Moonlight Benjamin – Siltane

 

Title: Siltane
Artist: Moonlight Benjamin
Label: Ma Case
Formats: CD, Digital
Release date: November 30, 2018

 

For the past twelve years, Moonlight Benjamin has been successfully carving out a space for herself within the music world as the priestess of voodoo blues rock and roll. Her fourth album, Siltane, has only secured her claim to this title. The latest project features Benjamin on lead vocals, Matthis Pascaud on bass and guitar, Marck-Richard Mirand on bass, Clude Saturne on percussion, and Bertrand Noël on drums. Together, they create a soundscape that is suggestive of “an Afro-energized Black Keys meets Dr. John.” Continue reading

Eric Gales – The Bookends

 

Title: The Bookends
Artist: Eric Gales
Label: Provogue
Formats: CD, LP, Digital
Release date: February 8, 2019

 

Virtuoso blues-rock guitarist Eric Gales may not be a household name, but he’s been described by his peers as one of the best guitar players in the world. A former child prodigy, Gales was signed to a record label at the age of 16 and has since recorded 15 solo albums. Along the way he’s recorded with many other artists, and also performs alongside bassist Dug Pinnick (King’s X) and drummer Thomas Pridgen (Mars Volta) in the formidable black rock power trio Pinnick Gales Pridgen. Gales’ new release, The Bookends, may be his greatest accomplishment to date. While blues and rock may represent the bookends, the project also embodies “everything in between” from pop, jazz, and funk to gospel. Continue reading

Eric Bibb – Global Griot

 

Title: Global Griot
Artist: Eric Bibb
Label: Stony Plain
Formats: 2-CD set, Digital
Release Date: October 26, 2018

 

Grammy nominated blues and folk musician Eric Bibb’s latest project, Global Griot, was inspired by his engagement with the West African tradition of storytelling through music—an engagement that began at least fifteen years prior when he met and recorded with Malian musician Habib Koité. In the introduction of the liner notes for his new album Bibb writes, “Dear friends, my ongoing reunion with West Africa is a life-changing blessing. Collaborating with and befriending musicians from legendary griot families has been a long awaited homecoming—like a healing singing river washing over my soul. It’s an honor and a great pleasure to introduce you to my fellow global griots with this gathering of tribes.” Continue reading

Snooky Pryor – All My Money Gone

 

Title: All My Money Gone
Artist: Snooky Pryor
Label: Wolf
Formats: CD, Digital
Release date: October 1, 2018

 

All My Money Gone is the latest addition to the late Snooky Pryor’s catalog. Released by Wolf Records, this album features previously unreleased studio and live material that was recorded in Austria in October 1979. Also included are unreleased songs that Snooky recorded at other sessions such as “Work With Me, Annie,” “Boogie Twist,” “Blue Bird Blues,” and “Telephone Blues”—titled “I’m Gonna Call Up My Baby” on this compilation. In short, this album contains tracks that will be familiar to Snooky fans, but all of the sessions and live performances themselves will be new to the listener. Continue reading

Willie J. Laws Jr. – Black Maria

 

Title: Black Maria
Artist: Willie J. Laws Jr.
Label: Dist. CD Baby
Formats: CD, Digital
Release date: August 10, 2018

 

Self-described as “The Prophet of Funky Texas Blues,” guitarist Willie J. Laws offers an eclectic fusion of the blues with sounds native to the Gulf Coast region, including Zydeco, R&B, a twang of country, a little Tex-Mex Tejano/Conjunto, and a dollop of funk. Honed over 25 years of performing with his own band, as well as the Tejano band Los Texmaniacs, Laws’ playing style is American roots music at its best. On his latest album, Black Maria, Laws (on rhythm/lead guitar and vocals) is joined by his longtime band members—Bruce Mattson (keyboards/organ), Osi Brathwaite (drums), and Malcolm Stuckey (bass)—who helped pen the ten original tracks on this recording. Continue reading

Kenny “Blues Boss” Wayne – Inspired by the Blues

 

Title: Inspired by the Blues
Artist: Kenny “Blues Boss” Wayne
Label: Stony Plain
Formats: CD, Digital
Release date: September 28, 2018

