Welcome to the November 2019 Issue

Welcome to the November 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

This month we’re featuring three classical music releases: composer Gabriel Prokofiev’s Saxophone Concerto & Bass Drum Concerto (ft. Branford Marsalis and Joby Burgess), Devonté Hynes (aka Blood Orange) & Third Coast Percussion’s collaboration on Fields, and Wynton Marsalis’s Violin Concerto and Fiddle Dance Suite (ft. Nicola Benedetti).

New jazz releases include Kirk Whalum’s collaboration with artists from around the globe on Humanité, Cuban pianist Roberto Fonseca’s Yesu, Richie Goods’ My Left Hand Man: A Tribute to Mulgrew Miller, and The Frankie Newton Collection 1929-46, a three disc set honoring the late, great trumpet player.

Three new gospel music releases capture sounds of the ‘60s and ‘70s: He’s On Time from the quartet revival group Harlem Gospel Travelers, Nobody’s Fault But My Own from the Sensational Barnes Brothers, and the reissue of Elizabeth King & The Gospel Souls’ D-Vine Spirituals Recordings.

Under the category of R&B, soul, rock and funk there’s Rissi Palmer’s uplifting Revival, Calvin Richardson’s smooth R&B vocals on Gold Dust, Living Colour vocalist Cory Glover’s collaboration with Stevie D Torn from the Pages, and the New York funk group Hornē Electric Band’s self-titled debut.

International releases include the compilations Brutal Africa: Heavy Metal Cowboys of Botswana and Warrior Women of Afro-Peruvian Music, the Haitian roots revival collective Lakou Mizik’s collaboration with New Orleans’ artists on HaitiaNola, and a reissue of  the 1977 album Ewondo Rythm by Ondigui and Bata Tabansi International.

In the spirit of Thanksgiving, Homeless Oakland Heart, released to coincide with World Homeless Day, offers a collection of songs and stories recorded live on the streets of Oakland with all proceeds going to the Coalition for the Homeless. Wrapping up this issue is our comprehensive list of October 2019 Black Music Releases of Note.

October 2019 Black Music Releases of Note

Following are additional albums released during October 2019 across multiple genres—some will be reviewed in future issues of Black Grooves. Continue reading

Welcome to the October 2019 Issue

Welcome to the October 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

Our featured project this month is the new three disc compilation, Protobilly: Minstrel & Tin Pan Alley DNA of Country Music 1892-2017, produced and/or annotated by Dom Flemons, Dick Spottswood, Henry Sapoznik, and David Giovannoni.

Also highlighted are two classical recordings: Richard Thompson’s The Mask in the Mirror – A Chamber Opera and Jamaican-born composer Eleanor Alberga’s String Quartets Nos. 1-3, performed by Ensemble Arcadiana.

This month’s jazz selections include Ramsey Lewis & the Urban Knights seventh album VII, the Chick Corea Trio’s Trilogy 2, and the Louisiana-based Lilli Lewis Project’s multi-genre album We Belong. Gospel releases include John P. Kee’s I Made It Out and a new compilation, Jewell Gospel Trio: Many Little Angels in the Band, featuring a 1950s gospel girl group that included a teenage Candi Staton.

Other new releases include rising Chicago blues musician Toronzo Cannon’s The Preacher, The Politician or The Pimp, spoken word artist/poet Tenesha The Wordsmith’s Peacocks & Other Savage Beasts, the Brooklyn Funk Essentials’s Stay Good, and Vaneese Thomas’s Down Yonder. Wrapping up this issue is our list of September Black Music Releases of Note.

September 2019 Black Music Releases of Note

Following are additional albums released during September 2019 across multiple genres—some will be reviewed in future issues of Black Grooves.  Continue reading

Welcome to the September 2019 Issue

Welcome to the September 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

Our featured projects this month are Black Swans, a compilation featuring some of the rarest recordings of African American concert artists from the early 20th century, and My Mind Set Me Free: The House Guests Meet the Complete Strangers featuring early 1970s recordings by Bootsy and  Phelps “Catfish” Collins along with other members of the rhythm section that famously backed James Brown (The J.B.’s), George Clinton (Funkadelic), and Bootsy Collins (Bootsy’s Rubber Band).

