Posts filed under 'Jazz'

Welcome to the April 2018 Issue of Black Grooves

April 2018_small Mailchimp
Welcome to the April 2018 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

This month’s top picks include a new recording of Florence Price’s Violin Concertos Nos. 1 and 2 performed by Er-Gene Kahng, and “American Songster” Dom Flemons’ collaboration with Smithsonian Folkways on an exploration of the music of Black Cowboys.

 

April is Jazz Appreciation Month (JAM), with April 30th designated as International Jazz Appreciation Day. Jazz and social justice is the contextual lens for JAM this year, showcasing the progressive ways jazz continues to play a transformative role with respect to the civil rights of individuals from multiple facets of society. The jazz collaborations of both Wynton Marsalis Septet’s United We Sing and Keith Jarrett, Gary Peacock & Jack DeJohnette‘s After The Fall demonstrate the excellence that prevails when groups work collectively towards a common goal. Don’t Play with Love released by the John L. Nelson Project showcases the formidable talents of Prince’s father, John L. Nelson, both of whom fostered positive inspiration in others through their artistic legacies. Perseverance plays a central role in Sy Smith’s Sometimes a Rose Will Grow in Concrete and saxophonist Lekecia Benjamin’s Rise Up, as both albums urge continuance despite the cost. Young Street by bassist Reggie Young rounds out this category with a blend of jazz and funk.

Other featured releases also contain a harmonious blending of genres. The Reverend Shawn Amos Breaks It Down and AJ Ghent’s The Neo Blues Project combine blues and rock. Stax Singles Vol. 4 – Rarities & The Best of the Rest is a collection of the label’s more obscure soul, rock, country, and gospel sides, while the Delvon Lamarr Organ Trio’s Close But No Cigar pays tribute to the legendary Stax studio band. Memphis Rent Party is a survey of regional music that serves as the soundtrack for Robert Gordon’s sixth book of the same title.

Additional releases include Mud Morganfield’s latest blues album They Call Me Mud, London rocker L.A. Salami’s sophomore album The City of Bootmakers, and a live gospel album, The Gospel Truth Live, by the late Marie Knight. Wrapping up this issue is a new book by ethnomusicologist Sandra Jean Graham, Spirituals and the Birth of the Black Entertainment Industry, and our compilation of March Releases of Note.

 

View review April 2nd, 2018

Lakecia Benjamin – Rise Up

Lakecia Benjamin
Title: Rise Up

Artist: Lakecia Benjamin

Label: Ropeadope
Formats: CD, Digital

Release date: March 23, 2018

 

 

Growing up in New York City’s Washington Heights neighborhood, Lakecia Benjamin moved away from home at the young age of 14 to attend La Guardia High School of Music & Art, where she got her start playing jazz. Since then, Benjamin has become one of the most sought after saxophonists in the music industry, playing with jazz giants like Clark Terry and Reggie Workman as well as arranging and leading the horn sections of superstars like Macy Gray, Alicia Keys, and even Stevie Wonder. Now, as she releases her third album, Rise Up featuring  her group Soul Squad, Benjamin reminds us once again of her prowess as a songwriter and band leader.

Benjamin uses this album to send a message about moving through life’s many challenges, opening with the funky title track “March On,” which begins with a quote from Les Brown: “You can either live your dreams or live your fears.” This song features a fun and motivational rap from Benjamin as well as a powerful vocal from jazz singer China Moses. “March On” speaks towards the idea of moving through the obstacles life puts in your way, with the lyric: “We March On to find victory / We March On to find the peace we seek / We March On to reclaim our being / We March On! We March On! We March On!”

“Take Back” is another truly spectacular track. Though entirely instrumental, this jazz fusion tune is meant to convey a story of taking back control over your life and reclaiming your destiny. With its driving rock groove and catchy and rhythmic horn riff you can’t help but move with the music.

Rise Up includes other phenomenal new original songs from Benjamin, including “Cornbread,” “Survivor” and “On The One.” It’s such a fun album that it’s sure to appeal to a wide range of jazz and soul fans alike.

Reviewed by Jared Griffin

View review April 2nd, 2018

The John L. Nelson Project – Don’t Play With Love

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Title: Don’t Play With Love

Artist: The John L. Nelson Project

Label: Make It Music/Ropeadope

Formats: CD, Digital

Release date: March 2, 2018

 

 

John L. Nelson, best known as the father of Prince, was a formidable jazz musician and prolific composer in his own right.  While he frequently collaborated with his famous son, Nelson’s own compositions were usually set aside. When he died in 2001 at the age of 85, Nelson’s eldest daughter Sharon discovered the trove of music and began to formulate plans for a tribute album. Now, in commemoration of her father’s 100th birthday, her project has finally come to fruition with Don’t Play With Love. As Sharon L. Nelson explains:

“Our dad was a loving, caring, hardworking father and a prolific jazz musician most notably known as the father of the musical genius, our brother Prince. Our dad wrote and composed many songs, but they were never recorded until now. He was Prince’s musical inspiration, and this project is very special because it was recorded in Paisley Park and guided by the spirits of my father and brother Prince.”

To perform her father’s works, Sharon turned to notable jazz drummer Louis Hayes, who just happens to be John Nelson’s nephew.  Hayes brought together an all-star group for the recording session, a.k.a. The John L. Nelson Project: Richard Germanson (piano), Dezron Douglas (bass), Vincent Herring (sax), Jeremy Pelt (trumpet), and Hayes on drums. The group laid down all seven tracks at Paisley Park studio, the first sessions to take place there since the death of Prince.

Featured on the album are seven compositions written by Nelson primarily in the 1970s, all showcasing his penchant for beautiful melodies. Opening with the uptempo “Lucky Am I,” the band immediately displays a high level of energy and synergy, as though they’ve been playing this chart for years. Herring takes over the melody on the sensuous title track, “Don’t Play With Love,” his sax accompanied by string quartet.  A throwback to an earlier era, the song fits perfectly with the music video for the single which uses a scene from Prince’s film Under the Cherry Moon.

Another highlight is “Lonely,” a slow ballad featuring Germanson, who employs subtle shading on the piano, teasing out the upper register melody over a sparse accompaniment by Douglas on bass.  The album closes on a funkier note with “Step Back,” featuring an exceptional performance with band members tossing solos back and forth before culminating on a final blast of the trumpet.

Don’t Play With Love is not just a labor of love—it’s actually a terrific album showcasing John Nelson’s talent at composing intricate and compelling works, all of which are brilliantly performed by the ensemble. This project will appeal to jazz aficionados as well as any Prince fan interested in knowing more about the icon’s musical background. If you’ve ever wondered what spilled out of the cabinet full of sheet music in the scene from Purple Rain, this album is for you!

Reviewed by Brenda Nelson-Strauss

View review April 2nd, 2018

Wynton Marsalis Septet – United We Swing: Best of the Jazz at Lincoln Center Galas

swing

Title: United We Swing: Best of the Jazz at Lincoln Center Galas

Artist: Wynton Marsalis Septet

Label: Blue Engine Records

Formats: CD, Vinyl, Digital

Release date: March 23, 2018

 

 

As the title suggests, United We Swing: Best of the Jazz at Lincoln Center Galas is a compilation album of collaborations between Wynton Marsalis and major artists such as Ray Charles, Blind Boys of Alabama, Willie Nelson, John Legend, Lenny Kravitz, Natalie Merchant, Carrie Smith, and many others. Recorded between 2003 and 2007, these performances brought together artists from various genres with the sole purpose of presenting and promoting unity through music (swing). According to Marsalis, “On this record and in these recordings, we came together to affirm common roots, to celebrate diversity of our creativity, and to pass the reality of our best achievements on to our kids.” Renditions of songs such as “The Last Time,” “I’m Gonna Move to the Outskirts of Town,” “I Wish I Knew How It Would Feel To Be Free,” among others, display not only the diverse musical genres, but also the diverse backgrounds of each performer.

United We Swing: Best of the Jazz at Lincoln Center Galas encapsulates the message of solidarity while presenting a positive image for future generations. I strongly recommend this album to anyone interested in promoting music as a unifying symbol in society.

Reviewed by Jamaal Baptiste

View review April 2nd, 2018

Keith Jarrett, Gary Peacock & Jack DeJohnette – After The Fall

fall

Title: After The Fall

Artist: Keith Jarrett, Gary Peacock, Jack DeJohnette

Label: ECM

Formats: 2-CD, Digital

Release date: March 2, 2018

 

 

ECM’s new release, After The Fall, features a live performance from a 1998 concert by world renowned jazz pianist, Keith Jarrett—his first time on stage following a two year hiatus. Recorded at a concert hall in Newark, New Jersey, Jarrett is accompanied by fellow members of the Standards Trio: double-bassist Gary Peacock and drummer Jack DeJohnette. This album captures their musical interactions and overall chemistry of the Standards Trio.

As listeners, we are treated to renditions of well-known bebop standards such as “Scrapple From The Apple” and “Bouncin’ With Bud,” as well as selections from the American Songbook including “The Masquerade Is Over” and “I’ll See You Again,” among others. The trio paces themselves during this performance, but there is still a simmering intensity and synergy that is heard throughout the entire album. From Jarrett’s lush harmonies and virtuosic melodic lines to DeJohnette’s light touch and rhythmic devices, coupled with Peacock’s supportive bass lines and warm tone, the expressive sound of the trio is on full display.

A notable mention is the trio’s performance of John Coltrane’s “Moments Notice.” On this tune, Jarrett stretches out, demonstrating his pianistic capabilities and command of the jazz vocabulary, and is followed by a high-energy and syncopated drum solo by DeJohnette. Another highlight is Jarrett’s lyrical interpretation of the melody to Victor Young and Edward Heyman’s composition, “When I Fall In Love,” while being supported by the sensitive accompaniment of Peacock and DeJohnette.

After The Fall, although referred to as an “experiment” by Jarrett, is in this reviewer’s opinion a demonstration of the effortless mastery, maturity, and professionalism of seasoned musicians who are not only pillars of jazz today, but also bearers of the jazz tradition.

Reviewed by Jamaal Baptiste

View review April 2nd, 2018

Reggie Young – Young Street

Young
Title: Young Street

Artist: Reggie Young

Label: RGY

Formats: CD, Digital

Release date: July 11, 2017

 

 

I must come clean—next to trumpet, the bass is my second favorite instrument. So I also must admit, I was unfamiliar with Reggie Young. When I think of bass players, I think of Jaco Pastorious, Stanley Clarke, Louis Johnson, Larry Graham, Victor Wooten, Will Lee, Sir Paul McCartney. Reggie Young, where have you been hiding, my man?

Hailing from New York, Young is a Grammy Award winning session bassist who has performed with the likes of Lenny Kravitz, Alicia Keys, Paul Shaffer, Stevie Wonder, Will.I.Am, and Reuben Studdard. His latest project, Young Street, is funk with a touch of jazz, rock, soul and even Bazilian bossa nova.

Young Street opens with the title cut featuring Young on bass, Garnett Walters on the B3, and Bill Hollerman on horns. I’m certain this track made the cut on urban jazz radio. I personally enjoy when an artist can step out of their comfort zone and throw a curve ball at you. The track “Naima” is just that—a composition by John Coltrane that would intimidate some. Not Reggie Young. He goes in on it, not to one up the great Trane, but more to show that he’s not a one trick pony. Speaking of which, you can find Young singing over his bass riffs on the funky “Alright With Me” and the lush strings on “Magic.”

Reggie Young has accomplished great deal even if he’s not a household name. No more hiding Reggie, I know where to find you now.

