Andrew Cyrille, Wadada Leo Smith, and Bill Frisell – Lebroba

 

Title: Lebroba
Artists: Andrew Cyrille, Wadada Leo Smith, and Bill Frisell
Label: ECM
Formats: CD, LP, Digital
Release Date: November 2, 2018

 

November brought a new collaboration from three of the all-time greatest avant-garde jazz musicians: Andrew Cyrille (drums), Wadada Leo Smith (trumpet) and Bill Frisell (guitar). The trio’s album, Lebroba, takes its title from a contraction of the three musicians’ birthplaces: Leland (Mississippi), Brooklyn, and Baltimore. This is certainly a fitting title for a record featuring a fusion of three musicians’ unmistakable styles. It’s also fitting that the album was released on the ECM label, which has long been a flagship of progressive jazz and which has issued landmark recordings featuring each member of this trio.  Continue reading

James Francies – Flight

 

Title: Flight
Artist: James Francies
Label: Blue Note
Formats: CD, MP3
Release date: October 19, 2018

 

Though only 23-years-old, pianist and composer James Francies has been very active on the music scene, performing with prominent jazz artists like Stefon Harris, Pat Metheny, and Eric Harland, as well as hip-hop and R&B artists Common, Lauryn Hill, The Roots, and Bilal, among others. His new 11 track Blue Note debut album, Flight, provides an array of orchestrations drawing on elements of jazz, hip-hop, R&B, and electronic-sounding qualities. With a supportive cast of first-rate musicians—saxophonist Chris Potter, guitarist Mike Moreno, vibraphonist Joel Ross, bassist Burniss Travis II, drummers Jeremy Dutton and Mike Mitchell, and vocalists YEBBA, Kate Kelsey-Sugg and Chris Turner—Francies takes the listener on a musical journey filled with vibrant grooves intermixed with lush harmonic textures. Continue reading

Imamu Amiri Baraka – It’s Nation Time – African Visionary Music

 

Title: It’s Nation Time – African Visionary Music
Artist: Imamu Amiri Baraka
Label: Motown/UMe
Formats: LP, Digital
Release date: November 16, 2018

 

At the beginning of the Black Power Era, Motown Records joined other labels in producing politically oriented albums that addressed issues of critical concern to Black America (e.g., see our previous review of the book, Listen Whitey). Motown established a subsidiary label for this project in 1970, and released a total of eight albums and one single on their new Black Forum label. The rarest of these Black Forum albums—virtually unavailable for the past 46 years—is Amiri Baraka’s It’s Nation Time – African Visionary Music, released in 1972. In a surprise move with little fanfare, the album has now been reissued on vinyl. Continue reading

The Art Ensemble of Chicago and Associated Ensembles

 

Title: The Art Ensemble of Chicago and Associated Ensembles
Label: ECM
Format: 21-CD box set
Release date: November 30, 2018

 

The Art Ensemble of Chicago has a storied place in the history of jazz and avant-garde music. An offshoot of the Association for the Advancement of Creative Musicians (AACM), the AEC formed in 1969 and is now on the cusp its 50th anniversary. In celebration of that milestone, ECM Records has assembled this limited edition 21-CD box set showcasing all of the albums they released with these “standard bearers of Great Black Music.” Continue reading

Ambrose Akinmusire – Origami Harvest

 

Title: Origami Harvest
Artist: Ambrose Akinmusire
Label: Blue Note
Formats: CD, MP3
Release date: October 12, 2018

 

World renowned trumpeter and composer Ambrose Akinmusire recently released his fourth album with Blue Note, Origami Harvest. Originally a project commissioned for curators Judd Greenstein (Manhattan’s Ecstatic Music Festival) and Kate Nordstrum (St. Paul’s Liquid Music Series), Akinmusire was asked, “What’s the craziest idea you have?” Responding to the curators request, he presented a “project about extremes (masculine/feminine, high/low art, passivity/aggression, free improvisation/controlled calculation, American ghettos/American affluence, hip hop/classical), putting things that are seemingly opposite right next to each other.” Continue reading

Christian McBride – New Jawn

 

Title: Christian McBride’s New Jawn
Artist: Christian McBride
Label: Mack Avenue
Formats: CD, MP3, LP
Release date: October 26, 2018

 

Just one year after his Grammy Award winning album Bringin’ It, Christian McBride returns with his newest project, Christian McBride’s New Jawn. The album features his chordless quartet—formed during McBride’s annual two-week residency at the Village Vanguard in December 2015—which includes trumpeter Josh Evans, saxophonist Marcus Strickland, drummer Nasheet Waits, and McBride on bass. Continue reading

Makaya McCraven – Universal Beings

 

Title: Universal Beings
Artist: Makaya McCraven
Label: International Anthem
Formats: CD, LP. Digital
Release date: October 25, 2018

