Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music

Title: Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music
Artist: Various
Label: JSP
Formats: CD, Digital
Release date: October 25, 2019

 

 

Those who watched Ken Burns Country Music documentary on PBS and want to dig a little deeper into the roots of the genre should find this new box set quite fascinating. Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music 1892-2017, as the title suggests, “documents old country songs with origins in minstrelsy, vaudeville, Tin Pan Alley, ballads, ancient hymnals, deep-south blues, and other venerable popular music genres.” The anthology was meticulously produced by three highly regarded sound recording historians—the vernacular music specialists and radio producers Dick Spottswood and Henry Sapoznik, who also wrote the liner notes, and David Giovannoni, who contributed many rare cylinders and discs from his own collection. Additionally, Grammy Award winning musician Dom Flemons, aka “The American Songster” and former member of the Carolina Chocolate Drops, also contributed to the notes.  Continue reading

The Jewell Gospel Trio: Many Little Angels in the Band

Title: The Jewell Gospel Trio: Many Little Angels in the Band
Artist: Jewell Gospel Trio
Label: Gospel Friend
Format: CD
Release date: October 18, 2019

 

 

Before Candi Staton hit it big as a soul singer in the 1970s, she was a member of an extremely talented group of young singers known variously as the Jewell Gospel Trio, Jewel Gospel-Aires, and Jewel Gospel Singers. Based in Nashville, the core group included Canzetta Staton*, as she was then known, her sister Maggie Staton, and the late Naomi Harrison. This new compilation, The Jewell Gospel Trio: Many Little Angels in the Band, tells the story of the group as well as the Staton sisters through the liner notes by Opal Louis Nations and archival photos supplied by Maggie.  Continue reading

Black Swans – First Recordings of Black Classical Artists

 

Title: Black Swans
Artist: Various
Label: Parnassus
Format: CD
Release date: August 23, 2019

 

As many readers are no doubt aware, Black Swan was the first major record label in the country to be owned and run by African Americans for the exclusive promotion of Black artists. Founded in 1921 during the Harlem Renaissance by publisher Harry Pace, the company also involved other luminaries: a young Fletcher Henderson served as recording director and de facto accompanist, William Grant Still was hired as composer/arranger, and W.E.B. DuBois was an early investor. At a time when white-owned labels were developing “race” series and limiting Black artists to recording blues, jazz, and gospel music, Black Swan expanded its catalog to include classical singers and instrumentalists, documenting the performance practices of a phenomenal group of concert artists. Now, almost 100 years later, Black Swan classical 78s are very rare and most have never been reissued! This groundbreaking new compilation, Black Swans, includes the first recordings of black classical artists from the label’s short-lived 7100 operatic series, in addition to other rarities. Continue reading

Jazzmeia Horn – Love and Liberation

 

Title: Love and Liberation
Artist: Jazzmeia Horn
Label: Concord Jazz
Formats: CD, Digital
Release date: August 23, 2019

 

On her stunning 2017 debut, A Social Call, singer-songwriter and bandleader Jazzmeia Horn demonstrated a maturity that belied her age, deftly fusing jazz vocal techniques of the ‘50s and ‘60s with R&B and gospel music while also issuing a call for social responsibility and change.  Horn’s sophomore album, Love and Liberation, continues in a similar vein, featuring eight original songs that reflect her personal mantra: An act of love is an act of liberation, and choosing to liberate—oneself or another—is an act of love.”  Joining her on the album are drummer/vocalist Jamison Ross who, like Horn, is a past winner of the Thelonious Monk Institute International Jazz Competition, as well as special guest pianist Sullivan Fortner. All three were raised within the Southern Baptist church, allowing their shared lived experiences and gospel roots to permeate the tracks. Other backing musicians include pianist Victor Gould (Horn’s regular accompanist), tenor saxophonist Stacey Dillard, trumpeter Josh Evans, and bassist Ben Williams. Continue reading

Americus Brass Band’s Tribute to James Reese Europe

 

Title: Tribute to James Reese Europe’s Harlem Hell Fighters’ Band
Artist: Americus Brass Band
Label: Cambria Master Recordings/Naxos
Formats: CD, Digital
Release date: July 19, 2019

 