 

Veteran blues musician Kenny Wayne might have been raised as a preacher’s kid, but when he found himself “turning from the Lord’s work to the Devil’s music,” the “Blues Boss” was born. Well-known for his flamboyant zoot suits, boogie-woogie piano playing, and affinity for the classic jump blues of Amos Milburn and Louis Jordan, Wayne strives to keep all of these styles alive. As the septuagenarian states, “That’s classic stuff. And I’m at that classic age, so it all works out.”  On his 10th release, Inspired by the Blues, Wayne and his band are joined by several special guests, including legendary Chicago harmonica player Billy Branch, guitarist Duke Robillard, and B.B. King’s long-time bassist Russell Jackson. Continue reading

Henry Townsend – Mule

 

Title: Mule
Artist: Henry Townsend
Label: Omnivore Recordings
Formats: CD, Digital
Release date: December 14, 2018

 

Hailed as one of the last of the original St. Louis pre-war blues musicians, the late Henry “Mule” Townsend was equally skilled on piano and guitar. His distinctive string snapping style drew heavily upon his Mississippi Delta roots as well as the ragtime and jump blues of his adopted city of St. Louis. Townsend, who began his recording career in 1929 for Columbia Records, holds the distinction of the only blues artist to have recorded during every decade from the 1920s to the 2000s. He accompanied many of the great blues musicians over the years, including Roosevelt Sykes, Sonny Boy Williamson, and Robert Nighthawk. In 1980, the Nighthawk Records label out of St. Louis wanted to honor Townsend with an album worthy of his “unique genius,” and “thus secure for him the recognition that an artist of his stature and historical importance deserves.” The result was the “improvised” solo album, Mule, which highlights Townsend’s vocal and keyboard skills. Assisting musicians include another country blues legend, Yank Rachell, on mandolin and guitar, as well as guitarist Norman Merritt and Henry’s son, Vernell Townsend, who adds vocals on several songs. Continue reading

Dust-to-Digital Releases Voices of Mississippi & Early Films of William Ferris


Title: Voices of Mississippi: Artists and Musicians Documented by William Ferris
Format: Box set (book, 3 CDs, DVD)
Release date: June 1, 2018

Title: The Early Films of William Ferris, 1968-1975
Format: DVD
Release date: November 2, 2018

 

Voices of Mississippi: Artists and Musicians Documented by William Ferris is an important addition to the documentation of Southern folklife, culture, and history. The box set includes a CD of blues field recordings, another CD of gospel field recordings, a disc of interviews and oral histories, a DVD with seven short documentary films (1972-1980), and a 120-page hardcover book edited by Ferris that includes transcriptions and annotations for all of the film and album recordings.  A recently released companion DVD, The Early Films of William Ferris, 1968-1975, features rare footage of B.B. King and James “Son” Thomas. Both were produced by Dust-to-Digital in collaboration with the University of North Carolina, which holds the William R. Ferris Collection. Continue reading

Various Artists – 23 Classic Blues Songs from the 1920’s, Vol. 16

 

Title: 23 Classic Blues Songs from the 1920’s, Vol. 16
Artist: Various
Label: Blues Images
Format: CD + Calendar
Release date: September 25, 2018

 

The 16th annual Blues Images calendar and CD reproduces classic, rare, and recently rediscovered artwork and recordings of pre and post-war blues songs from blues masters such as Charley Patton, Memphis Minnie, Leola B. Wilson, William Harris, Papa George Lightfoot, and others. While a copy of Papa George Lightfoot’s debut disc on Sultan Records (“Winding Ball Mama” / “Snake Hipping Daddy”) has been rumored to exist for decades, it recently surfaced and came to the attention of John Tefteller and his Blues Images team. The disc has been remastered and is included on this compilation along with other rare tracks such as William Harris’ “I’m a Roamin’ Gambler” / “I Was Born in the Country—Raised In The Town.” Continue reading

Welcome to the November 2018 Issue

Welcome to the November 2018 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

This month we’re featuring three new jazz releases including trumpeter Ambrose Akinmusire’s Origami Harvest, drummer Makaya McCraven’s Universal Beings, and the eponymous debut album from Christian McBride’s New Jawn.