 

Jazz drummer Makaya McCraven could not possibly have predicted that the release date of his new album, Universal Beings, would coincide with a week of domestic terrorist acts fueled by racism, anti-semitism, and anti-immigration hysteria. Though his album’s “all-encompassing message of unity, peace & power” would be welcome at any time, it is particularly transformative at this moment as a reminder of our shared humanity and the need to bridge cultural divides. Continue reading

José James – Lean On Me

 

Title: Lean On Me
Artist: José James
Label: Blue Note
Formats: CD, LP, Digital
Release date: September 28, 2018

 

Minnesota-born jazz singer José James is known for combining aspects of jazz, soul, and hip hop to create his own unique style, which has often been described as a modern Gil Scott-Heron. Over the course of his career, James has released six full-length albums that range in style from typical jazz standards to all original works. Now, with his latest album Lean On Me, James pays homage to one of the most respected artists ever, Bill Withers. Continue reading

Capathia Jenkins & Louis Rosen-Phenomenal Woman: The Maya Angelou Songs and Songs Without Words

 

Title: Phenomenal Woman: The Maya Angelou Songs
Artist: Capathia Jenkins and Louis Rosen
Label: Di-Tone records
Formats: CD, Digital
Release date: September 15, 2018

 

Maya Angelou is revered as one of the greatest and most influential writers in America. Her ability to spin tapestries depicting life in this country, as both an African American woman and as a person fighting for their right to live free, is evident in her best known works such as I Know Why the Caged Bird Sings. Her books and poetry profoundly shaped American literature as we know it today. When Angelou died on May 28, 2014, President Barack Obama described her as “one of the brightest lights of our time.” Now, with Phenomenal Woman: The Maya Angelou Songs and Songs Without Words, Broadway star Capathia Jenkins and composer Louis Rosen have come together to bring the words of Maya Angelou back to life through music. Continue reading

ILL DOOTS – Ill Doots

 

Title: Ill Doots
Artist: ILL DOOTS
Label: Ropeadope
Formats: CD, MP3
Release date: July 27, 2018

 

Over the summer, the Philadelphia hip hop collective ILL DOOTS released their self-titled album, Ill Doots. The ensemble—a group of artists, educators, and activists based in Philadelphia—is inspired by Minneapolis funk, classic rock, hip hop, neo soul, and “everything in between.” Since their early formation in 2009 at a dorm room jam session, the collective has released several albums, toured the U.S., and become a fixture on the Philly concert scene. Apart from their musical endeavors, ILL DOOTS has a community outreach program called the I Love Learning initiative that provides free workshops in schools, after school programs, churches, and community venues in Philadelphia. Continue reading

Alicia Hall Moran – Here Today

 

Title: Here Today
Artist: Alicia Hall Moran
Label: dist. by CD Baby
Formats: CD, Digital
Release date: December 21, 2017

 

Multifaceted mezzo-soprano Alicia Hall Moran, who recently starred in the national tour of the Tony Award-winning production of Porgy and Bess, has embarked on a variety of significant projects over the past few years. Her critically acclaimed staged concert work, Black Wall Street, follows a path from Oklahoma and the Tulsa Race Riot of 1921 to New York’s Wall Street—which not coincidentally traces her own family’s journey.  Continue reading

Judith Lorick – The Second Time Around

 

Title: The Second Time Around
Artist: Judith Lorick
Label: JLJ International
Formats: CD, LP, Digital
Release date: September 28, 2018

 

Born and raised in Philadelphia, Judith Lorick has lead a fascinating life. Growing up in a musical home she was handed down a deep love for jazz, fondly remembering her mother regularly playing records from artists like Billy Eckstein, Ella FitzGerald, Nancy Wilson, and so many more. When she initially set out to pursue a career in jazz, Lorick found herself deeply discouraged after a bad audition, and quit performing for 13 years. She eventually moved to Southern California after receiving a major promotion that would make her the VP at a major company, but life in the corporate world failed to satisfy. Realizing that making music was her true passion, she chose to return to music full time. Now, with The Second Time Around, Lorick seeks to tell a story of love lost and then found through ten of her favorite ballads.  Continue reading

Bokanté – What Heat

 

Title: What Heat
Artist: Bokanté
Label: Real World
Formats: CD, LP, Digital
Release date: October 5, 2018

 

In the Caribbean island of Guadeloupe, Bokanté means “exchange.” I can think of no better name for a band with such a diverse sound and collection of musicians since every song they record features something new and breathtaking. This is especially true in their collaboration with the Metropole Orkest for their sophomore album, What Heat.  Continue reading

Tosin Aribisala – Áfríkà Rising

 

