Mary Lane – Travelin’ Woman

 

Title: Travelin’ Woman
Artist: Mary Lane
Label: Women of the Blues
Formats: CD, Digital
Release Date: March 8, 2019

 

At 83 years of age, legendary blues singer Mary Lane is proving that she’s still got it. Two decades after the release of her first full-length CD, Lane has made a notable comeback with Travelin’ Woman, appropriately released on Women of the Blues Records. Continue reading

Moken – Missing Chapters

 

Title: Missing Chapters
Artist: Moken
Label: MoodSwing Records
Format: CD, Digital
Release Date: August 9, 2019

 

When Cameroonian-born artist Moken released his debut album, Chapters of My Life (2016), he sought to capture the tumultuous experience of moving to the U.S. in the jazzy, rhythmic style of Cameroonian makossa music. Three years later Moken, who is now based in Atlanta, has compiled both new and reworked songs he felt were missing from his first album in the aptly titled Missing Chapters. Drawing upon a close circle of Atlanta musicians and other friends, including drummer Raphael Periera and violinist/flutist Marla Feeney, Moken offers what he calls “a feelings album,” as in “whatever felt right, we kept it.” Continue reading

Welcome to the July 2019 Issue

Welcome to the July 2019 Summer Rocks issue of Black Grooves, sponsored by the Indiana University Archives of African American Music and Culture.

This month we’re featuring albums that represent the many permutations of rock, from the Black rock power trio Hundred Watt Heart (ft. “Captain” Kirk Douglas of The Roots) on Turbulent Times, to the three volume 20th Anniversary Mixtapes: Groiddest Schizznits from Burnt Sugar The Arkestra Chamber, to the roots of rock and roll on the Bear Family compilation Little Junior Parker Rocks, to the desert rock of Malian artist Oumar Konate on I Love You Inna, to the rocking zydeco of Dwayne Dopsie on Bon Ton. Also included in this line-up are a slew of debut albums from up and coming bands: Made In Pieces from the UK’s six piece collective Pieces of a Man; self-titled releases from Austin’s Black Pumas and New York rock and soul group John The Martyr; the solo side project Nothing to Say from Alan Evans (Soulive); Believe from self-proclaimed punk empress Cole Williams; Samsara from the Austin band Los Coast; and Cousin From Another Planet from Aaron Whitby featuring Martha Redbone, Lisa Fischer and Tamar Kali.

Jazz releases include the Wayne Wallace Latin Rhythm Jazz Quintet’s The Rhythm of Invention and tenor-saxophonist Jordon Dixon’s On! Our classical pick of the month is pianist-composer Stewart Goodyear’s Gershwin & Goodyear and our gospel pick is Kirk Franklin’s Long Live Love.

Wrapping up this issue is the timely Putumayo compilation World Peace and our list of June 2019 Black Music Releases of Note.

Hundred Watt Heart – Turbulent Times

 

Title: Turbulent Times
Artist: Hundred Watt Heart
Label: Whole Leap
Formats: LP, Digital
Release date: May 24, 2019

 

Hundred Watt Heart’s Turbulent Times is the first solo recording by “Captain” Kirk Douglas from The Roots. Joined by The Roots bassist Mark Kelley, the Hundred Watt Heart is a Black rock power trio rounded out by drummer Ricc Sheridan from the band Earl Greyhound (the three also perform together as The Dust Rays). Given the power trio theme, it is appropriate that this album was recorded at Jimi Hendrix’s Electric Lady Studios in New York. The eight tracks feature excellent songwriting and musicianship that is at times bare-bones rock and roll, and at other times well-produced pseudo-psychedelia. The entire band is first-rate, and Douglas is outstanding both as a vocalist and a guitarist. Perhaps most impressive is Douglas’s restraint as a guitar player. On tracks like “Uma” he demonstrates that he can play at a top-tier level when he wants to, but unlike some other highly technical guitarists, Douglas does not populate the entire album with flashy guitar licks. Continue reading

Black Pumas Self-Titled Debut Album

 

Title: Black Pumas
Artist: Black Pumas
Label: ATO
Formats: CD, LP, Digital
Release date: June 21, 2019

 