In honor of Bill Withers’ 80th birthday, two artists have released tributes to the legendary singer-songwriter: José James’ Lean On Me and Anthony David’s Hello Like Before: The Songs of Bill Withers. The late soul singer Charles Bradley is remembered on the posthumous release Black Velvet, while the late Ohio funk musician Roger Troutman is honored on Zapp VII Roger & Friends.

Broadway star Capathia Jenkins and composer Louis Rosen offer their new project Phenomenal Woman: The Maya Angelou Songs, while baritone Thomas Hampson’s Songs From Chicago features works by composers Florence Price, Margaret Bonds, and John Alden Carpenter—all based on poems by Langston Hughes. Gospel music releases include Brent Jones’ Open Your Mouth and Say Something and the Soweto Gospel Choir’s Freedom.

Alternative rock and blues projects include Blood Orange’s Negro Swan, Black Joe Lewis’ The Difference Between Me and You, and Cedric Burnside’s Benton County Relic. Rap albums include Masta Ace & Marco Polo’s A Breukelen Story, and the self-titled release from Ill Doots that blends funk, jazz and hip hop. Wrapping up this issue is the Burkina Faso group Baba Commandant & the Mandingo Band’s Siri Ba Kele and our list of October Black Music Releases of Note.

Cedric Burnside – Benton County Relic

 

Title: Benton County Relic
Artist: Cedric Burnside
Label: Single Lock
Formats: CD, LP, Digital
Release date:  September 14, 2018

 

Cedric Burnside is keeping the northern Mississippi hill country blues alive, a tradition he was literally born into and raised up to perform. Young Cedric frequently played alongside his grandfather, the great blues guitarist R.L. Burnside, and his father, drummer Calvin Jackson, as well as other family members, often combining three generations of talent in one band. Cedric’s uncle, bass player Garry Burnside, also contributed to the Cedric Burnside Project, the group featured on his Grammy nominated 2015 release, Descendants of Hill Country. Though he’s only 40-years-old, Cedric no doubt feels like an old soul and culture bearer, hence the title of his latest album, Benton County Relic. His music, however, is anything but archaic.   Continue reading

Black Joe Lewis & the Honeybears – The Difference Between Me & You

 

Title: The Difference Between Me & You
Artist: Black Joe Lewis & the Honeybears
Label: self-released
Formats: CD, LP, Digital
Release Date: September 7, 2018

 

Black Joe Lewis & the Honeybears—a blues group formed in Austin, Texas in 2007—has released their newest album, The Difference Between Me & You. Recorded in their hometown with Grammy Award winning producer Stuart Sikes, the album was created with a “hands on style of production with open creative interaction between the entire band,” according to Lewis. The experimental style of the group is rooted in Lewis’s youthful discovery of his love for the blues, which he learned to play on guitar while working at a pawn shop. From these unlikely origins, Black Joe Lewis & the Honeybears have created an introspective blues record that asks tough questions of its listeners. Continue reading

Welcome to the October 2018 Issue

This month we’re rolling out a new and improved website and mobile version of Black Grooves!

Our featured releases include soulful songstress Macy Gray’s new album Ruby, the Prince acoustic compilation Piano & a Microphone 1983, and avant-garde artist Lonnie Holley’s third release, MITH.

Jazz releases include mezzo soprano Alicia Hall Moran’s genre blending classical/jazz project Here Today, Judith Lorick’s Second Time Around with the Eric Reed Trio, drummer Tosin Aribisala’s Áfríkà Rising, and two Grant Green compilations from Resonance Records—Slick! Live at Oil Can Harry’s and Funk in France: From Paris to Antibes 1969-1970.

For this month’s gospel music selections were looking in our own backyard with releases from two Indianapolis-based artists—Judah Band’s sophomore album Gone Fishin’ and Tyscot Records’ own Bishop Leonard Scott’s praise and worship album Jesus Love Legacy. R&B/soul releases include Unstoppable by Candi Staton and Free Me from Burundian soul singer J.P. Bimeni & The Black Belts.