Title: Áfríkà Rising
Artist: Tosin Aribisala
Label: Ropeadope
Formats: CD, Digital
Release date: June 22, 2018

 

Nigerian composer, vocalist and percussionist Tosin Aribisala has very wide-ranging musical interests that cross multiple genres. As a young boy his initiation to music came via his father’s record collection, where he found inspiration in albums by jazz drummer Art Blakely and the  “master drummer of Afrobeat” Tony Allen. Following his passion in Nigeria had its limitations, however, since neither American jazz nor drum sets were not popular in the country at that time. After relocating to the U.S., Tosin made a name for himself as a versatile percussionist who can add that “special something”—namely the complex polyrhythms of African grooves—via his drum set. Those who have benefited from his talents include musicians ranging from Taj Mahal and Spyro Gyra to Fatoumata Diawara and Femi Kuti, a testament to his ability to bridge the music of two continents.  Continue reading

Grant Green – Live Times Three

france

Title: Funk in France: From Paris to Antibes (1969-1970)

Artist: Grant Green
Label: Resonance Records
Formats: 2CD set, limited ed. 3LP set, Digital
Release date: May 25, 2018

 

slick

 

Title: Slick! Live at Oil Can Harry’s
Artist: Grant Green
Label: Resonance Records
Formats: CD, limited ed. 2LP set, Digital
Release date: May 25, 2018

 

 

These three discs, spread over two albums, document jazz guitarist Grant Green in live performances in 1969 at the studio of France’s state-owned radio network (ORTF), at the 1969 Antibe’s Jazz Festival in France and in 1975 at a jazz club in Vancouver, BC, Canada. Green’s progression toward a solid footing in the funk-jazz world is clearly demonstrated. As always, Resonance Records has done a fine job finding good source tapes and remastering for superb audio quality. Each album is accompanied by a 48-page booklet illustrated with archival photos and featuring essays by Resonance producer Zev Feldman, music journalist A. Scott Galloway, and Blue Note Records discographer Michael Cuscuna, among others.  Continue reading

Europe’s Society Orchestra – The Product of Our Souls

europeTitle: The Product of Our Souls: The Sound and Sway of James Reese Europe’s Society Orchestra

Artist: Europe’s Society Orchestra
Label: Archeophone
Format: CD
Release date: June 1, 2018

 

This extraordinary new set from Archeophone Records, The Product of Our Souls, compiles for the first time in history the eight sides recorded by Europe’s Society Orchestra for the Victor Talking Machine Company. Dating from December 1913 to February 1914, these sides represent the earliest mainstream recordings of an African American dance band. Continue reading

The Window- Cecile McLorin Salvant

The WindowTitle: The Window

Artist: Cecile McLorin Salvant

Label: Mack Avenue

Formats: CD, LP, Digital

Release date: September 28, 2018

 

Where does one begin when reviewing a talent as astonishing as Cecil McLorin Salvant? Through years of hard work and training, McLorin Salvant has found a way to combine her operatic background with stylistic aspects of legendary singers—from the percussiveness of Ella Fitzgerald, to the creativity of Sarah Vaughn, to the entrancing story telling ability of Billie Holiday and Carmen McCrae. McLorin has crafted a sound all her own, unveiling new aspects of her artistry with every release. Continue reading

Swagism – Ghost-Note

SwagismTitle: Swagism

Artist: Ghost-Note

Label: Ropeadope

Release Date: April 20, 2018

Formats: CD, Digital

 

Ghost-Note is a project led by two Snarky Puppy members, Robert “Sput” Searight and Nate Werth, who perform with a rotating cast of top session players.  Their newest album, Swagism, is the group’s sprawling and definitive artistic statement, one that is funky, jazzy, and experimental all at once. The record combines grooves that hit hard on the one, progressive jazz gestures, and spoken voicemail interludes that advance the double album’s conceptual and musical narrative. Continue reading

Pillar- Jonathan Scales Fourchestra

PillarTitle: Pillar

Artist: Jonathan Scales Fourchestra

Label: Ropeadope

Formats: CD, MP3

Release date: September 14, 2018

 

American steel pan player Jonathan Scales is about to release his next project, Pillar, with his group Fourchestra, which includes Maison Guidry (drums) and E’Lon Jordan-Dunlap (bass). Traditionally, pans are played in steelbands performing Calypso music. However, Scales places the steelpan in a contemporary environment using music genres such as jazz, fusion, hip-hop, Latin jazz, and funk, as vehicles for his creative explorations. Continue reading

Maroon Cloud- Nicole Mitchell

Nicole MitchellTitle: Maroon Cloud

Artist: Nicole Mitchell

Label: FPE Records

Formats: CD, Digital

Release date: August 20, 2018

 

