The Warrior Women of Afro-Peruvian Music

 

Title: The Warrior Women of Afro-Peruvian Music
Artists: Various
Label: Just Play
Formats: CD, Digital
Release Date: July 19, 2019

 

Since its founding in 2014 by executive producer and bassist Matt Geraghty, Just Play has highlighted artists in New Orleans, Havana, and San Juan in an attempt to capture cross-cultural musical collaborations. The Warrior Women of Afro-Peruvian Music is the first release in the label’s exploration of the Peruvian music scene. For this venture, the producers brought a group of talented, yet often underappreciated, Afro-Peruvian singers and percussionists into the studio to perform together for the first time. Continue reading

Lakou Mizik – HaitiaNola

 

Title: HaitiaNola
Artist: Lakou Mizik
Formats: CD, LP, Digital
Label: Cumbancha
Release Date: October 25, 2019

 

Inspired by the historical, cultural, and spiritual connections that tie the people and music of Haiti and New Orleans together, HaitiaNola is the sophomore release from Haitian roots revival collective Lakou Mizik. Founded in 2010 following the devastating Haitian earthquake, Lakou Mizik first came together with the goal of promoting Haitian culture and music when the international media was filled with negative stories and imagery from the country. Their debut album, Wa Di Yo, was released in 2016. The following year, a performance at the New Orleans Jazz & Heritage Festival inspired the group’s recent New Orleans infused collaboration. The band members immediately felt a connection to the city which reminded them of home—no surprise, given the number of Haitians that fled the island during the Haitian Revolution and assimilated into New Orleans’ Creole population. Continue reading

Ondigui and Bota Tabansi International – Ewondo Rythm

 

Title: Ewondo Rythm
Artist: Ondigui and Bota Tabansi International
Label: BBE Music
Formats: CD, LP, and Digital
Release Date: August 9, 2019

 

This reissue of Ewondo Rythm, the 1977 release by Ondigui and Bota Tabansi International, puts one in the mind of Afrobeat and Fela Kuti. Getting its genesis from the musical traditions coming out of the Congo in the 1960s, the group brings listeners into the hidden gem of highlife-soukous. Energetically balanced throughout its five tracks, the album creates a musical experience that leaves listeners wanting to dance, unwind, and perhaps even wishing that they were at Carnival! Ewondo Rythm is a great introduction to music from the Congo Basin for those looking to try something new, or to expand their appreciation of diasporic music. Continue reading

Moken – Missing Chapters

 

Title: Missing Chapters
Artist: Moken
Label: MoodSwing Records
Format: CD, Digital
Release Date: August 9, 2019

 

When Cameroonian-born artist Moken released his debut album, Chapters of My Life (2016), he sought to capture the tumultuous experience of moving to the U.S. in the jazzy, rhythmic style of Cameroonian makossa music. Three years later Moken, who is now based in Atlanta, has compiled both new and reworked songs he felt were missing from his first album in the aptly titled Missing Chapters. Drawing upon a close circle of Atlanta musicians and other friends, including drummer Raphael Periera and violinist/flutist Marla Feeney, Moken offers what he calls “a feelings album,” as in “whatever felt right, we kept it.” Continue reading

Oumar Konate – I Love You Inna

 

Title: I Love You Inna
Artist: Oumar Konate
Label: Clermont Music
Formats: CD, LP, Digital
Release Date: July 5, 2019

 

The music of Oumar Konate can be heard every weekend in the nightclubs, concert halls, and festival stages of Mali. The Malian superstar’s fifth album, I Love You Inna, is a reflection of the mood of the young people in his country. Sometimes overjoyed and sometimes angry, the songs on the album range from slower love songs and upbeat dance anthems to guitar-driven rock songs and ballads. On “Koima Djine” and “Ni Tchilla Sibara,” this rock-inspired vibe comes through in the commanding instrumentals of guitarist Khaira Arby, bassist Dramane Toure, and drummer Makan Camara. Konate’s vocals on these songs are especially powerful and hard-hitting, a departure from his more mellow vocals on other tracks. I Love You Inna offers some “desert rock” for your summer soundtrack with masterful performances from these Mailian musicians. Continue reading

Various Artists – Putumayo Presents World Peace

 

Title: Putumayo Presents World Peace
Artist: Various Artists
Label: Putumayo World Music
Formats: CD, Digital
Release Date: June 14, 2019

 

Putumayo World Music, the record label known for its joyful compilations of international music, has released its newest project, World Peace. Inspired by John F. Kennedy’s historic “peace speech” of 1963 that eased Cold War tensions, World Peace draws upon the speech’s themes of ending excessive militarism and “making the world safe for diversity.” Continue reading

Eme Alfonso – Voy

 

Title: Voy
Artist: Eme Alfonso
Label: Self-released
Formats: CD, Digital
Release date: March 22, 2019 (U.S.)

 

Rising Cuban star Eme Alfonso grew up performing keys and vocals in her parent’s Latin GRAMMY nominated fusion band, Sintesis. In 2008, Afonso embarked on a solo career while also serving as artistic director of the Havana World Music Festival. She has since released three albums, acclaimed for their unique blend of Afro-Cuban jazz, funk, and Latin soul. Alfonso’s latest album, Voy, continues to defy genre boundaries while also expanding her presence on the world stage, including a recent showcase at SXSW. Continue reading

Salif Keita – Un Autre Blanc

 

Title: Un Autre Blanc
Artist: Salif Keita
Label: Naïve/Believe
Formats: CD, Digital
Release date: February 1, 2019

 

Hailed as the ‘Songbird’ and ‘Golden Voice of Africa,’ Malian singer Salif Keita has been sharing his art with the world for 50 years—performing with the likes of Wayne Shorter, Joe Zawinul, Vernon Reid, and Esperanza Spalding. His journey, however, has not been easy. Born with albinism, Keita was banished from his village at an early age due to superstitions surrounding his skin color. Finding kindred spirits among the griots, he quickly rose to prominence as a musician, but was forced to flee the country during the civil unrest of the 1970s and eventually settled in Paris. Now, Salif Keita concludes his illustrious recording career with his 14th studio album, Un Autre Blanc (Another White). Continue reading

Eric Bibb – Global Griot

 

Title: Global Griot
Artist: Eric Bibb
Label: Stony Plain
Formats: 2-CD set, Digital
Release Date: October 26, 2018

 

Grammy nominated blues and folk musician Eric Bibb’s latest project, Global Griot, was inspired by his engagement with the West African tradition of storytelling through music—an engagement that began at least fifteen years prior when he met and recorded with Malian musician Habib Koité. In the introduction of the liner notes for his new album Bibb writes, “Dear friends, my ongoing reunion with West Africa is a life-changing blessing. Collaborating with and befriending musicians from legendary griot families has been a long awaited homecoming—like a healing singing river washing over my soul. It’s an honor and a great pleasure to introduce you to my fellow global griots with this gathering of tribes.” Continue reading

Soweto Gospel Choir – Freedom

 

Title: Freedom
Artist: Soweto Gospel Choir
Label: Shanachie
Formats: CD, Digital
Release Date: September 14, 2018

 

Described as “meticulous and unstoppable… spirited and secular” by the New York Times, the Soweto Gospel Choir is back with their sixth Shanachie Entertainment album, Freedom. Fittingly, this collection of freedom songs from the Grammy Award and Emmy winning group marks the 100th anniversary of Nelson Mandela’s birth, a figure who signified love, peace, and strength and who has been an inspiration to the choir. Continue reading

Baba Commandant and the Mandingo Band – Siri Ba Kele

 

Title: Siri Ba Kele
Artist: Baba Commandant and the Mandingo Band
Label: Sublime Frequencies
Formats: CD, LP, Digital
Release date: November 2, 2018

 

Baba Commandant and the Mandingo Band’s sophomore album, Siri Ba Kele, features the Bukinabe funk sound and the fusion of the mandingue guitar style by the band’s guitarist, Issouf Diabate. Band leader Mamadou Sanou sings with a “riveting growl” while also playing his main instrument, the doso n’goni, which is in the chordophone/ harp family and akin to the kora. The Burkina Faso based group is quoted as featuring the “searing sounds of Sahelian compositions of complex funk and cosmic guitar explosion.” The album follows the success of the band’s 2015 Afrobeat-driven project, Juguya.