Albums with a Caribbean tie include legendary reggae group Black Uhuru’s new release As the World Turns, the collaboration of reggae musician Winston McAnuff and French accordionist Fixi on Big Brothers, French-Guadeloupian trio Delgres’ debut album Mo Jodi, Snarky Puppy spin-off group Bokanté with the Metropole Orkest on What Heat (featuring Guadeloupian vocalist Malika Tirolien), plus Bokanté member and lap/pedal steel guitarist Roosevelt Collier’s ‘dirty funk’ solo debut Exit 16.

Wrapping up this issue is the Screamin’ Jay Hawkins compilation, Are YOU one of Jay’s Kids? – The Complete Bizzare Sessions 1990-1994, and our list of September 2018 Black Music Releases of Note.

Delgres – Mo Jodi

delgres

 

Title: Mo Jodi
Artist: Delgres
Label: PIAS
Format: CD, LP, Digital
Release Date: August 31, 2018

 

Delgres, the Paris-based blues trio, links the history of the French Caribbean to the musical style of New Orleans in their debut album, Mo Jodi. Meaning “Die Today” in Creole, the album’s name is inspired by the sacrifice of Louis Delgrés, the band’s namesake, who died fighting against the reinstatement of slavery in Guadeloupe. Founder and leader of Delgres, Pascal Danaë, traces his roots back to Guadeloupe where his great-great-grandmother was a slave. Mo Jodi was born of the group’s love of jazz and blues and Danaë’s connection to both his ancestral homeland and New Orleans, where many Guadeloupians sought refuge during the early 1800s. Continue reading

Screamin’ Jay Hawkins – Are YOU One of Jay’s Kids?

 

Title: Are YOU One of Jay’s Kids?
Artist: Screamin’ Jay Hawkins
Label: Manifesto
Format: CD, Digital
Release date: May 18, 2018

 

October is always a good month to remember Screamin’ Jay Hawkins (1929-2000), best known for over-the-top, voodoo-inspired performances of his underground hit, “I Put a Spell on You.” That song and more can be found on the two-disc compilation, Are YOU one of Jay’s Kids? – The Complete Bizarre Sessions, 1990-1994 Continue reading

America’s Child – Shemekia Copeland

shemTitle: America’s Child

Artist: Shemekia Copeland

Label: Alligator

Formats: CD, Digital

Release Date: August 3, 2018

 

Since her Outskirts of Love release, “Queen of the Blues” Shemekia Copeland has been striving for a deeper representation of Americana blues. With her newest offering, she has done just that. Combining elements of rock, soul and country, America’s Child is Copeland’s most diverse and compelling work yet. Continue reading

Midnight Train- Errol Dixon

Midnight TrainTitle: Midnight Train

Artist: Errol Dixon

Label: Wolf

Formats: CD, Digital

Release date: June 8, 2018

 

Midnight Train is a live recording of blues and “piano boogie woogie” musician Errol Dixon’s performance at Vienna’s popular jazz club, Jazzland, in 1973. The album features a few of Dixon’s originals such as “Pretty Baby,” “Foot Stompin’ Boogie,” “I’ve Got the Blues,” and perhaps his most popular tune, “Midnight Train.” Dixon also plays a number of standards: Aaron Walker’s “Stormy Monday,” Leiber and Stoller’s “Kansas City,” B.B. King’s “Rock Me Baby,” Floyd Dixon’s “Hey Bartender,” and Ma Rainey’s “See, See Rider.” Continue reading

Russ Green – City Soul

russ

 

Title: City Soul

Artist: Russ Green

Label: Cleopatra

Formats: CD, Digital

Release Date: June 8, 2018

 

City Soul, harmonica player and vocalist Russ Green’s debut album, pays tribute to the Windy City and the many musicians who have shaped its signature sound. Born and raised on the west side of Chicago, Green didn’t realize his musical aspirations until adulthood. After purchasing a harmonica in an attempt to recreate the sounds of Jimi Hendrix, Green was mentored by two of Chicago’s legendary harmonica players, Sugar Blue and Billy Branch, and his blues career took off from there.