Featured jazz releases include Jazzmeia Horn’s sophomore album Love and Liberation, Wynton Marsalis’s Swing Symphony performed by Jazz at Lincoln Center Orchestra with the St. Louis Symphony Orchestra, the James Carter Organ Trio’s Live From Newport Jazz, pianist Jon Batiste’s Anatomy of Angels: Live at the Village Vanguard, and the new Louis Armstrong compilation Live in Europe.  

Other new releases include slam poet/rapper Saul Williams’ Encrypted and Vulnerable, Raphael Saadiq’s poignant Jimmy Lee, and Battle of the Blues: Chicago vs Oakland, Twist Turner’s tribute to underappreciated blues men and women from both cities. Wrapping up this issue is our list of August Black Music Releases of Note.

Welcome to the August 2019 Issue

Welcome to the August 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

Our featured projects this month include The Americus Brass Band’s Tribute to James Reese Europe’s Harlem Hell Fighters’ Band on the 100th Anniversary of the Pathé Recordings in which they recreate the music performed during the 1919 recording sessions, and Florence Beatrice Price’s Symphonies No. 1 and No. 4 performed by the Fort Smith Symphony under the direction of John Jeter.

Jazz releases include bassist Avery Sharpe’s 400: An African American Musical Portrait, bassist Charnett Moffett’s Bright New Day, the New Orleans-based Soul Brass Band’s Levels, and Damon Locks Black Monument Ensemble’s Where Future Unfolds. Other cross-genre projects include Chicago poet-musician Avery R. Young’s Tubman and Ranky Tanky’s exploration of Gullah heritage on their sophomore album Good Time.  Blues releases include Zac Harmon’s Mississippi BarBQ and Mary Lane’s Travelin’ Woman.

Wrapping up this issue is Missing Chapters from the Atlanta-based Cameroonian-born artist Moken, and our list of July Black Music Releases of Note.

Welcome to the July 2019 Issue

Welcome to the July 2019 Summer Rocks issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

This month we’re featuring albums that represent the many permutations of rock, from the Black rock power trio Hundred Watt Heart (ft. “Captain” Kirk Douglas of The Roots) on Turbulent Times, to the three volume 20th Anniversary Mixtapes: Groiddest Schizznits from Burnt Sugar The Arkestra Chamber, to the roots of rock and roll on the Bear Family compilation Little Junior Parker Rocks, to the desert rock of Malian artist Oumar Konate on I Love You Inna, to the rocking zydeco of Dwayne Dopsie on Bon Ton. Also included in this line-up are a slew of debut albums from up and coming bands: Made In Pieces from the UK’s six piece collective Pieces of a Man; self-titled releases from Austin’s Black Pumas and New York rock and soul group John The Martyr; the solo side project Nothing to Say from Alan Evans (Soulive); Believe from self-proclaimed punk empress Cole Williams; Samsara from the Austin band Los Coast; and Cousin From Another Planet from Aaron Whitby featuring Martha Redbone, Lisa Fischer and Tamar Kali.

Jazz releases include the Wayne Wallace Latin Rhythm Jazz Quintet’s The Rhythm of Invention and tenor-saxophonist Jordon Dixon’s On! Our classical pick of the month is pianist-composer Stewart Goodyear’s Gershwin & Goodyear and our gospel pick is Kirk Franklin’s Long Live Love.

Wrapping up this issue is the timely Putumayo compilation World Peace and our list of June 2019 Black Music Releases of Note.

Welcome to the June 2019 Issue

Welcome to the June 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.  This month we’re celebrating the 40th anniversary of African American Music Appreciation Month, originally designated Black Music Month by President Jimmy Carter in 1979. In our efforts to preserve and promote the legacy of Black music, we’re featuring new releases across multiple genres by artists both new and iconic.