Reviewed by Eddie Bowman

View review April 2nd, 2018

Nina Simone – The Colpix Singles

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Title: The Colpix Singles

Artist: Nina Simone

Label: Rhino (U.S.)/Stateside (UK)

Formats: 2-CD set, LP (1 disc, 14 tracks), digital

Release date: February 23, 2018

 

In continuation of our focus on one of the industry’s greatest blues/jazz singers, Nina Simone’s The Colpix Singles showcases her pre-civil rights activist era releases. Simone’s professional career began in 1958 at a mere age of 25 with Bethlehem Records, but after the initial success of her hit “Porgy ( I Loves You Porgy), she moved on Columbia Picture’s recording company, Colpix Records. Simone’s forthcoming induction into the 2018 Rock & Roll Hall of Fame has now spurred Warner Music into releasing a collection of the 7” singles Simone cut for Colpix. Remastered in mono, seven of the tracks are available in their original edits for the first time since the 1960s.

In this 27 track, two-disc offering, one can easily hear how her previous musical experiences fostered both her voice and performance maturity, as the songs recorded with Colpix reflect smoother, more controlled renditions of a diversified pool of well-known ballads. The first single from Disc 1, “Chilly Winds Don’t Blow,” was written by Hecky Krasnow, who was best known for Columbia’s novelty scores of “Frosty the Snowman” and Rudolph The Red Nosed Reindeer.”

Live recordings made at The Town Hall in Midtown Manhattan in September, 1959 include “The Other Woman” and “It Might as Well be Spring,” which originally appeared on her Colpix debut album, The Amazing Nina Simone.  The Archives of African American Music and Culture provided Warner Music with a rare copy of Simone’s “If Only For Tonight” and “Under The Lowest” (Colpix 156) for inclusion on this disc. Simone also showcases her blues prowess on the release “Nobody Knows You When You’re Down and Out,” and the B-side “Black Is The Color Of My True Love’s Hair,” which would become one of her signature songs.

Disc 2 includes a hauntingly whimsical rendition of “Cotton Eyed Joe,” complete with Simone’s piano stylings running in the background. Soon after, she croons of lost respectability and newfound reliance on “You Can have Him.” From the opening strains, Simone’s powerful alto flows from the speakers, meandering its way into the ears and hearts of its listeners via its audial and lyrical flows.

Two more offerings, “Work Song” and “I Want A Little Sugar In My Bowl,” echo Simone’s early years in Atlantic City bars, pounding the ivories and belting out fast tempo blues. Her original tune, “Blackbird,” closes out the collection, showing her growing artistic maturity while revealing a glimpse of her future in social justice.

Simone would eventually compose and perform two of the most influential anthems of the Civil Rights Era, “Mississippi Goddam” and “Young, Gifted and Black.” That Simone participated in the Civil Rights Movement is an understatement. Nina Simone, from her formative years in Atlanta’s music scene to her eventual position as an outspoken social activist for Black rights, is one of the most influential activists and gifted artists of all time. Many thanks to The Colpix Singles compilers Nigel Reeve and Dean Rudland, and assistant Florence Joelle Halfon, for releasing this wonderfully remastered set. Simone’s listening audience will certainly reap the benefits.

Reviewed by Amy Aiyegbusi

View review March 2nd, 2018

Lilli Lewis – The Henderson Sessions

Lilli

Title: The Henderson Sessions

Artist: Lilli Lewis

Label: Elysium House Music/Louisiana Red Hot

Formats: CD, Digital

Release Date: February 16, 2018

 

 

Award-winning jazz rock singer Lilli Lewis has released her debut solo album, The Henderson Sessions. Currently residing in New Orleans, Lewis is a singer-songwriter who has been playing the piano since the age of three, and is currently the lead vocalist for Kirk Joseph’s Backyard Groove (Joseph is a founding member of the renown Dirty Dozen Brass Band). Lewis’s new project includes nine acoustic songs featuring her soulful vocals against the backdrop of a stripped piano accompaniment, allowing her natural talent to shine.

In addition to highlighting Lewis’s powerful voice, the tracks on The Henderson Sessions also make statements on social justice issues and human rights. The album’s single, “Our Short Walk Through This Life,” reminds listeners to be kind and gracious to one another. On “Turn It Around,” Lewis speaks to personal responsibility, self-exploration, and seeking internal peace in the midst of today’s chaotic world. Other songs relevant to today’s political and social climate include the earnest “Why We Build the Wall” and “Save the Country.”

After a successful career performing as a soloist in New Orleans and with her acoustic soul orchestra, The Lilli Lewis Project, Lewis’s solo debut is filled with emotionally-charged tracks. The Henderson Sessions is a wonderful introduction to her raw vocal talent while simultaneously making hard-hitting social and political statements.

Reviewed by Chloe McCormick

View review March 2nd, 2018

February 2018 Releases of Note

Following are additional albums released during February 2018—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country
Memphis Minnie: Volume 1: The 1930’s [4CD] (Real Gone)
Bernard Allison: Let It Go (Ruf)
Hypnotic Wheels (w/Cedric Burnside): Muddy Gurdy Mississippi Project (Vizz Tone)
Johnny Tucker: Seven Day Blues (High John)
Leyla McCalla: The Capitalist Blues (Jazz Village)
Luther Lackey: Contender (Cds Records)
Reverend Shawn Amos: Breaks It Down (Put Together Music)
Sam Kelly’s Station House: No Barricades (Roxbro)
Sunny War: With The Sun (ORG Music/Pledge Music)

Classical
Florence Price, Er-Gene Kahng: Violin Concertos (Albany)
Marie-Josée Lord: Femmes (ATMA Classique)

Funk, Rock, Pop, Electronic
Buttshakers: Sweet Rewards (Underdog Records)
Beatchild & The Slakadeliqs: Heavy Rockin’ Steady (BBE)
Flyer Learning: Flyer Learning (digital)
Kay-Gees: Keep on Bumpin & Masterplan; Find a Friend; Kilowatt (Robinsongs)
Marenikae: Ajebutter (The Zuchia Nexus)
Mark Grusane: Real Sound of Mark Grusane (BBE)
Soulive: Cinematics Vol. 1 (digital) (Soulive Music)
Tony MacAlpine: Death of Roses (Sundog Records)

Gospel, Christian Rap, CCM
Beverly Crawford: Essential Beverly Crawford – Vol. 2 (JDI)
Elevation Worship: Elevation Collective (digital) (Elevation Worship)
Enyo: Glorified (GospelNaija)
God’s Own Radicals: Under Construction (GospelNaija)
Jekalyn Carr: One Nation Under God (Lunjeal)
Restine Jackson: No Fear (Dream)

Jazz
Caesar Frazier: Instinct (Doodlin)
Charles Mingus: Live At Montreux 1975 (Eagle Rock)
David K. Mathews: The Fantasy Vocal Sessions Vol. 1 (Effendi)
David Murray & Saul Williams: Blues for Memo (Motema)
Ella Fitzgerald & Louis Armstrong: Cheek To Cheek : The Complete Duet Recordings [4 CD] (Verve)
Lin Rountree: Stronger Still (Trippin n’ Rhythm)
Marion Meadows: Soul City (Shanachie)
Matthew Shipp: Sonic Fiction (ESP)
Oscar Peterson Trio: Oscar Plays (Box Set) (Verve)
Raphaël Imbert: Music is my Hope (Jazz Village)
Roscoe Mitchell: Ride the Wind (Nessa)
Sonny Rollins: Way Out West (60th Anniv. Deluxe Edition) (Craft)
Subtle Degrees: A Dance That Empties (NNA Tapes)
Various: We Out Here (Brownswood)
Victor Gould: Earthlings (Criss Cross)
Walter Smith III: Twio (CD Baby)

R&B, Soul
Jonathan Butler: Sarah Sarah – The Anthology (Soul Music)
Bettye Lavette, Carol Fran: Bluesoul Belles: The Complete Calla, Port & Roulette Recordings (Music on CD)
DD’s brothers: From the Day Till the Dawn (Soul Brother)
George Jackson: Leavin’ Your Homework Undone: In the Studio 1968-71 (Kent)
Ink Spots: Best of the Singles 1936-1953 (Real Gone)
Otis Blackwell: The Songs & Recordings Of Otis Blackwell 1952-62 (Acrobat)
Spencer Wiggins: The Goldwax Years (Kent)
Starchild & The New Romantic: Language (Ghostly International)
Sy Smith: Sometimes a Rose Will Grow in Concrete (Psyko)
Tatiana Ladymay Mayfield: The Next Chapter (digital) (Ladymay Music)
The Agency: Philosophies (digital) (Philosophies)
Various: The 24-Carat Black Ghetto: Misfortune’s Wealth (vinyl reissue) (Craft)

Rap, Hip Hop
Negash Ali: The Ascension
ABBA Zulu: Problematic Vol. 1 (digital) (Utmost Musik)
Abz Tha Kid: Thoughtz…From a Park Bench (digital)
Alchemist: Paris L.a. Bruxelles Instrumentals (vinyl) (ALC)
Ash Kidd: Cruise (digital) (Caroline Int)
Audio Push: Cloud 909 (digital) (Good Vibe Tribe)
Black Milk: Fever (Mass Appeal)
Cozz: Effected (digital) (Interscope)
Demo Taped: Momentary EP (digital) (300 Entertainment)
DePaul: Damage Already Done (Twenty Two Music)
Digable Planets: Reachin’ (A New Refutation of Time and Space) (25th Anniv. Ed.) (Light in the Attic)
DJ Smoke: Dolla Bill: The Ty Dolla Sign Mixtape (JWS Records)
East Man: Red White & Zero (Planet Mu)
G Herbo: Humble Beast Deluxe Edition (Machine Ent. Group/Orchard)
Keezy off 38th: Trials & Tribulations (digital) (.38th Muzyk)
Khago: Walk a Mile (Streaminn Hub)
Kodak Black: Heart Break Kodak (digital) (Atlantic)
LARS: Last American Rock Stars (Majik Ninja)
Mark Battles: Vasi World (digital) (Fly America)
Nipsey Hussle: Victory Lap (Atlantic)
O.C.: A New Dawn (Ditc)
Onyx: Black Rock (X-Ray)
Ralo LaFlare: Diary of the Streets 3 (digital) (Famerica)
Rockstar JT: Streets Signed Me the Mixtape
Shirt: Pure Beauty (Third Man)
Skipper: Prezidential (digital) (Empire)
Skyzoo: In Celebration of Us (Empire)
Stalley: Tell The Truth Shame The Devil (Vol. 1) EP
Tenacity & D.R.U.G.S. Beats: Discussions (digital) (SoulSpazm)
Tony Colliseum: Legacy (digital) (BeatRocka Music)
Too Short: The Pimp Tape (Dangerous Music)
Various: Black Panther: The Album (Interscope)
Various: Death Row Chronicles OST (eOne)
Yukmouth: JJ Based on a Vill Story Three (Smoke-A-Lot Records)

Reggae, Dancehall
Bobby Digital: X-tra Wicked – Reggae Anthology (VP)
Bobby Digital: Serious Times (VP)
Etana: Live in London (Freemind Music)
Freddie McGregor: Bobby Bobylon Deluxe Edition (Studio One)
Justin Hinds & the Dominoes: From Jamaica With Reggae (Treasure Isle)
Ras Michael & the Sons of Negus: None a Jah Jah Children (VP)
Various: Roots Reggae Party (Warner)

World, Latin
Afrika Mamas: Iphupho – A Cappella from South Africa (Arc Music)
Boubacar Traore: Dounia Tabolo (Lusafrica)
Elida Almeida: Kebrada (Lusafrica)
Ernesto Chahoud presents Taitu: Soul-fuelled Stompers from 1960s – 1970s Ethiopia (BBE)
Femi Kuti: One People One World (Knitting Factory)
Lucibela: Laço Umbilical (Lusafrica)
Nene Brown: Raízes por Outras Óticas (Time Forte)
Tal National: Tantabara (FatCat)
Various: Levanta Poeira (Jazz & Milk)
Various: Putumayo Kids Presents Kid’s African Party (Putumayo)
Various: Putumayo Presents African Café (Putumayo)

View review March 1st, 2018

Welcome to the February 2018 issue of Black Grooves

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Welcome to the February 2018 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

February is Black History Month, and our feature projects spotlight both classic and up-and-coming artists, demonstrating regional, temporal and categorical diversity within Black music as a whole.

