Mary J. Blige has gathered 16 hits and rare remixes from the ’90s in HERstory Vol. 1. Highlights include two tracks with Notorious B.I.G – “Real Love” (Hip Hop Mix) and “What’s the 411” (also ft. K-Ci) – and remixes of “Real Love,” “Reminisce” and “Love No Limit” from her 1992 debut album, What’s the 411?. A relatively short but sweet holiday offering that “tells the story of Blige as she first established herself as a tour de force of ‘90s R&B.”
Yet another repacking of Jackson’s This Is It, the movie that captured MJ’s final concert rehearsals before his death, this limited edition box is for serious fans who don’t mind spending nearly $500. Only 1000 numbered copies will be pressed, adding to the collectible market of the product. The box includes a 60-page hardcover coffee table book, 4-LP translucent blue vinyl of the soundtrack, 3D enhanced Blu-ray disc of the film never released as a standalone version, and one of the actual lenticular concert tickets for the July 24, 2009.
In celebration of the 70th anniversary of Prestige Records, Craft has released a new 6 LP box geared towards jazz fans and vinyl collectors. The Legendary Prestige Quintet Sessions includes, in chronological order, the quintet’s 1955-56 sessions with Rudy Van Gelder that resulted in five classic albums: The New Miles Davis Quintet (their 1956 debut), Cookin’ (1957), Relaxin’ (1958),Workin’ (1959), and Steamin’ (1961). Though the six disc vinyl set was originally released in 2006, this new box ups the ante with a bonus disc featuring with audio from radio and TV appearances by the group, including a 1955 guest spot on The Tonight Show with Steve Allen, plus a 20-page hardcover book with new liner notes by jazz historian Bob Blumenthal.
Anyone familiar with the history of Memphis music and Stax Records will be interested in this new memoir from keyboard wizard Booker T. Jones, who led the Stax house band Booker T. & the M.G.’s. In Time is Tight, Jones riffs on his six decades in the music business, taking us from his formative years in Memphis through his matriculation at Indiana University in the spring of 1962. Any IU alum will especially enjoy his memories of trombone studies under Buddy Baker, playing David Baker’s charts in the jazz band alongside Randy Brecker and Jamey Aebersold, performing with the Marching Hundred, meeting his first wife at Teter Quad cafeteria, living on his advance royalty payment from “Green Onions,” and his appreciation for the music of Bloomington’s most famous native son, Hoagy Carmichael.Continue reading →
It’s been nearly thirty years since Robert Pruter released his ground breaking book, Chicago Soul, which examined the emergence of soul music in the Windy City and its key players. Now another Chicago author, Aaron Cohen, takes the story one step further with Move on Up: Chicago Soul Music and Black Cultural Power. Based on interviews with more than 100 people and a multitude of books and articles, Cohen strikes the perfect balance between a well-researched, scholarly perspective and an extremely engaging journalistic history. His primary goal is to weave the story of Chicago’s diverse music scene with the social and political changes happening in the city from the late 1950s to the early 1980s. In the words of Jerry “Iceman” Butler, former lead singer of the Impressions and Cook County Commissioner, “music and politics kind of walk hand in hand down Michigan Avenue.” Other key musicians in this story include Curtis Mayfield, Baby Huey, Minnie Ripperton and Rotary Connection, Maurice White, the Chi-Lites, and Syl Johnson, among many others, who often eschewed commercial concerns in favor of socially conscious lyrics, liberation, and solidarity.Continue reading →
Title: The Beautiful Ones
Publisher: Spiegel & Grau
Formats: Hardcover, Kindle, Audiobook
Release date: October 29, 2019
While not the complete autobiography we hoped for, or that Prince intended to release (“it has to be the biggest music book of all time”), The Beautiful Ones is still a significant first person account of the artist’s life. Who, but Prince, might ponder a few days before his death, “We need to find a word for what funk is.” As editor and collaborator Dan Peipenbring states in the introduction, “Unpacking these ideas is part of what made [Prince] want to write a book in the first place.” At a time when he had turned more introspective and was processing his past, Prince sought an “improvisational partner” who understood that “music holds things together.” Dan became the keeper of the Prince “handbook” and worked diligently with the artist to create a memoir that defied conventions in the same manner as his music. But just as their ideas were starting to gel in the spring of 2016, the fateful news came from Paisley Park: Prince was dead.Continue reading →
From musician Billy Vera comes Rip It Up: The Specialty Records Story, an account of the years and the music of independent music label Specialty Records under the ownership of Art Rupe. Founded in the mid-1940s, Specialty Records produced music – some hits, some not – by Sam Cooke, Percy Mayfield, Lloyd Price, Little Richard, and many, many others. From gospel and R&B to doo wop and rock and roll, Specialty rolled out albums for over forty years until its sale to Fantasy Records in 1990.Continue reading →
The Ballad of the Brown King & Selected Songs, featuring music of composer Margaret Bonds, is a much needed album that will play an important role in bringing Bonds the wider recognition she deserves. A number of renowned artists, stretching from the present day back to Bonds’ lifetime, have recorded Bonds’ shorter compositions including her art songs and spiritual settings, as well as her sole published piece for solo piano, “Troubled Water.” But this performance by The Dessoff Choirs and Orchestra—with soprano Laquita Mitchell, mezzo-soprano Lucia Bradford, tenor Noah Stewart, and conductor Malcolm J. Merriweather—iis the world-premiere recording of not only The Ballad of the Brown King, but of any large-scale composition by Bonds, as most remain unpublished, much less professionally recorded.
Coinciding with the 2019-20 season’s acclaimed opening production of the Gershwins’ Porgy and Bess and the exhibition Black Voices at the Met, the Metropolitan Opera offers a third blockbuster with Black Voices Rise: African American Artists at the Met. This compilation of performances by Black artists from 1955 to 1985 celebrates the talent and “overdue arrival” of these history-making singers. The album opens with a performance by Marian Anderson, who broke the Met’s color barrier with her debut in Verdi’s Un Ballo in Maschera in 1955. Other featured performers include celebrated stars Leontyne Price, Grace Bumbry, Kathleen Battle, George Shirley, and Jessye Norman, among others. Black Voices Rise also includes rare excerpts from the Met’s 1985 company-premiere of Porgy and Bess starring Simon Estes and Roberta Alexander. The extensive liner notes by Dr. Maurice Wheeler include a brief history of African American performers at the Metropolitan Opera and the struggle for racial equality, as well as biographies of the singers included in the compilation. All recordings were restored and remastered from the original analog tapes, allowing these voices to triumph yet again.Continue reading →
This year celebrates the 50th anniversary of James Brown’s homecoming concert in Augusta, Georgia’s Bell Auditorium on October 1, 1969. Live at Home with His Bad Self captures this historic performance by the legendary Soul Brother No. 1 and the James Brown Orchestra with occasional dialogue by Brown and emcee Maceo Parker. Intended to “attract notoriety” to his hometown, Brown “decided to record this local concert and commemorate it with a live album” for release during the Christmas season of 1969. Unfortunately, the two-disc album was shelved for various reasons. While some selections were issued on previous compilations, Live at Home with His Bad Self finally includes the concert in its entirety from start to finish, just in time for the 2019 holiday season.Continue reading →