Jazz releases include the New Orleans Jazz & Heritage Festival’s 50th anniversary 5-CD set, Jazz Fest, Wynton Marsalis’s Bolden: Music from the Original Soundtrack, the latest Wes Montgomery compilation Back on Indiana Avenue: The Carroll DeCamp Recordings from Resonance Records, trumpeter Theo Croker’s Star People Nation, jazz harpist Brandee Younger’s Soul Awakening, the Marcus Shelby Orchestra’s Transitions featuring the new suite “Black Ball: The Negro Leagues and the Blues,” saxophonist Elan Trotman’s Marvin Gaye tribute Dear Marvin, and Sam Newsome’s Chaos Theory: Song Cycles for Prepared Sax.

New releases from iconic artists include Mavis Staples’ We Get By, The Last Poets’ Transcending Toxic Times, and Dionne Warwick’s She’s Back. Other R&B/soul releases include Jamila Woods’ Legacy! Legacy! highlighting legendary Black artists, Rahsaan Patterson’s Heroes & Gods, and the 50th anniversary reissue of Stax Records’ Soul Explosion.

Also celebrating a 50th anniversary is the Gospel Music Workshop of America Detroit Chapter’s Bringing It Back Home. Other featured releases include Winged Creatures and Other Works for Flute, Clarinet and Orchestra performed by the talented brothers Anthony McGill and Demarre McGill, young blues prodigy Christone “Kingfish” Ingram’s debut Kingfish, Keb Mo’s Americana blues album Oklahoma, and L.A. rapper Choosey’s collab with producer Exile on Black Beans. Wrapping up this issue is our list of May 2019 Black Music Releases of Note.

Craft Celebrates 50th anniversary of Stax Records’ “Soul Explosion”

In 1969, the iconic Stax Records’ intense undertaking to rebuild its brand as an independent label culminated in the release of 27 albums and 30 singles in just a handful of months. This period in the Memphis label’s history is known as the “Soul Explosion.” During Black Music Month, Craft Records will be commemorating the 50th anniversary of this achievement with a “Made in Memphis” reissue campaign, including the original Soul Explosion compilation album, back on vinyl for the first time since 1969. The two-disc set features a number of rare bonus tracks from the Bar-Kays, Eddie Floyd, and the lesser known Ollie & The Nightingales. Continue reading

Welcome to the May 2019 Issue

Welcome to the May 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. Our featured title this month is Rhiannon Giddens’ third solo album, there is no Other, which speaks to the practice of “othering people” for economic and political gain.

New R&B/soul music releases include albums from both veterans and rising stars: the O’Jays’ first studio album in 15 years, The Last Word; Durand Jones & The Indications sophomore album American Love Call; Memphis band Southern Avenue’s sophomore album Keep On; British singer/songwriter/cellist Ayanna Witter-Johnson’s classical-infused Road Runner; and Canadian soul star Tanika Charles’ The Gumption.

Rolling Stones’ back-up singer Bernard Fowler presents Inside Out, featuring covers of classic and lesser known Stone’s songs in a spoken word style, and the New Orleans Jazz Orchestra offers the tribute album Songs: The Music of Allen Toussaint.

Gospel music releases include Earl Bynum’s This Song’s For You, The Tommies Reunion (aka Thompson Community Singers) self-titled album, and Live on the East Coast from Florida sacred steel group The Lee Boys.

Wrapping up this issue is our list of April 2019 Black Music Releases of Note.

Welcome to the April 2019 Issue


Welcome to the April 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. Our featured title this month is Marvin Gaye’s previously unreleased Tamla/Motown album, You’re the Man. This new expanded edition coincides with the 60th anniversary of the Motown label and Marvin Gaye’s 80th birthday.

In celebration of Jazz Appreciation Month and International Guitar Month we’re featuring a wide variety of new releases: Christian Scott aTunde Adjuah’s Ancestral Recall, Branford Marsalis Quartet’s Secret Between the Shadow & the Soul, Kendrick Scott Oracle’s A Wall Becomes a Bridge, Brent Birckhead’s debut album Birckhead, the Eric Dolphy 3-disc compilation Musical Prophet, the compilation On the Corner Live! that reimagines of the music of Miles Davis, Anu “The Giant” Sun’s multi-genre solo debut Sanguine Regum, emerging jazz vocalist Quiana Lynell’s debut A Little Love, the compilation A Day in the Life: Impressions of Pepper that reimagines the Beatles’ most famous album, the urban jazz release Bob Baldwin Presents Abbey Road and the Beatles, rising Cuban star Eme Alfonso’s Afro-Cuban jazz fusion album Voy, noted 7-string guitarist Ron Jackson’s Standards and Other Songs, an expanded edition of The Lightmen Plus One’s 1972 masterpiece Energy Control Center, and Basin Street Records’ 20th anniversary celebration Live at Little Gem Saloon.