 

Leading the group are our tried-and-true artists: Ella Fitzgerald with Ella at Zardi’s, Aretha Franklin with The Royal Philharmonic Orchestra collaboration titled A Brand New Me, Bethlehem Record’s release of their Nina Simone singles, Mood Indigo: The Complete Bethlehem Sessions, Wes Montgomery’s In Paris: The Definitive ORTF Recording and an All-Star Tribute to the King of the Slide Guitar Elmore James on Strange Angels: In Flight With Elmore JamesThe Ru-Jac Records Story’s 4 volume set traces the history of Baltimore’s R&B scene through spotlights on various area artists, and renowned percussionist Shiela E. once again demonstrates her multifaceted vocal and visionary talents with Iconic: Message 4 America.

Newer artists showcase their talents as well. No stranger to the field, the Ebony Hillbillies enter the scene once again with their latest release, 5 Miles From Town. Delta Deep’s East Coast Live spins a soulful blues/rock sound and Project Mama Earth’s self-titled debut Project Mama Earth pulls listeners expertly into the realm of world music activism. Jason Marsalis and the 21st Century Trad Band weigh in with their original compositions based on jazz standards and 80s popular music with Melody Reimagined: book 1, while saxophonist David Murray and poet Saul Williams’ collaboration on Blues for Memo offers a contemplative tribute to socially conscious issues and figures throughout modern history.

Valentine’s Day hits its mark in the form of Eric Valentine and the Velvet Groove’s smooth offering Velvet Groove, R&B artist Calvin Richardson is sure to put you in a loving mood with his newest release All Or Nothing, and Jamison Ross’s All For One focuses on family and neighborly affection.

Wrapping up this issue is Chi-town’s rap son Open Mike Eagle with Brick Body Kids Still Daydream and our compilation of January 2018 Releases of Note.

 

View review February 2nd, 2018

Ella Fitzgerald – Ella at Zardi’s

Ella Fitzgerald

Title: Ella at Zardi’s

Artist: Ella Fitzgerald

Label: Verve Records

Formats: CD, MP3

Release date: December 1, 2017

 

 

There are many CDs available by Ella Fitzgerald, so why is this one special? If you are reading this, you already know of her many of the treasured recordings—with Louis Armstrong, with Chick Webb, throughout the definitive Songbooks, and her many other live concert performances. But this recording from February 2, 1956 marks a major turning point in her career, one where impresario Norman Granz arranged the transfer of her recording contract from Decca Records to his personal management and to his label Verve Records. The setting for this particular CD is Zardi’s Jazzland, a club in Los Angeles, where Ella is backed by Don Abney (piano), Vernon Alley (bass), and Frankie Capp (drums).

Granz had included Ella in his Jazz at the Philharmonic concerts beginning in 1949 as each program’s only vocalist. During those years he had time to form his ideas for extending her career vastly beyond the “workmanlike” support she received from Decca. Granz recorded this night during the final days of this engagement. Yet, he never released it, perhaps due to its casual informality, preferring to create a more dramatic launch to her career at Verve. Accordingly, he had booked a trip to the studio just four days later to begin recording The Cole Porter Songbook, the start of her songbook series that celebrated so many wonderful composers and provided a large part of the foundation for the documentation of the Great American Songbook.

But it is this very informality that makes Ella at Zardi’s so engaging. Apparently, attendance at the club during the three weeks was light, and Ella remarks, “Where were all of you during the past 2 ½ weeks?”  That doesn’t stop her from responding to many requests to show her appreciation, acknowledging Van Alexander and Gordon Jenkins among those present. Candidly she says several times, “I don’t know all the lyrics,” but that doesn’t stop her from creating each distinctive performance.

She thanks a member of the audience for reminding her of one line of lyrics as she sings “Tenderly.” Before starting, she asked the audience to help her recall a portion of the lyrics to “Gone with the Wind” but then jokingly sings that they are a bit too late, incorporating this ad lib without interruption in the song. Even “A-Tasket, A-Tasket” reemerges in this program as a celebration of Ella’s roots, anchoring her continuing legacy and greatly appreciated by her fans.

The two sets from Zardi’s (each introduced by Buddy de Franco) languished in Verve’s vaults for over 60 years, perhaps because Granz simply had bigger ideas for her recordings. Is this Ella’s BEST recording?  No, but it is perhaps the one that is the most FUN to hear. It represents the turning point in the career of a great jazz artist, for without Granz we would not have her many remarkable recordings from studios, clubs and concert halls around the world. Together, they extended the body of vocal jazz performances available for our enjoyment today.

Norman Granz frequently said, “You can hear from the first bars of Ella’s performance if this is to be a jazz session.”  This is clearly one of those. That becomes evident from the first song onward as Ella demonstrates her many talents to personalize her performance, employing her unique harmonic and melodic variations intermixed with shifts in tempo to enrich each song. Ella is relaxed, and her creative passion is on full view. You won’t regret purchasing this CD even if you, like me, already own and treasure many of Ella’s recordings.  It will bring you joy and remind you of her absolute passion and commanding artistry.

Reviewed by Thomas P. Hustad
Professor Emeritus of Marketing, IU Kelley School of Business
Author: Born to Play: Ruby Braff’s Discography and Directory of Performances

 

 

 

 

View review February 2nd, 2018

Wes Montgomery – In Paris: The Definitive ORTF Recording

Wes Montgomery
Title: In Paris: The Definitive ORTF Recording

Artist: Wes Montgomery

Label: Resonance

Formats: CD, Vinyl (2 discs with collector postcards), MP3

Release date: January 26, 2018

 

In my experience, official releases of recordings are, years later, sometimes followed by bootleg reissues. In this case, that sequence is reversed.  These recordings, from a Wes Montgomery concert at the Theatre des Champs-Elysees in Paris on March 27, 1965, are being officially issued for the first time by Resonance Records, in collaboration with Montgomery’s family and French ORTF Network. On this performance, Wes is backed by Johnny Griffin (tenor sax on four titles), Harold Mabern (piano), Arthur Harper (bass), and Jimmy Lovelace (drums).

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So what do we have?  This is the finest live recording by one of the three most important guitarists in jazz history, in my view, linking Wes with Charlie Christian and Django Reinhardt. Yes, there have been others possessing great talents, but these three were all formative artists in different ways.

Superficially, Wes’s recording career can be divided into four stages:

  1. As a sideman with Lionel Hampton (1948-1950);
  2. As an emerging artist (1950-1959) when he mostly performed with his brothers or other Indianapolis-based musicians and recorded for World Pacific and Pacific Jazz Records;
  3. As a featured artist (1959-1963) when he then emerged as a heralded new talent on Riverside Records, releasing a series of albums that are hallmarks in the history of jazz guitar.
  4. As a popular jazz guitarist after he moved to Verve and then A&M Records and became an artist who reached a broader audience with his recordings but without ever losing his focus on performing in the “Riverside era style” in concerts and clubs.

This recording from Paris is perhaps the finest from this final stage of Wes’s career.  His touring group of the day is joined by noted saxophonist Johnny Griffin on several of the tunes.

Resonance Records has become a primary source for remarkable releases of previously unissued recordings by Wes, all produced with the highest audio and production standards that truly honor his legacy. It is fitting that the company has released the present recording, the latest chronologically in this family of recordings that began with performances from Wes’s early years in Indianapolis and, a few years later, performing before members of the Indianapolis Jazz Club, and with pianist Wynton Kelley performing in a club in Seattle (these are linked to reviews in earlier issues of Black Grooves).

In Paris has some wonderful music. Performances range from up tempo versions of “Jingles” and “To Wane” to a beautiful slow ballad, “The Girl Next Door.” But there are really no single highlights. The musicians perform as a team, collectively inspired by the occasion. There is simply no point in singling out individual tunes for this is truly a remarkable performance throughout. It is every bit the equal of Wes’s best albums, ever. We are so fortunate that it was recorded and is now available in superior sound.

When I compare this recording to an earlier bootleg issue on Definitive Records in my collection, I am impressed by the quality of the remixing from the original tapes that increases the richness and power of the performance. The album notes explain that Wes avoided flying and only toured Europe on this single occasion (the 32-page booklet includes essays by Vincent Pelote, Pascal Rozat and Resonance producer Zev Feldman). Fortunately, this resulted in bootlegged recordings from Belgium, The Netherlands, Germany and England, along with a televised program produced by the BBC from London.  But this release of a 1965 performance in Paris is the highlight, and one of the finest in Wes’s career.

Reviewed by Thomas P. Hustad

Professor Emeritus of Marketing, Kelley School of Business

Author: Born to Play: Ruby Braff’s Discography and Directory of Performances

View review February 2nd, 2018

Jason Marsalis and The 21st Century Trad Band – Melody Reimagined: book 1

Jason Marsalis
Title: Melody Reimagined: book 1

Artist: Jason Marsalis and The 21st Century Trad Band

Label: Basin Street Records

Formats: CD, MP3

Release date: January 19, 2018

 

Jason Marsalis, the New Orleans-born drummer, vibraphonist, composer and arranger, released another brilliant album along with his 21st Century Trad Band—Austin Johnson on piano, Will Goble on bass, and Dave Potter on drums. Melody Reimagined: book 1 is an album comprised of original compositions based on harmonic structures of jazz standards and 1980’s popular music. According to Marsalis, the concept for this album is a result of “spontaneous arrangements that would evolve to spice up the standards” during live performances. This compositional device, also known as writing a contrafact, is a tradition that has been practiced throughout the history of jazz. On this album we hear Marsalis’ outstanding compositions and his versatility as a performer.

Melody Reimagined begins with “Ratio Man Strikes Again,” a tune based on John Coltrane’s “Traneing In.” The track begins with a melodic motif over a series of rhythmic hits along with harmonic sonorities that give the piece that ratio-theme feeling. Transitioning into a straight-ahead groove, we hear the brilliant piano technique of Austin Johnson, the virtuosic and expressive vocabulary of Marsalis’ performance, followed by a dynamic drum solo by Dave Potter.

Mid-album the listener is treated to “A Peaceful Silence,” a breathtaking composition that combines harmonic elements from Horace Silver’s “Peace” with Charlie Haden’s “Silence.” Marsalis’ utilizes melodic content from Silver’s and Haden’s compositions, however, the contour of his melodies and harmonies offers surprising turns that keep the listener fully engaged. Included in this wonderful performance is a warm and complementary bass solo by Will Goble that does not distract from the performance.

The rest of the album draws from other standards such as Paul Barbarin’s “Bourbon Street Parade.” Finally, there’s a heartwarming performance of “80” based on Ray Noble’s “The Very Thought of You” featuring Marsalis’ father Ellis Marsalis on piano, and his brother Delfeayo Marsalis on trombone.

