Archive for November 2nd, 2017

Jesse Royal – Lily Of Da Valley

Lilly Of Da Valley
Title: Lily Of Da Valley

Artist: Jesse Royal

Label: Easy Star Records

Formats: CD, LP, MP3

Release date: October 6, 2017

 

 

Artist Jesse Royal, known for his creative ideas and performances, presents his debut album on Easy Star Records, Lily Of Da Valley. This release not only showcases Royal’s vocal abilities and musicianship, but also his knowledge of Jamaican reggae music. His compositions take the listener back to the roots of Jamaican music while highlighting current developments in reggae.

The 14 tracks include previously released hit songs such as “Modern Day Judas,” “Generation,” and “Finally,” as well as new compositions—“Real Love,” “Full Moon,” “Waan Go Home,” and others—covering topics from religion and oppression, to peace and love.

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On “400 Years,” Royal tackles the issue of systemic oppression, calling for peace and equality, reparation for the black nation, and the elimination of a system that has kept people of African descent in “shackles.” In addition, the electrifying performance by the rhythm, coupled with a memorable melodic hook and harmonious backing vocals, resonate with the listener.

Royal’s song “Jah Will See Us Through” offers an uplifting messaging of hope that Jah will help us overcome life’s struggles and obstacles. Royal’s usage of biblical references in his lyrics provides encouragement and comfort. Along with his lyrics of hope, the listener is treated to a brilliant musical arrangement filled with warm and lush harmonies, groovy basslines, and a superb soulful guitar solo.

Lily Of Da Valley is certainly an inspiring collection of artistic and musical expression, and contributes to the ongoing legacy of Jamaican reggae music.

Reviewed by Jamaal Baptiste

 

View review November 2nd, 2017

Antibalas – Where The Gods Are In Peace

Antibalas
Artist: Antibalas

Label: Daptone

Title: Where The Gods Are In Peace

Release Date: September 15, 2017

Format: CD, Vinyl, Mp3

 

 

Raise your hand up high if you know & are into the Brooklyn band, Antibalas. Not bad, not bad—I see a few hands and a fist or two. Now, for those who aren’t hip, let me explain exactly who Antibalas is. The group formed in 1998 with Martin Perna at the front. The word antibalas is Spanish for “bulletproof”, which lends credence to their long-lasting career in the afrobeat world—19 years and still going strong. Antibalas plays afrobeat music, paying homage to the king of afrobeat himself, Fela Kuti. Listen very carefully—you may hear Eddie Palmeri piano stylings and personally, I think I hear another echoes of another band hailing from Brooklyn, Mandrill.

Where The Gods Are In Peace could be considered a head scratcher because it’s so short. It showcases only five tracks, but in reality, it feels like ten, perhaps fifteen. To only have five tracks and still packing a serious blow is true testament to what this band is all about. Take the track “Goldrush”. It opens up with early 1970’s rock FM and fast as you can FELA, BAM! The mood shifts into afrobeat, advanced version. Brilliant! They have you thinking one thing, but accomplish another.

Antibalas is very well-schooled in pulling off feats such as this.  “Tombstone”, believe it or not, is the third, fourth and fifth track–a 3-part finale that will blow your mind. Zap Mama, the beauty from Belgium, lends her vocals on all three tracks. What can one say? Makes you wish more acts took risks like Antibalas, but they would be asking too much. Antibalas is one of a kind, folks.

Where The Gods Are In Peace. Enjoy it for what it is—an amazingly powerful punch in just a five step gig. Next time, I expect to see more hands raised when asked, “Who knows about Antibalas?” Don’t disappoint me.

Reviewed by Eddie Bowman

View review November 2nd, 2017

The Gospelaires of Dayton, Ohio – Moving Up-The Early Years 1956-1965

Gospelaires
Title: Moving Up – The Early Years 1956-1965

Artist: The Gospelaires of Dayton, Ohio

Label: Gospel Friend/dist. City Hall Records

Format: CD

Release date: November 17, 2017

 

 

Most of us think of Dayton, Ohio as the epicenter of funk, but the city also gave birth to several national gospel recording artists including Dottie Peoples, the Daytonians, and the Gospelaires—a quartet that enjoyed the worldwide spotlight in the decade between 1956-1965 and beyond. Yet despite their considerable success, the Gospelaires have not been well represented on reissue projects. Enter Swedish gospel aficionado Per Notini, who set out to correct this omission by producing the compilation, Moving Up – The Early Years 1956-1965, on his Gospel Friend label. Included are several singles that have never been released on CD.

