Stevie D ft. Corey Glover – Torn from the Pages

 

Title: Torn from the Pages
Artist: Stevie D, featuring Corey Glover
Label: Mighty Music
Format: Digital
Release date: September 6, 2019

 

Stevie D, a.k.a. Stephen DeAcutis, has teamed up with Living Colour vocalist Corey Glover on his debut album, Torn from the Pages. Not to be confused with the Buckcherry guitarist, DeAcutis is more often thought of as a producer and engineer who has recorded and mixed albums for pop stars such as Cyndi Lauper, as well as metal heavyweights Nuclear Assault and Overkill. However, on this project, Stevie D demonstrates his chops as a songwriter as well as a guitarist, proving throughout the album that he is a strong lead player who is also capable of some blistering guitar work. The pairing with Corey Glover, for whom DeAcutis has engineered and co-produced projects in the past, is a seamless collaboration that never feels forced. In fact, Torn from the Pages could pass as a release by a long-standing band. Continue reading

Brutal Africa: The Heavy Metal Cowboys of Botswana

 

Title: Brutal Africa: The Heavy Metal Cowboys of Botswana
Artist: Various
Label: Svart
Formats: CD, Vinyl
Release Date: August 30, 2019

 

From Finnish label Svart Records comes Brutal Africa: The Heavy Metal Cowboys of Botswana. This compilation of six bands from across Botswana explores the thriving, yet often unrecognized heavy metal scene of the country. The name Brutal Africa is likely inspired by brutal metal, a sub-section of metal music that is played by some of the bands on this recording. Continue reading

Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music

Title: Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music
Artist: Various
Label: JSP
Formats: CD, Digital
Release date: October 25, 2019

 

 

Those who watched Ken Burns Country Music documentary on PBS and want to dig a little deeper into the roots of the genre should find this new box set quite fascinating. Protobilly: The Minstrel & Tin Pan Alley DNA of Country Music 1892-2017, as the title suggests, “documents old country songs with origins in minstrelsy, vaudeville, Tin Pan Alley, ballads, ancient hymnals, deep-south blues, and other venerable popular music genres.” The anthology was meticulously produced by three highly regarded sound recording historians—the vernacular music specialists and radio producers Dick Spottswood and Henry Sapoznik, who also wrote the liner notes, and David Giovannoni, who contributed many rare cylinders and discs from his own collection. Additionally, Grammy Award winning musician Dom Flemons, aka “The American Songster” and former member of the Carolina Chocolate Drops, also contributed to the notes.  Continue reading

Hundred Watt Heart – Turbulent Times

 

Title: Turbulent Times
Artist: Hundred Watt Heart
Label: Whole Leap
Formats: LP, Digital
Release date: May 24, 2019

 

Hundred Watt Heart’s Turbulent Times is the first solo recording by “Captain” Kirk Douglas from The Roots. Joined by The Roots bassist Mark Kelley, the Hundred Watt Heart is a Black rock power trio rounded out by drummer Ricc Sheridan from the band Earl Greyhound (the three also perform together as The Dust Rays). Given the power trio theme, it is appropriate that this album was recorded at Jimi Hendrix’s Electric Lady Studios in New York. The eight tracks feature excellent songwriting and musicianship that is at times bare-bones rock and roll, and at other times well-produced pseudo-psychedelia. The entire band is first-rate, and Douglas is outstanding both as a vocalist and a guitarist. Perhaps most impressive is Douglas’s restraint as a guitar player. On tracks like “Uma” he demonstrates that he can play at a top-tier level when he wants to, but unlike some other highly technical guitarists, Douglas does not populate the entire album with flashy guitar licks. Continue reading

Burnt Sugar The Arkestra Chamber – 20th Anniversary Mixtapes: Groiddest Schizznits Vol. 1-3

 

Title: 20th Anniversary Mixtapes: Groiddest Schizznits Vol. 1-3
Artist: Burnt Sugar The Arkestra Chamber
Label: TruGroid/Dist. CD Baby
Formats: 3 CDs, Digital
Release date: 2019

 

This year marks the twentieth anniversary of the acclaimed and renowned experimental soul-jazz-hip hop ensemble, Burnt Sugar The Arkestra Chamber. Founded in 1999 by Village Voice critic, black music scholar and guitarist Greg Tate and co-leader/bassist Jared Michael Nickerson, Burnt Sugar was, and is, a collective of musicians creating music that traverses black music styles, genres, and eras. According to Tate and Nickerson, “Burnt Sugar was originally conceived as a forum for the New York area improvisational musician to compose, record and perform material which reflects the breadth and depth of African diasporan music in the 21st century.” To commemorate their illustrious career, Burnt Sugar recently released their three volume album compilation, 20th Anniversary Mixtapes: Groiddest Schizznits. Continue reading