Melody Reimagined is a demonstration of Jason Marsalis’ brilliance and artistry, including his use of standard harmonic structures as a canvas for creative musical explorations. In doing so, Marsalis pays tribute to these composers while contributing to the legacy of jazz.

Reviewed by Jamaal Baptiste

 

View review February 2nd, 2018

David Murray feat. Saul Williams – Blues for Memo

David Murray
Title: Blues for Memo

Artist: David Murray feat. Saul Williams

Label: Motema Music

Format: CD, Digital

Release Date: February 2, 2018

 

 

Released just in time for Black History Month, Blues for Memo is a new album by saxophonist David Murray and poet Saul Williams.  Williams and Murray met in 2014 at the funeral of the revolutionary poet Amiri Baraka, at which Williams performed a poem and Murray (who worked with Baraka in the past) was in attendance. The chance encounter led to a collaboration between the two artists, with Williams sending Murray a collection of poems to set to music.

Like Baraka, Williams is a challenging poet. He is socially and politically engaged and consistently employs images that are a gut punch to listeners. The tracks on Blues for Memo feature Williams doing what he does best, stringing together images that address topics ranging from politics to the nature of consciousness. On “Cycles and Seasons,” Williams thrives on juxtaposition of large concepts, such as dietary tradition and health to capitalism and forced labor.  “Deep in Me” takes on cosmic themes, with lyrics that consider volcanic, geologic and cosmic time in relationship to individuals’ perception of the universe.

 

On the track “Obe,” Murray and his outstanding band match dissonant bebop with lyrics that take on what Williams critiques as a cultural self-obsession, asking whether a variety of pursuits are “self-actualization or self-image actualization.” “Red Summer” is a gospel-inflected ballad about racially-influenced killings of African Americans, from the Mother Emanuel Baptist Church massacre to the wave of police killings of unarmed Black men and boys that sparked a national conversation about continuing systemic racism in American society.

Murray’s task is a difficult one—to compose an appropriate soundtrack to the complex, emotionally-charged themes that Williams adeptly addresses throughout the course of this album. Murray achieves this goal handily — even the instrumental numbers on this album are delivered with the perfect tone. For instance, the heartfelt “Blues for Memo,” a tribute to Istanbul’s jazz legend Mehmet “Memo” Ulug, is solemn and joyous simultaneously, incorporating sounds that “Memo” likely would have appreciated, including elements from blues as well as Turkish music. The latter is provided by Aytac Dogan on kanun, a middle-eastern zither.

Williams and Murray are joined by an overall outstanding cast of musicians, including Dogan, Orrin Evans (piano), Nasheet Waits (drums), Jaribu Shahid (bass), Craig Harris (trombone), Pervis Evans (Vocals), Jason Moran (Fender Rhodes), and Mingus Murray (guitar). Overall, Blues for Memo is both musically beautiful and conceptually challenging, an album best explored gradually and one which holds enough details for listeners to continually return for something as yet unheard.

Reviewed by Matthew Alley

View review February 2nd, 2018

Eric Valentine & Velvet Groove – Velvet Groove

Velvet Groove
Title: Velvet Groove

Artist: Eric Valentine & Velvet Groove

Label: Matcha Entertainment

Formats: CD, MP3

Release date: February 14, 2018

 

 

This Valentine’s Day the acclaimed contemporary jazz drummer Eric Valentine will be releasing his newest album, Velvet Groove, a collection of urban contemporary jazz he describes as “music you can feel…a sound full of different moods and textures.” Joining him on this project is an all-star cast of musicians including saxophonists Kirk Whalum, Gerald Albright and Richard Elliot, trumpet player Rick Braun, plus Adam Hawley and Darrell Crooks on guitar, Brian Simpson and Allyn Johnson on piano, and many other guests. The multi-talented Valentine also contributes vocals, keyboards, and bass.

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The 13-track album offers ten full songs and three reprises that are filled with vibrant melodies and deft rhythms. Some tracks, like “E. Love” and “Back in the Day,” also include soulful vocals sung by B. Valentine, Eric’s wife. The only song on the album not written or co-written by Valentine himself is a fresh take on Stevie Wonder’s “Joy Inside My Tears.” This track was given a more celebratory feel while still including members of Wonder’s horn section in the arrangement.

To Valentine and the other contributors to the album, Velvet Groove is more than its hypnotic harmonies and smooth jazz instrumentals—it’s a movement “to make people feel love, joy and happiness, using musical gifts to inspire and uplift.”

Reviewed by Chloe McCormick

 

View review February 2nd, 2018

Jamison Ross – All For One

All For One Ross
Title: All For One

Artist: Jamison Ross

Label: Concord Jazz

Formats: CD, MP3

Release date: January 26, 2018

 

 

All For One is the second album by Jamison Ross—winnner of the 2012 Thelonious Monk Institute of Jazz International Drum Competition. A Florida native, currently residing in New Orleans, Ross describes this album as the “second chapter of me revealing myself as a man who loves as a father, husband, friend and brother an as an artist who brings that love to other people while receiving love from my audience.”

Ross’ message of love is heard on his compositions dedicated to his wife and daughter—“Unspoken,” “Call Me,” and “Away”—as well as his songs that focus on love and unity in our society. Members of the band include pianist Chris Pattishall, guitarist Rick Lollar, bassist Barry Stephenson, and Cory Irvin on Hammond organ and Fender Rhodes.

The album begins with a joyous rendition of “A Mellow Good Time,” a song written by Allen Toussaint, made famous by Lee Dorsey. The lyrics invite listeners to join the party and “have a good time” as the rhythm section create a party-like feeling with their groovy bass-line, foot-stomping drum rhythms, lush harmonies on the piano and organ, coupled with rhythm guitar. This song will certainly make you get up and dance. On “Safe in Arms of Love”—an original up tempo bossa nova by Ross, Lollar and Joshua Starkman—Ross calls on us to “hold on to love as a solution during this time of confusion.” Similarly, the title track, “All For One” by Wilson Turbinton, displays Ross’ soulful vocal-styling as he express the sentiments of love and unity. While the members of the ensemble offer a supportive role on this album, their contributions do not go unnoticed. Their flawless execution and articulations are not only a sign of professionalism, but also a sign a maturity.

Hands down an inspirational and moving album, All For One is soulful, tasteful, and most certainly refreshing.

Reviewed by Jamaal Baptiste

 

View review February 2nd, 2018

January 2018 Releases of Note

Following are additional albums released during January 2018—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country
Robert Nighthawk: The Collection, 1937-52 (Acrobat)
Various Artists: Classic Delta and Deep South Blues from Smithsonian Folkways (Smithsonian Folkways Recordings)
Various Artists: Rough Guide to Holy Blues (World Music Network)

Funk, Rock, Pop, Electronic
Tony Macalpine: Death of Roses (Sundog)
Jeffrey Gaines: Allright (Omnivore)
The Brit Funk Association: Full Circle (Jazzman)
Noah Airé: I Shine Brightest in the Dark Mixtape (Noah Airé)

Gospel, Christian Rap, CCM
Todd Dulaney: Your Great Name (Urban Inspirational)
Various Artists: Wow Gospel 2018 (RCA Inspiration)

Jazz
Dr. Lonnie Smith: All In My Mind (Blue Note)
Herbie Hancock: The Broadcast Collection 1973-1983 (Forced Exposure)
Clovis Nicolas with Kenny Washington: Freedom Suite Ensuite (Sunnyside)
Booker Irvin: The Good Book: The Early Years 1960-62 (Acrobat)
Marion Meadows: Soul City (Shanachie)
Sun Ra: Of Abstract Dreams (Strut)
Dan Block: Block Party (Miles High)
Wayne Escoffery: Vortex (Sunnyside)
Mariea Antoinette: Overture (Masaii/Infinity Records)
The Bad Plus: Never Stop II (Legbreaker)

R&B, Soul
Shareef Keyes & the Groove: Cooking Something (Shareef Keyes & the Groove)
Dionne Warwick: Odds & Ends–Scepter Records Rarities (Real Gone)
Main Ingredient: Brotherly Love: RCA Anthology (Soul Music)
Carla Thomas: The Memphis Princess – Early Recordings 1960-1962 (Jasmine)
Diana Ross: Diamond Diana: The Legacy Collection (Motown)
LaVice & Co.: Two Sisters From Bagdad (Reissue) (Jazzman)
Various Artists: Stax Singles, V4: Rarities & Best Of The Rest (Craft)
Justine Skye: Ultaviolet (Republic)
Sugar Pie DeSanto: In the Basement: The Chess Recordings (Geffen/Universal)
David Craig: The Time Is Now (RCA)
Mark Grusane: The Real Sound (BBE)
Omar: Love in Beats Deluxe Edition (Freestyle)
Birthday Boy & Trish: Joseph EP (Bastard Jazz)

Rap, Hip Hop
One Week Notice: One Week Notice (Beatstars)
CupcakKe: Ephorize (CupcakKe)
Maxo Kream: Punken (TSO/Kream Clicc)
Future: HNDRXX (Epic)
Lil Uzi Vert: Luv is Rage 2 (Atlantic)
Lil’ Keke: Don’t Mess wit Texas (Jam Down Records)
Big K.R.I.T.: 4eva Is A Mighty Long Time (Multi Alumni/BMG Rights)
DePaul: Damage Already Done (Twenty Two Music)
Rapsody: Laila’s Wisdom (Jamla/Roc Nation)
Planet Asia: The Golden Buddha (Brick)
Evidence: Weather or Not (Rhymesayers)
Young Thug: Beautiful Thugger Girls (300 Entertainment)
Migos: Culture II (Capitol)

Reggae, Dancehall
The Beat: Live in London (Plastic Head)
Desmond Dekker: Israelites Live In London (Secret)
Damian Marley: Stony Hill (Republic)
Dennis Brown: Stick By Me (Abraham)
Various Artists: Merritone Rock Steady 3: Bang Bang Rock Steady 1966-1968 (Dub Store)
Ras Michael & The Sons Of Negus: None A Jah Jah Children (Reggaeville)
Sly & Robbie Meet Dubmatix: Overdubbed (Echo Beach)

World, Latin
Quantic & Nidia Góngora: E Ye Ye (Tru Thoughts)
Various Artists: Soul Jazz Records Presents Brasil (Soul Jazz)
Laraaji: Vision Songs  (Numero)
Brenda Navarrete: Mi Mundo (Alma)

View review February 2nd, 2018

Hendrix in the Spirit of Jazz

Hendrix in the Spirit of Jazz

 

Title: Hendrix in the Spirit of Jazz

Artist: Various

Label: ACT

Formats: CD

Release date: December 8, 2017

Hendrix in the Spirit of Jazz is a collection of Jimi Hendrix songs performed by various artists from Germany’s ACT label. Hendrix, who would have turned 75 in November shortly before this album was released, remains one of the most influential musicians of all time. His influence on electric guitarists is universally recognized, and the rare guitarist who is unaware of Hendrix has undoubtedly studied the playing of others who were influenced by him. Appropriately, this album features an obligatory guitar presence; however, it also demonstrates that Hendrix’s influence spans beyond his chosen instrument.

The opening track is a solo piano performance of “Angel” by Norwegian pianist Bugge Wesseltoft, which demonstrates Hendrix’s talent as a composer. Although music history focuses on Hendrix’s influence upon the electric guitar, his songs are able to transcend genre and instrumentation. This track, along with the album as a whole, proves that Hendrix tunes are perfect vehicles for jazz improvisation and experimentation.