City Soul is composed of 10 tracks co-produced by Green and Sam Clayton that feature musicians from around Chicago. The bluesy opening track, “First Thing Smokin’” is inspired by the sounds of Muddy Waters and John Lee Hooker. Other tracks, like “Lint In My Pocket,” are more funk-inspired, while Green’s duo with guitarist Vince Agwada is reminiscent of modern blues rock. “The Edge,” a nod to Green’s fascination with Jimi Hendrix, includes a swirling psychedelic harmonica intro that precedes a funky rock track.

Although City Soul is his debut album, Russ Green is already an accomplished blues musician, having been featured on the renowned Chicago Blues Harmonica Project and having performed at numerous blues festivals across the country. This is just the beginning of the Chicago native’s journey as a blues harmonica player.

Reviewed by Chloe McCormick

Erroll Garner – Nightconcert

Garner
Title: Nightconcert 

Artist: Erroll Garner

Label: Mack Avenue

Formats: CD, LP, Digital

Release Date: July 13, 2018

 

 

Although it has been just over 40 years since his death, legendary jazz pianist Erroll Garner’s music vibrantly lives on thanks to the record labels who have championed his work. First, Sony Legacy released The Complete Concert By The Sea in 2015 as well as Ready Take One the following year, both of which received major award consideration. Now the people behind Mack Avenue Records have continued efforts to keep Garner’s memory alive with their new release,

Nightconcert. The title is drawn from Garner’s midnight concert in November 1964 at The Royal Concertgebouw in Amsterdam, captured live with an audience of 2000 highly enthusiastic and enraptured people of all ages. This concert recording displays Garner at the height of his career, with eight unique arrangements of classic standards as well as a newly discovered original!

Erroll Garner, was born June 25th, 1923 in Pittsburgh, Pennsylvania. He may be best remembered for his composition, “Misty,” which has become a treasured classic for jazz lovers and standard repertoire for every jazz musician to this very day. Beginning his study of the piano at age three, Garner took lessons from a family friend but he was primarily self-taught and remained an “ear-player” his entire life, never learning to read music. By age 11 his career was well on its way as he played piano on Allegheny riverboats and at 14 he began playing with well-known saxophonist Leroy Brown. Garner went on to enjoy a successful career working with other greats like bassist Slam Stewart and bebop saxophonist Charlie Parker on the “Cool Blues” sessions. He also made regular appearances on The Tonight Show with Johnny Carson.

Nightconcert is an instant classic piano trio album as Garner displays his incomparable style and virtuosity. Opening with the Rogers and Hart classic “Where or When,” Garner chooses to begin this and many other songs with elaborate piano introductions, often with the intent of throwing off the audience so they don’t know what song is coming. He seems to have a tendency to play a hemiola in these intros by maintaining a triple meter in the left hand while playing in a duple meter in the right. He makes this especially prevalent later in the album with the song “Night and Day” as he carries this idea from the introduction throughout the rest of the tune. This is indicative of Garner’s overall style—his right hand typically lays back behind the beat as his left hand drives steadily along—often used as a powerful function to begin and end his slick phrases. As the concert continues, Garner jumps between his up-tempo tunes and lush ballads such as “My Funny Valentine” and “Over The Rainbow,” where he enraptures listeners with his thick and unique chord voicing.

Garner’s playing is unlike any others and simply hearing his live performance on Nightconcert is a truly unique experience—from his iconic groans that can be heard on every record, to his astounding skill and mastery over the piano. Great thanks must be extended to those at Mack Avenue Records for releasing yet another historical recording that keeps Garner’s body of work alive for a new generation.

Reviewed by Jared Griffin

Welcome to the July 2018 Summer Rocks issue

July 2018 image 1
Welcome to the July 2018 Summer Rocks issue of Black Grooves. This month we’re looking at the many permutations of Black rock, from the psychedelic riffs on Dug Pinnick’s Tribute To Jimi (Often Imitated But Never Duplicated); to the socially conscious songs of Fantastic Negrito on Please Don’t Be Dead and Bettye Lavette’s Bob Dylan tribute Things Have Changed; to the British blues rock collaboration on Buddy Guy’s The Blues Is Alive and Well; to the multi-faceted fusions of the Stanley Clarke Band’s The Message, Shuggie Otis’s Inter-Fusion, and Serpentwithfeet’s Soil; to the folk rock of AHI’s In Our Time and the countrified soul of  Priscilla Renea’s Coloured; to the black metal of Zeal and Ardor’s Stranger Fruit; and last but not least, the foundational rock and roll on The Ballads of  Fats Domino.