Jazz flutist and composer Nicole Mitchell’s latest album, Maroon Cloud, was recorded live in Brooklyn’s National Sawdust as part of multi-instrumentalist and avant-garde composer John Zorn’s Stone Commissioning Series. The album features Mitchell performing eight of her original compositions for flute, with vocalist Fay Victor, pianist Aruán Ortiz, and cellist Tomeka Reid. Continue reading

Laid Black- Marcus Miller

Laid BlackTitle: Laid Black

Artist: Marcus Miller

Label: Blue Note

Formats: CD, MP3

Release date: June 1, 2018

 

World-renowned bass player and multi-instrumentalist Marcus Miller dropped his latest album, Laid Black, over the summer. Released three years after his Afrodeezia project, this album weaves together funk, hip-hop, R&B, gospel, and jazz into an amalgam of sounds. Continue reading

Take 6 – Iconic

take6Title: Iconic

Artist: Take 6

Label: Sono Recording Group

Format: CD, Digital

Release date: April 27th, 2018

 

Six legendary men of Take 6 recently released their 11th studio album, Iconic, reminding us exactly why they are not only one of the most influential a cappella or vocal groups, but one of the most influential jazz ensembles of all time. Continue reading

Many Bodies, One Mind – Diana Purim & Eyedentity

purimTitle: Many Bodies, One Mind

Artist: Diana Purim & Eyedentity

Label: Eyedentitymusic

Formats: CD, Digital

Release date: May 2018

 

Diana Purim was destined from birth to become an artist, touring with Chick Corea’s Original Return to Forever in the belly of her mother, renowned Brazilian jazz singer Flora Purim. Her interest in other styles of black popular music began when she first saw break dancing and heard hip hop music. Continue reading

Brussels Philharmonic – Terence Blanchard: Music For Film

film

 

Title: Terence Blanchard: Music For Film

Artist: Brussels Philharmonic

Label: Silva Screen Records

Formats: CD, Digital

Release Date: November 17, 2017

Spike Lee’s new film, BlacKkKlansman, is set to open on August 10th. Winner of the Cannes Film Festival’s Grand Prix, the work has already received positive reviews. Composer and jazz musician Terence Blanchard’s soundtrack for the film has yet to be released, but his previous film compositions can give an idea of what the score might sound like.

Released in late 2017, Terence Blanchard: Music for Film spans his film work from the 1992 Malcolm X to 2015’s Chi-Raq, performed here by the Brussels Philharmonic under the direction of Dirk Brossé as part of the Film Fest Gent’s series of film composer spotlights. Like the upcoming BlacKkKlansman, many of Blanchard’s works presented on this album, including music from Malcolm X, 25th Hour, and When the Levees Broke: A Requiem in Four Acts, have been in collaboration with director Spike Lee. The collaboration has proven fruitful for Blanchard, who has said that Lee always encourages him to write music that could be successful on its own.

Though each film presented has its own unique sound, the tracks are connected by a strong presence of trumpet, calling back to Blanchard’s own career as a jazz trumpeter. Many also make use of jazz idioms, most notably the two tracks from When the Levees Broke: A Requiem in Four Acts (2006). Although he calls New Orleans home and this film is a documentary describing the destruction and aftermath of Hurricane Katrina, Blanchard intentionally stays away from traditional New Orleans jazz. Instead, he explains that he wanted to create a more universal sound to appeal to a wider audience and the musical themes he created do just that, blending jazz with incredibly emotive melodies depicting the tragedy and despair of the city’s residents. The “Levees” track is particularly successful, combining a soulful trumpet line with descending, dissonant string patterns.

Another film directed by Spike Lee, 25th Hour, received much critical acclaim; Blanchard’s score was nominated for several awards, including the 2003 World Soundtrack Award and Golden Globes. Telling the story of a drug dealer’s last 24 hours of freedom before he is sent to jail, the music is haunting and memorable. Heavier on strings, particularly solo cello, than many of his other films, it features twisting musical themes above persistent ostinato patterns. Still, it is not without Blanchard’s signature jazz inflections, as the third track on the album, “Playground,” embraces a traditional lounge-style piano along with the lusher string sound and solos present in the other selections.

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Some selections, such as the suite from Inside Man (2006) and the opening title music of Miracle at St. Anna (2008), lean less on Blanchard’s jazz background and instead seem to be reminiscent of earlier film music styles like the compositions of James Horner. Tracks on this album from both films make use of a more militaristic style, emphasizing repetitive snare drum lines underneath epic brass and string melodies.

Two comedies, Bamboozled (2000) and She Hate Me (2004), showcase other sides of Blanchard’s work. The former’s biting satire and pointed social commentary are offset by a more somber, restrained musical theme. In contrast, the selections from She Hate Me are a bit less serious, incorporating several jazz styles including references to bebop, fusion, and cool jazz.