Highlighting the strength of Hendrix’s songs—and their ability to remain stylistically ambiguous—are two versions of “Little Wing.” A jazz trio, featuring what is arguably the best playing on the recording by Finnish pianist Iiro Rantala, performs the first version. Rantala plays over the original chord changes during his solo, but he weaves intricate jazz lines over them to create a harmonic palette that should interest any jazz fan. The other version of “Little Wing” is closer to the original in terms of instrumentation. French guitarist Nguyên Lê delivers a remarkable performance in which he channels Hendrix’s technique, while simultaneously sounding a bit like fusion guitar icon Allan Holdsworth.

Lê is featured again on “1983… (A Merman I Should Turn To Be),” along with American musician Terri Lyne Carrington on drums and vocals. As the first female artist to win a Grammy for Best Jazz Instrumental Album, Carrington’s presence on this compilation is fitting in that she parallels the innovative, groundbreaking spirit of Hendrix. This cover of “1983,” which is one of the most sonically experimental tunes ever recorded by Hendrix, is one of the standout tracks on this album. The musicians capture the essence of the original, yet they do it uniquely in a jazz fusion setting.

Though all of the tracks have something different to offer, there are aspects of a few songs that warrant mention. First, no other tracks are as captivating as the versions of “Voodoo Chile” and “Are You Experienced.” The former’s rendition by a jazz big band is refreshing, and the horn arrangements serve as another example of the versatility of Hendrix’s music. Similarly, “Are You Experienced” stands out for its cinematic arrangement performed by a symphony orchestra. Additionally, Marc Ribot’s reverb-laden guitar on “Drifting” is simply mesmerizing, and this song is accentuated by the presence of South Korean jazz vocalist Youn Sun Nah, who sings beautifully.

Despite the album’s title, Hendrix in the Spirit of Jazz is neither a straight-ahead jazz record nor does it contain typical cover versions of Hendrix songs. However, the potential listener should be assured that these tunes bridge the gap between the two styles well. Nguyên Lê provides quality guitar playing on four of the album’s tracks. He has enough stylistic similarity to Hendrix that he should appeal to those not yet indoctrinated into jazz. On the other hand, the presence of some monster jazz players should appeal to jazz aficionados. In particular, there are some phenomenal drummers on this album—Danny Gottlieb (Pat Metheny Group, Mahavishnu Orchestra), Peter Erskine (Weather Report, Yellowjackets), and the aforementioned Terri Lyne Carrington, who has played with everyone from Dizzy Gillespie to Herbie Hancock.

Hendrix in the Spirit of Jazz has certainly been produced in the spirit of Jimi Hendrix, who is quoted in the liner notes: “When I die, I want people to play my music, go wild and freak out and do anything they want to do.” His wishes have indeed come to fruition with this compilation of his music.

Reviewed by Joel Roberts

 

View review January 4th, 2018

Rahsaan Barber – The Music in the Night

The Music in the Night
Title: The Music in the Night

Artist: Rahsaan Barber

Label: Jazz Music City

Formats: CD, MP3

Release date: November 3, 2017

 

 

Saxophonist Rahsaan Barber, known for his magnificent compositions and virtuosic playing, recently released his newest project, The Music in the Night. This album showcases Barber’s renditions of well-known standards while also displaying his versatility as an arranger. Barber creatively uses rhythmic hits, melodic interludes, and minimal re-harmonization in his arrangements while maintaining the original musical structure of the standards. He described the album’s concept and personnel in his Kickstarter campaign video:

YouTube Preview Image

 

The album begins with a beautiful interpretation of Stevie Wonder’s “Isn’t She Lovely,” arranged as a jazz swing tune with a slight harmonic variation that adds a pleasant surprise to the ears. The listener is later treated to a reggae-flavored version of “My Funny Valentine,” beginning with a memorable foot-stomping groove that repeats throughout the tune. On Barber’s slow blues rendition of “Georgia on My Mind,” we experience the soulful side of the ensemble through heartfelt solos by Barber, guitarist James DaSilva, and pianist Matt Endahl. The Indiana University Jacobs School of Music alum also included a version of “Skylark” by another IU alum, Hoagy Carmichael, the lyrics of which inspired the album title.

The Music in the Night is comprised of brilliant arrangements and great performances by the members of the band (which also includes drummer Derrek Phillips and 20-year-old bassist Jack Aylor). I recommend this album to anyone interested in listening to beautiful interpretations of well-known standards.

Reviewed by Jamaal Baptiste

View review January 4th, 2018

December 2017 Releases of Note

Following are additional albums released during December 2017—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country
Doctor Ross: Memphis Breakdown (ORG Music)
Robert Finley: Goin’ Platinum! (Easy Eye Sound)
Vance Kelly: How Can I Miss You If You Don’t Leave (Wolf)
Various: Memphis Blues Festival 1975 (Klondike)
Various: Chicago Blues All Stars 1970 (Klondike)

Comedy, Spoken Word
Nephew Tommy: Won’t He Do It (TNT)

Funk, Rock, Pop, Electronic
Bartees & The Strange Fruit: Magic Boy (Pineapple)
Danielia Cotton: The Mystery of Me (Cottontown)
Dk Aakmael: Take It Back (Scissor & Thread)
Hypnotic Brass Ensemble: Book of Sound (Honest Jon’s)

Gospel, Christian Rap, CCM
Alma Brown and A One Gospel Singers: Thank You Jesus

Jazz
Ella Fitzgerald: Ella at Zardi’s (Verve)
Incognito: Another Page of Incognito (P-Vine)
Irreversible Entanglements: S/T (International Anthem )
Khan Jamal Creative Arts Ensemble: Drum Dance to the Motherland (reissue) (Forced Exposure)
Melvin Sparks: I’m Funky Now (Westbound UK)
Tony Tixier: Life of Sensitive Creatures (Whirlwind)

R&B, Soul
Bettye Swann:  The Money Masters (Kent)
Bobbi Ruffin: Chapter Five (digital)
Dionne Warwick: Odds & Ends – Scepter Rarities (Real Gone Music)
K. Michelle: Kimberly – People I Used To Know (Atlantic)
Kashif: Essential Kashif – Arista Years  (Legacy)
Lee Moore: A Gram of Boogie: Story of Moore, Score & L&M Records (Past Due)
Minnie Riperton: Perfect Angel (Deluxe Ed.) (Capitol)
Next: Too Close EP (Arista/Legacy)
Otis Redding: Definitive Studio Album Collection (7 LP box) (Atlantic)
Ruby Camille: R C 1   (Moore-Caldwell Plus)
Sugaray Rayford: The World That We Live In (Transistor Sound)
Tamar-kali: Mudbound OST (Milan)
Various: Soul on Fire: Detroit Soul Story 1957-1977 (Cherry Red)
Vedo: From Now On (New WAV)

Rap, Hip Hop
A Cat Called Fritz: Vertical Iris (HHV.De)
Allan Kingdom: Lines (LP) (Omerta Inc.)
Big Sean/Metro Boomin: Double or Nothing (G.O.O.D Music)
Boosie Badazz: BooPac  (Atlantic)
Boulevards: Hurt Town USA (Don’t Funk With Me)
Chief Keef: Dedication (digital) (RBC)
Cobra íl Vero: Ecdysis (NS3T Ent)
Euroz: Two Birds One Stone (digital)
Fes Taylor: Hood Famous (Chambermusik)
Futuristic: Blessings (We’re The Future )
G. Perico: 2 Tha Left (So Way Out)
G-Eazy: When It’s Dark Out (RCA)
Jeezy: Pressure (Def Jam)
Juicy J: Rubba Band Business (Columbia)
Kidz In The Hall: Free Nights & Weekends (digital)
Kipp Stone: Dirty Face Angel (L.I.F.E. Art & Content Co.)
KXNG Crooked: Good vs. Evil II: The Red Empire (Empire)
Marty Baller: Baller Nation (LP) (Omerta Inc.)
Miguel: War & Leisure (RCA)
Mike Lowery: Before It’s Too Late (Music Junkies)
N.E.R.D: No One Ever Really Dies (Columbia)
Nyron: Appreciation Day (digital)
Pell: Girasoul (Payday)
Quaz: In My Mind (Odic)
Red Storm Chicago: Redemption (digital)
Saba: Bucket List Project (LP) (Omerta Inc.)
Snug: 70812 Where It All Started (Money Gang)
Supa Bwe: Finally Dead (Empire)
TheKidGeeQ: TheKidFrOmElmStreet (FlyOverEverything)
Too $hort: The Pimp Tape (Dangerous Music)
Trizz: Ashes N Dust (Below System)
Visioneers: Dirty Old Hip Hop (reissue) (Tru Thoughts)
Whispers: Whismonoxide (That’s Hip Hop)
WizKid: Sounds From the Other Side  (Sony Music Canada)
Z-Ro: Codeine  (1 Deep Ent.)

Reggae, Dancehall
Ethiopian & His All Stars: Return of Jack Sparrow (Omnivore)
Randy Valentine: New Narrative (Royal Order Music)
Various: Rise of Jamaican Dancehall Culture (SoulJazz)

World, Latin
Fela Kuti: Box Set #4: Curated by Erykah Badu (Knitting Factory)
Hamad Kalkaba: Hamad Kalkaba & Golden Sounds 1974-75 (Analog Africa)
The Secret: The New Africa – TNA (Secret Records Music Group)
Various: Beating Heart – South Africa (Beating Heart Music)

View review January 4th, 2018

John Lee Hooker – King of the Boogie

John Lee Hooker

Title: King of the Boogie

Artist: John Lee Hooker

Label: Craft Recordings/Concord Bicycle Music

Format: 5-CD Box Set

Release Date: September 29, 2017

 

Turning 100 calls for a celebration regardless of who you are, and in the case of musician John Lee Hooker, only a “Go Big or Go Home” mentality will suffice. In honor of this boogie master’s centennial, Craft Recordings has released a career spanning, retrospective 5 CD box set honoring this guitar-driven, legendary artist. King of the Boogie features not only Hooker’s iconic hits, but also rarities, live recordings and several previously unreleased tracks. Housed within a 56-page hardcover book, the collection includes a wide selection of photos, taken throughout the musician’s life, plus new liner notes by writer and John Lee Hooker historian Jas Obrecht, as well as by the artist’s longtime manager and friend, Mike Kappus.

The collection is part of a year-long celebration and commemoration to Hooker and as a complement to his musical recordings, the GRAMMY Museum® in conjunction with the John Lee Hooker estate is exhibiting Hooker’s performance outfits, guitars, photos, and awards in his home state of Cleveland, Mississippi through February 2018. At that point the exhibit travels west to the GRAMMY Museum® at L.A. LIVE.

John Lee Hooker (1917-2001) was born 100 years ago, near Clarksdale, Mississippi to a sharecropping family. Throughout the years, there has been some academic debate about his original birth year. However, The Hooker family maintains 1917 as the de facto date. Says daughter Zakiya Hooker, “As we all know there was no great push for accuracy back then in that portion of the community. But we just stick to what my father told us, which was what he was told by his mother.”

As a young man, Hooker worked his way up north to Detroit to pursue his passion of music. By 1948, the artist had a hit on his hands with one of his earliest recordings, “Boogie Chillun‘.” From there, Hooker would record over 100 albums throughout the course of his six-decade-long career, building a diverse collection of fans along the way—from folk musicians and beatniks, to the stars of the British Invasion. The Rolling Stones, Eric Clapton and Carlos Santana are among those who cite Hooker as a major influence.