Reviewed by Bobby Davis

Bokanté – What Heat

 

Title: What Heat
Artist: Bokanté
Label: Real World
Formats: CD, LP, Digital
Release date: October 5, 2018

 

In the Caribbean island of Guadeloupe, Bokanté means “exchange.” I can think of no better name for a band with such a diverse sound and collection of musicians since every song they record features something new and breathtaking. This is especially true in their collaboration with the Metropole Orkest for their sophomore album, What Heat.  Continue reading

Resilience- Samite

ResilienceTitle: Resilience

Artist: Samite

Label: Samite Music

Formats: CD, Digital
Release date: September 14, 2018

 

Ugandan flutist Samite will officially release his eleventh album, Resilience, later this month. “This music is dedicated to the resilience of the human spirit,” writes Samite. In fact, the inspiration for this album was taken from the juxtaposing scenes he witnessed as he looked upon the beautiful, peaceful landscape of Lake Kivu while listening to the music his families and friends were making together—all along the backdrop of one of the deadliest civil wars in the Congo. Continue reading

Gurrumul – Djarimirri

gurruTitle: Djarimirri: Child of the Rainbow

Artist: Gurrumul

Label: SkinnyFish Music

Formats: CD, LP, Digital

Release date:  July 13, 2018

 

Typically we feature releases from African American musicians as well as those connected to the African diaspora. We’re making an exception, however, for the Australian indigenous musician, Gurrumul Yunupingu. Known professionally as Gurrumul, or Dr. G to colleagues, the late singer and multi-instrumentalist enjoyed international success, performing at venues around the world. Continue reading

Nsimbi – Nsimbi

Nsimbi
Title: Nsimbi

Artist: Nsimbi

Label: Imara

Format: CD, Digital

Release Date: June 22, 2018

 

 

American-Ugandan power duo Nsimbi offer their debut onto the world stage with their self-titled album, Nsimbi. Hip-hop MC Zamba and American song-writer Miriam Tamar comprise this duo they describe as originating from ancient African insight in the form of Swahili proverbs. As Zamba explains, every song is based on a thread of those adages connected through the theme of human oneness and sociality. These networks, Tamar details, are then woven sonically via instruments from kalimba to kora into tight grooves that convey the message of hope and humanity.

Nsimbi has diverse origins but the tracks share a sonic integrity, a sunny acoustic sound and a rhythmic intensity. In music video for the first track, “Dunia Ni Matembezi,” we journey through the wondrous eyes of a schoolboy as he embarks on a trip through the desert after reading his favorite afro-future comic book, “Dunia.” He’s joined by a merry band of pranksters and vagabonds, who teach him about discovering the world through the five senses, a universal language that we all share. As the boy comes into contact with exotic landscapes and develops his perception of sight and sound, he finds connection and community with those around him. In this retro-future video, time is at a standstill, forever present, and travel is a state of mind.

YouTube Preview Image

 

All of the contributor’s various styles glimmer throughout the album. Tamar’s singer-songwriter instincts lay the groundwork for “Gonna Be Alright,” Zamba’s hip hop roots offer age-old griot wisdom on “Flower of the Heart,” US-based Ugandan multi-instrumentalist Kinobe offers his expressive kora on the refugee-themed “Forsaken,” and Congolese-born soukous guitarist and singer Jaja Bashengenzi imprints his own style on multiple tracks overall.

The day used to end the same way around the world. After the work was done, families and communities would gather around a fire, where they would sing, dance, tell stories, and distill learning into proverbs. Thanks to Nsimbi, we are able to capture that magic of long-ago and instill it into our modern existence. With Nsimbi, the fire that brought us all together burns eternally.

Reviewed by Amy Aiyegbusi

 

 

July 2018 Releases of Note

Following are additional albums released during July 2018—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country
Arthur Big Boy Crudup: If I Get Lucky (4 CD set) (JSP)
Benny Turner: Journey (Nola Blue)
Elvin Bishop’s Big Fun Trio: Something Smells Funky ‘Round Here (Alligator)
Errol Dixon: Midnight Train (Wolf)
Eugene Hideaway Bridges: Live In Tallahassee (Armadillo)
Madisen Ward & the Mama Bear: The Radio Winners (Glassnote)
Trudy Lynn: Blues Keep Knockin’ (Connor Ray Music)

Classical, Broadway
SUMMER: The Donna Summer Musical – Original Cast (Republic)

Funk, Rock, Pop, Electronic
Con Brio: Explorer (Transistor Sound/Fat Beats)
Ill Doots: S/T (Ropedope)
Jean Beauvoir: Rock Masterpieces Vol. 1 (Aor Heaven)
Lotic: Power (Tri Angle)
No Kind of Rider: Savage Coast

Gospel, Christian
Bishop Noel Jones & City of Refuge Sanctuary Choir: Run to the Altar (Tyscot)
Dr. Carmela Nanton: A Touch (Carmel Ministries)
Koryn Hawthorne: Unstoppable (RCA Inspiration)
Minister Marion Hall: His Grace (VPAL Music)
Shana Wilson Williams: Everlasting (Intersound)
Vincent Tharpe & Kenosis: Super Excited (digital)
Will Mcmillan: My Story (eOne)

Jazz
Bobby Sanabria Multiverse Big Band: West Side Story Reimagined (Jazz Heads)
David Garfield: Jammin’ Outside the Box
Dexter Gordon Quartet: Tokyo 1975 (Elemental Music)
Ernest Dawkins & New Horizons Ensemble: Chicago Now – Thirty Years of Great Black Music, Vol. 2 (Silkheart)
Erroll Garner: Nightconcert (Mack Ave.)
Jamar Jones: Fatherless Child (GPE)
Jim Stephens: Songs of Healing: Philasippiola Soul (1997-2017) (Ropedope)
Kaidi Tatham: It’s A World Before You (First Word)
Reginald Chapman: Prototype (Fresh Selects)
Rob Dixon Trio: Coast To Crossroads
Roy Campbell & Pyramid: Communion (digital)
Shaun Martin: Focus (Ropeadope)
Royal Krunk Jazz Orkestra: Get It How You Live (Ropeadope)
Various: Prince in Jazz: A Jazz Tribute to Prince (Wagram)
Woody Shaw: Tokyo 1981 (Elemental Music)

R&B, Soul
Appleby: Happiness (Haight Brand)
Cyril Neville: Endangered Species, Complete Recordings (World Order)
Jade Novah: All Blue (Empire)
Jaden Smith: SYRE (Digital) (Roc Nation/Republic)
James Brown: Mutha’s Nature (1st CD release) (LMLR)
Johnny Rain: Idol Blue (digital) (Odd Dream Republic)
Jr Jones: Nova (Black Musa)
Kiana Ledé: Selfless EP (Digital) (Republic)
Kizzy Crawford: Progression (Freestyle)
Meli’sa Morgan: Love Demands
The Internet: Hive Mind (Columbia)

Rap, Hip Hop
BrvndonP: Better Late Than Never (RPSMG)
B.o.B.: Naga (digital) (No Genre)
Blackgrits: Paradox 88 (digital)
Blackway: Good.Bad.Faded EP (digital) (Republic)
Buddy: Harlan & Alondra (digital) (RCA)
Busdriver: Electricity is on our Side (digital)
Cardi B: Her Life Her Story (DVD) (Intrinem Films)
Chief Keef: Mansion Musick (RBC)
Citro: No Cap (PlayMakaz Music Group)
Curren$y & Harry Fraud: Marina (Next)
Demrick: Came a Long Way (digital) (DEM)
Drake: Scorpion (Cash Money)
Drank Sanatra: Controlled Substance (digital) (Otherside Ent.)
Dyme-A-Duzin: Crown Fried (digital)
Eric B. & Rakim: Complete Collection (Hip-O)
Future: Beastmode (mixtape)
J. Diggs: #90Dayhousearrestproject (Rompt Out)
Kanye West: Ye (Def Jam)
King Magnetic: Back in the Trap (King Mag Music)
KR: In Due Time (Empire)
Kyle: Light of Mine (Atlantic)
Lil KeKe: SlfMade II (digital) (SoSouth)
Logic: Passion (DVD) (Intrinem Films)
Marlowe: Marlowe (Mello Music Group)
Migos: Evolution (DVD) (Intrinem Films)
Nav: Reckless (XO/Republic)
Nick Grant: Dreamin’ Out Loud (digital) (Epic)
Obuxum: H.E.R. (Urbnet)
Pawz One & Robin Da Landlord: Sell Me a Dream (Below System)
Philthy Rich: N.E.R.N.L. 4 (Empire)
Planet Asia: Mansa Musa (X-Ray)
Playboi Carti: Die Lit (digital) (Interscope)
Pusha T: Daytona (digital) (Def Jam)
Rae Sremmurd: SR3MM (digital) (Interscope)
Randy-B: Me, Myself and $ (Smeat)
Royce 5’9″: Book of Ryan (eOne)
Saweetie: High Maintenance (Warner Bros.)
Stalley: Tell the Truth Shame the Devil, Vol 3 (Blue Collar Gang)
Styles P (The LOX): G-Host (The Phantom Ent.)
Suspect: Still Loading (digital) (Rinse)
Tee Grizzley: Activated (digital) (300 Ent.)
Tobe Nwigwe: The Originals (digital)
Trap Gang Zone: Follow The Gang (digital) (Revenge Music)
Trick Daddy: Dunk Ride Or Duck Down (X-Ray)
Typical Div: S/T (Middle of Made)
Various: Oscillations (Strange Neighbor)
Wiz Khalifa: Rolling Papers 2 (digital) (Atlantic)
Wood & Yungman: Carlito’s Way Screwed (GT Digital)
World’s Fair: New Lows (digital) (Fool’s Gold)
YFN Lucci: Ray Ray from Summerhill (Think It’s A Game)
Zaytoven: Trapholizay (digital) (UMG)