Blanchard’s skill in composing for a wide range of genres shines through the tracks presented in this album. His masterful usages of thematic material, blending of styles, and jazz inflections make this an incredibly rewarding listen. Blanchard’s score for BlacKkKlansman is sure to deliver the same exciting interplay of styles.

Reviewed by Emily Baumgart

Water Seed – Say Yeah!! Live at the Blue Nile

Water Seed

Title: Say Yeah!! Live at the Blue Nile

Artist: Water Seed

Label: Water Seed Music Group

Formats: CD, Digital

Release date: June 22, 2018

 

Water Seed, a New Orleans-based group under the leadership of drummer Lou Hill, drew attention with their May 2017 debut album, We Are Stars, which reached the Billboard Top 20. Three months later, on August 19, 2017, their high-energy and brilliant performance at the Blue Nile in New Orleans was recorded and has now been released as the band’s first live album, Say Yeah!!.

Water Seed’s success has lead them to perform on prominent stages such as the New Orleans Jazz and Heritage Festival, the Apollo Theater, and a three-month residency in Russia. Their compositions blend funk, R&B, fusion, and soul genres into an amalgam of sound and groove that reflect not only the musical mission of the group, but also the musical environment that is New Orleans.

Say Yeah!! includes songs from their debut album, including the fan favorites “Open Sesame,” “Work It Out,” “Brand New Day,” and “Funktimus Prime.”  Now, while each track is musically exhilarating and dynamic, the highlight of this live set is the impeccable musicianship and artistic acumen of the entire ensemble (Lou Hill, J Sharp, Cinese Love, Shaleyah and Berkley). The vocal harmonies are blended perfectly, the brass lines are clean and precise, and the grooves in the rhythm section are flawlessly executed. In addition to the superb performance, listeners are treated to the call-and-response interactions between the band and audience members, which according to Hill inspired the title Say Yeah!!.

Besides the soulful and foot-stomping grooves, this album captures the spontaneity and pure artistic expressions of a well-rehearsed ensemble. Say Yeah!! is truly a magnificent demonstration of maturity and musicality.

Review by Jamaal Baptiste

The Suffers – Everything Here

suffers

 

Title: Everything Here

Artist: The Suffers

Label: Shanachie

Format: CD, LP, Digital

Release Date: July 13, 2018

 

The Suffers are a multi-faceted, musically diverse group hailing from the Gulf Coast, and just in case there’s any doubt, the first track, “Intro (A Headnod to Houston)” sets us on the right path. Their musical style, however, is less straight-forward. Soul? Jazz? Neo-blues? Retro R&B? The group, comprised of eight highly-talented individuals from multiple artistic backgrounds, can be classed as all of these and more. As lead vocalist Kam Franklin states, “We make music for all people.” Houston marks the album in more ways than one, as area rappers Paul Wall and Bun B. cameo on more than one track, and many songs express love for the city and its inhabitants. The Suffers exploded onto the scene in 2015 and 2016 with their EP Make Some Room and their self-titled debut album, and their newest offering, Everything Here, is a fitting follow-up.

The short album introduction leads into the first full-length track, “I Think I Love You.” The song has a rocking rhythm that quickly captures your mind, encouraging you to sit back, relax and let the music take control. The melody line is simple and repetitive, and exactly what you didn’t know you needed, with the beautiful lullabying of Franklin’s crooning settling your soul. Bun B’s cameo in “Bernard’s Interlude (feat. Bun B.) has a mellow, Barry White-esque tone, furthering the mood of relaxation and contemplation. Further down the list, “You Only Call” shines a spotlight on the sporadic moments every relationship—familial, personal or otherwise—can suffer in its quest to work out. “Sure to Remain” completes relational upsides as well, dealing us another round of sweet melody nestled down in a funky, electro-piano and percussion feather bed.

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In keeping with their inclusive promise, the group also offers up-tempo melodies. The title-track, “Everything Here,” is a sweet-spot mixture of all the group has to give, including Franklin’s disclosure that “Everything here, everything here/ reminds me of you.” The track “All I Want To Do” showcases Franklin’s expert songwriting abilities in the band’s jazz instrumentals and her own melodic virtuosity. “Do Whatever” cements the Suffers as message deliverers of rounded choice and acceptance, while the closing track, “Won’t Be Here Tomorrow,” urges us to appreciate the now, as things can change at the blink of an eye and the drop of an instrument.

Everything Here’s bold statements about life, love and home in tandem with their interdisciplinary musical style do indeed uphold the album’s declaration. The Suffers have everything in our musical world to offer to all in their artistic world willing to listen.