Mike Kappus recalls in his liner notes, “Everyone who knew John Lee Hooker loved him and felt privileged to be in his presence. While he influenced generations of musicians with his incomparable style, that impact on musicians stepped up to yet another level once they got to know and, universally, love him.” In his later years, as Hooker found himself in one of the busiest, most productive eras of his career, the bluesman was inducted into the Rock & Roll Hall of Fame, Blues Hall of Fame and Memphis Music Hall of Fame; was honored with a star on the Hollywood Walk of Fame and took home four GRAMMY® Awards, plus a coveted Lifetime Achievement Award in 2000.

The album is organized chronologically, showcasing Hooker’s influential recording career from start to finish. Disc one begins with his first release, “Boogie Chillen.” The remainder of the disc provides Hooker’s classics the way he was first known—as sole commandeer of pulsing rhythms on the electric guitar. Disc two and three offer stunning recordings of previously unreleased sessions—“Unfriendly Woman” and “Meat Shakes on her Bones”—as well as the more widely-known “One Bourbon, One Scotch, One Beer” and “Homework.”

Disc four is a completely live tribute section, featuring Hooker’s performances at various Newport Folk Festivals, the American Blues Festival in Hamburg, Germany, Café Au Go-Go in New York and California’s Soledad Prison. The final disc of the collection features Hooker’s collaborations with other musicians such as “Little” Eddie Kirkland, The Groundhogs, Canned Heat, Santana, George Thorogood, Bonnie Raitt, Van Morrison, Joe Cocker, Robert Gray, Warren Haynes, Jimmie Vaughn, Los Lobos, Eric Clapton and B.B. King.

Timeless and classic, cutting-edge and influential—all describe John Lee Hooker’s storied life and career as the undisputed boogie ruler. Whether solo and unplugged or accompanied and wired up, Hooker’s guitar and vocals prove that in the world of the Delta and blues, no one else but Hooker can wear the Crown.

Reviewed by Amy Aiyegbusi

View review December 1st, 2017

Johnny Mathis – The Voice of Romance-Columbia Original Album Collection

Johnny MathisTitle: The Voice of Romance- Columbia Original Album Collection

Artist: Johnny Mathis

Label: Legacy

Format: 68-CD Box Set

Release date:  December 8, 2017

 

Sony Legacy has released a number of Johnny Mathis compilations over the past decade, including The Complete Global Albums Collection in 2014 and The Singles for his 80th birthday the following year. But if you’re interested in a complete career retrospective with plenty of tempting bonus material and you have a large budget, look no further than this year’s mega box set, The Voice of Romance: The Columbia Original Album Collection. Weighing in at 68 CDs and currently listed for $428, this set features 62 of the singer’s albums, including 25 albums that have never been released on CD in the U.S.

Also included are 40 previously unreleased songs and two never-before-heard LPs: the unreleased I Love My Lady recorded in 1981 with Chic’s Nile Rodgers and Bernard Edwards, and The Island, a 1989 collaboration with Sergio Mendes. Mathis, who has been recording for Columbia since his self-titled 1956 debut, assisted with the curation of The Voice of Romance, which concludes with his most recent album, Johnny Mathis Sings the Great New American Songbook.

Reviewed by Brenda Nelson-Strauss

View review December 1st, 2017

Various – 24 Classic Blues Songs from the 1920’s, Vol. 15

2018_Blues_Calendar_front_page_largest
Title: 24 Classic Blues Songs from the 1920’s, Vol. 15

Artist: Various

Label: Blues Images

Format: CD + Calendar

Release date: September 25, 2017

 

Has 2017 given you the “bougie” blues? Add these twenty-four classic blues songs from the ‘20s to your collection to help ease the pain.

The 15th annual calendar and CD release from Blues Images brings another well-selected set of remastered pre-war blues music to new generations through a combination of vintage and modern playback technologies. The songs are paired with the artwork circulated to promote the original commodities, reproduced as a 2018 wall calendar.

This year’s CD includes two recently discovered songs by Jab Jones and The Memphis Jug Band: “My Love Is Cold” and ”Poor Jab Blues.” There are also fresh remastered versions of Tommy Johnson’s recording, “Slidin’ Delta”/”I Wonder To Myself” (Paramount 12975) as well as Johnnie (Geechie) Temple’s “Evil Devil Blues”/”Jacksonville Blues” (Vocalion 02987) taken from newly discovered, cleaner copies of the original 78-rpm discs.

War, wage work, food scarcity—a century ago blues artists were writing and singing about the problems we still face in the world today. Someday perhaps we’ll liberate ourselves from the economic system that connects us to these voices from nearly a century ago. As we keep pushing, we have their words and music to remind us that liberation is fraught with peril, and there’s no better way to communicate this struggle than through the blues.

Reviewed by William Vanden Dries

View review December 1st, 2017

Cheryl Fortune – Simply Cheryl

Cheryl Fortune
Title: Simply Cheryl

Artist: Cheryl Fortune

Label: Tyscot

Formats: CD, MP3

Release date: October 13, 2017

 

 

Well known in the gospel community for her cutting-edge songwriting and heartfelt vocals, Houston native Cheryl Fortune inspires and amazes with her debut album, Simply Cheryl for Tyscot Records. Prior to the launch of her solo career, Cheryl served as a vocal arranger and background vocalist with Grammy nominated artist James Fortune & FIYA in addition to co-penning several of the group’s hit songs, which have graced the top ten on Billboard gospel charts. Along with her work with FIYA, she has served as songwriter and guest vocalist on projects associated with numerous other national gospel artists such as Kirk Franklin, Shirley Caesar, Isaac Carree and Bishop T.D. Jakes. Clearly a veteran in her own right, it was simply a matter of time before she would grace us with this solo offering.

Simply Cheryl is anchored by the hit single “Fighters,” a song inspired by a Mother’s Day card from the singer’s 13 year-old daughter affirming Fortune’s kindness, love, strength and resilience (i.e. fight) during specific challenging moments of the artist’s life. “Fighters” links Fortune, a domestic violence survivor, in affirmation with listeners who have also experienced similar life circumstances:  “We’re fighters never gonna give up… I’ll take your hand and you’ll take mine, we’ll conquer this think they call life…” Couched in a hard-hitting drum line instrumentation created by producer Lucius B. Hoskins, “Fighters” also reflects broader social impact, as an adopted theme song of encouragement for people recovering from the devastation of Hurricane Harvey.  However, in the words of Fortune during a recent interview, this project is not “victim music.”  Rather, the album’s songs are sacred expressions of triumph created and shared by one who has persevered in spite of life-changing obstacles.

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Other notable tracks such as “4 A Night” and “Figure It Out” (both produced by Terence Vaughn), like the entire project, are rooted in ‘80s and ‘90s R&B music traditions. While listeners will surely recognize definitive rhythmic grooves, guitar melodic lines, synth bass lines and horn stabs, harmonic progressions, and talk boxes, among other textures linked with R&B sensations such as Bobby Brown, Keith Sweat and Mint Condition to name a few iconic artists, the gospel message of encouragement, hope and resilience remains at the forefront of the album.

Simply Cheryl is a spectacular album that will leave you eagerly waiting to see what else Cheryl Fortune has in store. For those seeking to experience a powerful inspirational message saturated in timeless grooves, Simply Cheryl is for you!

Reviewed by Jared Griffin and Tyron Cooper

View review December 1st, 2017

Dee Dee Bridgewater – Memphis, Yes I’m Ready

Dee Dee Bridgewater
Title: Memphis, Yes I’m Ready

Artist: Dee Dee Bridgewater

Label: Okeh

Formats: CD, LP, MP3

Release Date: September 15, 2017

 

 

Dee Dee Bridgewater, a jazz singer in the same vein as Nancy Wilson, Ella Fitzgerald, Sarah Vaughn and Abby Lincoln, has done it all. She has even appeared on Broadway, earning the respect of peers and critics in a career that has spanned decades. It takes confidence and knowledge of self when an artist decides to step out of their comfort zone, which Bridgewater does on her new release, Memphis, Yes I’m Ready. The 13 track album features Bridgewater singing covers of blues, R&B and gospel classics from the ‘60s with backing by the album’s co-producer, Kirk Whalum, and the Stax Academy Choir.

 

 

Bridgewater was born in Memphis, so this project was a homecoming, to say the least—or in the words of the great Sam Cooke, “Bring It On Home.” That she does. Now for the highlights. If you listen very close to “I Can’t Get Next To You,” you’ll hear Bridgewater paying homage to the Al Green version of the song, not the Temptations. Green after all brought the Memphis sound into the ‘70s and Bridgewater is a Memphis gal, so why not. The horns and vocal delivery are downright scary in their precision and intensity.

When Bridgewater says “Yeah, this is for the King,” it’s not the “King” some of you may be thinking of, but rather B.B. King. His signature track, “The Thrill Is Gone,” gets the female perspective from Bridgewater as she sings, “You will be sorry someday.” Clap your hands and tap that foot. Now, speaking of another “King,” Bridgewater covers two of Elvis Presley’s classics. First up is “Don’t Be Cruel.” Who needs the Jordanaires on backing vocals when you can strip this song to its core and make it sound completely new?  “Hound Dog,” as most everyone knows, was originally recorded by Big Mama Thornton, but Elvis had the bigger hit. Bridgewater again steers away from original and makes it a storytelling tune, one that I can now understand.

You can’t go home without taking one for the church, right? Bridgewater closes the album with Thomas Dorsey’s “(Take My Hand) Precious Lord.” This is a song that can bring tears to the eyes, especially since one usually hears it at home-going ceremonies. Testify, Sister Dee Dee!

Memphis, Yes I’m Ready is Bridgewater’s homecoming 101. You better be ready!

Reviewed by Eddie Bowman

 

 

View review December 1st, 2017

More Box Sets – Wilson Pickett, Dinah Washington, Various Artists

Wilson Pickett
Title: Complete Atlantic Albums Collection

Artist: Wilson Pickett

Label: Rhino

Format: 10-CD Box Set, MP3

Release date: December 1, 2017

 

 

This new box set from Rhino UK appears to be a fairly straightforward reissue of Wilson Pickett’s albums for Atlantic, drawing primarily upon versions remastered in 2007. The albums include: In the Midnight Hour (1965), The Exciting Wilson Pickett (1966), The Wicked Pickett (1967), The Sound of Wilson Pickett (1967), I’m In Love (1968), The Midnight Mover (1968), Hey Jude (1969), Right On (1970), Wilson Pickett in Philadelphia (1970), and Don’t Knock My Love (1971).  A nice set if you don’t already own any of Pickett’s albums, but there is no bonus material to entice fans and collectors.

 

Dinah Washington
Title: Divine Miss Dinah Washington

Artist: Dinah Washington

Label: Verve

Formats: 5-CD Box set, 5-LP Box set

Release date: December 15, 2017

 

Verve is releasing a 5-disc set, available on both CD and vinyl, of classic Dinah Washington albums from the 1950s.  Though Washington could sing in many styles, including blues, R&B, gospel and pop, the focus here is primarily on her vocal jazz repertoire recorded for the EmArcy label. This is another straightforward reissue project, most likely attractive to those who wish to own pristine 180 gm. vinyl copies of these albums. Among the five discs are two arranged by Quincy Jones—For Those In Love (1955) and The Swingin’ Miss D—and two featuring American songbook standards—After Hours With Miss D (1954) and Dinah Jams (1954). The final album, What a Diff’rence a Day Makes (1959) released by Mercury, was arranged by Indiana native Belford Hendricks in a pop-oriented rhythm and blues style.