Little Junior Parker Rocks

 

Title: Rocks
Artist: Little Junior Parker
Label: Bear Family
Formats: CD, Digital
Release date: April 5, 2019

 

Little Junior Parker (1932-1971) is the most recent artist to be featured on Bear Family’s long-running Rocks! series, which focuses on “the best upbeat recordings of seminal roots music artists.” Though Parker’s life “was tragically truncated by a brain tumor,” the blues harpist “had enough time to leave behind a bountiful blues recording legacy that stretched across two decades.” As explained by Bill Dahl, reissue producer and author of the extensive liner notes, Parker released a string of R&B and blues hits for two of the seminal independent labels of the postwar era: Sam Phillips’ Sun Records in Memphis and Don Robey’s Houston-based Duke imprint.” Both are represented on this compilation. Continue reading

John the Martyr Self-Titled Debut Album

 

Title: John the Martyr
Artist: John the Martyr
Label: Plus One
Formats: CD, LP, Digital
Release date: June 14, 2019

 

It’s becoming a familiar story: young soul music enthusiast encounters a seasoned elder who hasn’t performed professionally for years, and invites him or her to front a band. In this instance, the band is the ten-piece rock and soul group John the Martyr, and the elder is none other than 70-year-old Harlem soul singer Bill Hudson, who had been earning extra cash performing with a doo-wop group in the New York subway. Now, just two years after their formation, John the Martyr has released its eponymous debut album to wide acclaim. You may have already heard their first single, “Crossing the Line,” which is brimming over with a youthful enthusiasm tempered by the gravitas of Hudson’s vocals that reflect the septuagenarian’s lived experience: Continue reading

Alan Evans – Nothing To Say

 

Title: Nothing To Say
Artist: Alan Evans
Label: Vintage League Music
Formats: CD, LP, Digital
Release date: May 24, 2019

 

Don’t let the title fool you—Alan Evans has plenty to say on his solo debut album. Steeped in psychedelic rock and funk, Nothing To Say finds Evans stepping out from behind his drum kit and away from his acclaimed funk/jazz trio Soulive. The album’s ten original tracks were written, recorded, and produced over the past four years by Evans and released on his Vintage League Music label. In addition to laying down the drum tracks, the singer and multi-instrumentalist performs all vocals as well as guitar, bass, keys and percussion. Joining Evans on this outing are guitarists Danny Mayer and Ryan Hommel, who doubles on pedal steel, with Darby Wolf, Kris Yunker, Beau Sasser, and brother Neal Evans (Soulive) filling in on Moog, organ, piano and Mellotron. This keyboard centric mix is heavy on the organ, creating a soulful yet funky feel throughout, but includes enough stellar guitar solos to rock hard. Continue reading

Cole Williams – Believe

 

Title: Believe
Artist: Cole Williams
Label: Louisiana Red Hot
Formats: CD, Digital
Release date: May 31, 2019

 

After making a name for herself as a vocalist and percussionist with the Brooklyn-based quintet Pimps of Joytime and contributing background vocals for numerous artists, Cole Williams decided she was ready for a reboot. The Jamaican-American singer-songwriter and self-described “punk empress” relocated to New Orleans in 2015 and formed the Cole Williams Band, then set out to invoke an “African Rock Revolution.” Her new solo album, Believe, offers eleven original tracks all written, produced, and performed by the talented Williams. From the distorted soul of “Opposites ATTRACT” to the electro/hip hop vibe of “Turn Up,” the album gets off to a righteous start. Other highlights include the densely packed soundscape of the manifesto “Single Black FEmelle,” the good vibes of “Get High,” and the cautionary tale of “Sin City.” The album closes on a high note with the mid-tempo title track, “BeLieVe,” featuring jazzy, multilayered vocals over a punchy horn section on this affirmative song about love and relationships.  Though Believe is more experimental, free flowing, and synth heavy than Williams’ previous efforts, the album should still strike a chord for fans of her unique blend of rock and soul music. Continue reading

Dwayne Dopsie & The Zydeco Hellraisers – Bon Ton

 