The full title of this fantastic project is self-explanatory: The Americus Brass Band Pays Tribute to James Reese Europe’s Harlem Hell Fighters’ Band on the 100th Anniversary of the Pathé Recordings. At the dawn of the 20th century, Jim Europe was making a name for himself on the musical stages of New York as a talented pianist, composer and conductor, later leading the famed Clef Club Symphony Orchestra as well as his own group, James Reese Europe’s Society Orchestra. In mid-1916, Europe’s life changed course when he was asked to lead an all-black regiment band on the eve of WWI. After sailing to France in January 1918, Europe’s group quickly became the most acclaimed band in the army. Renaming themselves the “Hell Fighters” (after the Black soldiers of the 369th Regiment), they toured France, thrilling both American and French audiences with their performances of the syncopated music newly designated as “jazz.” At the close of WWI in February1919, Europe’s Hell Fighter’s Band returned to a hero’s welcome in New York and one month later entered the recording studio. Continue reading

Avery R. Young – Tubman

 

Title: Tubman
Artist: Avery R. Young
Label: FPE
Formats: CD, LP, Digital
Release date: July 19, 2019

 

Chicago poet and musician Avery R. Young’s new release, Tubman, is promoted as a soundtrack to his first volume of poetry, neckbone: visual verses (Northwestern University Press, June 2019), and serves as a platform for extending and exploring the book’s many interwoven themes through music. Accompanied by his group, De Deacon Board, Young’s brilliant cross-genre album dedicated to Harriet Tubman certainly stands on its own merits. The provocative tracks frequently delve into socio-political commentary, while Young’s musical palette is deeply rooted in the Delta—“the blues, the gospel, that swamp type of rock ‘n’ roll.” As one might expect from this poet, other influences include The Last Poets and Gil Scott-Heron, as well as ‘70s soul musicians such as Curtis Mayfield and Otis Redding, the Black church, and the Black Arts Movement. Plus funk, lots of funk! Continue reading

Damon Locks Black Monument Ensemble – Where Future Unfolds

 

Title: Where Future Unfolds
Artist: Damon Locks Black Monument Ensemble
Label: IARC
Formats: CD, LP, Digital
Release date: June 14, 2019

 

Recorded live last November at the Red Bull Music Festival in Chicago, Damon Locks’ new release with his 15-piece Black Monument Ensemble may quite literally capture Where Future Unfolds. This forward looking project began as a sound collage piece incorporating samples from Civil Rights era speeches and grew into an epic, avant-garde oratorio. While the album can’t capture the full spectacle of the live performance with dancers from Move Me Soul, the recording still conveys the powerful message of Locks’ music. Likely influenced by the theatricality of Sun Ra and the aesthetics of The Association for the Advancement of Creative Musicians, Locks’ magnum opus also bears some resemblance to albums released during the Black Power and Black Arts Movement eras. This is clear from the opening “Statement of Intent/Black Monument Theme,” which is primarily a spoken word piece over the African-rooted percussion of Arif Smith and Dana Hall. The dense lyrics conclude with the call to action: “So we choose our next move / The time is now, it has always been / Respond anew / Pass the guard and get through, because some things never change.” Continue reading

Zac Harmon – Mississippi BarBQ

 

Title: Mississippi BarBQ
Artist: Zac Harmon
Label: Catfood
Formats: CD, Digital
Release date: July 19, 2019

 

A native of Jackson, Mississippi, Zac Harmon knows barbecue like he knows the blues: intimately! No wonder the award-winning blues singer and guitarist has chosen to celebrate grill season in the South on his latest album, Mississippi BarBQ. Like many young folk, Harmon was beckoned by the bright lights of Tinseltown and spent many years in L.A. as a studio musician, songwriter and producer—including a stint at Michael Jackson’s publishing company, ATV Music. After writing songs for R&B artists such as The Whispers, The O’Jays, and Karyn White, Harmon decided to return to his roots and released his first blues album in 2003. What is immediately apparent on his latest effort are the dual strands of his musical influences, or in more colloquial terms, the soul seeps into his blues like barbecue sauce into pork. Continue reading

Black Pumas Self-Titled Debut Album

 

Title: Black Pumas
Artist: Black Pumas
Label: ATO
Formats: CD, LP, Digital
Release date: June 21, 2019

 

Already hailed as a breakout band of 2019, the Austin-based duo Black Pumas just dropped their self-titled debut album. The group is the brainchild of Adrian Quesada, former guitarist with the Latin funk band Grupo Fantasma, who began assembling tracks in his studio before seeking a lead singer. Friends connected him with Eric Burton, a California native and recent Austin transplant, whose vocal prowess is rooted in the Black church and honed in musical theater. To say the two musicians hit it off would be an understatement; Burton’s songwriting skills complimented Quesada’s production experience and they shared a musical vision. The duo’s chemistry is apparent on every track, and with the additional of an ace backup band they appear unstoppable, with solid bookings through the end of the year. The opening track and first single, “Black Moon Rising,” provides a taste of their distinctive brand of soul, which draws heavily from the past but is equally grounded in the present: Continue reading

