just the overall power and emotion behind his voice, no one could ever guess that he’s still a teenager. The Higher Experience is phenomenal and great kick off to what will hopefully turn into a very lucrative career for Kelontae Gavin.
Reviewed by Jared Griffin
Title: I Am Reminded (Live)
Artist: Brooklyn Tabernacle Choir
Label: Provident Music Group
Formats: CD, Digital
Release Date: April 6, 2018
Brooklyn may be the most iconic of all the New York boroughs, but I usually associate it with basketball first and hip hop second, not choirs. These days, however, we as a society and country need uplifting words, and where better than in song? Enter the six-time Grammy® Award winning Brooklyn Tabernacle Choir. Founded in the 1970s and currently directed by Carol Cymbala, the multicultural BTC has 270 members who, for the most part, are vocally untrained. Taking music out of the church, the choir has performed at Carnegie Hall, Radio City Music Hall, Madison Square Garden, and the 2012 Presidential Inauguration festivities in Washington, DC.
I Am Reminded is the BTC’s 30th release and offers eleven tracks celebrating the power of the Lord. The album was recorded live so you get to enjoy the feedback from the audience as if you were there in church. On the opening track, “Psalm 150,” the lead singer repeats the line “The name of Jesus is worthy to be praised” again and again over great backing vocals. Perhaps the most attention grabbing track is “Jesus It’s You” featuring tenor Sidney Mochede, which could be a crossover hit. The words just suck you up and make you want to bow your head and close your eyes. Songs on the soulful side include the original ballads, “That’s Why God” and the title track, “I Am Reminded” featuring soprano Niciole Binion. Other guests include Shane and Shane, a Texas-based contemporary praise and worship duo who lead the choir in a performance of their anthem, “Psalm 23.”
The contemporary gospel tracks on I Am Reminded are perhaps more Joel Osteen than TD Jakes, but the uplifting music may help us deal with current issues such as school shootings, the #MeTooMovement, Black Lives Matter and NFL policy on players kneeling during the anthem. With the way things are currently, we could use the encouragement.
Reviewed by Eddie Bowman
Label: MVD Visual
Release Date: January 19, 2018
In 2003, an all-star cast of traditional and contemporary gospel singers performed songs written by Bob Dylan on Gotta Serve Somebody: The Gospel Songs of Bob Dylan. The Grammy-nominated compilation album included 11 tracks written by Dylan during his “born again” period from 1979 to 1981, in which he produced Christian music. Three years later, the companion documentary DVD of the same name was released by Burning Rose Video, which is currently out-of-print. Thankfully, MVD has stepped into the void and reissued the video.
The DVD documents the making of the Gotta Serve Somebody album, including interviews with performers such as Regina McCrary, Terry Young, and Mona Lisa Young. Also featured is performance footage of 9 of the 11 tracks that originally appeared on the CD, such as the namesake “Gotta Serve Somebody” by Shirley Caesar, “I Believe In You” by Dottie Peoples, and “Saved” by the Mighty Clouds of Joy, as well as bonus tracks from Arlethia Lindsay, Great Day Chorale, and Bob Dylan himself. The Gotta Serve Somebody DVD premieres 1980 footage of Dylan performing “When He Returns,” the first documented performance released from his “born again” era. The DVD certainly lives up to the fame of its companion album, winning the Gold Medal for Excellence Audience Choice for Best Music Documentary at Park City Film Music Festival.
Reviewed by Chloe McCormick
Title: Two Sisters From Bagdad
Artist: LaVice & Co.
Formats: CD, LP, digital
Release date: January 19, 2018
Detroit native LaVice Hendricks studied acting after a stint in the US Navy, but soon turned to his primary passion: writing plays and screenplays. In 1969, he began his own theater company based at Detroit’s Bethel A.M.E. Church. Four years later he moved on to larger productions, culminating in his first musical, “Two Sisters from Bagdad.” His younger sister, Rhodia McAdoo, a church singer and pianist, composed the score, while brother-in-law Ernest J. Garrison added the lyrics and arrangements. As one might expect from a play that gestated in a church, the plot revolves around love, sin, heaven and hell. While the play ran for just two weeks in August 1973, Hendricks did press a soundtrack album in extremely limited quantities. Years later, it became known primarily amongst record collectors who coveted one of handful of known copies.