Already hailed as a breakout band of 2019, the Austin-based duo Black Pumas just dropped their self-titled debut album. The group is the brainchild of Adrian Quesada, former guitarist with the Latin funk band Grupo Fantasma, who began assembling tracks in his studio before seeking a lead singer. Friends connected him with Eric Burton, a California native and recent Austin transplant, whose vocal prowess is rooted in the Black church and honed in musical theater. To say the two musicians hit it off would be an understatement; Burton’s songwriting skills complimented Quesada’s production experience and they shared a musical vision. The duo’s chemistry is apparent on every track, and with the additional of an ace backup band they appear unstoppable, with solid bookings through the end of the year. The opening track and first single, “Black Moon Rising,” provides a taste of their distinctive brand of soul, which draws heavily from the past but is equally grounded in the present: Continue reading

Burnt Sugar The Arkestra Chamber – 20th Anniversary Mixtapes: Groiddest Schizznits Vol. 1-3

 

Title: 20th Anniversary Mixtapes: Groiddest Schizznits Vol. 1-3
Artist: Burnt Sugar The Arkestra Chamber
Label: TruGroid/Dist. CD Baby
Formats: 3 CDs, Digital
Release date: 2019

 

This year marks the twentieth anniversary of the acclaimed and renowned experimental soul-jazz-hip hop ensemble, Burnt Sugar The Arkestra Chamber. Founded in 1999 by Village Voice critic, black music scholar and guitarist Greg Tate and co-leader/bassist Jared Michael Nickerson, Burnt Sugar was, and is, a collective of musicians creating music that traverses black music styles, genres, and eras. According to Tate and Nickerson, “Burnt Sugar was originally conceived as a forum for the New York area improvisational musician to compose, record and perform material which reflects the breadth and depth of African diasporan music in the 21st century.” To commemorate their illustrious career, Burnt Sugar recently released their three volume album compilation, 20th Anniversary Mixtapes: Groiddest Schizznits. Continue reading

Little Junior Parker Rocks

 

Title: Rocks
Artist: Little Junior Parker
Label: Bear Family
Formats: CD, Digital
Release date: April 5, 2019

 

Little Junior Parker (1932-1971) is the most recent artist to be featured on Bear Family’s long-running Rocks! series, which focuses on “the best upbeat recordings of seminal roots music artists.” Though Parker’s life “was tragically truncated by a brain tumor,” the blues harpist “had enough time to leave behind a bountiful blues recording legacy that stretched across two decades.” As explained by Bill Dahl, reissue producer and author of the extensive liner notes, Parker released a string of R&B and blues hits for two of the seminal independent labels of the postwar era: Sam Phillips’ Sun Records in Memphis and Don Robey’s Houston-based Duke imprint.” Both are represented on this compilation. Continue reading

Pieces of a Man – Made in Pieces

 

Title: Made in Pieces
Artist: Pieces of a Man
Label: Tru Thoughts
Formats: CD, Digital
Release date: July 12, 2019

 

Pieces of a Man (POAM) is a collective of musicians living in Manchester, England  comprised of Pils (Illya Gosling) on keyboards/sax, Mark Parkinson on guitar, Tim Curry on bass, Aden Peets on drums and beats, with lead singer/synth player To!u A¡ay and on talkbox/vocoder and David “DK” Klien on live effects. This is no typical band! Their music can be described as cross-genre, inspired by the likes of Ron Kenoly, Quincy Jones, Herbie Hancock and Israel Houghton. POAM also draws from more modern soul influencers such as D’Angelo, Dwele and Jill Scott “to create immersive, textured soundscapes built with hip-hop, funk and R&B.” Continue reading

John the Martyr Self-Titled Debut Album

 

Title: John the Martyr
Artist: John the Martyr
Label: Plus One
Formats: CD, LP, Digital
Release date: June 14, 2019

 

It’s becoming a familiar story: young soul music enthusiast encounters a seasoned elder who hasn’t performed professionally for years, and invites him or her to front a band. In this instance, the band is the ten-piece rock and soul group John the Martyr, and the elder is none other than 70-year-old Harlem soul singer Bill Hudson, who had been earning extra cash performing with a doo-wop group in the New York subway. Now, just two years after their formation, John the Martyr has released its eponymous debut album to wide acclaim. You may have already heard their first single, “Crossing the Line,” which is brimming over with a youthful enthusiasm tempered by the gravitas of Hudson’s vocals that reflect the septuagenarian’s lived experience: Continue reading