Little Junior Parker Rocks

 

Title: Rocks
Artist: Little Junior Parker
Label: Bear Family
Formats: CD, Digital
Release date: April 5, 2019

 

Little Junior Parker (1932-1971) is the most recent artist to be featured on Bear Family’s long-running Rocks! series, which focuses on “the best upbeat recordings of seminal roots music artists.” Though Parker’s life “was tragically truncated by a brain tumor,” the blues harpist “had enough time to leave behind a bountiful blues recording legacy that stretched across two decades.” As explained by Bill Dahl, reissue producer and author of the extensive liner notes, Parker released a string of R&B and blues hits for two of the seminal independent labels of the postwar era: Sam Phillips’ Sun Records in Memphis and Don Robey’s Houston-based Duke imprint.” Both are represented on this compilation. Continue reading

John the Martyr Self-Titled Debut Album

 

Title: John the Martyr
Artist: John the Martyr
Label: Plus One
Formats: CD, LP, Digital
Release date: June 14, 2019

 

It’s becoming a familiar story: young soul music enthusiast encounters a seasoned elder who hasn’t performed professionally for years, and invites him or her to front a band. In this instance, the band is the ten-piece rock and soul group John the Martyr, and the elder is none other than 70-year-old Harlem soul singer Bill Hudson, who had been earning extra cash performing with a doo-wop group in the New York subway. Now, just two years after their formation, John the Martyr has released its eponymous debut album to wide acclaim. You may have already heard their first single, “Crossing the Line,” which is brimming over with a youthful enthusiasm tempered by the gravitas of Hudson’s vocals that reflect the septuagenarian’s lived experience: Continue reading

Alan Evans – Nothing To Say

 

Title: Nothing To Say
Artist: Alan Evans
Label: Vintage League Music
Formats: CD, LP, Digital
Release date: May 24, 2019

 

Don’t let the title fool you—Alan Evans has plenty to say on his solo debut album. Steeped in psychedelic rock and funk, Nothing To Say finds Evans stepping out from behind his drum kit and away from his acclaimed funk/jazz trio Soulive. The album’s ten original tracks were written, recorded, and produced over the past four years by Evans and released on his Vintage League Music label. In addition to laying down the drum tracks, the singer and multi-instrumentalist performs all vocals as well as guitar, bass, keys and percussion. Joining Evans on this outing are guitarists Danny Mayer and Ryan Hommel, who doubles on pedal steel, with Darby Wolf, Kris Yunker, Beau Sasser, and brother Neal Evans (Soulive) filling in on Moog, organ, piano and Mellotron. This keyboard centric mix is heavy on the organ, creating a soulful yet funky feel throughout, but includes enough stellar guitar solos to rock hard. Continue reading

Cole Williams – Believe

 

Title: Believe
Artist: Cole Williams
Label: Louisiana Red Hot
Formats: CD, Digital
Release date: May 31, 2019

 

After making a name for herself as a vocalist and percussionist with the Brooklyn-based quintet Pimps of Joytime and contributing background vocals for numerous artists, Cole Williams decided she was ready for a reboot. The Jamaican-American singer-songwriter and self-described “punk empress” relocated to New Orleans in 2015 and formed the Cole Williams Band, then set out to invoke an “African Rock Revolution.” Her new solo album, Believe, offers eleven original tracks all written, produced, and performed by the talented Williams. From the distorted soul of “Opposites ATTRACT” to the electro/hip hop vibe of “Turn Up,” the album gets off to a righteous start. Other highlights include the densely packed soundscape of the manifesto “Single Black FEmelle,” the good vibes of “Get High,” and the cautionary tale of “Sin City.” The album closes on a high note with the mid-tempo title track, “BeLieVe,” featuring jazzy, multilayered vocals over a punchy horn section on this affirmative song about love and relationships.  Though Believe is more experimental, free flowing, and synth heavy than Williams’ previous efforts, the album should still strike a chord for fans of her unique blend of rock and soul music. Continue reading

Aaron Whitby – Cousin From Another Planet

 

Title: Cousin From Another Planet
Artist: Aaron Whitby
Label: Ropeadope
Formats: CD, Digital
Release date: June 21, 2019