Reggae
Kabaka Pyramid: Kontraband (Bebble Rock)
Kingly T: Got It All (digital)
Leon & The Peoples: Love Is A Beautiful Thing (Spectra Music Group)
Linval Thompson: Dub Landing Vols. 1 & 2 (Greensleeves)
Mad Professor: Electro Dubclubbing (Ariwa Sounds)
Santigold: I Don’t Want, Gold Fire Sessions (digital) (Downtown)
Tetrack: Let’s Get Started (Greensleeves)
U-Roy: Talking Roots (Ariwa Sounds)
Ziggy Marley: Rebellion Rises (Tuff Gong)

International, Latin
Bryant Myers: La Oscuridad (eOne)
Kamal Keila: Muslims & Christians (Habibi Funk)
Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul (Strut)
Okonkolo: Cantos (Big Crown)
Te’Amir: Abyssinia EP (Tru Thoughts)

Diali Cissokho & Kaira Ba – Routes

Routes

 

Title: Routes

Artist: Diali Cissokho & Kaira Ba

Label: Twelve Eight

Formats: CD, Digital

Release date: June 29, 2018

 

Building a bridge across the Atlantic, Routes is a collaboration between Sengalese kora master Diali Keba Cissokho and his band Kaira Ba that links North Carolina to M’bour, Senegal—where the tracks were recorded in a rattan-paneled hotel room overlooking the ocean. Cissokho, who was born into a family of griots and can trace his musical linage back to 16th century Mali, relocated to North Carolina after marrying an American student of Sengalese music. There, he connected with a quartet of local musicians including drummer Austin McCall, percussionist Will Ridenour (who also plays djembe), Berklee-trained jazz guitarist John Westmoreland, and bassist Jonathan Henderson—an ethnomusicologist well versed in jazz and afro-diasporic styles. Working together to create a musical language that combined elements of these multiple traditions, the group transformed into Kaira Ba.

One of the unique aspects of Routes is the wide range of contributing artists from both nations who lent their talents to this project. As the tracks were laid down in Senegal, Cissokho invited numerous friends and relatives to contribute to the mix, including a group of drummers who set up in the courtyard. Once the band returned home, they overdubbed instrumental and vocal tracks using a variety of well-known local musicians. Their goal, to “tell the story of these two places Diali has called home,” has certainly been realized through this expanded musical palate and community spirit, while the aural soundscapes of each location also enter the mix.

Opening with the familiar Carolina summer sound of cicadas, “Alla L’a Ke” is a traditional kora song dedicated to Cissokho’s late father, which the group transforms through the addition of a string quartet featuring violinist Jennifer Curtis, among others. Up next is “Badima” with a catchy Afro-rock groove laid over Chuckey Robinson’s organ and a fast and furious percussive conclusion.  Salsa, which is extremely popular in West African, is the basis for the track “Salsa Xalel,” blended here with the national dance mbalax using local percussion and balafon. The tie-in to the American South comes by way of the track’s funky horn section and gospel singers Shana Tucker and Tamisha Waden, who join Cissokho on vocals as they ponder what kind of world are we leaving for our children:

YouTube Preview Image

Yet another interesting sound collage can be found in “Saya,” a poignant song about grasping the reality of death. Opening with a kora solo by Cissokho, the focus shifts mid-section to Eric Heywood’s pedal steel guitar, blending perfectly with kora, guitar and bass. John Westmoreland takes the lead on “Story Song,” which he composed in the Mali style known as desert blues, with Cissokho providing the narration in English about the band’s seven-year collaboration: “these people I’m playing music with / we’re not the same culture / we’re not the same religion/ but out heart is the same…you can’t play music like this if your heart is not beautiful.”

The album closes with “Night In M’Bour,” featuring a collage of sounds recorded during an evening in Cissokho’s home town, including a traditional sabar drum ensemble and fula flute solo, then concluding with the night crickets of M’Bour—a bookend to the opening soundscapes of North Carolina.

Routes is the perfect showcase for Kaira Ba’s unique fusion of Senegalese and American musical traditions, as well as a demonstration of cross-cultural collaboration and mutual respect between band members who welcomed an immigrant to their community.

 

Reviewed by Brenda Nelson-Strauss

Paul Beaubrun – Ayibobo

ayibobo

 

Title: Ayibobo

Artist: Paul Beaubrun

Label: Ropeadope

Formats: CD, Digital

Release date: May 11, 2018

 

Haitian singer and multi-instrumentalist Paul Beaubrun—son of Theodore “Lòlò” and Mimerose “Manzè” Beaubrun of the Grammy-nominated Haitian band Boukman Eksperyans—does it again with a sensational and thought provoking album, Ayibobo. Released three years after his acoustic album Vilnerab (2015), and six years after Project Haiti (2012) with Zing Experience, Ayibobo weaves together Haitian roots music with rock and roll and reggae, which Beaubrun refers to as “Roots/Blues” music. While this album demonstrates Beaubrun’s compositional concepts and the socially conscious lyrics that fans have grown accustomed too, Ayibobo feels a bit more personal as Beaubrun recounts his lived experiences while reflecting on the encouraging words his mother instilled in him.

The title track “Ayibobo” narrates the circumstances in 2004 that lead to his fleeing Haiti to New York. Beaubrun reminisces on the comfort and strength he felt while remembering what his mother taught him, ‘ayibobo.’ The Haitian Creole term means ‘hallelujah’ or ‘amen,’ but ‘ayibobo’ also carries cultural connotations that can be interpreted as a form of elation. By using this word, Beaubrun demonstrates how one word can strengthen familial and communal ties within the global Haitian community, while paying tribute to Haitian cultural practices.

On “Rise Up,” Beaubrun leans more towards social activism, calling for people to “rise up and be free” while using reggae—a Jamaican musical genre known for its political commentary—as the musical vehicle for his political activist endeavors. We cannot overlook the Haitian folkloric influences that are heard throughout this album, specifically the Haitian drums (tanbou) on “Naissance” and “Elizi.” Sonically, we hear the Haitian polyrhythmic patterns that provide the underlying foundational groove and pulse. Moreover, these songs echo the mizik rasin (roots music) tradition and Haitian mythological themes that are commonly associated with it.

Ayibobo is a phenomenal illustration of Beaubrun’s artistic brilliance. As listeners, we are treated to the wonderful collage of musical sounds while experiencing the exhilarating spirit and cultural sentiments of the Haitian community. Furthermore, this album serves as an exemplar of music and activism. But above all, Ayibobo is a heartfelt expression of a man’s love for his country and community.

Reviewed by Jamaal Baptiste

Playing For Change – Listen to the Music

playing for change

 

Title: Listen to the Music

Artist: Playing For Change

Label: Motéma Music

Formats: CD, Digital

Release Date: April 20, 2018

 

Playing For Change, the multimedia company best known for their “Songs Around the World” online video series that has over 500 million views, has released their fourth album Listen to the Music. Featuring a selection of global artists performing tracks in their home countries, the project took almost three years to complete.

The album’s first single, “Skin Deep” performed by blues legend Buddy Guy and over 50 accompanying musicians from around the U.S., speaks on race issues and violence in America stating, “underneath we’re all the same.”

YouTube Preview Image

Another track, “Africa Mokili Mobimba” performed by the Preservation Hall Jazz Band and TP OK Jazz Band, is a famous Congolese song that serves as an anthem to connect and unify Africa. One of the final songs on the album, “Congo to the Mississippi,” exemplifies this theme of unification through music; the song started in a village in the Congo and added musicians from Jamaica, Japan, and Italy before wrapping up with a harmonica solo played by New Orleans street musician Grandpa Elliott.

Each track on Listen to the Music is completely unique in its combination of talented musicians and vocalists.  The related video series document many of these collaborations, including “All Along the Watchtower” (with Cyril and Ivan Neville), “Everlasting Love” (with Vasti Jackson and Roots Gospel Voices of Mississippi), and “Bring It on Home to Me” (featuring the late Roger Ridley).