Also featured this month is Mississippi blues guitarist Leo “Bud” Welch’s posthumous release The Angels in Heaven Done Signed My Name, and previously unissued live tracks from blues singer and slide guitarist Johnny Shines on The Blues Came Falling Down – Live 1973.

Wrapping up this issue is our list of March 2019 Black Music Releases of Note.

Welcome to the March 2019 Issue

Welcome to the March 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. In honor of Women’s History Month, we’re highlighting new releases from female artists across multiple genres and countries.

Two notable debut projects include mezzo-soprano Marietta Simpson’s first solo release, Crooked Stick: Songs in a Strange Land, featuring acoustic arrangements of Negro spirituals, and Songs of Our Native Daughters from folk music supergroup Our Native Daughters.

Jazz releases this month include Catherine Russell’s Alone Together; the late Betty Carter’s The Music Never Stops featuring a previously unreleased live recording; UK saxophonist Camilla George’s The People Could Fly; Alicia Olatuja’s Songs from the Minds of Women; Vanessa Rubin’s exploration of the Tadd Dameron songbook on The Dream Is You;  Ulysses Owens Jr.’s Songs of Freedom celebrating Nina Simone, Abbey Lincoln, and Joni Mitchell; the 12-piece UK collective Nubiyan Twist’s Jungle Run; and Jeanne Lee & Ran Blake’s The Newest Sound You Never Heard featuring previously unreleased recordings from the 1960s.

Also featured is Damien Sneed’s We Shall Overcome—a multi-genre celebration of the 35th anniversary of Martin Luther King, Jr. Day; rising gospel star Casey J’s The Gathering; funk and soul diva Chaka Khan’s Hello Happiness; South African rapper Yugen Blakrok’s Anima Mysterium; Afro-Swedish singer Beldina’s Black & Blond; and reggae musician Rocky Dawuni’s Beats of Zion. Wrapping up this issue is our list of February 2019 Black Music Releases of Note.

Welcome to the February 2019 Issue

Welcome to the February 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture. In honor of Black History Month, we’re featuring projects that explore different perspectives of Black life through music.

Jazz-oriented releases include Wadada Leo Smith’s Rosa Parks: Pure Love, an oratorio commemorating the civil rights icon; Mark Lomax’s 400: An Afrikan Epic is a suite marking the 400th anniversary of the beginning of the transatlantic slave trade; Marcus Strickland Twi-Life’s People of the Sun sonically traces the African Diaspora from the past to present; Vivian Sessoms’s Life is the first of a two-part project about the Black experience in America; Etienne Charles’ Carnival: The Sound of a People Vol. 1 celebrates the music of his native Trinidad; and Chicago bassist Pennal “PJ” Johnson combines genres on Pickup Groove.

Classical releases include two albums from Chicago’s Cedille Records: Rachel Barton Pine’s Blues Dialogues explores 12 works by Black composers that incorporate blues idioms; and Sisters in Song is the first collaboration between world-renowned American sopranos Alyson Cambridge and Nicole Cabell.

Gospel releases include the highly anticipated box set/hardcover book Gospel According to Malaco: Celebrating 75 Years of Gospel Music, Joshua’s Troop’s new album Another Chance, and Black from Christian rapper Mr. Del. Other rap releases include Chicago poet Mykele Deville’s Maintain, and Ice Cube’s Everythangs Corrupt.

Also included is the debut album Don’t Tread On We! from the black punk rock band The 1865; The Bookends from blues-rock guitar virtuoso Eric Gales; Siltane from Haitian/Creole artist Moonlight Benjamin; and Malian singer Salif Keita’s Un Autre Blanc that elevates awareness of the persecution of Africans with albinism.