Title: Bon Ton
Artist: Dwayne Dopsie & The Zydeco Hellraisers
Label: Louisiana Red Hot
Formats: CD, Digital
Release date: May 24, 2019

 

Dubbed the “Jimi Hendrix of the accordion” by Rolling Stone magazine, Dwayne “Dopsie” Rubin is a master of the “blood pumping zydeco” that seeps from the heart of Louisiana’s bayous on a hot summer night. Known for playing his accordion like a guitar, Dopsie’s fiery style incorporates elements of rock, funk, and R&B as well as the more traditional zydeco learned at the knee of his father, the late Alton Rubin Sr. (a.k.a. Rockin’ Dopsie). On his latest release, Bon Ton, Dopsie definitely ushers in summer with some good times and great music. His backing band, The Zydeco Hellraisers, features Paul Lafleur on washboard, Brandon David on guitar, Tim McFatter on sax, Dion Pierre on bass, and Dondrell Fleming on drums. Together they perform a synthesis of the blues, rhythm and blues, and traditional Cajun music that comprise the zydeco tradition. Continue reading

Los Coast – Samsara

 

Title: Samsara
Artist: Los Coast
Label: New West Records
Formats: CD, LP, Digital
Release Date: June 14, 2019

 

Austin, Texas based band Los Coast has made a name for themselves on the local scene as an exciting and inventive young band. On their debut album, Samsara, Los Coast delivers a blend of pop and soul inspired tracks that incorporate the band’s distinctive grooves and infectious energy. Continue reading

Various Artists – Putumayo Presents World Peace

 

Title: Putumayo Presents World Peace
Artist: Various Artists
Label: Putumayo World Music
Formats: CD, Digital
Release Date: June 14, 2019

 

Putumayo World Music, the record label known for its joyful compilations of international music, has released its newest project, World Peace. Inspired by John F. Kennedy’s historic “peace speech” of 1963 that eased Cold War tensions, World Peace draws upon the speech’s themes of ending excessive militarism and “making the world safe for diversity.” Continue reading

Bernard Fowler – Inside Out

 

Title: Inside Out
Artist: Bernard Fowler
Label: Rhyme and Reason
Formats: CD, LP, Digital
Release date: April 19, 2019

 

Bernard Fowler has had an impressive career for being someone whose name flies under the radar of the average mainstream listener. He has recorded with composers such as Philip Glass, jazz legend Herbie Hancock, and rock icon Alice Cooper. Inside Out, Fowler’s newest release, presents a unique interpretation of the music of the Rolling Stones that will sound fresh and new to even the most seasoned Rolling Stones fan. As a performer, Fowler has worked as a backup singer and percussionist for the Rolling Stones both live and in the studio since 1988, so he is very familiar with the band’s style. Yet these tracks are more than just arrangements of Rolling Stones songs that he has performed—they are new musical compositions on top of which Fowler interprets the lyrics in a spoken-word format in the style of Last Poets and Gil Scot-Heron. Continue reading

The 1865 – Don’t Tread On We

 

Title: Don’t Tread On We
Artist: The 1865
Label: Mass Appeal
Formats: Vinyl, Digital
Release Date: January 25, 2019

 

On April 9th, 1865 the United States Civil War came to an end. Now, over 150 years later, these events have inspired an all-black punk rock band known as The 1865. Describing themselves as “Bad Brains meets Foo Fighters in a black woman’s hair salon for a cup of tea,” the Brooklyn-based band is in a class all their own. With the release of their debut album, Don’t Tread on We, The 1865 explore life in America following the Civil War—a land living in the shadows of the fallen Confederacy. Continue reading

Moonlight Benjamin – Siltane

 

Title: Siltane
Artist: Moonlight Benjamin
Label: Ma Case
Formats: CD, Digital
Release date: November 30, 2018

 

For the past twelve years, Moonlight Benjamin has been successfully carving out a space for herself within the music world as the priestess of voodoo blues rock and roll. Her fourth album, Siltane, has only secured her claim to this title. The latest project features Benjamin on lead vocals, Matthis Pascaud on bass and guitar, Marck-Richard Mirand on bass, Clude Saturne on percussion, and Bertrand Noël on drums. Together, they create a soundscape that is suggestive of “an Afro-energized Black Keys meets Dr. John.” Continue reading

Eric Gales – The Bookends

 

Title: The Bookends
Artist: Eric Gales
Label: Provogue
Formats: CD, LP, Digital
Release date: February 8, 2019