The opening tracks recorded in 1956, two years after the Gospelaires’ formation, are from their debut single for the Houston, Texas-based Avant label. Despite the message of solidarity in “We Are Marching Together” and catchy doo-wop style of “Some People Never Stop to Pray,” the initial reception was only lukewarm. However, the single did attract the attention of Don Robey at Peacock Records, who signed the six member quartet and continued the affiliation for the next 16 years. The second and third tracks are from the quartet’s first Peacock single, with baritone Robert Washington taking the lead on the soul stirring “Just Faith” and up-tempo “Sit Down Children,” while bass Robert Lattimore provides guitar accompaniment.  These sides portend the future direction of the group, while also displaying the powerful vocals and impassioned delivery of Washington. Though two other members sang lead for the Gospelaires—tenor Melvyn Boyd and baritone Paul Arnold—Washington is featured on the majority of the tracks on this set.

Arranged in chronological order, the remaining 25 songs provide a welcome overview of the Gospelaires. “It’s a Pity” (1958) showcases another lead singer, baritone Paul Arnold, who can also be heard trading the lead with Washington on “I’ll Be So Glad” and “You Can’t Make Me Doubt Him.” It’s unfortunate that Boyd is only featured on two tracks, “When I Rise” and “I Didn’t Know.” Though he doesn’t have the gritty power of Washington, his supple high tenor and emotive shouts are electrifying.  In another change of pace, Washington can be heard sermonizing on “Trouble No More” and “Rest for the Weary,” the latter included in this archival footage:

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Teen sensation Charles “Sky High” McClean is introduced on “C’mon” (1962), a song somewhat reminiscent of “Shout” by the Isley Brothers, who got their start just down the road in Cincinnati.  McClean takes the lead on “Motherless Child” (1963), his soulful high tenor making it clear how he came by his nickname.  The CD closes with an impassioned arrangement of Thomas Dorsey’s “Search Me Lord.”

The Gospelaires continued to record for Peacock for another decade, before switching over to Savoy, where they released many more albums. Their entire story is included in the authoritative liner notes by Bob Marovich, who also drew from articles by Ray Funk and Opal Nations. I’m pleased to say that all three of these dedicated gospel historians have generously donated collections to the Indiana University Archives of African American Music, where they are preserved for future generations.

Moving Up is a wonderful compilation showcasing the early years of the Gospelaires, one of the most successful gospel quartets of that era, and likely a strong influence on the funk groups that would emerge from Dayton, Ohio in the following decade.

Reviewed by Brenda Nelson-Strauss

View review November 2nd, 2017

Trouble in The Streets – Electro Tribe

trouble in the streets
Title: Electro Tribe

Artist: Trouble in The Streets

Label: Orb Recording

Formats: CD, MP3

Release Date: October 6, 2017

 

 

Austin, Texas based Trouble in The Streets’ debut album is like nothing you’ve heard before; in fact, they feel that their music is so unique that they’ve given it its own name—Electro Tribe. This signature sound is a mixture of electronic music, hip-hop, rock, and R&B with an international twist. The band pulls inspiration for their unique sound from acts like Rage Against the Machine, Beats Antique, and Hiatus Kaiyote as well as their own diverse musical backgrounds.

Though it may sound complicated, Trouble in The Streets is able to blend all of these sounds and styles into four cohesive and high-energy tracks on their EP, Electro Tribe. The first track, “Pyramid Scheme,” featuring Grammy Award winning guitarist Beto Martinez, includes retro-synth chord progressions, hard-hitting bass and drum arrangements, and Nnedi Agbaroji’s mesmerizing vocals.

