Antibalas – Where The Gods Are In Peace

Antibalas
Artist: Antibalas

Label: Daptone

Title: Where The Gods Are In Peace

Release Date: September 15, 2017

Format: CD, Vinyl, Mp3

 

 

Raise your hand up high if you know & are into the Brooklyn band, Antibalas. Not bad, not bad—I see a few hands and a fist or two. Now, for those who aren’t hip, let me explain exactly who Antibalas is. The group formed in 1998 with Martin Perna at the front. The word antibalas is Spanish for “bulletproof”, which lends credence to their long-lasting career in the afrobeat world—19 years and still going strong. Antibalas plays afrobeat music, paying homage to the king of afrobeat himself, Fela Kuti. Listen very carefully—you may hear Eddie Palmeri piano stylings and personally, I think I hear another echoes of another band hailing from Brooklyn, Mandrill.

Where The Gods Are In Peace could be considered a head scratcher because it’s so short. It showcases only five tracks, but in reality, it feels like ten, perhaps fifteen. To only have five tracks and still packing a serious blow is true testament to what this band is all about. Take the track “Goldrush”. It opens up with early 1970’s rock FM and fast as you can FELA, BAM! The mood shifts into afrobeat, advanced version. Brilliant! They have you thinking one thing, but accomplish another.

Antibalas is very well-schooled in pulling off feats such as this.  “Tombstone”, believe it or not, is the third, fourth and fifth track–a 3-part finale that will blow your mind. Zap Mama, the beauty from Belgium, lends her vocals on all three tracks. What can one say? Makes you wish more acts took risks like Antibalas, but they would be asking too much. Antibalas is one of a kind, folks.

Where The Gods Are In Peace. Enjoy it for what it is—an amazingly powerful punch in just a five step gig. Next time, I expect to see more hands raised when asked, “Who knows about Antibalas?” Don’t disappoint me.

Reviewed by Eddie Bowman

Charles Bradley – Changes

charles bradley changes

Title: Changes

Artist: Charles Bradley

Label: Dunham Records

Format: CD, MP3, LP

Release date: April 1, 2016

 

 

Charles Bradley’s late-in-life rise from holder of odd jobs and obscure James Brown impersonator to retro-soul music star is now complete, and his third album on Daptone’s Dunham imprint adds an exclamation point.  Like other Daptone artists, Bradley is not doing something very new and different, but he’s picking up older strains of soul and R&B music not heard out of other modern performers, and putting his own twists on them.  He’s been compared to Otis Redding, and of course to his professed idol, James Brown, but he brings enough new mannerisms and styling to the table to be a unique, compelling voice. In all of this, he’s similar to his Daptone label-mate, Sharon Jones.

 

 

On this new album, Bradley offers an array of soul stylings, from the hard-funk of “Ain’t It A Sin,” to the Stax-like vibe on “Crazy For Your Love,” to a 70’s feel on “Change For The World,” to the title track, a cover of Black Sabbath’s 1972 heavy metal ballad. Wait, what? Charles Bradley covers a tune originally sung by Ozzy Osbourne? Yes, and he pulls it off with aplomb, mainly because the song is, at its heart, a soul ballad. Bradley’s version replaces the campy Mellotron parts with horns, to great effect. And of course Bradley sings with much more soul than the Oz-man.

Net-net, this is a very satisfying if nostalgic-sounding album. The backing musicians, mainly Daptone’s Menahan Street Band, stay right with Bradley, with extra kudos for the horn playing and arranging.

Bradley is now 67-years-old. He is among the last of the working soul singers who at least saw the original titans of the genre in concert at their prime. His rise from obscurity following his discovery by Daptone head Gabe Roth is documented in the film “Soul of America.” May his hard-earned music career continue for a long time.

Reviewed by Tom Fine