 

Virtuoso blues-rock guitarist Eric Gales may not be a household name, but he’s been described by his peers as one of the best guitar players in the world. A former child prodigy, Gales was signed to a record label at the age of 16 and has since recorded 15 solo albums. Along the way he’s recorded with many other artists, and also performs alongside bassist Dug Pinnick (King’s X) and drummer Thomas Pridgen (Mars Volta) in the formidable black rock power trio Pinnick Gales Pridgen. Gales’ new release, The Bookends, may be his greatest accomplishment to date. While blues and rock may represent the bookends, the project also embodies “everything in between” from pop, jazz, and funk to gospel. Continue reading

The Full-On Electric Ladyland Experience

 

Title: Electric Ladyland 50th Anniversary Deluxe Reissue
Artist: The Jimi Hendrix Experience
Label: Legacy
Formats: CD, LP, Digital
Release date: November 9, 2018

 

Perhaps demonstrating, emphatically, that rock music is long in the teeth, 2018 marks the 50th anniversary of several historic albums. At the top of the list is Jimi Hendrix’s Electric Ladyland, a muddy, blues-infused psychedelic mashup originally released on 2 vinyl platters. Sony’s Legacy label celebrates the half-century with a deluxe 3-CD/1-BluRay set also released in a 6-LP/1-BluRay edition. Continue reading

Neneh Cherry – Broken Politics

 

Title: Broken Politics
Artist: Neneh Cherry
Label: Smalltown Supersound
Formats: CD, LP, Digital
Release Date: October 19, 2018

 

It’s hard to believe it was thirty years ago that Neneh Cherry burst onto the scene with the international hit single “Buffalo Stance” from her debut album, Raw Like Sushi, (1988).  Garnering lots of MTV and BET love, Cherry was perhaps on her way to becoming huge, but as the ‘90s rolled in, Cherry did an exit stage left. After releasing Homebrew (1992) and Man (1996), she went UG—as in underground. Cherry’s whereabouts became a topic of interest for her fans. It takes a great deal of confidence and know-thy-self to just up and walk away from the commercial trappings of the game. But Cherry comes across as one who was never impressed by that. Continue reading

Blood Orange – Negro Swan

 

Title: Negro Swan
Artist: Blood Orange
Label: Domino
Formats: CD, LP, Digital
Release date: August 24, 2018

 

Negro Swan, British singer-songwriter Devonté Hynes’ fourth studio album under the moniker Blood Orange, follows Hynes’ stream of consciousness as he explores blackness, gender and sexuality, mental illness, and queerness. In a press release for Domino Records, Hynes said his newest album “is an exploration into my own and many types of black depression, an honest look at the corners of black existence, and the ongoing anxieties of queer/people of color.  A reach back into childhood and modern traumas, and the things we do to get through it all.” Continue reading

Prince – Piano & A Microphone 1983

 

Title: Piano & A Microphone 1983
Artist: Prince
Label: NPG/Rhino/Warner Bros.
Release Date: September 21, 2018
Formats: CD, LP, Digital

 

In what is among the first of presumably many collections of previously unreleased material discovered in Prince’s vault after his death, Piano & a Microphone 1983 contains 34 minutes of demos and rehearsals he recorded in the early 1980s. Following on the heels of April’s release of Prince’s stirring original recording of “Nothing Compares 2 U” and the digital-only Anthology: 1995-2010 of previously released material released in August, Piano & a Microphone 1983 is a set of what sounds like single-take live demos, complete with mixing chatter, improvisations, and vocalized arrangement details. While it is certainly not a set of polished recordings, this compilation is a snapshot of one of the 20th century’s greatest artists in the midst of the creative process.  Continue reading

Lonnie Holley – MITH

 

Title: MITH
Artist: Lonnie Holley
Label: Jagjaguwar
Formats: CD, LP, Cassette, Digital
Release date: September 21, 2018

 

MITH represents visual artist Lonnie Holley’s third recorded album, following his debut Just Before Music (2012) and Keeping a Record of It (2013). Similar to his other releases, MITH challenges the notion of boundaries. As Matt Arnett writes in his liner notes essay, Holley’s music often defies “easy, and sometimes even not-so-easy, characterization and classification.” Holley himself writes the following about issues of classifying his work through typical musical genre systems: “All those terms they’ve called me—outsider, folk, visionary, self-taught—they’ve clung to me like an ill-fitted suit.”  Continue reading