 

British producer, composer, songwriter, and keyboardist Aaron Whitby has worked with many legendary rock and funk musicians, including the late Walter ‘Junie’ Morrison (Ohio Players), George Clinton (Parliament Funkadelic) and Vernon Reid (Living Colour). On his debut solo album, Cousin From Another Planet, Whitby crash lands on Earth to create a masterful fusion of jazz, rock and funk brewed in the cosmos of the 1970s. Assisting with the creation of his “percolating, stimulating and motor-booty activatin’” music (as described by Greg Tate in the liner notes), is Charlie Burnham (violin), Keith Loftis (tenor sax), Fred Cash (electric bass), Gary Fritz (percussion), and Rodney Homes (drums). Other denizens of this universe include three goddesses of rock, punk, and soul: singers Lisa Fischer, Tamar Kali, and Whitby’s longtime collaborator Martha Redbone. Continue reading

Dwayne Dopsie & The Zydeco Hellraisers – Bon Ton

 

Title: Bon Ton
Artist: Dwayne Dopsie & The Zydeco Hellraisers
Label: Louisiana Red Hot
Formats: CD, Digital
Release date: May 24, 2019

 

Dubbed the “Jimi Hendrix of the accordion” by Rolling Stone magazine, Dwayne “Dopsie” Rubin is a master of the “blood pumping zydeco” that seeps from the heart of Louisiana’s bayous on a hot summer night. Known for playing his accordion like a guitar, Dopsie’s fiery style incorporates elements of rock, funk, and R&B as well as the more traditional zydeco learned at the knee of his father, the late Alton Rubin Sr. (a.k.a. Rockin’ Dopsie). On his latest release, Bon Ton, Dopsie definitely ushers in summer with some good times and great music. His backing band, The Zydeco Hellraisers, features Paul Lafleur on washboard, Brandon David on guitar, Tim McFatter on sax, Dion Pierre on bass, and Dondrell Fleming on drums. Together they perform a synthesis of the blues, rhythm and blues, and traditional Cajun music that comprise the zydeco tradition. Continue reading

Jordon Dixon – ON!

 

Title: ON!
Artist: Jordon Dixon
Label: Dist. CD Baby
Formats: CD, Digital
Release date: June 7, 2019

 

A native of Baton Rouge, Louisiana, tenor-saxophonist Jordon Dixon relocated to Washington, D.C. a few years ago after concluding an 11-year career as a musician with the U.S. Marine Corps. Since that fortuitous decision, he has become a fixture on the local scene. On his sophomore release, ON!, Dixon also has an opportunity to flex his muscles as a composer, presenting nine original tracks in a variety of styles. He is joined by other D.C. stalwarts including pianist Allyn Johnson (who engineered and co-produced the album), bassist Herman Burney, and drummer Carroll “C.V.” Dashiell, III. Continue reading

Theo Croker – Star People Nation

 

Title: Star People Nation
Artist: Theo Croker
Label: Sony Masterworks
Formats: CD, LP, Digital
Release date: May 17, 2019

 

Jazz trumpeter Theo Croker continues the success of his two most recent releases—Afro Physicist (2014) and Escape Velocity (2016)—with his ambitious new project, Star People Nation.  The genre-defying album is Croker’s personal exploration of “the everyday rituals of blackness,” fusing elements of African percussion, American jazz, Caribbean reggae and more to reflect the plurality of his identity and Afrodiasporic experiences. As the title suggests, Star People Nation draws upon legends of extraterrestrials that came to Earth, encapsulated in a poem by Justin Emeka (from the liner notes): “Somewhere there’s a star child, gazing in the sky/On the verge of madness, but not really knowing why/They are reaching for a dream, that was poisoned with a lie/They are searching for a song, that might teach them how to fly/Play the songs of a star nation.” Perhaps this is a continuation of Croker’s fascination with Afrofuturists, but whatever the case may be, he never flags in his quest to expand our musical horizons. Continue reading

Keb’ Mo’ – Oklahoma

 

Title: Oklahoma
Artist: Keb’ Mo’
Label: Concord
Formats: CD, LP, Digital
Release date: June 14, 2019

 