Reviewed by Amy Aiyegbusi

Chanti Darling – RNB Vol. 1

chanti

 

Title: RNB Vol. 1

Artist: Chanti Darling

Label: Tender Loving Empire

Formats: CD, LP, Digital

Release Date: August 3, 2018

 

Old meets new in Chanti Darling’s debut album, RNB Vol. 1, as the Portland, Oregon based trio seamlessly blends the traditional sounds of disco, funk, and R&B with modern house music to create a sound that captivates listeners. While Chanti Darling may come off as a band that simply produces songs best-suited for the dancefloor, the group’s underlying goal is to bring back the sounds of ‘80s R&B that they were raised on. According to frontman and performance artist Chanticleer Trü, “RNB ain’t no joke,” and that attitude shows in their 10-track album.

Though Chanti Darling is passionate about reviving ‘80s R&B, they still capture the energy of  electronic music and also feature contemporary messages in their lyrics. “Casual,” the second track on the album featuring fellow Portland native and hip-hop artist The Last Artful, Dodgr, speaks on the complicated dynamics of new relationships. Trü’s smooth vocals are layered on top of an entrancing electronic melody, a recurring theme for the rest of the tracks on the album.

If there’s one thing to be said about Chanti Darling, it’s that they are creating a sound all their own, and listeners are loving it. Voted Portland’s “Best New Band” by Willamette Week, the group is getting noticed for their blend of electronic beats and old school R&B vocals.

Reviewed by Chloe McCormick

Erroll Garner – Nightconcert

Garner
Title: Nightconcert 

Artist: Erroll Garner

Label: Mack Avenue

Formats: CD, LP, Digital

Release Date: July 13, 2018

 

 

Although it has been just over 40 years since his death, legendary jazz pianist Erroll Garner’s music vibrantly lives on thanks to the record labels who have championed his work. First, Sony Legacy released The Complete Concert By The Sea in 2015 as well as Ready Take One the following year, both of which received major award consideration. Now the people behind Mack Avenue Records have continued efforts to keep Garner’s memory alive with their new release,

Nightconcert. The title is drawn from Garner’s midnight concert in November 1964 at The Royal Concertgebouw in Amsterdam, captured live with an audience of 2000 highly enthusiastic and enraptured people of all ages. This concert recording displays Garner at the height of his career, with eight unique arrangements of classic standards as well as a newly discovered original!

Erroll Garner, was born June 25th, 1923 in Pittsburgh, Pennsylvania. He may be best remembered for his composition, “Misty,” which has become a treasured classic for jazz lovers and standard repertoire for every jazz musician to this very day. Beginning his study of the piano at age three, Garner took lessons from a family friend but he was primarily self-taught and remained an “ear-player” his entire life, never learning to read music. By age 11 his career was well on its way as he played piano on Allegheny riverboats and at 14 he began playing with well-known saxophonist Leroy Brown. Garner went on to enjoy a successful career working with other greats like bassist Slam Stewart and bebop saxophonist Charlie Parker on the “Cool Blues” sessions. He also made regular appearances on The Tonight Show with Johnny Carson.

Nightconcert is an instant classic piano trio album as Garner displays his incomparable style and virtuosity. Opening with the Rogers and Hart classic “Where or When,” Garner chooses to begin this and many other songs with elaborate piano introductions, often with the intent of throwing off the audience so they don’t know what song is coming. He seems to have a tendency to play a hemiola in these intros by maintaining a triple meter in the left hand while playing in a duple meter in the right. He makes this especially prevalent later in the album with the song “Night and Day” as he carries this idea from the introduction throughout the rest of the tune. This is indicative of Garner’s overall style—his right hand typically lays back behind the beat as his left hand drives steadily along—often used as a powerful function to begin and end his slick phrases. As the concert continues, Garner jumps between his up-tempo tunes and lush ballads such as “My Funny Valentine” and “Over The Rainbow,” where he enraptures listeners with his thick and unique chord voicing.

Garner’s playing is unlike any others and simply hearing his live performance on Nightconcert is a truly unique experience—from his iconic groans that can be heard on every record, to his astounding skill and mastery over the piano. Great thanks must be extended to those at Mack Avenue Records for releasing yet another historical recording that keeps Garner’s body of work alive for a new generation.