From the passionate “Never Doubt the Worm” to the hopeful and emotional “Sop Me Up Like a Biscuit,” each track on the album is distinct yet still retains the band’s signature electro sound that will leave you wanting more from this up-and-coming trio.

Reviewed by Chloe McCormick

 

View review November 2nd, 2017

Lloyd Price – This Is Rock and Roll

Lloyd Price
Title: This Is Rock and Roll

Artist: Lloyd Price

Label: Double L Records

Formats: CD, MP3

Release Date: September 22, 2017

 

 

Lloyd Price’s career may have launched way back in 1952 with the famous single “Lawdy Miss Clawdy,” but his newest release proves that his career is far from over. This Is Rock and Roll, Price’s first album in over a decade, includes a combination of newly penned original tracks, like the bluesy “I’m Getting Over You,” as well as a collection of covers.

The title track exemplifies the album’s balance between originals and covers, combining Jimmy Reed’s “Peepin’ & Hidin’” with Price’s celebratory call-and-response “This is rock and roll.” This song is significant to the album as a whole, as it was recorded in the New York City club where, three years ago, Price decided he still had much to offer fans and conceived this album.

For his slowed-down cover of Carole King’s “Will You Still Love Me Tomorrow,” the legendary Rock and Roll Hall of Famer turns the song into a ballad sung from a man’s point of view. Regardless of whether it’s an original or a cover, each track on This Is Rock and Roll contains the unique Lloyd Price essence that has been captivating listeners for over 60 years.

Reviewed by Chloe McCormick

View review November 2nd, 2017

October 2017 Releases of Note

Following are additional albums released during October 2017—some will be reviewed in future issues of Black Grooves.

Blues, Folk, Country

Darius Rucker: When Was the Last Time  (Capitol Records Nashville)
Du-Rites:  Greasy Listening  (Redefinition)
James Armstrong: Blues Been Good to Me (Catfood)
John Lee Hooker:  King of the Boogie  (Craft)
Kim Wilson: Blues and Boogie, Vol. 1 (Severn)
Mighty Mo Rodgers & Baba Sissoko: Griot Blues (One Root Music )
Nico Wayne Toussaint: Plays James Cotton (Dixiefrog)
Original Blues Brothers Band: Last Shade of Blue Before Black (Severn)
Supersonic Blues Machine: Californisoul (Provogue)
Various: Stax Country (Stax/Concord)

Classical, Broadway, Soundtracks
Pretty Yende:  Dreams (Sony)

Holiday
Fantasia:  Christmas After Midnight  (Concord)
Leslie Odom Jr.:  Simply Christmas  (S-Curve)
Various: Cool Blue Christmas: Mr. Santa’s Boogie (Contrast)

Funk, Rock, Pop, Electronic
Ayo: S/T  (Believe Direct Limited )
Benjamin Clementine: I Tell A Fly (Virgin)
Bootsy Collins:  World Wide Funk (Mascot)
Crowd Company:  Sun and Stone (VLM)
Ikebe Shakedown: The Way Home (Colemine)
Jimi Hendrix Experience: American Landing Live at Monterey (DVD) (Legacy)
Kele Okereke: Fatherland  (BMG)
Nubiyan Twist: S/T  (  Wormfood )
Phonk Beta: Symplex 3 (digital) (Fahrenheit)
Rock Candy Funk Party: The Groove Cubed  (J&R Adventures)
The Clubs: Funk on the Floor (digital)
Various: Funkadelic Reworked By Detroiters (Ace)

Gospel, Christian Rap, CCM
Ada: Future Now (FreeNation)
Angella Christie: Intimate Conversations (ACSM)
Chad Brawley:  WeWorship Project (digital) (CKBMusik)
Coliér McNair: Intimacy (COGEO Ent. Group)
Deanna Ransom:  The Real Me EP
Earnest Pugh:  Survive  (Black Smoke)
Felton Hodges & The Annointed Voices: Fix It   (Ecko)
Lisa Knowles-Smith & The Brown Singers: Evolution-The Legacy (EvoWorld)
Mission: All of You None of Me (RPSMG)
Optimist & Fresh Yardey: The Mission, Vol. 1 (digital)
Parxx:  Uncharted (RLVNC Music Group)
Tasha Page-Lockhart: The Beautiful Project  (RCA Inspiration)
The Porter’s Gate: Worksongs (Fuel Music)
Troy Sneed: Taking It Back  (Tyscot)
Tye Tribbett: The Bloody Win (Motown Gospel)
Visionz Of Destiny: The Works
Williams Brothers: Timeless  (Blackberry)

