Ruthie Foster – Promise of a Brand New Day


Title: Promise of a Brand New Day

Artist: Ruthie Foster

Label: Blue Corn Music

Formats: CD, MP3

Release date: August 19, 2014



Though Ruthie Foster has received many accolades over the past decade as a blues singer, on her latest release, Promise of a Brand New Day, she draws a bit more from the folk-rock style popularized in the ‘60s, including a commitment to socially conscious message songs. But this is no sentimental journey of covers. Producer Meshell Ndegeocello, who plays bass on the album, encouraged Foster to stretch her composition skills, resulting in seven new songs delivered in a wide range of styles.  Ndegeocello was also given free reign regarding the selection of accompanying musicians, adding her regular guitarist Chris Bruce to the lineup along with keyboardist Jebin Bruni, drummer Ivan Edwards, and backing vocalist Nayanna Holley. The result is a fairly sparse but cohesive instrumental mix that never overpowers.

On the opening track, “Singing the Blues,” Foster takes an autobiographical approach by recounting her recent songwriting experience “trying to find a new home / trying to write a new song / trying to find a rhythm that will help me get through it.” The following track, “Let Me Know,” is one of the highlights of the album.  Featuring special guest guitarist and fellow Austin, Texas native Doyle Bramhall II (Eric Clapton), Foster showcases a church-honed voice that reflects her early influence from “the sisters in the amen corner” at her grandmother’s house of worship. Foster’s gospel roots resurface to great effect on her cover of the Staple Singers’ classic “The Ghetto,” where she croons a soulful prayer in the lower register, then unleashes with Mahalia-style intensity on the high notes.  Another cover, the civil-rights protest song “Second Coming” penned by the late Alabama blues guitarist Willie King, is reinterpreted as a handclapping, guitar strumming folk song that’s no less riveting than King’s hard-driving version.

One of the most effective of Foster’s original songs is the a capella title track “Brand New Day.” Sung in the rhythmic call and response style of an early work song, she offers encouragement to the downtrodden in the chorus “‘cause love heals / and love lives / and time will rebuild a brand new day.”  But the pièce de résistance is undoubtedly “It Might Not Be Right.” Co-written with legendary Stax songwriter William Bell, the song gives a “musical nod to the late soul-stirrer O.V. Wright” while addressing a more contemporary topic— gay marriage—in the lyrics “it might not be right for the world, but it’s all right with this girl.”  Closing the album is “New,” written by and featuring another special guest, Toshi Reagon. This gorgeous, contemplative song accompanied by acoustic guitar continues the life-affirming theme of the album.

Reviewed by Brenda Nelson-Strauss