Seminal jazz releases this month include Kamasi Washington’s two-disc Heaven and Earth and Dr. Michael White’s Tricentennial Rag honoring New Orlean’s 300th birthday. Yet another tribute album is Lurrie Bell & the Bell Dynasty’s Tribute to Carey Bell, featuring the four accomplished sons of the legendary Chicago blues harpist.

Also featured is gospel singer Javen’s latest album, Grace; the collaboration connecting Sengalese kora master Diali Cissokho and North Carolina band Kaira Ba on Routes; Lamont Dozier’s Reimagination of tracks previously written for other artists; and the Little Freddie King compilation Fried Rice & Chicken featuring his best tracks from the Orlean’s label. Wrapping up this issue is our list of June 2018 Releases of Note in all genres.

Buddy Guy – The Blues is Alive and Well

Buddy Guy

 

Title: The Blues is Alive and Well

Artist: Buddy Guy

Label: Silvertone/RCA

Format: CD, LP, Digital

Release Date: June 15, 2018

 

Immediately upon hearing his mesmerizing riffs, this blues novice could tell I was in the presence of a legend. The Blues is Alive and Well, the latest release from multiple Grammy and award winner Buddy Guy, demonstrates that this icon is throwing us what could arguably be his most skilled offering yet. In recognition of his many contributions to the genre, The Americana Music Association is awarding Guy a Lifetime Achievement Award on September 12th in Nashville’s Ryman Auditorium, complimenting his 2015 Grammy Lifetime Achievement award and his more than 50 years as a blues innovator, musician and mentor. To say that Buddy Guy has a long history with the blues does not do him justice—according to numerous musicians, Buddy Guy IS the blues, period.

Guy opens the 15-track album with “A Few Good Years,” a haunting, rambling slide number showcasing his trademark growl and lyrically addressing the desire to do what he does best for just a little while longer: “A few good years/is all I need right now.” “Guilty as Charged” testifies exactly as you would expect—an uptempo confessional sermonizing not only the singer’s introspectiveness but also Guy’s legendary steel-driving artistry. “Whiskey for Sale” is a call-and-response between the vocals and Guy’s guitar as they negotiate their trade, and the invigorating work song rhythm on “Ooh Daddy” remains with you long past the last chord drop.

Collaborators weigh in on Guy’s blues mission, as well, including several British musicians profoundly influenced by the genre. Rolling Stones frontman Mick Jagger and guitarist Keith Richards contribute to the ‘killing floor’ offering “You Did the Crime” and the warm and fuzzy “Cognac,” respectively, as does another rock guitarist, Jeff Beck. Being that the Rolling Stones began as a band called “The Blues Boys” and they’ve paid homage to Guy in the past, the participation of Jagger and Richards comes as no surprise. “Blue No More” introduces guitarist James Bay, a worthy up-and-coming blues man in his own right.

Taking down the tempo a notch Louisiana blues style, “When My Day Comes” mesmerizes with its plodding tempo and dark undertones about what is yet to materialize. “Bad Day,” a dark but electric musing, warns of how even the best person can reach their wit’s end sometimes. But in the end, Guy’s line, “You can call me old-fashioned/but I still know how to have my fun” on the track “Old Fashioned” sums up this album—and indeed, his entire career.

Guy sounds every bit as vital and youthful on this album as he did on his early collaborations with the late Junior Wells, and it’s inspiring to hear a veteran artist laying down the blues with such continual precision time and again. Both timeless and cutting edge, The Blues is Alive and Well proves that when it comes to Buddy Guy and the blues, 81 is certainly the new 21—no bones about it.