Reviewed by Jared Griffin

July 2018 Releases of Note

Following are additional albums released during July 2018—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country
Arthur Big Boy Crudup: If I Get Lucky (4 CD set) (JSP)
Benny Turner: Journey (Nola Blue)
Elvin Bishop’s Big Fun Trio: Something Smells Funky ‘Round Here (Alligator)
Errol Dixon: Midnight Train (Wolf)
Eugene Hideaway Bridges: Live In Tallahassee (Armadillo)
Madisen Ward & the Mama Bear: The Radio Winners (Glassnote)
Trudy Lynn: Blues Keep Knockin’ (Connor Ray Music)

Classical, Broadway
SUMMER: The Donna Summer Musical – Original Cast (Republic)

Funk, Rock, Pop, Electronic
Con Brio: Explorer (Transistor Sound/Fat Beats)
Ill Doots: S/T (Ropedope)
Jean Beauvoir: Rock Masterpieces Vol. 1 (Aor Heaven)
Lotic: Power (Tri Angle)
No Kind of Rider: Savage Coast

Gospel, Christian
Bishop Noel Jones & City of Refuge Sanctuary Choir: Run to the Altar (Tyscot)
Dr. Carmela Nanton: A Touch (Carmel Ministries)
Koryn Hawthorne: Unstoppable (RCA Inspiration)
Minister Marion Hall: His Grace (VPAL Music)
Shana Wilson Williams: Everlasting (Intersound)
Vincent Tharpe & Kenosis: Super Excited (digital)
Will Mcmillan: My Story (eOne)

Jazz
Bobby Sanabria Multiverse Big Band: West Side Story Reimagined (Jazz Heads)
David Garfield: Jammin’ Outside the Box
Dexter Gordon Quartet: Tokyo 1975 (Elemental Music)
Ernest Dawkins & New Horizons Ensemble: Chicago Now – Thirty Years of Great Black Music, Vol. 2 (Silkheart)
Erroll Garner: Nightconcert (Mack Ave.)
Jamar Jones: Fatherless Child (GPE)
Jim Stephens: Songs of Healing: Philasippiola Soul (1997-2017) (Ropedope)
Kaidi Tatham: It’s A World Before You (First Word)
Reginald Chapman: Prototype (Fresh Selects)
Rob Dixon Trio: Coast To Crossroads
Roy Campbell & Pyramid: Communion (digital)
Shaun Martin: Focus (Ropeadope)
Royal Krunk Jazz Orkestra: Get It How You Live (Ropeadope)
Various: Prince in Jazz: A Jazz Tribute to Prince (Wagram)
Woody Shaw: Tokyo 1981 (Elemental Music)

R&B, Soul
Appleby: Happiness (Haight Brand)
Cyril Neville: Endangered Species, Complete Recordings (World Order)
Jade Novah: All Blue (Empire)
Jaden Smith: SYRE (Digital) (Roc Nation/Republic)
James Brown: Mutha’s Nature (1st CD release) (LMLR)
Johnny Rain: Idol Blue (digital) (Odd Dream Republic)
Jr Jones: Nova (Black Musa)
Kiana Ledé: Selfless EP (Digital) (Republic)
Kizzy Crawford: Progression (Freestyle)
Meli’sa Morgan: Love Demands
The Internet: Hive Mind (Columbia)

Rap, Hip Hop
BrvndonP: Better Late Than Never (RPSMG)
B.o.B.: Naga (digital) (No Genre)
Blackgrits: Paradox 88 (digital)
Blackway: Good.Bad.Faded EP (digital) (Republic)
Buddy: Harlan & Alondra (digital) (RCA)
Busdriver: Electricity is on our Side (digital)
Cardi B: Her Life Her Story (DVD) (Intrinem Films)
Chief Keef: Mansion Musick (RBC)
Citro: No Cap (PlayMakaz Music Group)
Curren$y & Harry Fraud: Marina (Next)
Demrick: Came a Long Way (digital) (DEM)
Drake: Scorpion (Cash Money)
Drank Sanatra: Controlled Substance (digital) (Otherside Ent.)
Dyme-A-Duzin: Crown Fried (digital)
Eric B. & Rakim: Complete Collection (Hip-O)
Future: Beastmode (mixtape)
J. Diggs: #90Dayhousearrestproject (Rompt Out)
Kanye West: Ye (Def Jam)
King Magnetic: Back in the Trap (King Mag Music)
KR: In Due Time (Empire)
Kyle: Light of Mine (Atlantic)
Lil KeKe: SlfMade II (digital) (SoSouth)
Logic: Passion (DVD) (Intrinem Films)
Marlowe: Marlowe (Mello Music Group)
Migos: Evolution (DVD) (Intrinem Films)
Nav: Reckless (XO/Republic)
Nick Grant: Dreamin’ Out Loud (digital) (Epic)
Obuxum: H.E.R. (Urbnet)
Pawz One & Robin Da Landlord: Sell Me a Dream (Below System)
Philthy Rich: N.E.R.N.L. 4 (Empire)
Planet Asia: Mansa Musa (X-Ray)
Playboi Carti: Die Lit (digital) (Interscope)
Pusha T: Daytona (digital) (Def Jam)
Rae Sremmurd: SR3MM (digital) (Interscope)
Randy-B: Me, Myself and $ (Smeat)
Royce 5’9″: Book of Ryan (eOne)
Saweetie: High Maintenance (Warner Bros.)
Stalley: Tell the Truth Shame the Devil, Vol 3 (Blue Collar Gang)
Styles P (The LOX): G-Host (The Phantom Ent.)
Suspect: Still Loading (digital) (Rinse)
Tee Grizzley: Activated (digital) (300 Ent.)
Tobe Nwigwe: The Originals (digital)
Trap Gang Zone: Follow The Gang (digital) (Revenge Music)
Trick Daddy: Dunk Ride Or Duck Down (X-Ray)
Typical Div: S/T (Middle of Made)
Various: Oscillations (Strange Neighbor)
Wiz Khalifa: Rolling Papers 2 (digital) (Atlantic)
Wood & Yungman: Carlito’s Way Screwed (GT Digital)
World’s Fair: New Lows (digital) (Fool’s Gold)
YFN Lucci: Ray Ray from Summerhill (Think It’s A Game)
Zaytoven: Trapholizay (digital) (UMG)