Jazz
Céline Rudolph & Lionel Loueke:  Obsessions
Chantae Cann: Sol Empowered (Ropeadope)
Christian Scott aTunde Adjuah:Emancipation Procrastination  (Ropeadope)
Cornell Thigpen: History (Hitman)
Ezra Collective: Juan Pablo: The Philosopher  (Enter The Jungle)
Joey Alexander:  JOEY.MONK.LIVE! (Motema)
Johnny O’Neal: In the Moment (Smoke Sessions)
Sherman Irby: Cerulean Canvas  (Black Warrior)
Sonny Emory: Love Is the Greatest (Universal )
Various:You Need This: Introduction to Black Saint & Soul Note (1975-1985) (BBE)
Virginia Ayers Dawson: Standards of Love  (Ayerplay Music)
Wadada Leo Smith:  Najwa  (TUM)
Wadada Leo Smith:  Solo: Reflections and Meditations on Monk  (TUM)
Wally Badarou:  Unnamed Trilogy, Vol. 1 (Diskotopia )
Wayne Ellington: Sings ‘Unforgettable (digital)

R&B, Soul
112: Q Mike Slim Daron  (eOne)
Bigg Robb: Born 2 Do This  (Music Access Inc.)
Bobby Byrd: Help For My Brother – Pre-Funk Singles 1963-68 (BGP/Ace)
Boyz II Men:  Under the Streetlight  (Sony Masterworks)
Brik.Liam:  The Ascension (digital) (Cre8Daily)
Chante’ Moore: Rise Of The Phoenix  (CM7)
Charlotte Dos Santos: Cleo (Fresh Selects)
Chuck Jackson: Big NY Soul – Wand Records 1961-66 (Kent/Ace)
Curtis Harding: Face Your Fear (Anti/Epitaph)
Demetria McKinney: Officially Yours (eOne)
Detroit Emeralds: I Think Of You-Westbound Singles 1969-75 (Westbound /Ace)
Deva Mahal: S/T (Motéma Music)
Devvon Terrell:  Weird Nights (digital)
dvsn: Morning After (Warner Bros.)
Eartha Kitt: I Want To Be Evil – The Wicked Eartha Kitt (Jasmine)
Eric Roberson: Fire (Blue Erro Soul)
Jackie Shane: Any Other Way (Numero)
Jamila Woods: Heavn  (Jagjaguwar)
Kelela: Take Me Apart (Warp)
Kenny Latimore: Vulnerable (Sincere Soul)
Keyshia Cole:  11:11 Reset (Epic)
Leroy Hutson: Anthology 1972-1984 (Acid Jazz )
Lyrica Anderson: Adia (Empire)
Marcus Randolph & My Peeples Peeple: Transplant (American Showplace Music)
Mic Lowry: Mood (Island)
Michael Jackson: Searching for Neverland (DVD) (Lionsgate)
Mpho Sebina:  Neo (digital)
Nicole Willis & UMO Jazz Orchestra:  My Name Is Nicole Willis (Persephone)
PP Arnold: The Turning Tide  (Kundalini Music)
Rationale: S/T (Warner Bros.)
Rhyon: Pretty Girl (Empire)
Saràyah: Feel the Vibe (Basin Street)
Tom Tripp: Red EP (Prime Sound)
Vivian Green:  VGVI  (Make Noise)

