Dionne Warwick – She’s Back

 

Title: She’s Back
Artist: Dionne Warwick
Label: eOne
Formats: CD, Digital
Release date: June 7, 2019

 

The great Dionne Warwick has had one of the longest careers in the music industry and at 78-years-old she is far from finished. Warwick returns to her roots on her latest album, She’s Back, produced by her son, Damon Elliott. Though she is still perfectly capable of carrying a song, the tracks that really soar pair Warwick with other artists, and she has chosen some of the best. Highlights include the ballads “Am I Dreaming” featuring Musiq Soulchild, whose dulcet tones blend well with Warwick’s throatier voice, and “How Do You Keep the Music Playing” with After 7’s Kevon Edmonds, which is nothing short of a life-affirming statement of purpose. Some of the more contemporary efforts, such as “Déjà Vu” with Krayzie Bone, fail to gel, but the album picks up steam again with uptempo songs such as “Life is Waiting” and Ashford and Simpson’s “We Need to Go Back.”  Despite billing the album as Warwick’s first R&B/soul release in fifty years, she really soars on two Burt Bacharach pop classics—the uplifting “If I Want To” and “What the World Needs Now”—concluding the album with a positive message song.  The two-CD set also includes a remastered edition of her 1998 album, Dionne Sings Dionne, which features her greatest hits, remastered for this edition. Continue reading

Royce da 5’9″ – Book of Ryan

royce

 

Title: Book of Ryan

Artist: Royce da 5’9”

Label: Heaven Studios/eOne

Formats: CD, LP, Digital

Release Date: May 4, 2018

 

Royce da 5’9”, while best known for his collaborations with artists such as Eminem in addition to his extensive recording career, is still an enigmatic figure to many of his fans. While other artists have freely woven their personal issues into their rhymes, until this point Royce has relied on his lyricism skills to build his reputation and fan base. With Book of Ryan, however, he switches up his game plan and allows us a glimpse into his personal world. Functioning as a part-retrospective/part-progressive look at the Royce-That-Was and the Royce-That-Has-Yet-To-Be, Book of Ryan unflinchingly spins a narrative of past drug use, current insecurities and future self-expectations.

The 21-set album begins with an introduction in which Royce lays out his intentions for his music in narrative-style, and quickly gets right down to business in his second cut, “Woke.” The minimalistic, polyrhythmic percussion is appealing in its own right, but the lyrics calling out those in self-denial of their behavior and environment is spot-on conscious mode. “My Parallel,” the first of three self-explanatory ‘skits,’ further explores Royce’s purpose for the remainder of the album, disclosing that his dark childhood and subsequent drug use drove many of his self-destructive decisions.

While Royce doesn’t dwell in his past for the entire time, the main focus of his album is to let us into his inner world and former experiences. His choice of featured artists lets his fan base know who is important in his life—Eminem, T-Pain, and Pusha T, to name a few. “Amazing,” featuring Melanie Rutherford, is a multi-functional finger-point towards the grocer in Royce’s childhood who took away his coveted basketball, while also introducing fans to his past self through a self-affirmational journey through his old neighborhood.

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Royce continues his backward glance with “Boblo Boat,” an offering best experienced through video (above) due to its nostalgic youthful feeling and amusement park scenes. But it’s his skit, “Who are You,” that offers the best proof of why Ryan has released this deeply introspective album. This narrative features Royce describing a dream in which he is able to ask his late father hard-hitting questions he never got the chance to ask, followed by Royce’s son asking if he can interview him for a school project he has decided to do about his father called “The Book of Ryan.”

The Book of Ryan is a well-crafted piece of audible prose. Looking inward and outward at both society and himself, Royce da 5’9” gives us a page-turning look at all the forces that molded and shaped him into the artist he is now and the individual he aspires to be.

Reviewed by Amy Aiyegbusi

Anita Wilson – Sunday Song

Sunday Song Anita Wilson
Title: Sunday Song

Artist: Anita Wilson

Label: EONE

Format: CD, MP3

Release Date: July 14, 2017

 

 

Anita Wilson has been a rising star in gospel music since her 2013 debut album, Worship Soul.   Wilson has established herself as an artist who is adept at blending traditional gospel with old school R&B and soul sounds to create new and fresh music for contemporary listeners. Her latest project Sunday Song continues in this vein, featuring newly composed selections as well as several covers. Donald Lawrence’s ensemble The Company, Wilson’s former group, provides the background vocals on the album. While many of these tunes will be great for Sunday church worship, Wilson emphasizes that this album is meant to foster spiritual engagement beyond religious walls. She states, “God is everywhere we are, we can always have a Sunday song in our hearts.”*

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One of the opening songs of the album is the single, “I’ve Seen Him Work.” This inspirational selection channels the sounds of R&B dance tunes (e.g. Luther Vandross**) and gospel choir songs of the 1980s. Rhythmic piano and bass establish a groove, which is joined by punctuating horns and drums showcasing a jaunty back beat, making this a fun and danceable track. The lyrics encourage listeners to maintain faith in God because “He’s in control” and He is “working it out.”

Wilson continues to draw on musical influences from yesteryear with the selection “Don’t Have to Travel Far.” This beautiful ballad is a worship-filled love song to God. It opens with strings, drums, and soft, repeated piano chords under girding the tender melody performed on an electric guitar. Purposefully, the accompaniment is reminiscent of 1970s R&B ballads like the Stylistic’s “You Make Me Feel Brand New.” Wilson celebrates her relationship with God with The Company supporting her sweetly: “Don’t have to travel far/ to be right where you are./You are constantly in my heart./ There’s no place I’d rather be/ than in your company,/ you mean more than life to me.”

Sunday Song’s traditional gospel and gospel covers are also especially noteworthy. “The New Church Medley” is string of both old and newly composed up-tempo call and response congregational songs which all ramp up to the popular church tune, “Great Things/I’ll Say Yes to My Lord.” For this heavy hitting number, Wilson is joined by singer Tommie White and vocal powerhouse Yolanda Adams who passionately improvise during the vamp. In a different light, Wilson has also transformed some gospel favorites like Richard Smallwood’s anthem “Total Praise.” She eschews a conventional, stately performance featuring dark, bold vocal production (with heavy vibrato) and string orchestration for a paired down contemporary praise and worship style. Wilson reworks the melody and softens the accompaniment transforming the chorus of “Total Praise” into a contemplative yet earnest meditation on faith.

Sunday Song is a wonderful summer treat for gospel lovers everywhere. It’s a wonderful blend of older secular styles, traditional gospel music, with timeless lyrics that are sure to inspire listeners to sing, dance, and have faith.

*Quote taken from an on-air interview with Detroit, MI radio personality Randi Myles.

**Wilson suggested the music of Luther Vandross influenced the creation of this song in an on-air interview with radio personality Erica Campbell.

Reviewed by Raynetta Wiggins