Reviewed by Amy Aiyegbusi

Little Freddie King – Fried Rice & Chicken

Little Freddy King
Title: Fried Rice & Chicken

Artist: Little Freddie King

Label: Orleans

Formats: CD, LP, Digital

Release date: April 6, 2018

 

 

Delta blues guitarist Little Freddie King has been a fixture on the New Orleans scene for decades, performing regularly at the NOLA Jazz and Heritage Festival as well as clubs in “the lowest bowels of the mighty Ninth Ward.” Though not as well-known as the other guitar slinging Freddie King from Texas, “Little Freddie” is still the real deal—a Mississippi-born bluesman who learned to play guitar on his daddy’s knee, claims Lightnin’ Hopkins as a cousin, and once toured Europe with Bo Diddley and John Lee Hooker.

In 1971, Harmonica Williams and Little Freddie King released Rock N Roll Blues on the obscure Ahura Mazda label. As one might guess, this limited pressing didn’t provide King with much exposure beyond his adopted hometown, and it’s difficult to find a copy these days. Over two decades later, the local Orleans Records label released two of King’s first solo projects, Swamp Boogie in 1997 and Sing Sang Sung in 2000.

Fried Rice & Chicken is a compilation featuring the best tracks from King’s two contrasting albums for Orleans. The first half, recorded in the studio from 1994-1995, features backing by Earl “Pass the Hatchet” Stanley and Robert Wilson on electric bass, Jason Sipher on upright bass, Kerry Brown and Bradley Wisham on drums, with Crazy Rick Allen on Wurlitzer electric piano and organ. While not exactly polished, the tracks are at least a half step up from King’s raw club performances. Notable tracks include the opening song “Cleos Back,” which some might recognize from the Tom Hanks movie Extremely Loud & Incredibly Close, and “Mean Little Woman” featured in the HBO series Treme. Yes, Little Freddie has been getting some good exposure since these songs were initially released.

The second half of the album was recorded live at the Dream Palace, a club on Frenchman Street in the Faubourg Marigny section of New Orleans. You might say this is the real Little Freddie King, offering up the raw gut bucket blues of Southern juke joints. On these tracks King is accompanied by his regular band at the time: Wacko Wade Wright on drums, Anthony Anderson on electric bass, and Bobby Lewis DiTullio on harmonica. Highlights include the title track “Sing Sang Sung,” a great instrumental showcasing King and DiTullio, and “Bad Chicken” featuring “squawking” guitar licks.

Though there are a number of different Freddie King compilations, Fried Rice & Chicken encapsulates the best of his Orleans Records output.

Reviewed by Brenda Nelson-Strauss

Ben Harper & Charlie Musselwhite – No Mercy In This Land

no mercy
Title: No Mercy In This Land

Artist: Ben Harper & Charlie Musselwhite

Label: Anti

Formats: CD, LP, Digital

Release date: March 30 2018

 

Blues powerhouses Ben Harper and Charlie Musselwhite return with a new musical collaboration, No Mercy In This Land. Their first album, 2012’s Get Up!, spurred, at least in my mind at the time, comparisons to other blues and jazz artists such as John Lee Hooker and Muddy Waters. I now realize that while some comparisons are productive, sometimes artists come together to produce the most amazingly creative offerings. Ben Harper and Charlie Musselwhite are the perfect example of just that.

“When I Go,” the opening track, sets the mood for what to expect on this new album. The song begins with humming! You know what I mean—1930s/1940s, take-me-to-the-river-and-baptize me-in-blues humming. Then, the mesmerizing strumming of a guitar takes over. “I’ll take you when I go,” replies Harper. Talk about musical blues call and response.

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After that moving scene, picture a jukebox in some honky-tonk bar, with patrons who perhaps had one too many, lip synching to the next track, “The Bottle Wins Again.” On “Trust You to Dig My Grave” I can practically hear Muddy Waters weighing in on the action from the Beyond—Harper and Musselwhite really do justice on this one. “Bad Habits” is an up tempo, clap-along jam. Musselwhite and Harper are never quite specific what kind of bad habits they are referring to. You listen. You be the judge of that one.

No Mercy In This Land is excellent work from Harper, and once again, he has found a great compadre in Musselwhite. For this album, and this iconic blues duo, there literally is no comparison.

Reviewed by Eddie Bowman