Roosevelt Collier – Exit 16

 

Title: Exit 16
Artist: Roosevelt Collier
Label: Ground Up
Formats: LP, Digital
Release date: March 9, 2018

 

Roosevelt “The Dr.” Collier, who currently performs as a member of the Snarky Puppy spin-off band Bokanté, released his solo debut album Exit 16 earlier this year. Raised in the House of God Church in Perrine, Florida, Collier represents the younger generation of “sacred steel” guitarists. A master on both pedal and lap steel guitars, he also performs with his uncles and cousins as the Lee Boys, one of the foremost sacred steel ensembles., and in his spare time graces the stage with the likes of the Allman Brothers and Los Lobos.  Continue reading

Original Human Music – Ultraphonix

ultraTitle: Original Human Music

Artist: Ultraphonix

Label: earMUSIC

Formats: CD, LP, Digital

Release date: August 3, 2018

 

Original Human Music is the full-length debut album by Ultraphonix, a supergroup consisting of vocalist Corey Glover (Living Colour), guitarist George Lynch (Dokken), bassist Pancho Tomaselli (War), and drummer Chris Moore (Endangered Species). While its members all come from different bands, nothing about this album points to a group that was arbitrarily assembled. Having worked for years with guitar virtuoso Vernon Reid, Corey Glover seems at home working with guitar legend George Lynch. Continue reading

Rock Masterpieces Vol. 1- Jean Beauvoir

Rock Masterpieces Vol. 1Title: Rock Masterpieces Vol. 1

Artist: Jean Beauvoir

Label: AOR Heaven

Formats: CD, Digital

Release date: June 29, 2018

 

Jean Beauvoir is a legend in the world of black rock and Afro-punk artists. Born in Chicago to Haitian-American parents, he started his musical career in a fairly typical manner, learning drums and bass as a kid, and honing his vocals singing doo-wop. But his career took a dramatic left turn when he moved to New York during the punk rock explosion and crossed paths with Rod Swenson and Wendy O. Williams. Continue reading

Sean Ardoin – Kreole Rock and Soul

seanTitle: Kreole Rock and Soul

Artist: Sean Ardoin

Label: Louisiana Red Hot

Formats: CD, Digital

Release Date: September 14, 2018

 

Sean Ardoin may come from a long line of accordion-playing Creole musicians (including Amédé Ardoin and Alphonse “Bois Sec” Ardoin), but he certainly isn’t one to be put in a box when it comes to his music. Ardoin’s newest album, Kreole Rock and Soul, is named after the genre that he created in an attempt to revamp the music of his ancestors. While the album pays tribute to Ardoin’s Creole roots, it also incorporates the styles of contemporary pop and classic rock. Continue reading

Brussels Philharmonic – Terence Blanchard: Music For Film

film

 

Title: Terence Blanchard: Music For Film

Artist: Brussels Philharmonic

Label: Silva Screen Records

Formats: CD, Digital

Release Date: November 17, 2017

Spike Lee’s new film, BlacKkKlansman, is set to open on August 10th. Winner of the Cannes Film Festival’s Grand Prix, the work has already received positive reviews. Composer and jazz musician Terence Blanchard’s soundtrack for the film has yet to be released, but his previous film compositions can give an idea of what the score might sound like.

Released in late 2017, Terence Blanchard: Music for Film spans his film work from the 1992 Malcolm X to 2015’s Chi-Raq, performed here by the Brussels Philharmonic under the direction of Dirk Brossé as part of the Film Fest Gent’s series of film composer spotlights. Like the upcoming BlacKkKlansman, many of Blanchard’s works presented on this album, including music from Malcolm X, 25th Hour, and When the Levees Broke: A Requiem in Four Acts, have been in collaboration with director Spike Lee. The collaboration has proven fruitful for Blanchard, who has said that Lee always encourages him to write music that could be successful on its own.

Though each film presented has its own unique sound, the tracks are connected by a strong presence of trumpet, calling back to Blanchard’s own career as a jazz trumpeter. Many also make use of jazz idioms, most notably the two tracks from When the Levees Broke: A Requiem in Four Acts (2006). Although he calls New Orleans home and this film is a documentary describing the destruction and aftermath of Hurricane Katrina, Blanchard intentionally stays away from traditional New Orleans jazz. Instead, he explains that he wanted to create a more universal sound to appeal to a wider audience and the musical themes he created do just that, blending jazz with incredibly emotive melodies depicting the tragedy and despair of the city’s residents. The “Levees” track is particularly successful, combining a soulful trumpet line with descending, dissonant string patterns.