 

peace_love_and_fishing_cover
Title: Blue Note Review Vol. One – Peace, Love & Fishing

Artist: Various

Label: Blue Note

Formats: 5-CD Box set, 5-LP Box set

Release date: December 15, 2017

 

Curated by Blue Note president Don Was, the limited edition Blue Note Review Peace, Love & Fishing is the inaugural offering of a bi-annual “luxury subscription box set” designed to appeal to jazz collectors with deep pockets.  Volume One includes a double LP containing new and unreleased recordings by the likes of the Wayne Shorter Quartet, Dr. Lonnie Smith, Gregory Porter, Kandace Springs, Terence Blanchard, and Derrick Hodge—plus a vinyl reissue of the previously out-of-print 1963 Step Lightly album by trumpeter Blue Mitchell. Also included are items that can be shared with other members of the family: artist lithographs, a silk scarf, turntable mat, and the self-published Notables jazz zine. Only registered subscription members are eligible to receive the set; each volume of Blue Note Review costs $200, including shipping to the US or Canada.

Reviewed by Brenda Nelson-Strauss

 

 

View review December 1st, 2017

Florida Soul: From Ray Charles to KC and the Sunshine Band

Florida Soul

Title: Florida Soul: From Ray Charles to KC and the Sunshine Band

Author: John Capouya

Publisher: University Press of Florida

Formats: Hardcover (408 pages), Kindle

Release date: September 26, 2017

 

 

Though the state of Florida doesn’t immediately come to mind as a hotbed of soul music, journalist John Capouya attempts to correct this oversight with his new book Florida Soul: From Ray Charles to KC and the Sunshine Band. Using his “antennae for passionate vocals and funky sounds with Florida origins,” he delves into the period from 1945-1980, when Florida produced “some of the most electric, emotive soul music this country has ever heard.” Capouya attributes this flourishing scene in part to the fact that Florida, along with Texas, was the “densest and richest segment of the chitlin’ circuit,” bringing all of the major African American artists through the state.

Each of the 20 chapters is dedicated to a particular artist or producer, some famous and others lesser known, but all contributing an interesting story: Ray Charles (“the catalyst of the entire soul explosion came from Greenville, FL”); Sam Moore (“from Miami’s Overtown neighborhood”); sax players Ernie Calhoun and Noble “Thin Man” Watts; Lavell Kamma and the 100 Hour Counts (“one of Florida’s longest-running soul groups”), the singing duo James & Bobby Purify (one chapter each); vocalists Helen Smith, Frankie Gearing, Jackie Moore, and Timmy Thomas (his 1972 anthem “Why Can’t We Live Together” is sampled in Drake’s “Hotline Bling); Latimore (who first recorded for Henry Stone), Wayne Cochran (“the white James Brown”); white soul singer Linda Lyndell; producer Papa Don Schroeder, and of course KC and the Sunshine Band. Other chapters are dedicated to the state’s most famous label owners—Henry Stone and T.K. Productions (which rightly receives two chapters) and Willie Clarke and Deep City Records—plus a chapter explaining how “The Twist Came from Tampa.” Along the way many other artists are mentioned, along with other Florida labels such as Jayville, Tener, Marlin, Leo, Alston, D & B, Glades, and Bound Sound.

Florida Soul is an engaging and informative read, placing an emphasis on the stories behind the singers and the songs gleaned from historical research as well as interviews with surviving musicians, singers, producers, deejays, and other industry personnel. The book is an important resource on a music scene that’s never been fully documented within a single volume, adding greatly to our understanding of American music and, in particular, the soul, R&B, disco and funk grooves emanating from the Sunshine State in waves the spread across the nation.

Reviewed by Brenda Nelson-Strauss

 

View review December 1st, 2017

New Books About Black Recording Artists

Following are brief descriptions of recently published books that are certain to please fans of funk, soul, jazz, hip hop and reggae music.
Al Green

Title: Soul Survivor: A Biography of Al Green

Author: Jimmy McDonough

Publisher: Da Capo Press

Formats: Hardcover (432 pages), Kindle, Audiobook

Release date: August 29, 2017

 

Though Al Green collaborated with Davin Seay on an “autobiography” in 2000, most fans were unsatisfied with the result, which was famously short on details due to Green’s reluctance to actually sit for interviews and tell his own story. Now Jimmy McDonough has attempted a more definitive biography, likewise working from previously published interviews with Green and secondary sources, in addition to new in-depth interviews with many colleagues and associates. The result is Soul Survivor, which chronicles the many sides of Al Green, from his days as a soul singer to his transition to Reverend Al Green and the many facets of his character that fall in between and outside of these boundaries. Not all of it is pretty, but Soul Survivor is likely as close as we’ll ever get to understanding the man behind the music and the pulpit.

Otis Redding
Title: Otis Redding: An Unfinished Life

Author: Jonathan Gould

Publisher: Crown Archetype (May 16, 2017)

Formats: Hardcover (544 pages), Paperback, Kindle, Audiobook

Release date: May 16, 2017

 

Seven short years – that was the entire length of the career of one of the giants of soul music, Otis Redding, from the first single he cut as a teenager in 1960 to his untimely death at the age of 26 in December 1967. Now, on the 50th anniversary of Redding’s death, Jonathan Gould finally offers a biography that’s a fitting tribute to the architect of Southern soul music. Otis Redding: An Unfinished Life, however, is so much more than one man’s story, as Gould digs into the social fabric of the era, exposing the racial tensions and realities of faced by black musicians of his generation. Impeccably researched, respectfully written, and highly recommended!     

Prince & the Purple Rain Studios
Title: Prince and the Purple Rain Era Studio Sessions, 1983-1984

Author: Duane Tudahl

Publisher: Rowman & Littlefield

Formats: Hardcover, Kindle, Audiobook

Release date: November 15, 2017

 

Described as “the definitive chronicle of Prince’s creative brilliance during 1983 and 1984,” author Duane Tudahl’s 552 page volume is a must have for any serious Prince fan. Delving into the brief but intense period that produced Purple Rain, Tudahl expounds on Prince’s professional as well as his personal life. But this is not a tell-all, biopic-type treatment. Rather, the focus is on Prince’s studio sessions and includes copious details on recording studios, which songs were tracked at each, session personnel, producers, engineers, and the stories behind the sessions. Also included are details regarding Prince’s work with The Time, Vanity 6, and the Revolution, including his frenetic schedule of rehearsals, tours, and filming. Tudahl has been covering Prince for over 20 years, and is able to draw upon interviews he conducted with a wide range of Prince’s associates, adding to the authoritative nature of his reporting. This is the first book in the series; Tudahl is already planning the second volume, which will cover 1985-1986.

Prince
Title: Prince: A Private View

Author: Afshin Shahidi

Publisher: St. Martin’s Press

Formats: Hardcover (256 pages), Kindle

Release date: October 24, 2017

 

We can’t include just one Prince-related book when there are so many to choose from. If you’re more interested in a visual representation of the artist than a chronology of his early recording sessions, then check out Prince: A Private View. Featuring many never-before-seen photos by Afshin Shahidi, Prince’s primary photographer, this collection captures both the glamour and mystique of the artist. Though the text takes a backseat to the vivid portraits, Shahidi does provide some context to the photos in the form of short stories. It should be noted, however, that this isn’t a “coffee table” book, but a standard-size volume.

The Jacksons Legacy
Title:  The Jacksons: Legacy

Author: The Jacksons with Fred Bronson

Publisher: Black Dog & Leventhal

Formats: Hardcover (320 pages), Kindle

Release date: October 24, 2017

 

Even if we’re weren’t based in Indiana, we’d still have to jump on The Jacksons: Legacy documenting the state’s most famous musical family. Plugged as “the first official book on the Royal Family of Pop,” the Jacksons collaborated with well-known music industry writer Fred Bronson, who was allowed access to the family archives and conducted interviews over a two week period. Though it’s highly unlikely that any new information was uncovered in that extremely brief period of time, we’re at least promised some previously unpublished photographs, including documentation of official merchandise and other ephemera. The book coincides with The Jackson’s 50th anniversary, which may be reason enough for fans to pick up a copy.

Gucci Mane
Title: The Autobiography of Gucci Mane

Author: Gucci Mane & Neil Martinez-Belkin

Publisher: Simon & Schuster

Formats: Hardcover (286 pages), Kindle

Release Date: September 19, 2017

 

 

There’s nothing like a comeback story to warm our hearts, especially at Christmastime. Through honest, unflinching reflectiveness, Gucci Mane has given us just that—a down-and-out but not done-and-out narrative of his journey so far. Mane tells his story in his own words, covering his early years as Radric Delantic Davis to his star-studded fame as Gucci Mane, trap pioneer and mentor to a subsequent generation of artists and producers: Migos, Young Thug, Nicki Minaj, and Zaytoven, to name a few. Detailing how choices to be part of the drug dealing world continuously dealt him one-step-forward, two-steps-back in the music world, Mane also confronts his dark past and explains how his time in lockup became his most positive life-altering experience. It is one of the greatest comeback stories in the history of music, and it is one you won’t want to miss.

Chuck D Hip Hop History
Title: Chuck D Presents This Day in Rap and Hip-Hop History

Author: Chuck D, Shepard Faiey (Foreword)

Publisher: Black Dog & Leventhal

Format: Hardcover (673 pages), Kindle

Release Date: October 10, 2017

 

Chuck D.’s dedication to hip hop’s fan base has been solid since the start of his Public Enemy days, and with this release he continues to gift us in the form of vital information about rap and hip hop’s history. Based on his long-running show on Rapstation.com, D’s comprehensive collection of pivotal moments and influential songs in the genre’s recorded history is a first in the hip hop scholarship world. Included in this chronological collection are songs such as Kurtis Blow’s “Christmas Rappin’” to Kendrik Lamar’s ground-breaking verse on “Control”, and all hits in-between. Incorporated into the tome are key events in hip hop history, from Grandmaster Flash’s first scratch through Tupac’s holographic appearance at Coachella, interwoven with 100+ portraits of various hip hop artists. This work is a worthy addition to any hip hop lover’s collection, and for those that study or work in the genre, it is a necessity worth owning.

Queen of Bebop
Title: Queen of Bebop: The Musical Lives of Sarah Vaughan

Author: Elaine M. Hayes

Publisher: Ecco

Formats: Hardcover (432 pages), Paperback, Kindle, Audiobook

Release date: July 2017

 

One of the greatest jazz vocalists of all time, Sarah Vaughan has been the subject of previous books, but the only full length biography of note was Leslie Gourse’s Sassy: The Life of Sarah Vaughan, published nearly 25 fives ago. Now jazz historian Elaine M. Hayes offers a more definitive treatment in Queen of Bebop, which digs deeper into her life not only as a performer, but as a black woman facing the challenges of race and gender within the music industry and beyond. A must read for anyone interested in jazz and popular in the latter half of the 20th century, African American music and musicians, or music in general.

Bob Marley
Title: So Much Things to Say: The Oral History of Bob Marley

Author: Roger Steffens

Publisher: W.W. Norton & Company

Formats: Hardcover, Kindle

Release date: July, 2017

 

So Much Things to Say is a must have for any serious Bob Marley fan. Drawing on testimonies by friends, relatives and musical associates, author and archivist Roger Steffens—the leading authority on Bob Marley—tells the story of the reggae legend, from his younger days in Kingston to his professional years. As the title implies, this book includes a great deal of information regarding the life of Marley, including the violent confrontation with Lee “Scratch” Perry, his performance for freedom fighters in Zimbabwe, details on Marley’s final months, controversies surrounding Marley’s death, and many more first-hand accounts of his life. So Much Things to Say will serve as a valuable resource for anyone who is interested in the history of reggae music and Marley’s incredible influence upon the genre and global culture.