The album, while bringing together the contributing 210 musicians from 25 different countries, also aims to unify today’s often divided societies. According to the co-founder of Playing For Change, Mark Johnson, “In a world with so many divisions, we need to create connections. Musical collaboration is the best way to make that happen.” In addition, 100% of profits from the album with be donated to the Playing For Change Foundation. This non-profit educational organization has opened 15 music-focused schools for underprivileged children in Bangladesh, Brazil, Ghana, Mali, Nepal, Rwanda, South Africa, Morocco, Mexico, Argentina and Thailand.

Reviewed by Chloe McCormick

BCUC – Emakhosini

bcuc

 

Title: Emakhosini

Artist: BCUC (Bantu Continua Uhuru Consciousness)

Label: Buda Musique

Formats: CD, LP, Digital

Release date: April 20, 2018

 

Hailing from South Africa, the seven-piece band BCUC (Bantu Continua Uhuru Consciousness) has released their newest album Emakhosini, an EP featuring three tracks that capture the sound of ancestral, indigenous musical traditions while also including contemporary and controversial commentary on modern Africa.

Each of the three songs, though all very different, contain the essence of ‘Africangungungu,’ the name BCUC has given to their ‘afropsychedelic’ music. The tracks are best described as vibrant—each is buzzing with the distinct energy that BCUC brings to all of their music and performances. A mix of traditional indigenous South African music with funk, hip-hop, and punk-rock influences, BCUC’s music is nothing short of unique. As vocalist Kgomotso Mokone declared, “We bring fun and emo-indigenous Afro psychedelic fire from the hood.”

The album also tackles the issues of modern Africa head-on, including commentary on the harsh realities of uneducated workers. One song from a previous self-produced EP expressed views about a national idol and was so controversial that it was ultimately removed from the album. Despite this and other criticism regarding the group’s refusal to identify with a single social or political movement, BCUC sticks to their philosophy of creating “music for the people by the people with the people.” This philosophy is expressed in the video for the final track, “Nobody Knows (the Trouble I’ve Seen), filmed in Soweto:

YouTube Preview Image

Although Bantu Continua Uhuru Consciousness faces criticism for their stances, their commitment to representing the voiceless, speaking on important social and political issues, and exposing audiences to indigenous music is admirable. Emakhosini perfectly represents and lives up to the rebellious, lively spirit of the group.

Reviewed by Chloe McCormick

Los Rumberos De La Bahia – Mabagwe: A Tribute to “Los Mayores”

Magawe
Title: Mabagwe: A Tribute to “Los Mayores

Artist: Los Rumberos De La Bahia

Label: Eguin Eje Records

Formats: CD, Digital

Release date: November 10, 2017

 

Mabagwe is a collaborative album between Cuban native José Luis Gómez (vocalist), Michael Spiro (percussionist and associate professor at Indiana University’s Jacobs School of Music), and Jesus Díaz (producer, percussionist, vocalist)—performing as Los Rumberos De La Bahia. Featuring high-spirited songs in the rumba tradition, the album displays superb performances by many featured musicians—Rogelio Ernesto Gatell Coto (vocalist), Ivan Camblor (tres guitar), Colin Douglas (percussion), Jesus Gonzalez (quinto), Jason McGuire (acoustic guitar), Beatriz Godinez Muñiz (vocalist), Fito Reinoso (vocalist), Genesie Reinoso (vocals), and Randel Villalongo (quinto)—and highlights the socio-cultural aspect of the Cuban music-making process.

As the title indicates, Mabagwe (“Remembrance” in Yoruba) honors the legacies and memories of legendary Cuban rumberos and culture bearers of Cuban folkloric music—Regino Jimenez Saez (“Omi Saide”), Esteband Vega Bacallao (“Cha-Cha”), Gregorio Hernández, Juan de Dios Ramos, Francisco Hernández Mora, Gregorio Díaz, Jesus Alfonso, Julito Collazo, Francisco Aguabella, and Pedro Aballí.

The album opens with “Siempre Viviran,” an arrangement dedicated to the legacy of the group’s mentors, featuring call-and-response dialogues coupled with toque to the orisha spirit Olokun, guaguancó rhythms, and the bata toque for the Egun (spirits of departed ancestors). Later on, “Potpourri De Boleros” treats the listener to a beautiful medley of popular boleros—“Sabor a Mi,” “Muchas Veces,” and “Y Tu Que Has Hecho”—supported by a light and sophisticated rumba.

Publicist Ron Kadish writes, “Rumba can be played anywhere—at the kitchen table, on some buckets in the patio, on a desktop—whenever and wherever rumberos decide to start playing clave and sing about what’s going on their lives.” Mabagwe is most definitely an encapsulation of this rumba tradition, capturing an image of the San Francisco community of rumberos—Cubans and Americans—as they channel the spirits of  “Los Mayores,” or elder Cuban rumberos.

Reviewed by Jamaal Baptiste

February 2018 Releases of Note

Following are additional albums released during February 2018—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country
Memphis Minnie: Volume 1: The 1930’s [4CD] (Real Gone)
Bernard Allison: Let It Go (Ruf)
Hypnotic Wheels (w/Cedric Burnside): Muddy Gurdy Mississippi Project (Vizz Tone)
Johnny Tucker: Seven Day Blues (High John)
Leyla McCalla: The Capitalist Blues (Jazz Village)
Luther Lackey: Contender (Cds Records)
Reverend Shawn Amos: Breaks It Down (Put Together Music)
Sam Kelly’s Station House: No Barricades (Roxbro)
Sunny War: With The Sun (ORG Music/Pledge Music)

Classical
Florence Price, Er-Gene Kahng: Violin Concertos (Albany)
Marie-Josée Lord: Femmes (ATMA Classique)

Funk, Rock, Pop, Electronic
Buttshakers: Sweet Rewards (Underdog Records)
Beatchild & The Slakadeliqs: Heavy Rockin’ Steady (BBE)
Flyer Learning: Flyer Learning (digital)
Kay-Gees: Keep on Bumpin & Masterplan; Find a Friend; Kilowatt (Robinsongs)
Marenikae: Ajebutter (The Zuchia Nexus)
Mark Grusane: Real Sound of Mark Grusane (BBE)
Soulive: Cinematics Vol. 1 (digital) (Soulive Music)
Tony MacAlpine: Death of Roses (Sundog Records)

Gospel, Christian Rap, CCM
Beverly Crawford: Essential Beverly Crawford – Vol. 2 (JDI)
Elevation Worship: Elevation Collective (digital) (Elevation Worship)
Enyo: Glorified (GospelNaija)
God’s Own Radicals: Under Construction (GospelNaija)
Jekalyn Carr: One Nation Under God (Lunjeal)
Restine Jackson: No Fear (Dream)

Jazz
Caesar Frazier: Instinct (Doodlin)
Charles Mingus: Live At Montreux 1975 (Eagle Rock)
David K. Mathews: The Fantasy Vocal Sessions Vol. 1 (Effendi)
David Murray & Saul Williams: Blues for Memo (Motema)
Ella Fitzgerald & Louis Armstrong: Cheek To Cheek : The Complete Duet Recordings [4 CD] (Verve)
Lin Rountree: Stronger Still (Trippin n’ Rhythm)
Marion Meadows: Soul City (Shanachie)
Matthew Shipp: Sonic Fiction (ESP)
Oscar Peterson Trio: Oscar Plays (Box Set) (Verve)
Raphaël Imbert: Music is my Hope (Jazz Village)
Roscoe Mitchell: Ride the Wind (Nessa)
Sonny Rollins: Way Out West (60th Anniv. Deluxe Edition) (Craft)
Subtle Degrees: A Dance That Empties (NNA Tapes)
Various: We Out Here (Brownswood)
Victor Gould: Earthlings (Criss Cross)
Walter Smith III: Twio (CD Baby)

R&B, Soul
Jonathan Butler: Sarah Sarah – The Anthology (Soul Music)
Bettye Lavette, Carol Fran: Bluesoul Belles: The Complete Calla, Port & Roulette Recordings (Music on CD)
DD’s brothers: From the Day Till the Dawn (Soul Brother)
George Jackson: Leavin’ Your Homework Undone: In the Studio 1968-71 (Kent)
Ink Spots: Best of the Singles 1936-1953 (Real Gone)
Otis Blackwell: The Songs & Recordings Of Otis Blackwell 1952-62 (Acrobat)
Spencer Wiggins: The Goldwax Years (Kent)
Starchild & The New Romantic: Language (Ghostly International)
Sy Smith: Sometimes a Rose Will Grow in Concrete (Psyko)
Tatiana Ladymay Mayfield: The Next Chapter (digital) (Ladymay Music)
The Agency: Philosophies (digital) (Philosophies)
Various: The 24-Carat Black Ghetto: Misfortune’s Wealth (vinyl reissue) (Craft)