Rap, Hip Hop
Juice Aleem: Voodu Starchild (Gamma Proforma)
Aaron Alexander: Memento Mori  (Ignant Art)
Belly: Mumble Rap (Republic)
Big K.R.I.T.:  4eva Is A Mighty Long Time (BMG)
Blood Before Pride: Mimesis, Catharsis and Imitation of Art in Life (Fatbeats)
Blu & Exile: In The Beginning: Before The Heavens (Fat Beats)
Bone Thugs-N-Harmony, Outlawz: Thug Brothers 3 (Real Talk Ent)
Chief Keef & Fredo Santana: Turbo Bandana mixtape
Cunninlynguists: Rose Azura Nijano (A Piece of Strange Music)
Da Flyy Hooligan: S.C.U.M.  (Lux Ent.)
Dame D.O.L.L.A.: Confirmed (digital) (Front Page Music)
Earthgang: Robots (digital) (Spillage Village)
Edo.G: FreEDOm (5th & Union)
Future & Young Thug: Super Slimey (mixtape) (Epic)
GhostWryter:  27 Darvin (digital) (Never Basic Assoc.)
Gospel of Rufus: Alternate Path (Alternate Path Music Group)
Hex One:  Words Worth a Thousand Pictures ( Mic-Theory)
Hustle Gang: We Want Smoke (Roc Nation/Grand Hustle)
IDK: Iwasverybad (Commission Music/BMG)
J. Stalin: Gas Nation 2 (Livewire)
Krayzie Bone: E.1999: The LeathaFace Project (Real Talk Ent.)
Krept & Konan:  7 Days & 7 Nights (mixtapes)
Lil Pump: Lil Pump (digital) (Warner Bros.)
Masta Killa: Loyalty Is Royalty ( Nature Sounds)
Meyhem Lauren & DJ Muggs: Gems from the Equinox (Soul Assassins)
Moneybagg Yo: Federal 3X  (Interscope)
Playboi Carti:  S/T (Interscope)
Rob Stone: Don’t Wait For It (Grove Town)
Sivion: Dark Side of the Cocoon (Illect)
Snoop Dogg: Make America Crip Again (Empire)
Stalley: Another Level (mixtape)
Swissivory: Real Dreams 2 (NoHook!/Rough Trade)
Tech N9ne Collabos: Strange Reign (Strange Music)
TeeCee 4800: Realness Over Millions 2 (digital)
Trippie Redd: A Love Letter to You 2 (mixtape)
Ty Dolla $ign: Beach House 3 (Atlantic)
Vandalyzm: Rumors of My Demise Have Been Greatly Exaggerated (Blue Collar Initiative)
Waka Flocka Flame: Flockavelli 2
Wu-Tang: The Saga Continues (36 Chambers ALC /eOne)
Yo Gotti: I Still Am (Epic)
Young Dolph: Thinking Out Loud (digital) (Paper Route Empire)
Young Dro: Da’ Real Atlanta (Real Talk Ent)
Young RJ: Blaq Royalty (Ne’Astra Music/Slum Village)
Young Spray: Invisible Tears (RTM)

Reggae, Dancehall
Emeterians: The Magic Touch (VP)
Frightnrs: More to Say Versions (Daptone)
Jamaiel Shabaka: Land of the Rising Sun ( Roots Vibration )
Lee Perry & The Upsetters: Trojan Albums Collection, 1971-73 (Trojan)
Prodigal Son: Pure Gold  (Main Street)

World, Latin
Adriano Trindade & Los Quemados: Balançando o Jazz (Loop Publishing)
Da Cruz: Eco do Futuro  (Boom Jah)
Diron Animal: Alone  (Soundway)
Eduardo Sandoval: Caminos Abiertos (Egrem)
Elida Almeida: Kebrada (Lusafrica)
Emo Kid:  Gqomtera EP  (Gqom Oh! )
KOKOKO!: Tongos’a EP (ICI)
Leila Gobi: 2017 (Clermont Music )
Miles From Kinshasa: Limbo (Quality Time)
Orchestre Les Mangelepa:  Last Band Standing (Strut)
Professor Rhythm: Bafana Bafana (Awesome Tapes from Africa)
Thandeka: Thandanani Ma Afrika (Chocs Pro Sound)
Various: Jukebox Mambo Vol. 3 (Jazzman )

 

View review November 2nd, 2017

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