Wrapping up this issue is our list of January 2019 Black Music Releases of Note.

Welcome to the January 2019 Issue

Welcome to the January 2019 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

For our annual “winter blues” observance we’re highlighting five recent blues-based releases: Eric Bibb’s Global Griot featuring Malian musician Habib Koité and Senegalese kora master Solo Cissokho; Snooky Pryor’s All My Money Gone featuring previously unreleased studio and live recordings; The Prophet of Funky Texas Blues, aka Willie J. Laws Jr.’s Black Maria; Kenny “Blues Boss” Wayne’s Inspired by the Blues; an expanded reissue of Henry Townsend’s Mule; and Roscoe Robinson’s 90th birthday tribute Turn Right and Go Straight which combines blues, soul and gospel.

Also featured this month is Harbinger Records’ Sissle & Blake’s Shuffle Along of 1950 that draws from rare, one-of-a-kind acetate discs. And, since black-eyed peas are a New Year’s Day tradition, it seems fitting to include the Black Eyes Peas’ new album Masters of the Sun Vol 1

Other new releases include Anderson .Paak’s Oxnard that channels ‘90s West Coast funk; the Detroit-based octet Will Sessions collab with soul singer Amp Fiddler on The One; Detroit techno pioneer Robert Hood’s first release in !K7’s highly acclaimed DJ-Kicks series; and rising country artist Kane Brown’s sophomore album Experiment. Wrapping up this issue is a review of the timely book from Indiana University Press, Black Lives Matter and Music: Protest, Intervention, Reflection, and our list of December Black Music Releases of Note.

Welcome to the December 2018 Issue

Welcome to the December 2018 Holiday Edition of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

In keeping with the season, we’re starting off with our list of the Best New Holiday Albums, featuring releases from PJ Morton, Cece Winans, John Legend, Aloe Blacc, After 7, and Motown Gospel artists.

Special editions and box sets include Stax ’68: A Memphis Story (5 CDs), The Jimi Hendrix Experience’ Electric Ladyland 50th Anniversary Deluxe Reissue (2 CDs + Bluray), John Tefteller’s 2019 Classic Blues Artwork from the 1920’s, vol. 16 (calendar + CD), Voices of Mississippi: Artists and Musicians Documented by William Ferris (3 CDs + DVD) and companion DVD The Early Films. Other sets reviewed in brief include The Chic Organization 1977-1979 (5 CDs), The Staple Singers’ For What It’s Worth, Complete Epic Recordings 1964-1968 (3 CDs), Art Ensemble of Chicago/Associated Ensembles (21 CDs), Complete Cuban Jam Sessions (5 CDs), and Al Green’s The Hi Records Singles Collection (3 CDs).

For the vinyl lover on your list, there’s Eccentric Soul: The Saru Label (2 LPs), gospel singer Theotis Taylor’s long lost debut album Something Within Me, the first ever reissue of It’s Nation Time – African Visionary Music on Motown’s Black Forum imprint, plus Maxwell’s Embrya 20th Anniversary Edition, and Jermaine Dupree Presents So So Def 25. Other new releases include The Garner Poems from Ohio group Mourning [A] Blkstar, Broken Politics from the eclectic Neneh Cherry, and two jazz albums— Flight by James Francies, and Lebroba from the trio Andrew Cyrille/Wadada Leo Smith/Bill Frisell.

If you’re looking for books to gift, we’re featuring three volumes of photography—Bruce W. Talamon’s Soul R&B Funk Photographs 1972-1982, Vikki Tobak’s Contact High: A Visual History of Hip-Hop, and Meredith Ochs’ Aretha: The Queen of Soul―A Life in Photographs. Or, if you prefer an inspirational autobiography, Tina Turner’s My Love Story.

Wrapping up this issue is our list of November 2018 Black Music Releases of Note.