Rap, Hip Hop
Negash Ali: The Ascension
ABBA Zulu: Problematic Vol. 1 (digital) (Utmost Musik)
Abz Tha Kid: Thoughtz…From a Park Bench (digital)
Alchemist: Paris L.a. Bruxelles Instrumentals (vinyl) (ALC)
Ash Kidd: Cruise (digital) (Caroline Int)
Audio Push: Cloud 909 (digital) (Good Vibe Tribe)
Black Milk: Fever (Mass Appeal)
Cozz: Effected (digital) (Interscope)
Demo Taped: Momentary EP (digital) (300 Entertainment)
DePaul: Damage Already Done (Twenty Two Music)
Digable Planets: Reachin’ (A New Refutation of Time and Space) (25th Anniv. Ed.) (Light in the Attic)
DJ Smoke: Dolla Bill: The Ty Dolla Sign Mixtape (JWS Records)
East Man: Red White & Zero (Planet Mu)
G Herbo: Humble Beast Deluxe Edition (Machine Ent. Group/Orchard)
Keezy off 38th: Trials & Tribulations (digital) (.38th Muzyk)
Khago: Walk a Mile (Streaminn Hub)
Kodak Black: Heart Break Kodak (digital) (Atlantic)
LARS: Last American Rock Stars (Majik Ninja)
Mark Battles: Vasi World (digital) (Fly America)
Nipsey Hussle: Victory Lap (Atlantic)
O.C.: A New Dawn (Ditc)
Onyx: Black Rock (X-Ray)
Ralo LaFlare: Diary of the Streets 3 (digital) (Famerica)
Rockstar JT: Streets Signed Me the Mixtape
Shirt: Pure Beauty (Third Man)
Skipper: Prezidential (digital) (Empire)
Skyzoo: In Celebration of Us (Empire)
Stalley: Tell The Truth Shame The Devil (Vol. 1) EP
Tenacity & D.R.U.G.S. Beats: Discussions (digital) (SoulSpazm)
Tony Colliseum: Legacy (digital) (BeatRocka Music)
Too Short: The Pimp Tape (Dangerous Music)
Various: Black Panther: The Album (Interscope)
Various: Death Row Chronicles OST (eOne)
Yukmouth: JJ Based on a Vill Story Three (Smoke-A-Lot Records)

Reggae, Dancehall
Bobby Digital: X-tra Wicked – Reggae Anthology (VP)
Bobby Digital: Serious Times (VP)
Etana: Live in London (Freemind Music)
Freddie McGregor: Bobby Bobylon Deluxe Edition (Studio One)
Justin Hinds & the Dominoes: From Jamaica With Reggae (Treasure Isle)
Ras Michael & the Sons of Negus: None a Jah Jah Children (VP)
Various: Roots Reggae Party (Warner)

World, Latin
Afrika Mamas: Iphupho – A Cappella from South Africa (Arc Music)
Boubacar Traore: Dounia Tabolo (Lusafrica)
Elida Almeida: Kebrada (Lusafrica)
Ernesto Chahoud presents Taitu: Soul-fuelled Stompers from 1960s – 1970s Ethiopia (BBE)
Femi Kuti: One People One World (Knitting Factory)
Lucibela: Laço Umbilical (Lusafrica)
Nene Brown: Raízes por Outras Óticas (Time Forte)
Tal National: Tantabara (FatCat)
Various: Levanta Poeira (Jazz & Milk)
Various: Putumayo Kids Presents Kid’s African Party (Putumayo)
Various: Putumayo Presents African Café (Putumayo)

Project Mama Earth

Project Mama Earth
Title: Project Mama Earth

Artist: Project Mama Earth

Label: Provogue

Formats: CD, Vinyl, streaming

Date: November 10th, 2017

 

 

In June of 2017, five world renowned musicians came together to embark on a bold new project with no songs and no plan, but by the end of ten days they had completed a masterpiece. Both the group and their debut EP bear the name Project Mama Earth. Band members include Nitin Sawhney on guitar, Jonathan Joseph on drums, Étienne M’Bappé on bass, Jonathan Shorten on Keys, and the executive producer and lead singer, Joss Stone.

According to Stone, the idea for the project was brought to her by drummer Jonathan Joseph, who wanted to create a project based around the African bikutsi rhythms from Cameroon. In his words, “…let’s all come together and make some music with this rhythm in it.”

YouTube Preview Image

 

Joseph and Stone have performed together since 2003 when he was drafted to accompany the young British singer on her debut album, The Soul Sessions. As they began working together to assemble their team, the choices seemed obvious. Joseph enlisted his longtime friend, Cameroonian multi-instrumentalist Étienne M’Bappé, who has played with acts spanning from John McLaughlin to Robert Ford. His heritage, rooted in rhythms, was a style they wished to tap into. That, and M’Bappé’s his shear musicality made him an obvious choice.

Next they contacted Jonathan Shorten., who produced much of Stone’s music, as well as some of the biggest hits for multi-platinum selling artist Gabrielle and other British artists.  Last but not least was guitarist Nitin Sawhney. Described as a one man musical tidal wave, he’s collaborated with musical legends like Paul McCartney and Sting, as well as the London Symphony Orchestra. These musicians all came together at Joss Stone’s home studio in Devon, England where their ten day adventure began.

Project Mama Earth contains six songs and five interludes, all centered around nature and the bikutsi rhythm. The first song on the album, “Mama Earth,” begins smoothly, prominently displaying the driving bikutsi groove as Joss Stone enters with her trade mark R&B sound and a nature inspired lyric. Stone explains that she wanted to keep her creative process separate from the four instrumentalists:  “I didn’t have any input in the music because I didn’t want to affect it— or it’d all come out hip-hop and R&B.” So when the instrumentalists finished, they would bring the song to Stone, and with the help of her mother, they wrote the lyrics and melodies.

Stone seems to stick to the theme of personifying the earth throughout the album. In an interview with Billboard magazine, she explained that her lyrics where inspired by what Mother Nature might say to her to her inhabitants if she could speak. This is especially apparent in the fourth song on the album, “What Would She Say,” as Stone speaks from the stand point of the earth, with the the lyric:

Do you think I would cry if I run out of gold?
I’d blink more than an eye if I get that old.
Well maybe you think I forget how to cleanse my soul.
As if humans could change or slow down
Only the arrogant truly know
I suppose I could just shake them off and let them go.

It’s so amazing that Project Mama Earth was competed within such a short period of time. One can only hope this musical team of Jonathan Joseph, Étienne M’Bappé, Jonathan Shorten, Nitin Sawhney, and Joss Stone will come together again to grace us with their art.

Reviewed by Jared Griffin

 

 

Mista Savona – Havana Meets Kingston

Havana Meets Kingston
Title: Havana Meets Kingston

Artist: Mista Savona

Label: VP

Formats: CD, LP, MP3

Release date: November 3, 2017

 

 

As title states, Havana Meets Kingston is an album that highlights the intersection and cultural exchange of musical practices between the islands of Cuba and Jamaica. The artists present new renditions of classic Jamaican and Cuban songs such as “Chan Chan,” “El Cuarto De Tule,” “Candela,” “Vibracion Positive” (Positive Vibration), “Row Fisherman Row,” and “100 Pounds of Collie” while fusing reggae and dancehall together with the son Cubano.

Producer Mista Savona brings together an extraordinary cast of Cuban and Jamaican musicians consisting of members from the Buena Vista Social Club (Barbarito Torres and Rolando Luna), the Afro-Cuban All Stars (Félix Baloy), Los Van Van (Changuito), Septeto Nacional Ignacio Piñeiros (Eugenio “El Raspa” Rodríquez), the Heptones (Leroy Sibbles), and major artists such as Prince Alla, Earl “Chinna” Smith, Sizzla, and many others.

Opening with “Chan Chan,” the listener is treated to an astounding interpretation which begins similarly to the original recording, before morphing into a reggae groove layered over the son rhythm. On “El Cuarto De Tula” we experience the meeting of Havana and Kingston through the blending of this Cuban song with Jamaican dancehall, and the contemporary vocal styles of Maikel Ante, El Medico, and Turbulence.

This album marks the beginning of this collaboration between Jamaican and Cuban artists, who have done a magnificent job in fusing musical traditions with contemporary culture. Another album is planned, as well as a feature length documentary.

Havana Meets Kingston is a must buy for anyone interested in Caribbean music, and more specifically the musical exchange between these two islands.