Another film directed by Spike Lee, 25th Hour, received much critical acclaim; Blanchard’s score was nominated for several awards, including the 2003 World Soundtrack Award and Golden Globes. Telling the story of a drug dealer’s last 24 hours of freedom before he is sent to jail, the music is haunting and memorable. Heavier on strings, particularly solo cello, than many of his other films, it features twisting musical themes above persistent ostinato patterns. Still, it is not without Blanchard’s signature jazz inflections, as the third track on the album, “Playground,” embraces a traditional lounge-style piano along with the lusher string sound and solos present in the other selections.

YouTube Preview Image

Some selections, such as the suite from Inside Man (2006) and the opening title music of Miracle at St. Anna (2008), lean less on Blanchard’s jazz background and instead seem to be reminiscent of earlier film music styles like the compositions of James Horner. Tracks on this album from both films make use of a more militaristic style, emphasizing repetitive snare drum lines underneath epic brass and string melodies.

Two comedies, Bamboozled (2000) and She Hate Me (2004), showcase other sides of Blanchard’s work. The former’s biting satire and pointed social commentary are offset by a more somber, restrained musical theme. In contrast, the selections from She Hate Me are a bit less serious, incorporating several jazz styles including references to bebop, fusion, and cool jazz.

Blanchard’s skill in composing for a wide range of genres shines through the tracks presented in this album. His masterful usages of thematic material, blending of styles, and jazz inflections make this an incredibly rewarding listen. Blanchard’s score for BlacKkKlansman is sure to deliver the same exciting interplay of styles.

Reviewed by Emily Baumgart

Dug Pinnick – Tribute to Jimi: Often Imitated by Never Duplicated

Dug Pinnick

Title: Tribute to Jimi: Often Imitated but Never Duplicated

Artist: Dug Pinnick

Label: Rat Pak

Formats: CD, LP, Cassette, Digital

Release date: May 18, 2018

 

Dug Pinnick’s Tribute to Jimi: Often Imitated but Never Duplicated is a fitting homage to the guitar great, in part because Pinnick is an ideal musician for pulling off a project such as this. Having spent decades as the bassist and singer for King’s X, which just might be the most underrated power trio in rock and roll history, he is the perfect candidate to record tunes by the Jimi Hendrix Experience, which is arguably rock and roll’s preeminent trio. Also, upon hearing Pinnick’s vocals on these tracks, the listener is hard-pressed to think of a more fitting vocalist to sing these songs. The bulk of the guitar duties are handled by Tracey “Spacey T” Singleton from the groundbreaking metal group Sound Barrier, one of the first African American heavy metal bands. While this tribute to Jimi is not a note-for-note replication of Hendrix material, it is also not a reinvention. The eight tracks bear tremendous amounts of similarity to the originals. However, there is a general freshness to this recording that results from the presence of stylistically indoctrinated musicians who are willing to occasionally color just outside the lines.

The sonic similarity to the originals is not surprising since this recording was made with that intention. Pinnick stated that they had wanted “to recreate the analog recording process as closely to the original recordings as possible.” With this in mind, they used as many of the same types of equipment used by Hendrix and company as was feasible. The result is a modern recording that maintains a vintage feel. While the playing on the album has had the influence of fifty more years of musical evolution, the actual guitar tones maintain the characteristics of the late ‘60s. “If 6 Was 9” serves as a perfect example of this. Although there are variations in note choice from the original, the guitar sounds as if it was recorded using the exact same rig that Hendrix used back in 1967.

Song selection for a tribute album can always be tricky. When dealing with the catalog of an artist such as Jimi Hendrix, who had so many great songs, the difficulty in selecting eight tracks is compounded. Nevertheless, Pinnick did a great job in narrowing down the scope of the project by sticking with songs from the three studio albums released during Hendrix’s lifetime—Are You Experienced (1967), Axis: Bold as Love (1967), and Electric Ladyland (1968). Tracks include psychedelic standards such as “Are You Experienced” and “Purple Haze,” songs in the pop vein such as “Fire” and “Crosstown Traffic,” and iconic Hendrix tracks such as “Voodoo Child (Slight Return).” Of course, “All Along the Watchtower” is also present. It is perhaps ironic—or even fitting—that a cover of a cover would be present on this album. Nevertheless, any Hendrix project would be incomplete without “All Along the Watchtower,” which along with Aretha Franklin’s version of Otis Redding’s “Respect,” stands out as one of the greatest cover songs of all time.