Blues musician Keb’ Mo’ has often incorporated elements of other genres in his music and his new release, Oklahoma, is a stellar example. Featuring artists ranging from Rosanne Cash and Jaci Velasquez to Robert Randolph and Taj Mahal (his collaborator on the 2017 release TajMo), Keb’ renders ten tracks of blues-infused Americana. The artist, who is celebrating twenty-five years in the music business, recently revealed the connections between his current frame of mind and the societal issues that fueled his songwriting: “When you are in a certain part of your life, the concept of an album is woven into the process. All of these songs stemmed from important issues and topics worldwide that really resonated with me during the time we were recording the project.” These topics include depression and waning love—the backbone of the blues—as well as contemporary concerns such as immigration and environmental degradation. Continue reading

Rahsaan Patterson – Heroes & Gods

 

Title: Heroes & Gods
Artist: Rahsaan Patterson
Label: Shanachie
Formats: CD, Digital
Release date: May 17, 2019

 

Since releasing his self-titled album in 1997, singer/songwriter Rahsaan Patterson has been a steady presence on the R&B scene, exuding more than enough talent, charisma, and vocal prowess to gain legions of fans. On his new release, Heroes & Gods, Patterson offers 13 songs ranging from old-school R&B to uptempo dance tracks tinged with jazz and rock. The album’s first single, “Sent From Heaven,” is a throwback featuring lush orchestrations, sexy vocals and a jazzy horn interlude. Relationship songs, another important aspect of classic R&B, include “Catch Me When I Fall,” the slow ballad “Sweet Memories,” and a cover of Luther Vandross’s “Don’t You Know That.” The remainder of the album reflects Patterson’s love of house and electronic dance music, including the midtempo funk groove “Silly, Love, Fool,” the seductive party jam “Rock and Roll” featuring Trina Broussard and LaTonya Williams, the pulsing title track with drum programming by Jamey Jaz, and “Wide Awake,” which morphs between classic R&B and hip hop. Continue reading

Marcus Shelby Orchestra – Transitions

 

Title: Transitions
Artist: Marcus Shelby Orchestra
Label: MSO
Formats: CD, Digital
Release date: June 7, 2019

 

As we officially enter summertime and peak baseball season, jazz bassist Marcus Shelby offers an irresistible combination in his new album, Transitions. The centerpiece is Shelby’s original suite, “Black Ball: The Negro Leagues and the Blues,” inspired by his research for a similarly-themed theatrical project last September. Each movement reflects prominent Negro League teams and the music associated with their hometowns. “Transition 1 (Pittsburgh)” celebrates both the Pittsburgh Crawfords and Homestead Grays with a hard swinging tune featuring Rafa Pastel on trumpet. “Transition 2 (New York)” has a hip urban vibe punctuated by frenetic transitions and tenor sax solos by Patrick Wolff, while the tight and steady groove of “Barnstormin’ (Chicago)” morphs into the slow, bluesy drawl of a South Side speakeasy. Concluding with “Black Ball Swing,” Shelby pays tribute to the Kansas City Monarchs, “the most respected team of all-time in the Negro Leagues,” which of course warrants a large dose of the hard bop pioneered by KC native Charlie Parker. Other notable tracks on the album include Duke Ellington’s “On a Turquoise Cloud” performed by violinist Mads Tollings and five newly arranged tunes from the Cole Porter, George Shearing, and Ellington songbooks featuring vocalist Tiffany Austin. Continue reading

Elan Trotman – Dear Marvin

 

Title: Dear Marvin
Artist: Elan Trotman
Label: Woodward Avenue
Formats: CD, Digital
Release date: April 2, 2019

 

Released in April in celebration of Marvin Gaye’s 80th birthday, Dear Marvin is jazz saxophonist Elan Trotman’s tribute to the legendary soul singer. Reimagining ten tracks from Gaye’s catalogue, this predominantly instrumental album includes a variety of guest artists who compliment Trotman’s smooth sax solos. Opening with “Inner City Blues,” Trotman is assisted by guitarist Sherrod Brown, who holds down the rhythm section throughout the album along with Keithen Foster and Kyle Miles alternating on bass, Mitch Henry on keyboards, and Atticus Cole on percussion. The lead single, “Got to Give it Up,” retains the funky flavor of Gaye’s original version, while Ray Green covers the vocals on “Mercy Mercy Me.” Trumpet player Patches Stewart is featured on “Distant Lover,” with Jeff Lorber taking over the keys on “Trouble Man” and Najee adding a flute solo to “After the Dance.” Ushered in on a bed of sensuous strings and snappy horns, “I Want You” receives an update courtesy of a brief appearance by rapper Obadele Thompson, and trombonist Jeff Bradshaw alternates funky solos with Trotman on the satisfying closing track, “I Heard It Through the Grapevine.” Continue reading