Reviewed by Jamaal Baptiste

 

Mighty Mo Rodgers & Baba Sissoko – Griot Blues

Griot Blues
Title: Griot Blues

Artist: Mighty Mo Rodgers & Baba Sissoko

Label: One Root Music

Format: CD, Mp3

Release: October 13, 2017

 

 

American Holy Howler meets African Griot on Griot Blues, the collaborative album between blues master Mighty Mo Rodgers and griot master Baba Sissoko. Rodgers is an accomplished blues pianist and singer from East Chicago, Indiana, and Sissoko is an established Malian tamani master and griot legend. The two met in the European country of Lithuania, where they immediately began creating and recording their version of what would become the first of three releases.

Other members of the ensemble include Luca Giordano, Walter Monini, Pablo Leoni, Darryl Dunmore—all members of Europe’s Luca Giordano Band—and Seydou Diabate Sissokho, a leading djembe artist from Senegal. Griot Blues celebrates the marriage of these three continental stylings, offering a unique call-and-response that showcases the beauty of both the American blues and African tamani griot traditions with a European flair.

YouTube Preview Image

 

“Shake ‘Em Up Charlie”, the first track, is a funky down-on-your-luck ditty. Sissoko’s talented ngoni and kamalengoni skills shine through, and the happy-go-luckiness of the tune sets the fun tone for the entire album. The next offering, “Mali to Mississippi,” immediately structures the song as a diasporic bridge between two worlds: “When you hear the boogie, you hear the Motherland,” as the entire song functions as a cross between standard American blues and African instrumentals.

Many of the melodies utilize call-and-response, such as “Nalu/Mother” and “Djeli/Griot/Storyteller,” which provide listeners will the full impact of this improvisation. Rounding out the collection is the title track, “Griot Blues,” which, in classic griot style, tells the story of how this musical creation came to be. Whether you are in the mood for blues, story-telling or definitive flair, “Griot Blues” magically delivers as your all-in-one continental destination.

Reviewed by Amy Aiyegbusi

 

 

New Books About Black Recording Artists

Following are brief descriptions of recently published books that are certain to please fans of funk, soul, jazz, hip hop and reggae music.
Al Green

Title: Soul Survivor: A Biography of Al Green

Author: Jimmy McDonough

Publisher: Da Capo Press

Formats: Hardcover (432 pages), Kindle, Audiobook

Release date: August 29, 2017

 

Though Al Green collaborated with Davin Seay on an “autobiography” in 2000, most fans were unsatisfied with the result, which was famously short on details due to Green’s reluctance to actually sit for interviews and tell his own story. Now Jimmy McDonough has attempted a more definitive biography, likewise working from previously published interviews with Green and secondary sources, in addition to new in-depth interviews with many colleagues and associates. The result is Soul Survivor, which chronicles the many sides of Al Green, from his days as a soul singer to his transition to Reverend Al Green and the many facets of his character that fall in between and outside of these boundaries. Not all of it is pretty, but Soul Survivor is likely as close as we’ll ever get to understanding the man behind the music and the pulpit.

Otis Redding
Title: Otis Redding: An Unfinished Life

Author: Jonathan Gould

Publisher: Crown Archetype (May 16, 2017)

Formats: Hardcover (544 pages), Paperback, Kindle, Audiobook

Release date: May 16, 2017

 

Seven short years – that was the entire length of the career of one of the giants of soul music, Otis Redding, from the first single he cut as a teenager in 1960 to his untimely death at the age of 26 in December 1967. Now, on the 50th anniversary of Redding’s death, Jonathan Gould finally offers a biography that’s a fitting tribute to the architect of Southern soul music. Otis Redding: An Unfinished Life, however, is so much more than one man’s story, as Gould digs into the social fabric of the era, exposing the racial tensions and realities of faced by black musicians of his generation. Impeccably researched, respectfully written, and highly recommended!     

Prince & the Purple Rain Studios
Title: Prince and the Purple Rain Era Studio Sessions, 1983-1984

Author: Duane Tudahl

Publisher: Rowman & Littlefield

Formats: Hardcover, Kindle, Audiobook

Release date: November 15, 2017

 

Described as “the definitive chronicle of Prince’s creative brilliance during 1983 and 1984,” author Duane Tudahl’s 552 page volume is a must have for any serious Prince fan. Delving into the brief but intense period that produced Purple Rain, Tudahl expounds on Prince’s professional as well as his personal life. But this is not a tell-all, biopic-type treatment. Rather, the focus is on Prince’s studio sessions and includes copious details on recording studios, which songs were tracked at each, session personnel, producers, engineers, and the stories behind the sessions. Also included are details regarding Prince’s work with The Time, Vanity 6, and the Revolution, including his frenetic schedule of rehearsals, tours, and filming. Tudahl has been covering Prince for over 20 years, and is able to draw upon interviews he conducted with a wide range of Prince’s associates, adding to the authoritative nature of his reporting. This is the first book in the series; Tudahl is already planning the second volume, which will cover 1985-1986.

Prince
Title: Prince: A Private View

Author: Afshin Shahidi

Publisher: St. Martin’s Press

Formats: Hardcover (256 pages), Kindle

Release date: October 24, 2017

 

We can’t include just one Prince-related book when there are so many to choose from. If you’re more interested in a visual representation of the artist than a chronology of his early recording sessions, then check out Prince: A Private View. Featuring many never-before-seen photos by Afshin Shahidi, Prince’s primary photographer, this collection captures both the glamour and mystique of the artist. Though the text takes a backseat to the vivid portraits, Shahidi does provide some context to the photos in the form of short stories. It should be noted, however, that this isn’t a “coffee table” book, but a standard-size volume.

The Jacksons Legacy
Title:  The Jacksons: Legacy

Author: The Jacksons with Fred Bronson

Publisher: Black Dog & Leventhal

Formats: Hardcover (320 pages), Kindle

Release date: October 24, 2017

 

Even if we’re weren’t based in Indiana, we’d still have to jump on The Jacksons: Legacy documenting the state’s most famous musical family. Plugged as “the first official book on the Royal Family of Pop,” the Jacksons collaborated with well-known music industry writer Fred Bronson, who was allowed access to the family archives and conducted interviews over a two week period. Though it’s highly unlikely that any new information was uncovered in that extremely brief period of time, we’re at least promised some previously unpublished photographs, including documentation of official merchandise and other ephemera. The book coincides with The Jackson’s 50th anniversary, which may be reason enough for fans to pick up a copy.

Gucci Mane
Title: The Autobiography of Gucci Mane

Author: Gucci Mane & Neil Martinez-Belkin

Publisher: Simon & Schuster

Formats: Hardcover (286 pages), Kindle

Release Date: September 19, 2017

 

 

There’s nothing like a comeback story to warm our hearts, especially at Christmastime. Through honest, unflinching reflectiveness, Gucci Mane has given us just that—a down-and-out but not done-and-out narrative of his journey so far. Mane tells his story in his own words, covering his early years as Radric Delantic Davis to his star-studded fame as Gucci Mane, trap pioneer and mentor to a subsequent generation of artists and producers: Migos, Young Thug, Nicki Minaj, and Zaytoven, to name a few. Detailing how choices to be part of the drug dealing world continuously dealt him one-step-forward, two-steps-back in the music world, Mane also confronts his dark past and explains how his time in lockup became his most positive life-altering experience. It is one of the greatest comeback stories in the history of music, and it is one you won’t want to miss.

Chuck D Hip Hop History
Title: Chuck D Presents This Day in Rap and Hip-Hop History

Author: Chuck D, Shepard Faiey (Foreword)

Publisher: Black Dog & Leventhal

Format: Hardcover (673 pages), Kindle

Release Date: October 10, 2017

 

Chuck D.’s dedication to hip hop’s fan base has been solid since the start of his Public Enemy days, and with this release he continues to gift us in the form of vital information about rap and hip hop’s history. Based on his long-running show on Rapstation.com, D’s comprehensive collection of pivotal moments and influential songs in the genre’s recorded history is a first in the hip hop scholarship world. Included in this chronological collection are songs such as Kurtis Blow’s “Christmas Rappin’” to Kendrik Lamar’s ground-breaking verse on “Control”, and all hits in-between. Incorporated into the tome are key events in hip hop history, from Grandmaster Flash’s first scratch through Tupac’s holographic appearance at Coachella, interwoven with 100+ portraits of various hip hop artists. This work is a worthy addition to any hip hop lover’s collection, and for those that study or work in the genre, it is a necessity worth owning.