Reviewed by Brenda Nelson-Strauss, Amy Aiyegbusi and Jamaal Baptiste

 

View review December 1st, 2017

November 2017 Releases of Note

Following are additional albums released during November 2017—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country, Zydeco
Etta James: Chicago Blues Festival 1985 (Air Cuts)
John Lee Hooker: Black Night Is Falling: Live at the Rising Sun (Justin Time)
Lil’ Nathan & The Zydeco Big Timers: Unpause (Cha Cha)
Little Axe: London Blues (Echo Beach)
Lucky Peterson: Tribute to Jimmy Smith (Jazz Village)
Various: Blue 88s: Unreleased Piano Blues Gems 1938-1942 (Hi Horse)
Various: Hard Core Harp (Electro-Fi)
Various: Rough Guide to Holy Blues (World Music Network)
Various: Rough Guide to Ragtime Blues (World Music Network)

Classical, Broadway, Soundtracks, Holiday
Julius Eastman: The Zürich Concert   (New World)
Kevin John Edusei; Münchner Symphoniker: Schubert  Symphonies 4 & 7  (Solo Musica)
Kevin Kelley : A Soulful Christmas   (K2Music)
Kirk Smith: Joyful Noise – EP (Powerhouse)
Terence Blanchard; Brussels Philharmonic: Music for Film   (Silva Screen)
Paragon Ragtime Orchestra: Black Manhattan, Vol. 3 (New World )
Valerie Boyd:  A Gift for You (Shekinah International)
Various: Chasing Trane Documentary (DVD, Soundtrack)   (Ume)

Funk, Rock, Pop, Electronic
Amp Fiddler: Amp Dog Knights (Mahogani Music)
Bad Brains: Finding Joseph I Documentary (DVD)  (MVD Visual)
Cameron Bethany: You Make Me Nervous (Unapologetic)
Kxngs: Air Sign EP (Tru Thoughts)
Malka Family: Le Retour Du Kif (Saint Paul Force)
Nona Hendryx & Gary Lucas: World of Captain Beefheart (Knitting Factory )
Shamir: Revelations (Father/Daughter )
The Liza Colby Sound: Draw EP (Oh Baby)
Timothy McNealy: Funky Movement (Now Again)

Gospel, Christian Rap, CCM
Aha Gazelle: Trilliam 3 (Reach)
Beverly Crawford: Essential Beverly Crawford, Vol. 2 (JDI)
Derek Minor:   High Above EP (Empire)
Fedel:  Brave 2
Gods Own Radikalz: 20dozen The Call (Hawk -Eye Ent.)
Isabel Davis: The Call (eOne)
Javon Inman: Agape Eros (Liberty Music)
Joe Mettle: God of Miracles (Reverb Studios)
Judah Band: For My Good EP (Light)
N.E.M.G.: The Freeze
The Standard: Eight “New Beginning” (Band Geek Music Group)
The Walls Group: The Other Side (RCA Inspiration)

Jazz
Illinois Jacquet: Jacquet Files, Vol. 1 (Live At Village Vanguard 1986) (Squatty Roo)
Blaque Dynamite: Killing Bugs (Ropeadope)
Brian Blade & The Fellowship Band: Body & Shadow (Blue Note)
Dwight Trible: Inspirations (Gondwana)
Eric Valentine & Velvet Groove: Velvet Groove (Matcha Ent.)
Houston Person: Rain or Shine (HighNote)
Lyman Woodard Organization: Saturday Night Special (reissue)     (BBE)
Rahsaan Barber: The Music in the Night (Jazz Music City)
Ron Miles: I Am a Man (Yellowbird)
Sandra Nkaké: Tangerine Moon Wishes (Jazz Village)
Seal: Standards (Universal)
Sly5thAve: Invisible Man: Orchestral Tribute to Dr. Dre (Tru Thoughts)
Vincent Herring: Hard Times (Smoke Sessions)

R&B, Soul
Aretha Franklin: A Brand New Me (Rhino)
Barry Antoine: Eclipse (Shabar Music Ent.)
Beatchild & The Slakadeliqs: The Only Difference   (BBE)
Davion Farris: With Pleasure
Diana Ross: Diamond Diana: The Legacy Collection (Motown)
Elijah Blake: Audiology (Steel Wool / Empire)
Frank McComb: Soulmate: Another Love Story (Prodigee)
Karina Pasian: Interlude
Keaira LaShae: Purple Crowns (3707 Ent.)
Kristan Omor: From Then
Lalah Hathaway: Honestly (Hathaway Ent.)
Martha High: Tribute To My Soul Sisters (Record Kicks)
Maurice Moore: The Amber Room (Empire)
Maxayn: Reloaded: Complete Recordings 1972-1974 (Soul Music)
Phyllis Hyman: Deliver the Love: The Anthology (Soul Music)
Prince Charlez: Evolution EP (Republic)
Project Mama Earth: Mama Earth (Provogue)
Ruby Turner: Livin a Life of Love: Jive Anthology 1986-1991 (Soul Music)
Run N’ Fly: S/T (MRI)
Sharon Jones:  Soul of a Woman (Daptone)
Paxton:  In the Key of Love (Prodigee)
Syleena Johnson: Rebirth of Soul (Shanachie)

Rap, Hip Hop
Mr. Lif & Brass Menazeri: Resilient   (Waxsimile)
Williesco & Yikey Mikey: Yeamonyikezzzz (Triple R Muzik Group)
Amy True: Eleven (True Music)
BeatzByNEFF: Blackness (Bbent / Starcreations)
Big Cakes: No Excuses (Origarmy)
Black Squad: Bad Boy Files (mixtape)
Blacka Da Don: A Part of My Story (MusicThatMatters)
Cam’Ron: The Program (Killa Ent.)
Chris Brown:   Heartbreak on a Full Moon (RCA)
Cyhi The Prynce: No Dope On Sundays (Red Music/Sony)
Da Deputy: Bear Your Soul
Dee-1: Slingshot David (Essential Sound)
Droop-E: Trillionaire Thoughts (Sick Wid It)
Duckworth: XTRA UUGLY (mixtape)
Fabolous & Jadakiss: Friday On Elm Street (Def Jam)
Futuristic: What More Could You Ask for? (OnlyFuturistic, LLC)
Hopsin: No Shame (300 Entertainment)
J Hawk: Mood (LSR)
Jaden Smith: Syre
James Lavell:   StereoType
Jovan Mackenzy: Crooked 10
Keak Da Sneak: Withdrawal (Empire)
Kiddo Marv: Kingz in Denial Don’t Overcome
Lil Uzi Vert: Luv is Rage 2 (Atlantic)
Louis Cato: Starting Now (Ropeadope)
Meyhem Lauren & DJ Muggs: Gems From the Equinox (Soul Assasins)
Milo: Who Told You to Think??!!?!?!?! (Ruby Yacht)
Moka Blast: The Blast Testament (Fly Guy)
Oddisee & Good Compny: Beneath the Surface (Live) (Mello Music Group)
Pete Rock: Lost Sessions (VinDig)
Pharcyde: Bizarre Ride II (25th Anniv. Ed.) (Craft)
Philthy Rich: Sem God (Empire)
PnB Rock: Catch These Vibes (Atlantic)
Princess Nokia: 1992 Deluxe  (Rough Trade )
Reek I’van: Book of Tabias (London Boy Ent)
Rexx Life Raj: Father Figure 2: Flourish (Empire)
Rsxgld: S/T (Fat Beats)
ShaqIsDope: S/T (2UP WorldWide)
Shredders: Dangerous Jumps Explicit (Doomtree)
Skeme: Second Notice EP (eOne)
Skooly: BAcCWArdFeELiNgS (TRU)
Spitta:  Let Me Eat Too (N.W.A.)
Stalley: Tell the Truth: Shame the Devil (Blue Collar Gang)
Swissivory: Real Dreams 2 (Rough Trade)
T-Pain: Oblivion (RCA)
Thenewfaceofsound: LiveInDaFresh (Marvelous Phenomenon)
The Problem: Selfish (Empire)
Third Root: Libertad (Third Root Music)
Too $hort: Hella Disrespectful: Bay Area Mixtape (Dangerous Music)
Wiz Khalifa: Laugh Now, Fly Later (Taylor Gang/Atlantic)

Reggae, Dancehall
Blackstones: Insight (1st CD reissue) (Burning Sounds)
Dub Syndicate: Misplaced Masters (On-U Sound)
Horace Andy: Good Vibes (VP)
Ken Boothe: Inna de Yard (Chapter Two)
Various: Havana Meets Kingston (VP)
Various: Strictly the Best Vol. 56 (VP)

World, Latin
Lulendo: Mwinda (Buda Musique)
Monoswezi: A Je (Riverboat)
Various: Original Sound of Burkina Faso (Mr Bongo)
Various: Don’t Sleep: Omutibo From Rural Kenya    (City Hall/Mississippi)
World’s Experience Orchestra: Beginning of a New Birth (Now Again)

View review December 1st, 2017

Various artists – Feel Good! 40 Years of Life Changing Music

Feel good!
Title: Feel Good! 40 Years of Life Changing Music

Artist: Various

Label: Tyscot

Formats: CD, MP3

Release date: April 29, 2016

 

We’re a little late to the party, but we can’t pass up an opportunity to commemorate the 40th anniversary of Tyscot Records, the nation’s oldest African American owned and operated gospel music label. Founded in 1976 by Dr. Leonard Scott and L. Craig Tyson in Indianapolis, Indiana, the label has grown into a multi-media company that produces films as well as recordings. Yet Tyscot remains a family run operation, guided by Dr. Scott as CEO, with son Bryant S. Scott continuing the legacy as President/COO. Now entering its fifth decade, the label is an industry powerhouse whose artists garnered 19 Stellar Gospel Awards nominations in 2017.

Tyscot was originally established to record the Christ Church Apostolic Radio Choir, led by Bishop James Tyson (Craig’s father). The choir’s first hit single, “Feel Good!,” is the opening track of this anniversary compilation in a contemporary version re-recorded by Dr. Scott. The remaining 14 tracks feature songs by artists whose careers were launched by Tyscot, starting with “Hold On” (1981) by The Pentecostal Ambassadors, a popular male vocal trio from Indianapolis. Following is the smooth, ballad style “Say You Believe” (1986) performed by Deliverance and co-written by none other than Indianapolis native Kenneth “Babyface” Edmonds, who at the time was a member of the R&B group The Deele.

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Other early Tyscot releases featured on this set include the classic “Jesus Is Real” by John P. Kee & the New Life Community Choir, “Holy One” featuring Kirk Franklin with the Trinity Temple Full Gospel Mass Choir, and the P.A.W. National Mass Choir’s “How Majestic,” a fantastic arrangement based on Handel’s “Hallelujah Chorus.” Sequenced in chronological order, the set concludes with contemporary gospel artists, including break-out stars Anthony Brown & group therAPy (“Do It Again”) and Casey J (“Better”) who have been topping the charts this year.

Feel Good! 40 Years of Life Changing Music showcases the talents of local and national gospel artists and cements the legacy of Tyscot Records. The company is stronger than ever, and positioned to remain an industry powerhouse in its fifth decade.

Reviewed by Brenda Nelson-Strauss

View review November 2nd, 2017

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