“Are You Experienced” is the first track, and the impeccable backwards guitar sets the bar high for the remainder of the album regarding attention to detail in capturing the spirit of the originals. This attention to detail is evident throughout the album, and “Crosstown Traffic” continues this sentiment by including the kazoo part from the original. Other standout tracks include “Purple Haze,” driven by Pinnick’s signature 12-string bass sound. Also, though covered many times, Pinnick’s version of “All Along the Watchtower” serves as one of the more authentic covers of the Hendrix classic. Worth mentioning too is “Voodoo Child (Slight Return),” which closes the album in a blistering fashion.

As a testament to his phenomenal output with King’s X, Pinnick will always attract that band’s loyal fans. Ideally, others will also find this recording and discover what diehard King’s X fans have known for years—that Dug Pinnick is one of the great rock and roll talents. Tribute to Jimi is one of the best tributes to Hendrix ever released, and it is obvious that the musicians had fun making this album. The final product is a recording that builds upon the experimental spirit of Hendrix while still maintaining a stylistic affinity to the original recordings. As should generally be the case with performances of Hendrix songs, the guitar playing on this album is scorching, and Pinnick’s powerful voice adds a new dimension to these classics. It is truly hard to envision this album disappointing any rock and roll fan.

Reviewed by Joel Roberts

 

 

 

 

Fantastic Negrito – Please Don’t Be Dead

Fantastic Negrito

Title: Please Don’t Be Dead

Artist: Fantastic Negrito

Label: Cooking Vinyl

Format: Digital, LP, CD

Release Date: June 15, 2018

 

Oakland native Xavier Dphrepaulezz, professionally known as Fantastic Negrito, is an award winning musical artist and story teller. Coming back from a decade long hiatus, Negrito returned to the music industry in 2016 with more fire and flare then before, releasing The Last Days of Oakland which won him his first Grammy Award. More recently, Negrito was featured on an episode of the popular Fox television series, Empire.

Negrito’s latest release, Please Don’t Be Dead, is a rock-soul album that presents issues, warnings and solutions that have everything to do with American society and the people that live within it. Negrito wants people to “stay woke” by being aware that what is happening currently in our nation is not a normal occurrence. The album cover art, a real-life photo of Negrito coming out of a three week coma caused by a previous car accident, represents his efforts to leave dark times in the past. By choosing to move forward and leaving behind hatred, blame, disrespect and hopelessness, Negrito stands with his community to embrace love, unity, empathy and compassion.

Regarding the title track, Negrito said “Please Don’t Be Dead” tells the story of a man standing over something he cares about that is wounded. He’s looking around, and he’s saying: “Do Something.”

YouTube Preview Image

“Plastic Hamburgers” is a call to the listener to break down the walls that keep people separated from one another in American society, harkening to issues of racism, classism, sexism, poor government policy and regulation. The chorus, “Let’s break out these chains, let’s burn it down,” suggests that we are slaves to the American hegemonic machine, referred to as a “bomb with a winning hand.” Negrito suggests we can overcome this domination if we stop buying into the idealistic pressures of American society.

“Bad Guys” continues with this narrative, suggesting that dominions create the evil, charging us to fear it while swearing to protect us from it. According to Negrito, a “bad guy” is a figure, thing or idea that we can point to as the blame for all the problems we create. He goes on to suggest we should look in the mirror before we start blaming others for the issues we create due to the consequences of our choices.

“A Letter to Fear and Transgender Biscuits” is the silver lining of the album. Despite the horrible things happening in America, Negrito claims, “We can carry on.” In doing so, however, we don’t have to accept the current issues as the norm. Negrito offers his solution to the problem by standing with his friends and his community who have agreed that, “Hope will never die!” The song encourages everyone to keep fighting against the present violent norms by pressing back against it with love as a community: “All the people with love in your heart, get unified, get organized….. Unity.” By unifying and organizing, standing against the issues that are being pressed upon us to be accepted as the norm, we can elicit change. That is the history of the positive paradigm shifts in our nation’s past.