Queen of Bebop
Title: Queen of Bebop: The Musical Lives of Sarah Vaughan

Author: Elaine M. Hayes

Publisher: Ecco

Formats: Hardcover (432 pages), Paperback, Kindle, Audiobook

Release date: July 2017

 

One of the greatest jazz vocalists of all time, Sarah Vaughan has been the subject of previous books, but the only full length biography of note was Leslie Gourse’s Sassy: The Life of Sarah Vaughan, published nearly 25 fives ago. Now jazz historian Elaine M. Hayes offers a more definitive treatment in Queen of Bebop, which digs deeper into her life not only as a performer, but as a black woman facing the challenges of race and gender within the music industry and beyond. A must read for anyone interested in jazz and popular in the latter half of the 20th century, African American music and musicians, or music in general.

Bob Marley
Title: So Much Things to Say: The Oral History of Bob Marley

Author: Roger Steffens

Publisher: W.W. Norton & Company

Formats: Hardcover, Kindle

Release date: July, 2017

 

So Much Things to Say is a must have for any serious Bob Marley fan. Drawing on testimonies by friends, relatives and musical associates, author and archivist Roger Steffens—the leading authority on Bob Marley—tells the story of the reggae legend, from his younger days in Kingston to his professional years. As the title implies, this book includes a great deal of information regarding the life of Marley, including the violent confrontation with Lee “Scratch” Perry, his performance for freedom fighters in Zimbabwe, details on Marley’s final months, controversies surrounding Marley’s death, and many more first-hand accounts of his life. So Much Things to Say will serve as a valuable resource for anyone who is interested in the history of reggae music and Marley’s incredible influence upon the genre and global culture.

Reviewed by Brenda Nelson-Strauss, Amy Aiyegbusi and Jamaal Baptiste

 

November 2017 Releases of Note

Following are additional albums released during November 2017—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country, Zydeco
Etta James: Chicago Blues Festival 1985 (Air Cuts)
John Lee Hooker: Black Night Is Falling: Live at the Rising Sun (Justin Time)
Lil’ Nathan & The Zydeco Big Timers: Unpause (Cha Cha)
Little Axe: London Blues (Echo Beach)
Lucky Peterson: Tribute to Jimmy Smith (Jazz Village)
Various: Blue 88s: Unreleased Piano Blues Gems 1938-1942 (Hi Horse)
Various: Hard Core Harp (Electro-Fi)
Various: Rough Guide to Holy Blues (World Music Network)
Various: Rough Guide to Ragtime Blues (World Music Network)

Classical, Broadway, Soundtracks, Holiday
Julius Eastman: The Zürich Concert   (New World)
Kevin John Edusei; Münchner Symphoniker: Schubert  Symphonies 4 & 7  (Solo Musica)
Kevin Kelley : A Soulful Christmas   (K2Music)
Kirk Smith: Joyful Noise – EP (Powerhouse)
Terence Blanchard; Brussels Philharmonic: Music for Film   (Silva Screen)
Paragon Ragtime Orchestra: Black Manhattan, Vol. 3 (New World )
Valerie Boyd:  A Gift for You (Shekinah International)
Various: Chasing Trane Documentary (DVD, Soundtrack)   (Ume)

Funk, Rock, Pop, Electronic
Amp Fiddler: Amp Dog Knights (Mahogani Music)
Bad Brains: Finding Joseph I Documentary (DVD)  (MVD Visual)
Cameron Bethany: You Make Me Nervous (Unapologetic)
Kxngs: Air Sign EP (Tru Thoughts)
Malka Family: Le Retour Du Kif (Saint Paul Force)
Nona Hendryx & Gary Lucas: World of Captain Beefheart (Knitting Factory )
Shamir: Revelations (Father/Daughter )
The Liza Colby Sound: Draw EP (Oh Baby)
Timothy McNealy: Funky Movement (Now Again)

Gospel, Christian Rap, CCM
Aha Gazelle: Trilliam 3 (Reach)
Beverly Crawford: Essential Beverly Crawford, Vol. 2 (JDI)
Derek Minor:   High Above EP (Empire)
Fedel:  Brave 2
Gods Own Radikalz: 20dozen The Call (Hawk -Eye Ent.)
Isabel Davis: The Call (eOne)
Javon Inman: Agape Eros (Liberty Music)
Joe Mettle: God of Miracles (Reverb Studios)
Judah Band: For My Good EP (Light)
N.E.M.G.: The Freeze
The Standard: Eight “New Beginning” (Band Geek Music Group)
The Walls Group: The Other Side (RCA Inspiration)

Jazz
Illinois Jacquet: Jacquet Files, Vol. 1 (Live At Village Vanguard 1986) (Squatty Roo)
Blaque Dynamite: Killing Bugs (Ropeadope)
Brian Blade & The Fellowship Band: Body & Shadow (Blue Note)
Dwight Trible: Inspirations (Gondwana)
Eric Valentine & Velvet Groove: Velvet Groove (Matcha Ent.)
Houston Person: Rain or Shine (HighNote)
Lyman Woodard Organization: Saturday Night Special (reissue)     (BBE)
Rahsaan Barber: The Music in the Night (Jazz Music City)
Ron Miles: I Am a Man (Yellowbird)
Sandra Nkaké: Tangerine Moon Wishes (Jazz Village)
Seal: Standards (Universal)
Sly5thAve: Invisible Man: Orchestral Tribute to Dr. Dre (Tru Thoughts)
Vincent Herring: Hard Times (Smoke Sessions)

R&B, Soul
Aretha Franklin: A Brand New Me (Rhino)
Barry Antoine: Eclipse (Shabar Music Ent.)
Beatchild & The Slakadeliqs: The Only Difference   (BBE)
Davion Farris: With Pleasure
Diana Ross: Diamond Diana: The Legacy Collection (Motown)
Elijah Blake: Audiology (Steel Wool / Empire)
Frank McComb: Soulmate: Another Love Story (Prodigee)
Karina Pasian: Interlude
Keaira LaShae: Purple Crowns (3707 Ent.)
Kristan Omor: From Then
Lalah Hathaway: Honestly (Hathaway Ent.)
Martha High: Tribute To My Soul Sisters (Record Kicks)
Maurice Moore: The Amber Room (Empire)
Maxayn: Reloaded: Complete Recordings 1972-1974 (Soul Music)
Phyllis Hyman: Deliver the Love: The Anthology (Soul Music)
Prince Charlez: Evolution EP (Republic)
Project Mama Earth: Mama Earth (Provogue)
Ruby Turner: Livin a Life of Love: Jive Anthology 1986-1991 (Soul Music)
Run N’ Fly: S/T (MRI)
Sharon Jones:  Soul of a Woman (Daptone)
Paxton:  In the Key of Love (Prodigee)
Syleena Johnson: Rebirth of Soul (Shanachie)

Rap, Hip Hop
Mr. Lif & Brass Menazeri: Resilient   (Waxsimile)
Williesco & Yikey Mikey: Yeamonyikezzzz (Triple R Muzik Group)
Amy True: Eleven (True Music)
BeatzByNEFF: Blackness (Bbent / Starcreations)
Big Cakes: No Excuses (Origarmy)
Black Squad: Bad Boy Files (mixtape)
Blacka Da Don: A Part of My Story (MusicThatMatters)
Cam’Ron: The Program (Killa Ent.)
Chris Brown:   Heartbreak on a Full Moon (RCA)
Cyhi The Prynce: No Dope On Sundays (Red Music/Sony)
Da Deputy: Bear Your Soul
Dee-1: Slingshot David (Essential Sound)
Droop-E: Trillionaire Thoughts (Sick Wid It)
Duckworth: XTRA UUGLY (mixtape)
Fabolous & Jadakiss: Friday On Elm Street (Def Jam)
Futuristic: What More Could You Ask for? (OnlyFuturistic, LLC)
Hopsin: No Shame (300 Entertainment)
J Hawk: Mood (LSR)
Jaden Smith: Syre
James Lavell:   StereoType
Jovan Mackenzy: Crooked 10
Keak Da Sneak: Withdrawal (Empire)
Kiddo Marv: Kingz in Denial Don’t Overcome
Lil Uzi Vert: Luv is Rage 2 (Atlantic)
Louis Cato: Starting Now (Ropeadope)
Meyhem Lauren & DJ Muggs: Gems From the Equinox (Soul Assasins)
Milo: Who Told You to Think??!!?!?!?! (Ruby Yacht)
Moka Blast: The Blast Testament (Fly Guy)
Oddisee & Good Compny: Beneath the Surface (Live) (Mello Music Group)
Pete Rock: Lost Sessions (VinDig)
Pharcyde: Bizarre Ride II (25th Anniv. Ed.) (Craft)
Philthy Rich: Sem God (Empire)
PnB Rock: Catch These Vibes (Atlantic)
Princess Nokia: 1992 Deluxe  (Rough Trade )
Reek I’van: Book of Tabias (London Boy Ent)
Rexx Life Raj: Father Figure 2: Flourish (Empire)
Rsxgld: S/T (Fat Beats)
ShaqIsDope: S/T (2UP WorldWide)
Shredders: Dangerous Jumps Explicit (Doomtree)
Skeme: Second Notice EP (eOne)
Skooly: BAcCWArdFeELiNgS (TRU)
Spitta:  Let Me Eat Too (N.W.A.)
Stalley: Tell the Truth: Shame the Devil (Blue Collar Gang)
Swissivory: Real Dreams 2 (Rough Trade)
T-Pain: Oblivion (RCA)
Thenewfaceofsound: LiveInDaFresh (Marvelous Phenomenon)
The Problem: Selfish (Empire)
Third Root: Libertad (Third Root Music)
Too $hort: Hella Disrespectful: Bay Area Mixtape (Dangerous Music)
Wiz Khalifa: Laugh Now, Fly Later (Taylor Gang/Atlantic)