Thanks to Jazzman Records, the long lost album has been reissued for the first time. As a stand alone soundtrack it has its drawbacks, namely a raw performance obviously recorded with minimal takes in a rough mix, but one might say the musicians make up for it with their enthusiasm. Though its difficult to follow the story line, the music combines a raw gospel vocal style with jazz-based instrumental accompaniment. Things pick up with the ethereal “Fantasy,” featuring a male soloists and female backing chorus over a flute ostinato and sax riffs. One of the highlights is the funky “Thoughs Were The Days,” presumably featuring Garrison as the “Agent of Hell” in a swaggering song heavily influenced by the Blaxploitation films of the era. Another is “Satan Baby,” sung by a female vocalist over a driving bass line accented by bongos and sax. Of course the devil can’t win in this story, so the final song, “Yes I Do,” is a sunny gospel-pop number with an angelic chorus. Closing out the album is the title track, another funky instrumental but with a rather repetitive theme.
Two Sisters from Bagdad is a quirky, homegrown production that’s certainly more of a novelty. However, since the soundtrack appears to be the only aural documentation of LaVice Hendricks’s musical, it does offer a glimpse into the output of this little known playwright from Detroit.
Reviewed by Brenda Nelson-Strauss
Title: I Got You
Artist: Ruth La’Ontra
Formats: CD, MP3
Release date: September 22, 2017
The unbelievable vocal ability of Ruth La‘Ontra will leave you in awe. As the daughter of Bishop Arvetra Jones, Jr. (president of the North Carolina Gospel Announcers Guild of the Gospel Music Workshop of America.), La’Ontra has been singing gospel music all her life. She embarked on her professional career shortly after graduating from high school, releasing her first album, So Good, on the Tyscot label in 2013. That same year, her spiritual love song “In Love With a Man” was featured in the movie Iniquity. The following year she received a Stellar Gospel Music Award nomination with a song from the album, “Count It All Joy.”
Now La‘Ontra is hitting the gospel world hard with her sophomore project, I Got You. With help from a top notch production and song writing duo, Anthony Brown (of Anthony Brown & group therAPy) and Justin Savage, the album has been rapidly climbing the Billboard gospel charts. When describing this project and La’Ontra’s marvelous talent, Justin Savage stated: “Her vocal ability is so versatile and vast. This project will take listeners on an exciting journey of great music, her voice leading the way; destination, God’s presence.”
The album is anchored by La’Ontra’s uplifting hit song “Kingdom,” grounded by the chorus: “We are Kingdom, we are Kingdom and we have the authority / God has given us the power and we can change anything.” Here La’Ontra offers a powerful message to guide us through the New Year.
I Got You was recorded live to maintain a true feeling of worship. The album features arrangements of both new and old songs, like the organ accompanied hymn “Tis So Sweet” and the powerful worship song “Reign.” Between the lush harmonies of the accompanying choir and Ruth La’Ontra’s astonishing voice, I Got You has the makings of a true gospel classic.
Reviewed by Jared Griffin
Title: Hide and Seek
Artist: C West
Formats: CD, MP3
Release date: October 27, 2017
C West has potential to take the gospel world by storm with his debut album, Hide and Seek. The 20-year-old singer and guitarist incorporates a very contemporary R&B sound in his faith-based inspirational songs directed towards millennials. According to West, the album’s title references how we tend to hide from ourselves and from God, instead of seeking our true purpose.
While studying at Villa Maria College in his hometown of Buffalo, New York, West competed in a singing contest sponsored by the well-known gospel producer Marquis Boone, who launched the careers of the chart topping Tyscot artists Briana Babineaux and Casey J. West went on to win the competition taking first prize, a recording contract with Tyscot Records. Now, with help from Boone, who is also his new manager, West is looking to push the envelope and merge mainstream styles with a spiritual message.
C West released multiple singles prior to dropping this album, including the ballad “Breaks Your Heart,” which he describes as starting out as a prayer written on a sticky note. Following was his first hit song, “Focus,” which quickly became one of the most frequently played songs on gospel radio. This also happens to be West’s favorite song because it sends a message about the benefits of staying focused: “The end will be worth it.”
Other tracks such as “Who I Am” and “Unusual Love” speak to finding yourself and your way through the world as young man or woman of God. As C West’s debut album, Hide and Seek signals the start of promising career and another win for Tyscot Records.
Reviewed by Jared Griffin