Dust-to-Digital Releases Voices of Mississippi & Early Films of William Ferris


Title: Voices of Mississippi: Artists and Musicians Documented by William Ferris
Format: Box set (book, 3 CDs, DVD)
Release date: June 1, 2018

Title: The Early Films of William Ferris, 1968-1975
Format: DVD
Release date: November 2, 2018

 

Voices of Mississippi: Artists and Musicians Documented by William Ferris is an important addition to the documentation of Southern folklife, culture, and history. The box set includes a CD of blues field recordings, another CD of gospel field recordings, a disc of interviews and oral histories, a DVD with seven short documentary films (1972-1980), and a 120-page hardcover book edited by Ferris that includes transcriptions and annotations for all of the film and album recordings.  A recently released companion DVD, The Early Films of William Ferris, 1968-1975, features rare footage of B.B. King and James “Son” Thomas. Both were produced by Dust-to-Digital in collaboration with the University of North Carolina, which holds the William R. Ferris Collection. Continue reading

Welcome to the November 2018 Issue

Welcome to the November 2018 issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

This month we’re featuring three new jazz releases including trumpeter Ambrose Akinmusire’s Origami Harvest, drummer Makaya McCraven’s Universal Beings, and the eponymous debut album from Christian McBride’s New Jawn.

In honor of Bill Withers’ 80th birthday, two artists have released tributes to the legendary singer-songwriter: José James’ Lean On Me and Anthony David’s Hello Like Before: The Songs of Bill Withers. The late soul singer Charles Bradley is remembered on the posthumous release Black Velvet, while the late Ohio funk musician Roger Troutman is honored on Zapp VII Roger & Friends.

Broadway star Capathia Jenkins and composer Louis Rosen offer their new project Phenomenal Woman: The Maya Angelou Songs, while baritone Thomas Hampson’s Songs From Chicago features works by composers Florence Price, Margaret Bonds, and John Alden Carpenter—all based on poems by Langston Hughes. Gospel music releases include Brent Jones’ Open Your Mouth and Say Something and the Soweto Gospel Choir’s Freedom.

Alternative rock and blues projects include Blood Orange’s Negro Swan, Black Joe Lewis’ The Difference Between Me and You, and Cedric Burnside’s Benton County Relic. Rap albums include Masta Ace & Marco Polo’s A Breukelen Story, and the self-titled release from Ill Doots that blends funk, jazz and hip hop. Wrapping up this issue is the Burkina Faso group Baba Commandant & the Mandingo Band’s Siri Ba Kele and our list of October Black Music Releases of Note.

Welcome to the October 2018 Issue

This month we’re rolling out a new and improved website and mobile version of Black Grooves!

Our featured releases include soulful songstress Macy Gray’s new album Ruby, the Prince acoustic compilation Piano & a Microphone 1983, and avant-garde artist Lonnie Holley’s third release, MITH.

Jazz releases include mezzo soprano Alicia Hall Moran’s genre blending classical/jazz project Here Today, Judith Lorick’s Second Time Around with the Eric Reed Trio, drummer Tosin Aribisala’s Áfríkà Rising, and two Grant Green compilations from Resonance Records—Slick! Live at Oil Can Harry’s and Funk in France: From Paris to Antibes 1969-1970.

For this month’s gospel music selections were looking in our own backyard with releases from two Indianapolis-based artists—Judah Band’s sophomore album Gone Fishin’ and Tyscot Records’ own Bishop Leonard Scott’s praise and worship album Jesus Love Legacy. R&B/soul releases include Unstoppable by Candi Staton and Free Me from Burundian soul singer J.P. Bimeni & The Black Belts.

Albums with a Caribbean tie include legendary reggae group Black Uhuru’s new release As the World Turns, the collaboration of reggae musician Winston McAnuff and French accordionist Fixi on Big Brothers, French-Guadeloupian trio Delgres’ debut album Mo Jodi, Snarky Puppy spin-off group Bokanté with the Metropole Orkest on What Heat (featuring Guadeloupian vocalist Malika Tirolien), plus Bokanté member and lap/pedal steel guitarist Roosevelt Collier’s ‘dirty funk’ solo debut Exit 16.

Wrapping up this issue is the Screamin’ Jay Hawkins compilation, Are YOU one of Jay’s Kids? – The Complete Bizzare Sessions 1990-1994, and our list of September 2018 Black Music Releases of Note.