Reggae, Dancehall
Blackstones: Insight (1st CD reissue) (Burning Sounds)
Dub Syndicate: Misplaced Masters (On-U Sound)
Horace Andy: Good Vibes (VP)
Ken Boothe: Inna de Yard (Chapter Two)
Various: Havana Meets Kingston (VP)
Various: Strictly the Best Vol. 56 (VP)

World, Latin
Lulendo: Mwinda (Buda Musique)
Monoswezi: A Je (Riverboat)
Various: Original Sound of Burkina Faso (Mr Bongo)
Various: Don’t Sleep: Omutibo From Rural Kenya    (City Hall/Mississippi)
World’s Experience Orchestra: Beginning of a New Birth (Now Again)

Chicago Afrobeat Project – What Goes Up

Afrobeat Project
Title: What Goes Up

Artist: Chicago Afrobeat Project

Label: Self-released

Format: MP3

Release date: September 29, 2017

 

 

The newest release from the Chicago Afrobeat Project, What Goes Up, builds upon the group’s  strong foundation of recordings.  The already large ensemble heavily features guest artists on its latest album, including Nigerian afrobeat drummer Tony Allen (who has worked with the legendary Fela Kuti, a pioneer of the genre) as a featured artist on each of the album’s tracks.

The Chicago Afrobeat Project has always drawn heavily from funk-influenced afrobeat styles, and, as the group’s name implies, continues this basic approach on its latest album.  The 14-member ensemble features great arrangements for its full horn section on cuts like “Race Hustle,” but moves somewhat outside of traditional afrobeat expectations on other cuts, as on the extended synth intro to “Cut the Infection.” The group incorporates some jazz fusion influences on the polyrhythmic cut “Must Come Down,” interpolating wah wah guitars with African rhythms more typical of the group’s style.

YouTube Preview Image

 

Unlike the work of afrobeat pioneers like Kuti, the lyrics on What Goes Up tend to be more pop-philosophical than explicitly political, with tracks like “No Bad News” vaguely addressing the importance of ancestors and the evils of corporate pollution, but without finding specific figures to either praise or criticize.  “Marker 48” continues in the same vein, arguing that humans cannot continue to exploit the Earth’s resources, but without addressing who is using most of these resources, who benefits most from extraction, or what could be done to change this pattern. This group is at its best on songs like “Afro Party,” when taking more of a celebratory than a critical lyrical tone. It is difficult to level poignant political critique in any kind of music, let alone music this sharply focused on creating textures and grooves. This group puts forth great effort, but ultimately lacks the specificity necessary to compellingly address social issues in most cases.

With that said, the Chicago Afrobeat Project can groove—each track feels great, and there’s exciting rhythms and melodies to go around.  This is in large part due to the strength of its members’ musicianship and their strong connections to both afrobeat music and the other genres they incorporate into their approach.  For the Chicago Afrobeat Project, the audience is What Goes Up—up out of its seat and onto the dance floor.

Reviewed by Matthew Alley

Paa Kow – Cookpot

Cookpot
Title: Cookpot

Artist: Paa Kow

Label: Paa Kow Music

Formats: CD, LP, MP3

Release Date: October 13, 2017

 

 

Ghana-born drummer Paa Kow’s new self-released album, Cookpot, presents the listener with a wide range of influences. Paa Kow, who now resides in Colorado, has been performing since he was seven years old, and he initially gained fame in his native Ghana as the “Small-boy Drummer.” His virtuosity as a drummer is always present throughout the 13-track release, along with a unique stylistic amalgam of several genres. First and foremost, there is the stylistic influence of highlife, which is to be expected given his heritage and the music’s origins in Ghana. The listener unfamiliar with highlife could easily assume that Cookpot is a Caribbean release, and that assumption would not be entirely unfounded due to the fact that highlife has been heavily influenced by Afro-Caribbean music such as calypso.

The opening track, “The Way I Feel,” begins as a standard funk tune, but it ultimately separates itself through Paa Kow’s impressive drum fills and a B section that is both heavily syncopated and laden with stop-time accents. Accompanied by some stellar electric piano playing, “The Way I Feel” would be at home on one of Herbie Hancock’s funk albums. It is a track that sounds as if Herbie recorded an album with a Ghanaian drummer.

YouTube Preview Image

 

The title track is deceptive. Its fusion of styles—world, jazz, and funk—is so seamless that it is easy to forget that it isn’t just a funk song. Like what can happen with a good meal, the end product often masks the flavor of each individual ingredient. “Cookpot,” then, is a fitting title for this track. Also mixing ingredients, “Forced Landing” is the most glaring example of the fusion of styles on this album. What begins as a jazz tune with an intro trumpet solo switches time signatures and transforms into a highlife song before ultimately changing time signatures again and settling into a funk groove. It is essentially three songs merged into one.

One of the standout tracks on the album is “African Lady,” which along with “Lonely” and “Pete Pete,” are the most highlife-influenced tracks on the album. “African Lady” is an upbeat tune with a complex rhythmic pattern laid out cooperatively by the drums, guitar, and keyboard. Drummers will find this to be an inspirational performance along with the track “Details,” featuring a solo where Paa Kow demonstrates his impeccable technique on the drum set.

Collectively, this album’s focus is drum-centric, and it offers up a great deal of rhythmic complexity. Nevertheless, throughout the recording there are some first-rate solos from the keyboard player, guitar player, and horn players. The combination of styles creates a unique product in that this is not the typical jazz-funk album. Paa Kow has thrown a variety of ingredients into his cookpot, and the result is an album that is equal parts jazz, funk, and highlife. Anyone who possesses a stylistically wide palette would be remiss to not listen to Cookpot, and those who enjoy listening to a virtuosic drummer cannot afford to pass this one up.

Reviewed by Joel Roberts

Antibalas – Where The Gods Are In Peace

Antibalas
Artist: Antibalas

Label: Daptone

Title: Where The Gods Are In Peace

Release Date: September 15, 2017

Format: CD, Vinyl, Mp3

 

 

Raise your hand up high if you know & are into the Brooklyn band, Antibalas. Not bad, not bad—I see a few hands and a fist or two. Now, for those who aren’t hip, let me explain exactly who Antibalas is. The group formed in 1998 with Martin Perna at the front. The word antibalas is Spanish for “bulletproof”, which lends credence to their long-lasting career in the afrobeat world—19 years and still going strong. Antibalas plays afrobeat music, paying homage to the king of afrobeat himself, Fela Kuti. Listen very carefully—you may hear Eddie Palmeri piano stylings and personally, I think I hear another echoes of another band hailing from Brooklyn, Mandrill.

Where The Gods Are In Peace could be considered a head scratcher because it’s so short. It showcases only five tracks, but in reality, it feels like ten, perhaps fifteen. To only have five tracks and still packing a serious blow is true testament to what this band is all about. Take the track “Goldrush”. It opens up with early 1970’s rock FM and fast as you can FELA, BAM! The mood shifts into afrobeat, advanced version. Brilliant! They have you thinking one thing, but accomplish another.

Antibalas is very well-schooled in pulling off feats such as this.  “Tombstone”, believe it or not, is the third, fourth and fifth track–a 3-part finale that will blow your mind. Zap Mama, the beauty from Belgium, lends her vocals on all three tracks. What can one say? Makes you wish more acts took risks like Antibalas, but they would be asking too much. Antibalas is one of a kind, folks.

Where The Gods Are In Peace. Enjoy it for what it is—an amazingly powerful punch in just a five step gig. Next time, I expect to see more hands raised when asked, “Who knows about Antibalas?” Don’t disappoint me.

Reviewed by Eddie Bowman