“The Suits That Won’t Come Off” is a song that encourages perspective empathy. As Negrito sings, “How do you sleep at night when you have stolen from me,” he is asking his audience to stand in the shoes of those in other circumstances in order to gain compassion. How different could this world be if people respected those who are unlike them? Negrito ends his album with the funk and gospel influenced, “Bull Shit Anthem.” The chorus of the song sums up what Negrito wants us to do with all the issues presented on the album. Along with love, standing with the community, showing empathy and having compassion, we need to “Take that bullshit, turn it into good shit!”

Please Don’t Be Dead is a fitting wake-up call from an artist who reclaimed his consciousness both physically and artistically, and is now striving for others to follow his example. It’s a request we all should heed, as Negrito instructs, before it’s too late.

Reviewed by Bobby Davis

Bettye Lavette – Things Have Changed

Bette Lavette
Title: Things Have Changed

Artist: Bettye Lavette

Label: Verve

Formats: CD, Digital, Vinyl

Release date: March 30, 2018

 

 

The Times, They are a ’Changin’. This phrase, with all its historic relevancy, has once again become the most accurate description of contemporary times all over the globe. Therefore, it stands as no surprise a 60’s soul legend such as Bette Lavette would release a cover album focusing on ironic political artist Bob Dylan. Things Have Changed is a fitting tribute to some of Dylan’s most prolific movement songs in addition to showcasing other soul rock classics, with Lavette weaving in her own gritty stylings and adding a contemporary layer to the timeless classics.

The title track, Things Have Changed, serves as a warning for those who feel overwhelmed and anxious about their world: “Any minute now I’m expecting all hell to break loose/People are crazy and times are strange/I’m locked in tight/I’m out of range/I used to care, but things have changed. “Political World”, with its echoing of past conflicts and shouts of current trajectories, features Keith Richards, who layers his talents behind Lavette.

YouTube Preview Image

Additional tracks pay homage to some of Dylan’s more introspective musings, with selections such as “It Ain’t Me Babe” and “Mama, You’ve been on My Mind.” But it’s on “Emotionally Yours” that Lavette’s ability to tug at the heartstrings becomes most evident. Through a combination of Dylan’s lyrics and her own amazingly soulful abilities, Lavette gives her listeners a thought-provoking look into the mind of a tortured soul yearning for that one last chance: “Come baby, find me, come baby, remind me of where I once begun/Come baby, show me, show me you know me, tell me you’re the one/I could be learning, you could be yearning to see behind closed door/But I will always be emotionally yours.”

Things Have Changed offers us the best of both worlds—Bob Dylan’s ageless classics and Bettye Lavette’s endless soul stylings—proving to us that even though time marches on, some things remain eternal and relevant, no matter what.

Reviewed by Amy Aiyegbusi

Shuggie Otis – Inter-Fusion

Shuggie Otis
Title: Inter-Fusion

Artist: Shuggie Otis

Label: Cleopatra

Formats: CD, LP, Digital

Release Date: April 20, 2018

 

 

Known best for his soulful songwriting and tender serenades as heard on hits such as “Strawberry Letter 23” and “Inspiration Information,” Shuggie Otis, “heir to Hendrix,” has long been held as one of the most innovative guitarists to ever pick up the 6-strings. A prodigy from early age, Otis regularly performed on stage and in the studio alongside his legendary father, bluesman Johnny Otis. Shuggie’s latest project, an adventurous new fusion rock project called Inter-fusion, showcases just how mind-blowing he is on the pearly frets of his gorgeous maroon Gibson SG.

The album consists of mostly instrumental tracks that groove and weave, taking unexpected turns in surprising directions, but all anchored by one of the finest rhythm sections imaginable. Drummer Carmine Appice (of Vanilla Fudge/Beck, Bogert & Appice) and bass player Tony Franklin (of The Firm/Roy Harper) both layer their expertise beyond Otis. In addition, keyboardist Kyle Hamood (of L.A. rockers Them Guns) steps in as both a musician and producer, delivering outright superlative performances from each artist involved.

The opening track, “Aphelion,” is a sweetly smooth shot of melancholy that goes down without a hitch. “Woman,” an uptempo beat complete with intricate melodies and layered percussion, begs to be played over and again, and “Clear Power” is a clean, crisp polyrhythmic groove that satisfies the aural need for virtuosity.

Uniting some of the best rock fusion artists on one recording, Inter-fusion reminds us that when it comes to Shuggie Otis, some of the most eclectic, quality art and artists have been right beside us all along.

Reviewed by Amy Aiyegbusi