Reggae
Kabaka Pyramid: Kontraband (Bebble Rock)
Kingly T: Got It All (digital)
Leon & The Peoples: Love Is A Beautiful Thing (Spectra Music Group)
Linval Thompson: Dub Landing Vols. 1 & 2 (Greensleeves)
Mad Professor: Electro Dubclubbing (Ariwa Sounds)
Santigold: I Don’t Want, Gold Fire Sessions (digital) (Downtown)
Tetrack: Let’s Get Started (Greensleeves)
U-Roy: Talking Roots (Ariwa Sounds)
Ziggy Marley: Rebellion Rises (Tuff Gong)

International, Latin
Bryant Myers: La Oscuridad (eOne)
Kamal Keila: Muslims & Christians (Habibi Funk)
Mulatu Astatke & His Ethiopian Quintet: Afro-Latin Soul (Strut)
Okonkolo: Cantos (Big Crown)
Te’Amir: Abyssinia EP (Tru Thoughts)

The Stanley Clarke Band – The Message

The Stanley Clarke Band

 

Title: The Message

Artist: The Stanley Clarke Band

Label: Mack Avenue

Formats: CD, MP3

Release date: June 29, 2018

 

The release of Stanley Clarke’s latest album, The Message, comprises magnetic compositions that incorporate various elements of funk, jazz-fusion, and breakbeats. The band’s members—Beka Gochiashvili (pianist), Cameron Graves (keyboardist), and Mike Mitchell (drummer)—come together with featured artists such as Doug E. Fresh, Salar Nadar, Skyeler Kole, Trevor Wesley, and voice actor Steve Blum to cut this eclectic offering of hope, love and compassion.

Group frontman Stanley Clarke has always been a prominent artist in the music industry with his funky bass lines, virtuoso technique, and versatility as a musician. He has maintained a successful career spanning over five decades, and in the past has collaborated with artists such as Chick Corea, Lenny White, Herbie Hancock, Béla Fleck, Jean-Luc Ponty, Marcus Miller, Victor Wooten, and Dee Dee Bridgewater, among others. Clarke also produced film scores for major movies such as Boyz n the Hood, Passenger 57, and What’s Love Got to Do with It.

The inspiration of The Message stems from the band’s experience during a 2015 terrorist attack in Tunisia, which halted their tour in that country. During that time, the members of Clarke’s band composed new material, which they later recorded at the ICP studios in Belgium, laying the foundation for this album.

The Message opens with a dialogue between Clarke and Fresh, paying homage to music legends Al Jarreau, Leon “NDUGU” Chancler, George Duke, Tom Petty, Chuck Berry, Larry Coryell, and Darryl Brown as Clarke sings, “And Ya Know We Missing You” along with Fresh providing the underlying vocal percussion. The next track, a stirring rendition of “After the Cosmic Rain/Dance of the Planetary Prince,” is based on a composition written by Clarke in the 1970s, and features a melodious synthesizer solo by Graves. The title track, “The Message,” begins with celestial pads evoking a cosmic atmosphere, followed by an expressive electric bass solo that serves as a counterpart to Clarke’s profound solo performance of Bach’s “Cello Suite, No. 1” on acoustic bass. “Alternative Fact” switches gears to an up-tempo swing groove, displaying both Gochiashvili’s impeccable piano technique and Mitchell’s explosive light touch on the drums. Finally, Clarke takes us out with a funky groove on “To Be Alive,” a song filled with rich horn backgrounds, percussive breaks, and Fresh’s rhythmic flow and tight lyrics.

The Message is certainly a testament to Clarke’s creativity and longevity as a music artist. From beginning to end, the listener is taken on journey filled with sonic qualities that excite the spirit, satisfy the ear, and calm the soul.

Reviewed by Jamaal Baptiste