Sam Newsome – Chaos Theory

 

Title: Chaos Theory: Song Cycles for Prepared Saxophone
Artist: Sam Newsome
Label: New Music
Formats: CD, Digital
Release date: June 3, 2019

 

Saxophonist and composer Sam Newsome is perhaps best known for pushing the envelope of his instrument, expanding the sound palette through a wide range of avant-garde techniques. His arsenal includes everything from electronic manipulation to multi-phonics and micro-tones to sound effects produced by percussive slap tonguing—all spliced into a multi-layered concoction that defies categorization. On Chaos Theory, Newsome goes one step further by augmenting his soprano sax with plastic tubes between the neck and mouthpiece, extending the range by two or more octaves. The album’s 15 tracks are representative of Newsome’s “improvisatory art music in which jazz functions more as a resource than a musical genre.” Many of the track titles portend what is to come, such as the Middle Eastern overtones of “Tel Aviv,” the increasingly frenetic sounds of “Marching Towards Insanity,” and mechanical drone underlying “Boiler Room Aesthetics.” Throughout, there are also tracks that fall within the more typical parameters of jazz, such as “Solo No. 1 (Naked Truth).” Chaos Theory should appeal to anyone interested in experimental music, especially those with a desire to tinker with instruments. Continue reading

GMWA Detroit Chapter – Bringing It Back Home

 

Title: Bringing It Back Home
Artist: Gospel Music Workshop of America Detroit Chapter
Label: G.M.W.A. Detroit Chapter
Formats: CD, Digital
Release date: September 1, 2018

 

In 1967, Rev. James Cleveland founded the Gospel Music Workshop of America (GMWA) and organized the first national convention the following year at Detroit’s King Solomon Baptist Church. One of the most notable events of that convention was the formation of a 250 member mass choir that marched in singing “We Are on Our Way” by Eugene Dukes of Philadelphia, PA. Now, fifty years later, the GMWA Detroit Chapter celebrates this anniversary with the album, Bringing It Back Home. Recorded live at Second Ebenezer Church with Bishop Greg Davis serving as emcee, the album’s 12 tracks showcase the development of the mass choir movement, from uptempo contemporary worship songs such as “Bless the Lord” and “All is Well” featuring Theresa Moss, to more traditional choral works including  “O King” and “Kept By the Grace of God” featuring Charles Thompson. Representing one of the best mass choirs in the country, the Detroit Chapter blends the secular sounds of the Motor City with the sacred on this fantastic project. A must have for any fan of gospel music! Continue reading

Dionne Warwick – She’s Back

 

Title: She’s Back
Artist: Dionne Warwick
Label: eOne
Formats: CD, Digital
Release date: June 7, 2019

 

The great Dionne Warwick has had one of the longest careers in the music industry and at 78-years-old she is far from finished. Warwick returns to her roots on her latest album, She’s Back, produced by her son, Damon Elliott. Though she is still perfectly capable of carrying a song, the tracks that really soar pair Warwick with other artists, and she has chosen some of the best. Highlights include the ballads “Am I Dreaming” featuring Musiq Soulchild, whose dulcet tones blend well with Warwick’s throatier voice, and “How Do You Keep the Music Playing” with After 7’s Kevon Edmonds, which is nothing short of a life-affirming statement of purpose. Some of the more contemporary efforts, such as “Déjà Vu” with Krayzie Bone, fail to gel, but the album picks up steam again with uptempo songs such as “Life is Waiting” and Ashford and Simpson’s “We Need to Go Back.”  Despite billing the album as Warwick’s first R&B/soul release in fifty years, she really soars on two Burt Bacharach pop classics—the uplifting “If I Want To” and “What the World Needs Now”—concluding the album with a positive message song.  The two-CD set also includes a remastered edition of her 1998 album, Dionne Sings Dionne, which features her greatest hits, remastered for this edition. Continue reading

The Lee Boys – Live on the East Coast

 

Title: Live on the East Coast
Artist: The Lee Boys
Label: M.C. Records
Formats: CD, Digital
Release date: April 19, 2019

 

Over the past decade, a number of “sacred steel” bands have left the confines of the church to take center stage on the festival circuit. The Lee Boys of Miami, Florida, have emerged as a crowd favorite, as demonstrated by their new release, Live on the East Coast. Recorded in 2018 at three different venues, the album includes live performances of previously released songs as well as a few gems making their first appearance on record. Continue reading